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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A20AA7 it is the complementary color #5DF558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A20AA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A20AA7 shade: #A70AA2, #B81CB5, #C92EC8, #DA40DB and #EB52EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A20AA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A20AA7 shade: #A20AA7, #910094, #800081, #6F006E and #5E005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A20AA7 shade: #A309A8, #A80982, #A80958, #A8092D and #A80909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A20AA7 shade: #A309A8, #7809A8, #4D09A8, #2309A8 and #0909A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A20AA7 shade matches the following richer shades: #A309A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A20AA7 shade: #A309A8, #96189A, #88268B, #7B357D and #6D436E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A20AA7 shade: #4E09A8, #7909A8, #A309A8, #A80983 and #A80959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A20AA7 shade: #57055A, #7D0781, #A309A8, #C90CCF and #EA13F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A20AA7 shade: #A20AA7, #A82409 and #09A863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A20AA7 shade: #A20AA7, #A8A309 and #09A8A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A20AA7 shade: #A20AA7, #A82409, #0FA809 and #098EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A20AA7 shade: #A20AA7, #A85309, #0FA809 and #095EA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 94 / 0 / 35

HEX #A20AA7

RGB 162 10 167

HSL 298.09, 0.89%, 0.35%

LAB 39.05, 69.63, -45.23

 

Complementary color

CMYK 62 / 0 / 64 / 4

HEX #5DF558

RGB 93 245 88

HSL 118.09, 0.89%, 0.65%

LAB 86.17, -69.09, 61.77

 

CMYK 0 / 94 / 3 / 35

HEX #A70AA2

RGB 167 10 162

HSL 301.91, 0.89%, 0.35%

LAB 39.65, 69.74, -41.22

 

CMYK 0 / 85 / 2 / 28

HEX #B81CB5

RGB 184 28 181

HSL 301.15, 0.74%, 0.42%

LAB 44.74, 72.94, -44.23

 

CMYK 0 / 77 / 0 / 21

HEX #C92EC8

RGB 201 46 200

HSL 300.39, 0.63%, 0.48%

LAB 50.15, 74.93, -46.53

 

CMYK 0 / 71 / 0 / 14

HEX #DA40DB

RGB 218 64 219

HSL 299.61, 0.68%, 0.55%

LAB 55.77, 76.05, -48.29

 

CMYK 1 / 66 / 0 / 7

HEX #EB52EE

RGB 235 82 238

HSL 298.85, 0.82%, 0.63%

LAB 61.54, 76.56, -49.65

 

CMYK 3 / 94 / 0 / 35

HEX #A20AA7

RGB 162 10 167

HSL 298.09, 0.89%, 0.35%

LAB 39.05, 69.63, -45.23

 

CMYK 2 / 100 / 0 / 42

HEX #910094

RGB 145 0 148

HSL 298.78, 1%, 0.29%

LAB 34.31, 64.99, -41.49

 

CMYK 1 / 100 / 0 / 49

HEX #800081

RGB 128 0 129

HSL 299.53, 1%, 0.25%

LAB 29.85, 59.1, -37.02

 

CMYK 0 / 100 / 1 / 56

HEX #6F006E

RGB 111 0 110

HSL 300.54, 1%, 0.22%

LAB 25.28, 53.06, -32.42

 

CMYK 0 / 100 / 3 / 63

HEX #5E005B

RGB 94 0 91

HSL 301.91, 1%, 0.18%

LAB 20.58, 46.86, -27.65

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 0 / 95 / 23 / 34

HEX #A80982

RGB 168 9 130

HSL 314.34, 0.9%, 0.35%

LAB 38.08, 65.66, -24.13

 

CMYK 0 / 95 / 48 / 34

HEX #A80958

RGB 168 9 88

HSL 330.19, 0.9%, 0.35%

LAB 36.41, 61.25, -0.06

 

CMYK 0 / 95 / 73 / 34

HEX #A8092D

RGB 168 9 45

HSL 346.42, 0.9%, 0.35%

LAB 35.42, 58.52, 26.41

 

CMYK 0 / 95 / 95 / 34

HEX #A80909

RGB 168 9 9

HSL 0, 0.9%, 0.35%

LAB 35.08, 57.58, 45.53

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 29 / 95 / 0 / 34

HEX #7809A8

RGB 120 9 168

HSL 281.89, 0.9%, 0.35%

LAB 31.84, 63.45, -57.85

 

CMYK 54 / 95 / 0 / 34

HEX #4D09A8

RGB 77 9 168

HSL 265.66, 0.9%, 0.35%

LAB 25.56, 58.65, -68.4

 

CMYK 79 / 95 / 0 / 34

HEX #2309A8

RGB 35 9 168

HSL 249.81, 0.9%, 0.35%

LAB 21.51, 56.16, -75.26

 

CMYK 95 / 95 / 0 / 34

HEX #0909A8

RGB 9 9 168

HSL 240, 0.9%, 0.35%

LAB 20.36, 55.58, -77.19

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 3 / 84 / 0 / 40

HEX #96189A

RGB 150 24 154

HSL 298.15, 0.73%, 0.35%

LAB 36.87, 63.09, -40.99

 

