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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A20084 it is the complementary color #5DFF7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A20084. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A20084 shade: #A7007F, #B81292, #C924A5, #DA36B8 and #EB48CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A20084. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A20084 shade: #A20084, #910071, #80005E, #6F004B and #5E0038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A20084 shade: #A30084, #A30058, #A3002C, #A30000 and #A30000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A20084 shade: #A30084, #9500A3, #6900A3, #3D00A3 and #1100A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A20084 shade matches the following richer shades: #A30084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A20084 shade: #A30084, #950D7C, #881A74, #7B276C and #6E3463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A20084 shade: #6A00A3, #9500A3, #A30085, #A30059 and #A3002E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A20084 shade: #500041, #790063, #A30084, #CC00A6 and #F500C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A20084 shade: #A20084, #A33E00 and #00A37F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A20084 shade: #A20084, #85A300 and #0085A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A20084 shade: #A20084, #A33E00, #00A31D and #0064A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A20084 shade: #A20084, #A36F00, #00A31D and #0033A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 19 / 36

HEX #A20084

RGB 162 0 132

HSL 311.11, 1%, 0.32%

LAB 36.64, 65.77, -27.7

 

Complementary color

CMYK 64 / 0 / 52 / 0

HEX #5DFF7B

RGB 93 255 123

HSL 131.11, 1%, 0.68%

LAB 89.52, -68.49, 50.42

 

CMYK 0 / 100 / 24 / 35

HEX #A7007F

RGB 167 0 127

HSL 314.37, 1%, 0.33%

LAB 37.39, 66.12, -23.36

 

CMYK 0 / 90 / 21 / 28

HEX #B81292

RGB 184 18 146

HSL 313.73, 0.82%, 0.4%

LAB 42.31, 69.78, -27.14

 

CMYK 0 / 82 / 18 / 21

HEX #C924A5

RGB 201 36 165

HSL 313.09, 0.7%, 0.46%

LAB 47.49, 72.39, -30.23

 

CMYK 0 / 75 / 16 / 15

HEX #DA36B8

RGB 218 54 184

HSL 312.44, 0.69%, 0.53%

LAB 52.95, 73.96, -32.64

 

CMYK 0 / 69 / 14 / 8

HEX #EB48CB

RGB 235 72 203

HSL 311.78, 0.8%, 0.6%

LAB 58.61, 74.79, -34.54

 

CMYK 0 / 100 / 19 / 36

HEX #A20084

RGB 162 0 132

HSL 311.11, 1%, 0.32%

LAB 36.64, 65.77, -27.7

 

CMYK 0 / 100 / 22 / 43

HEX #910071

RGB 145 0 113

HSL 313.24, 1%, 0.28%

LAB 32.28, 60.01, -22.82

 

CMYK 0 / 100 / 27 / 50

HEX #80005E

RGB 128 0 94

HSL 315.94, 1%, 0.25%

LAB 27.84, 54.13, -17.72

 

CMYK 0 / 100 / 32 / 56

HEX #6F004B

RGB 111 0 75

HSL 319.46, 1%, 0.22%

LAB 23.3, 48.14, -12.35

 

CMYK 0 / 100 / 40 / 63

HEX #5E0038

RGB 94 0 56

HSL 324.26, 1%, 0.18%

LAB 18.65, 42.03, -6.61

 

CMYK 0 / 100 / 19 / 36

HEX #A30084

RGB 163 0 132

HSL 311.41, 1%, 0.32%

LAB 36.84, 65.96, -27.38

 

CMYK 0 / 100 / 46 / 36

HEX #A30058

RGB 163 0 88

HSL 327.61, 1%, 0.32%

LAB 34.99, 61.2, -2.28

 

CMYK 0 / 100 / 73 / 36

HEX #A3002C

RGB 163 0 44

HSL 343.8, 1%, 0.32%

LAB 33.92, 58.36, 24.99

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 19 / 36

HEX #A30084

RGB 163 0 132

HSL 311.41, 1%, 0.32%

LAB 36.84, 65.96, -27.38

 

CMYK 9 / 100 / 0 / 36

HEX #9500A3

RGB 149 0 163

HSL 294.85, 1%, 0.32%

LAB 36.05, 68.03, -47.77

 

