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Color name
HEX #A221BA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A221BA it is the complementary color #5DDE45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A221BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A221BA shade: #A721B5, #B833C8, #C945DB, #DA57EE and #EB69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A221BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A221BA shade: #A221BA, #910FA7, #800094, #6F0081 and #5E006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A221BA shade: #A220BA, #BA20A9, #BA207F, #BA2056 and #BA202C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A221BA shade: #A220BA, #7820BA, #4F20BA, #2620BA and #2020BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A221BA shade matches the following richer shades: #A220BA and #AE0FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A221BA shade: #A220BA, #9632A8, #894496, #7D5685 and #716773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A221BA shade: #4E20BA, #7720BA, #A020BA, #BA20AB and #BA2082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A221BA shade: #651474, #831A97, #A220BA, #BE2AD9 and #C84EDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A221BA shade: #A221BA, #BA2620 and #20BA63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A221BA shade: #A221BA, #BAA020 and #20BAA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A221BA shade: #A221BA, #BA2620, #3ABA20 and #20B5BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A221BA shade: #A221BA, #BA5420, #3ABA20 and #2087BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 27

HEX #A221BA

RGB 162 33 186

HSL 290.59, 0.7%, 0.43%

LAB 41.71, 68.62, -52.24

 

Complementary color

CMYK 58 / 0 / 69 / 13

HEX #5DDE45

RGB 93 222 69

HSL 110.59, 0.7%, 0.57%

LAB 79.04, -62.88, 61.56

 

CMYK 8 / 82 / 0 / 29

HEX #A721B5

RGB 167 33 181

HSL 294.32, 0.69%, 0.42%

LAB 42.21, 68.67, -48.44

 

CMYK 8 / 75 / 0 / 22

HEX #B833C8

RGB 184 51 200

HSL 293.56, 0.59%, 0.49%

LAB 47.92, 70.06, -50.25

 

CMYK 8 / 68 / 0 / 14

HEX #C945DB

RGB 201 69 219

HSL 292.8, 0.68%, 0.56%

LAB 53.8, 70.68, -51.58

 

CMYK 8 / 63 / 0 / 7

HEX #DA57EE

RGB 218 87 238

HSL 292.05, 0.82%, 0.64%

LAB 59.79, 70.79, -52.57

 

CMYK 8 / 59 / 0 / 0

HEX #EB69FF

RGB 235 105 255

HSL 292, 1%, 0.71%

LAB 65.74, 70.22, -52.4

 

CMYK 13 / 82 / 0 / 27

HEX #A221BA

RGB 162 33 186

HSL 290.59, 0.7%, 0.43%

LAB 41.71, 68.62, -52.24

 

CMYK 13 / 91 / 0 / 35

HEX #910FA7

RGB 145 15 167

HSL 291.32, 0.84%, 0.36%

LAB 36.27, 66.12, -49.86

 

CMYK 14 / 100 / 0 / 42

HEX #800094

RGB 128 0 148

HSL 291.89, 1%, 0.29%

LAB 31.18, 62.25, -46.69

 

CMYK 14 / 100 / 0 / 49

HEX #6F0081

RGB 111 0 129

HSL 291.63, 1%, 0.25%

LAB 26.63, 56.29, -42.36

 

CMYK 15 / 100 / 0 / 57

HEX #5E006E

RGB 94 0 110

HSL 291.27, 1%, 0.22%

LAB 21.96, 50.16, -37.92

 

CMYK 13 / 83 / 0 / 27

HEX #A220BA

RGB 162 32 186

HSL 290.65, 0.71%, 0.43%

LAB 41.63, 68.87, -52.37

 

CMYK 0 / 83 / 9 / 27

HEX #BA20A9

RGB 186 32 169

HSL 306.62, 0.71%, 0.43%

LAB 44.71, 70.72, -37.16

 