CMYK 2 / 73 / 0 / 45

HEX #88268B

RGB 136 38 139

HSL 298.22, 0.57%, 0.35%

LAB 34.97, 53.5, -34.99

 

CMYK 2 / 58 / 0 / 51

HEX #7B357D

RGB 123 53 125

HSL 298.33, 0.4%, 0.35%

LAB 34.47, 41, -27.23

 

CMYK 1 / 39 / 0 / 57

HEX #6D436E

RGB 109 67 110

HSL 298.6, 0.24%, 0.35%

LAB 34.78, 25.71, -17.5

 

CMYK 54 / 95 / 0 / 34

HEX #4E09A8

RGB 78 9 168

HSL 266.04, 0.9%, 0.35%

LAB 25.69, 58.74, -68.18

 

CMYK 28 / 95 / 0 / 34

HEX #7909A8

RGB 121 9 168

HSL 282.26, 0.9%, 0.35%

LAB 32.01, 63.59, -57.57

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 0 / 95 / 22 / 34

HEX #A80983

RGB 168 9 131

HSL 313.96, 0.9%, 0.35%

LAB 38.13, 65.78, -24.68

 

CMYK 0 / 95 / 47 / 34

HEX #A80959

RGB 168 9 89

HSL 329.81, 0.9%, 0.35%

LAB 36.45, 61.34, -0.66

 

CMYK 3 / 94 / 0 / 65

HEX #57055A

RGB 87 5 90

HSL 297.88, 0.89%, 0.19%

LAB 19.53, 44.05, -28.74

 

CMYK 3 / 95 / 0 / 49

HEX #7D0781

RGB 125 7 129

HSL 298.03, 0.9%, 0.27%

LAB 29.66, 57.45, -37.36

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 3 / 94 / 0 / 19

HEX #C90CCF

RGB 201 12 207

HSL 298.15, 0.89%, 0.43%

LAB 48.49, 82.03, -53.21

 

CMYK 3 / 92 / 0 / 5

HEX #EA13F1

RGB 234 19 241

HSL 298.11, 0.89%, 0.51%

LAB 56.4, 91.69, -59.53

 

CMYK 3 / 94 / 0 / 35

HEX #A20AA7

RGB 162 10 167

HSL 298.09, 0.89%, 0.35%

LAB 39.05, 69.63, -45.23

 

CMYK 0 / 79 / 95 / 34

HEX #A82409

RGB 168 36 9

HSL 10.19, 0.9%, 0.35%

LAB 37.13, 51.77, 46.77

 

CMYK 95 / 0 / 41 / 34

HEX #09A863

RGB 9 168 99

HSL 153.96, 0.9%, 0.35%

LAB 60.75, -52.64, 25.63

 

CMYK 3 / 94 / 0 / 35

HEX #A20AA7

RGB 162 10 167

HSL 298.09, 0.89%, 0.35%

LAB 39.05, 69.63, -45.23

 

CMYK 0 / 3 / 95 / 34

HEX #A8A309

RGB 168 163 9

HSL 58.11, 0.9%, 0.35%

LAB 65.39, -13.07, 66.93

 

CMYK 95 / 0 / 3 / 34

HEX #09A8A3

RGB 9 168 163

HSL 178.11, 0.9%, 0.35%

LAB 62.26, -36.38, -7.69

 

CMYK 3 / 94 / 0 / 35

HEX #A20AA7

RGB 162 10 167

HSL 298.09, 0.89%, 0.35%

LAB 39.05, 69.63, -45.23

 

CMYK 0 / 79 / 95 / 34

HEX #A82409

RGB 168 36 9

HSL 10.19, 0.9%, 0.35%

LAB 37.13, 51.77, 46.77

 

CMYK 91 / 0 / 95 / 34

HEX #0FA809

RGB 15 168 9

HSL 117.74, 0.9%, 0.35%

LAB 60, -61.98, 59.72

 

CMYK 95 / 15 / 0 / 34

HEX #098EA8

RGB 9 142 168

HSL 189.81, 0.9%, 0.35%

LAB 54.27, -21.99, -22.62

 

CMYK 3 / 94 / 0 / 35

HEX #A20AA7

RGB 162 10 167

HSL 298.09, 0.89%, 0.35%

LAB 39.05, 69.63, -45.23

 

CMYK 0 / 51 / 95 / 34

HEX #A85309

RGB 168 83 9

HSL 27.92, 0.9%, 0.35%

LAB 44.99, 30.97, 51.97

 

CMYK 91 / 0 / 95 / 34

HEX #0FA809

RGB 15 168 9

HSL 117.74, 0.9%, 0.35%

LAB 60, -61.98, 59.72

 

CMYK 95 / 44 / 0 / 34

HEX #095EA8

RGB 9 94 168

HSL 207.92, 0.9%, 0.35%

LAB 39.4, 6.23, -45.99

 

Description

Color code: HEX #A20AA7 | qconv.com Color code: HEX #A20AA7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 10 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 10 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 94 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 94% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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