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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A229EC it is the complementary color #5DD613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A229EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A229EC shade: #A729E7, #B83BFA, #C94DFF, #DA5FFF and #EB71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A229EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A229EC shade: #A229EC, #9117D9, #8005C6, #6F00B3 and #5E00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A229EC shade: #A127EC, #D627EC, #EC27CC, #EC2797 and #EC2762

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A229EC shade: #A127EC, #6C27EC, #3727EC and #2727EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A229EC shade matches the following richer shades: #A127EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A229EC shade: #A127EC, #9C3AD9, #984DC6, #9360B3 and #8F73A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A229EC shade: #3727EC, #6C27EC, #A027EC, #D527EC and #EC27CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A229EC shade: #730FB1, #8C12D7, #A127EC, #B14DEF and #C273F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A229EC shade: #A229EC, #EC274B and #27EC51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A229EC shade: #A229EC, #ECA027 and #27ECA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A229EC shade: #A229EC, #EC274B, #72EC27 and #27ECC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A229EC shade: #A229EC, #EC3E27, #72EC27 and #27D5EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 83 / 0 / 7

HEX #A229EC

RGB 162 41 236

HSL 277.23, 0.84%, 0.54%

LAB 46.07, 76, -73.96

 

Complementary color

CMYK 57 / 0 / 91 / 16

HEX #5DD613

RGB 93 214 19

HSL 97.23, 0.84%, 0.46%

LAB 76.36, -62.72, 72.61

 

CMYK 28 / 82 / 0 / 9

HEX #A729E7

RGB 167 41 231

HSL 279.79, 0.8%, 0.53%

LAB 46.41, 75.75, -70.56

 

CMYK 26 / 76 / 0 / 2

HEX #B83BFA

RGB 184 59 250

HSL 279.27, 0.95%, 0.61%

LAB 52.09, 76.76, -71.9

 

CMYK 21 / 70 / 0 / 0

HEX #C94DFF

RGB 201 77 255

HSL 281.8, 1%, 0.65%

LAB 57.02, 74.34, -66.58

 

CMYK 15 / 63 / 0 / 0

HEX #DA5FFF

RGB 218 95 255

HSL 286.13, 1%, 0.69%

LAB 61.92, 70.58, -58.6

 

CMYK 8 / 56 / 0 / 0

HEX #EB71FF

RGB 235 113 255

HSL 291.55, 1%, 0.72%

LAB 67.05, 66.67, -50.33

 

CMYK 31 / 83 / 0 / 7

HEX #A229EC

RGB 162 41 236

HSL 277.23, 0.84%, 0.54%

LAB 46.07, 76, -73.96

 

CMYK 33 / 89 / 0 / 15

HEX #9117D9

RGB 145 23 217

HSL 277.73, 0.81%, 0.47%

LAB 40.64, 74.1, -72.12

 

CMYK 35 / 97 / 0 / 22

HEX #8005C6

RGB 128 5 198

HSL 278.24, 0.95%, 0.4%

LAB 35.55, 70.93, -69.54

 

CMYK 38 / 100 / 0 / 30

HEX #6F00B3

RGB 111 0 179

HSL 277.21, 1%, 0.35%

LAB 30.96, 65.93, -65.95

 

CMYK 41 / 100 / 0 / 37

HEX #5E00A0

RGB 94 0 160

HSL 275.25, 1%, 0.31%

LAB 26.5, 60.19, -61.92

 

CMYK 32 / 83 / 0 / 7

HEX #A127EC

RGB 161 39 236

HSL 277.16, 0.84%, 0.54%

LAB 45.75, 76.39, -74.5

 

CMYK 9 / 83 / 0 / 7

HEX #D627EC

RGB 214 39 236

HSL 293.3, 0.84%, 0.54%

LAB 53.82, 84.67, -61.04

 

CMYK 0 / 83 / 14 / 7

HEX #EC27CC

RGB 236 39 204

HSL 309.75, 0.84%, 0.54%

LAB 55.73, 84, -39.62

 

CMYK 0 / 83 / 36 / 7

HEX #EC2797

RGB 236 39 151

HSL 325.89, 0.84%, 0.54%

LAB 53.51, 77.87, -12.11

 

CMYK 0 / 83 / 58 / 7

HEX #EC2762

RGB 236 39 98

HSL 342.03, 0.84%, 0.54%

LAB 52.02, 73.58, 17.63

 

CMYK 32 / 83 / 0 / 7

HEX #A127EC

RGB 161 39 236

HSL 277.16, 0.84%, 0.54%

LAB 45.75, 76.39, -74.5

 

CMYK 54 / 83 / 0 / 7

HEX #6C27EC

RGB 108 39 236

HSL 261.02, 0.84%, 0.54%

LAB 39.06, 69.89, -85.73

 

CMYK 77 / 83 / 0 / 7

HEX #3727EC

RGB 55 39 236

HSL 244.87, 0.84%, 0.54%

LAB 34.64, 65.86, -93.19

 

CMYK 83 / 83 / 0 / 7

HEX #2727EC

RGB 39 39 236

HSL 240, 0.84%, 0.54%

LAB 33.85, 65.17, -94.52

 

CMYK 32 / 83 / 0 / 7

HEX #A127EC

RGB 161 39 236

HSL 277.16, 0.84%, 0.54%

LAB 45.75, 76.39, -74.5

 

CMYK 32 / 83 / 0 / 7

HEX #A127EC

RGB 161 39 236

HSL 277.16, 0.84%, 0.54%

LAB 45.75, 76.39, -74.5

 