CMYK 0 / 83 / 32 / 27

HEX #BA207F

RGB 186 32 127

HSL 322.99, 0.71%, 0.43%

LAB 42.77, 65.31, -14.76

 

CMYK 0 / 83 / 54 / 27

HEX #BA2056

RGB 186 32 86

HSL 338.96, 0.71%, 0.43%

LAB 41.44, 61.45, 8.91

 

CMYK 0 / 83 / 76 / 27

HEX #BA202C

RGB 186 32 44

HSL 355.32, 0.71%, 0.43%

LAB 40.66, 59.1, 34.02

 

CMYK 13 / 83 / 0 / 27

HEX #A220BA

RGB 162 32 186

HSL 290.65, 0.71%, 0.43%

LAB 41.63, 68.87, -52.37

 

CMYK 35 / 83 / 0 / 27

HEX #7820BA

RGB 120 32 186

HSL 274.29, 0.71%, 0.43%

LAB 35.15, 61.95, -63.19

 

CMYK 58 / 83 / 0 / 27

HEX #4F20BA

RGB 79 32 186

HSL 258.31, 0.71%, 0.43%

LAB 30.01, 56.65, -71.81

 

CMYK 80 / 83 / 0 / 27

HEX #2620BA

RGB 38 32 186

HSL 242.34, 0.71%, 0.43%

LAB 26.71, 53.36, -77.39

 

CMYK 83 / 83 / 0 / 27

HEX #2020BA

RGB 32 32 186

HSL 240, 0.71%, 0.43%

LAB 26.41, 53.06, -77.9

 

CMYK 13 / 83 / 0 / 27

HEX #A220BA

RGB 162 32 186

HSL 290.65, 0.71%, 0.43%

LAB 41.63, 68.87, -52.37

 

CMYK 15 / 93 / 0 / 20

HEX #AE0FCC

RGB 174 15 204

HSL 290.48, 0.86%, 0.43%

LAB 43.8, 77, -59.27

 

CMYK 13 / 83 / 0 / 27

HEX #A220BA

RGB 162 32 186

HSL 290.65, 0.71%, 0.43%

LAB 41.63, 68.87, -52.37

 

CMYK 11 / 70 / 0 / 34

HEX #9632A8

RGB 150 50 168

HSL 290.85, 0.54%, 0.43%

LAB 40.56, 57.45, -43.52

 

CMYK 9 / 55 / 0 / 41

HEX #894496

RGB 137 68 150

HSL 290.49, 0.38%, 0.43%

LAB 40.66, 42.31, -32.68

 

CMYK 6 / 35 / 0 / 48

HEX #7D5685

RGB 125 86 133

HSL 289.79, 0.21%, 0.43%

LAB 42.32, 24.8, -19.92

 

CMYK 2 / 10 / 0 / 55

HEX #716773

RGB 113 103 115

HSL 290, 0.06%, 0.43%

LAB 44.87, 6.35, -5.28

 

CMYK 58 / 83 / 0 / 27

HEX #4E20BA

RGB 78 32 186

HSL 257.92, 0.71%, 0.43%

LAB 29.91, 56.54, -71.99

 

CMYK 36 / 83 / 0 / 27

HEX #7720BA

RGB 119 32 186

HSL 273.9, 0.71%, 0.43%

LAB 35, 61.8, -63.43

 

CMYK 14 / 83 / 0 / 27

HEX #A020BA

RGB 160 32 186

HSL 289.87, 0.71%, 0.43%

LAB 41.3, 68.51, -52.92

 

CMYK 0 / 83 / 8 / 27

HEX #BA20AB

RGB 186 32 171

HSL 305.84, 0.71%, 0.43%

LAB 44.82, 71.01, -38.17

 

CMYK 0 / 83 / 30 / 27

HEX #BA2082

RGB 186 32 130

HSL 321.82, 0.71%, 0.43%

LAB 42.89, 65.65, -16.42

 