CMYK 28 / 73 / 0 / 15

HEX #9C3AD9

RGB 156 58 217

HSL 276.98, 0.68%, 0.54%

LAB 45.78, 65.41, -63.68

 

CMYK 23 / 61 / 0 / 22

HEX #984DC6

RGB 152 77 198

HSL 277.19, 0.51%, 0.54%

LAB 47.05, 51.94, -50.73

 

CMYK 18 / 46 / 0 / 30

HEX #9360B3

RGB 147 96 179

HSL 276.87, 0.35%, 0.54%

LAB 49.28, 36.18, -36.21

 

CMYK 11 / 28 / 0 / 37

HEX #8F73A0

RGB 143 115 160

HSL 277.33, 0.19%, 0.54%

LAB 52.55, 19.68, -20.09

 

CMYK 77 / 83 / 0 / 7

HEX #3727EC

RGB 55 39 236

HSL 244.87, 0.84%, 0.54%

LAB 34.64, 65.86, -93.19

 

CMYK 54 / 83 / 0 / 7

HEX #6C27EC

RGB 108 39 236

HSL 261.02, 0.84%, 0.54%

LAB 39.06, 69.89, -85.73

 

CMYK 32 / 83 / 0 / 7

HEX #A027EC

RGB 160 39 236

HSL 276.85, 0.84%, 0.54%

LAB 45.61, 76.25, -74.74

 

CMYK 10 / 83 / 0 / 7

HEX #D527EC

RGB 213 39 236

HSL 292.99, 0.84%, 0.54%

LAB 53.66, 84.5, -61.31

 

CMYK 0 / 83 / 13 / 7

HEX #EC27CE

RGB 236 39 206

HSL 309.14, 0.84%, 0.54%

LAB 55.83, 84.26, -40.61

 

CMYK 35 / 92 / 0 / 31

HEX #730FB1

RGB 115 15 177

HSL 277.04, 0.84%, 0.38%

LAB 32.17, 63.63, -62.74

 

CMYK 35 / 92 / 0 / 16

HEX #8C12D7

RGB 140 18 215

HSL 277.16, 0.85%, 0.46%

LAB 39.44, 73.97, -72.97

 

CMYK 32 / 83 / 0 / 7

HEX #A127EC

RGB 161 39 236

HSL 277.16, 0.84%, 0.54%

LAB 45.75, 76.39, -74.5

 

CMYK 26 / 68 / 0 / 6

HEX #B14DEF

RGB 177 77 239

HSL 277.04, 0.84%, 0.62%

LAB 52.83, 66.32, -64.6

 

CMYK 20 / 52 / 0 / 5

HEX #C273F2

RGB 194 115 242

HSL 277.32, 0.83%, 0.7%

LAB 61.78, 52.73, -51.83

 

CMYK 31 / 83 / 0 / 7

HEX #A229EC

RGB 162 41 236

HSL 277.23, 0.84%, 0.54%

LAB 46.07, 76, -73.96

 

CMYK 0 / 83 / 68 / 7

HEX #EC274B

RGB 236 39 75

HSL 349.04, 0.84%, 0.54%

LAB 51.6, 72.34, 30.91

 

CMYK 83 / 0 / 66 / 7

HEX #27EC51

RGB 39 236 81

HSL 132.79, 0.84%, 0.54%

LAB 82.39, -75.1, 60.16

 

CMYK 31 / 83 / 0 / 7

HEX #A229EC

RGB 162 41 236

HSL 277.23, 0.84%, 0.54%

LAB 46.07, 76, -73.96

 

CMYK 0 / 32 / 83 / 7

HEX #ECA027

RGB 236 160 39

HSL 36.85, 0.84%, 0.54%

LAB 71.64, 19.12, 68.26

 

CMYK 83 / 0 / 32 / 7

HEX #27ECA0

RGB 39 236 160

HSL 156.85, 0.84%, 0.54%

LAB 83.42, -62.88, 24.17

 

CMYK 31 / 83 / 0 / 7

HEX #A229EC

RGB 162 41 236

HSL 277.23, 0.84%, 0.54%

LAB 46.07, 76, -73.96

 

CMYK 0 / 83 / 68 / 7

HEX #EC274B

RGB 236 39 75

HSL 349.04, 0.84%, 0.54%

LAB 51.6, 72.34, 30.91

 

CMYK 52 / 0 / 83 / 7

HEX #72EC27

RGB 114 236 39

HSL 97.16, 0.84%, 0.54%

LAB 83.82, -64.18, 75.54

 

CMYK 83 / 0 / 15 / 7

HEX #27ECC8

RGB 39 236 200

HSL 169.04, 0.84%, 0.54%

LAB 84.27, -53.63, 4.54

 

CMYK 31 / 83 / 0 / 7

HEX #A229EC

RGB 162 41 236

HSL 277.23, 0.84%, 0.54%

LAB 46.07, 76, -73.96

 

CMYK 0 / 74 / 83 / 7

HEX #EC3E27

RGB 236 62 39

HSL 7.01, 0.84%, 0.54%

LAB 53.41, 64.84, 52.52

 

CMYK 52 / 0 / 83 / 7

HEX #72EC27

RGB 114 236 39

HSL 97.16, 0.84%, 0.54%

LAB 83.82, -64.18, 75.54

 

CMYK 83 / 10 / 0 / 7

HEX #27D5EC

RGB 39 213 236

HSL 187.01, 0.84%, 0.54%

LAB 78.51, -33.37, -23.14

 

Description

Color code: HEX #A229EC | qconv.com Color code: HEX #A229EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 41 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 41 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 83 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 83% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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