CMYK 13 / 83 / 0 / 55

HEX #651474

RGB 101 20 116

HSL 290.63, 0.71%, 0.27%

LAB 25.35, 47.72, -36.27

 

CMYK 13 / 83 / 0 / 41

HEX #831A97

RGB 131 26 151

HSL 290.4, 0.71%, 0.35%

LAB 33.56, 58.46, -44.66

 

CMYK 13 / 83 / 0 / 27

HEX #A220BA

RGB 162 32 186

HSL 290.65, 0.71%, 0.43%

LAB 41.63, 68.87, -52.37

 

CMYK 12 / 81 / 0 / 15

HEX #BE2AD9

RGB 190 42 217

HSL 290.74, 0.7%, 0.51%

LAB 49.02, 76.7, -58.19

 

CMYK 10 / 65 / 0 / 13

HEX #C84EDF

RGB 200 78 223

HSL 290.48, 0.69%, 0.59%

LAB 55.13, 67.67, -51.73

 

CMYK 13 / 82 / 0 / 27

HEX #A221BA

RGB 162 33 186

HSL 290.59, 0.7%, 0.43%

LAB 41.71, 68.62, -52.24

 

CMYK 0 / 80 / 83 / 27

HEX #BA2620

RGB 186 38 32

HSL 2.34, 0.71%, 0.43%

LAB 41.1, 57.11, 41.22

 

CMYK 83 / 0 / 47 / 27

HEX #20BA63

RGB 32 186 99

HSL 146.1, 0.71%, 0.43%

LAB 66.77, -57.36, 33.47

 

CMYK 13 / 82 / 0 / 27

HEX #A221BA

RGB 162 33 186

HSL 290.59, 0.7%, 0.43%

LAB 41.71, 68.62, -52.24

 

CMYK 0 / 14 / 83 / 27

HEX #BAA020

RGB 186 160 32

HSL 49.87, 0.71%, 0.43%

LAB 66.28, -2.94, 63.65

 

CMYK 83 / 0 / 14 / 27

HEX #20BAA0

RGB 32 186 160

HSL 169.87, 0.71%, 0.43%

LAB 67.99, -43.83, 2.42

 

CMYK 13 / 82 / 0 / 27

HEX #A221BA

RGB 162 33 186

HSL 290.59, 0.7%, 0.43%

LAB 41.71, 68.62, -52.24

 

CMYK 0 / 80 / 83 / 27

HEX #BA2620

RGB 186 38 32

HSL 2.34, 0.71%, 0.43%

LAB 41.1, 57.11, 41.22

 

CMYK 69 / 0 / 83 / 27

HEX #3ABA20

RGB 58 186 32

HSL 109.87, 0.71%, 0.43%

LAB 66.61, -60.87, 61.16

 

CMYK 83 / 3 / 0 / 27

HEX #20B5BA

RGB 32 181 186

HSL 181.95, 0.71%, 0.43%

LAB 67.2, -34.13, -13.09

 

CMYK 13 / 82 / 0 / 27

HEX #A221BA

RGB 162 33 186

HSL 290.59, 0.7%, 0.43%

LAB 41.71, 68.62, -52.24

 

CMYK 0 / 55 / 83 / 27

HEX #BA5420

RGB 186 84 32

HSL 20.26, 0.71%, 0.43%

LAB 48.11, 38.27, 47.7

 

CMYK 69 / 0 / 83 / 27

HEX #3ABA20

RGB 58 186 32

HSL 109.87, 0.71%, 0.43%

LAB 66.61, -60.87, 61.16

 

CMYK 83 / 27 / 0 / 27

HEX #2087BA

RGB 32 135 186

HSL 199.87, 0.71%, 0.43%

LAB 53.15, -10.26, -34.66

 

Description

Color code: HEX #A221BA | qconv.com Color code: HEX #A221BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 33 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 33 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 27% C M Y K

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Provide designers and agencies with accurate color values.

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