CMYK 36 / 100 / 0 / 36

HEX #6900A3

RGB 105 0 163

HSL 278.65, 1%, 0.32%

LAB 28.51, 62, -60.38

 

CMYK 63 / 100 / 0 / 36

HEX #3D00A3

RGB 61 0 163

HSL 262.45, 1%, 0.32%

LAB 22.43, 58.25, -70.62

 

CMYK 90 / 100 / 0 / 36

HEX #1100A3

RGB 17 0 163

HSL 246.26, 1%, 0.32%

LAB 19.07, 56.83, -76.31

 

CMYK 0 / 100 / 19 / 36

HEX #A30084

RGB 163 0 132

HSL 311.41, 1%, 0.32%

LAB 36.84, 65.96, -27.38

 

CMYK 0 / 100 / 19 / 36

HEX #A30084

RGB 163 0 132

HSL 311.41, 1%, 0.32%

LAB 36.84, 65.96, -27.38

 

CMYK 0 / 91 / 17 / 42

HEX #950D7C

RGB 149 13 124

HSL 311.03, 0.84%, 0.32%

LAB 34.26, 60.46, -26.63

 

CMYK 0 / 81 / 15 / 47

HEX #881A74

RGB 136 26 116

HSL 310.91, 0.68%, 0.32%

LAB 32.33, 53.66, -24.78

 

CMYK 0 / 68 / 12 / 52

HEX #7B276C

RGB 123 39 108

HSL 310.71, 0.52%, 0.32%

LAB 31.22, 44.49, -21.6

 

CMYK 0 / 53 / 10 / 57

HEX #6E3463

RGB 110 52 99

HSL 311.38, 0.36%, 0.32%

LAB 31.05, 32.54, -16.27

 

CMYK 35 / 100 / 0 / 36

HEX #6A00A3

RGB 106 0 163

HSL 279.02, 1%, 0.32%

LAB 28.66, 62.12, -60.11

 

CMYK 9 / 100 / 0 / 36

HEX #9500A3

RGB 149 0 163

HSL 294.85, 1%, 0.32%

LAB 36.05, 68.03, -47.77

 

CMYK 0 / 100 / 18 / 36

HEX #A30085

RGB 163 0 133

HSL 311.04, 1%, 0.32%

LAB 36.89, 66.09, -27.92

 

CMYK 0 / 100 / 45 / 36

HEX #A30059

RGB 163 0 89

HSL 327.24, 1%, 0.32%

LAB 35.02, 61.29, -2.88

 

CMYK 0 / 100 / 72 / 36

HEX #A3002E

RGB 163 0 46

HSL 343.07, 1%, 0.32%

LAB 33.95, 58.44, 23.74

 

CMYK 0 / 100 / 19 / 69

HEX #500041

RGB 80 0 65

HSL 311.25, 1%, 0.16%

LAB 15.94, 39.98, -17.4

 

CMYK 0 / 100 / 18 / 53

HEX #790063

RGB 121 0 99

HSL 310.91, 1%, 0.24%

LAB 26.64, 53.34, -22.98

 

CMYK 0 / 100 / 19 / 36

HEX #A30084

RGB 163 0 132

HSL 311.41, 1%, 0.32%

LAB 36.84, 65.96, -27.38

 

CMYK 0 / 100 / 19 / 20

HEX #CC00A6

RGB 204 0 166

HSL 311.18, 1%, 0.4%

LAB 46.43, 77.95, -32.44

 

CMYK 0 / 100 / 18 / 4

HEX #F500C8

RGB 245 0 200

HSL 311.02, 1%, 0.48%

LAB 55.67, 89.49, -37.3

 

CMYK 0 / 100 / 19 / 36

HEX #A20084

RGB 162 0 132

HSL 311.11, 1%, 0.32%

LAB 36.64, 65.77, -27.7

 

CMYK 0 / 62 / 100 / 36

HEX #A33E00

RGB 163 62 0

HSL 22.82, 1%, 0.32%

LAB 39.97, 39.51, 51.01

 

CMYK 100 / 0 / 22 / 36

HEX #00A37F

RGB 0 163 127

HSL 166.75, 1%, 0.32%

LAB 59.64, -44.72, 8.71

 

CMYK 0 / 100 / 19 / 36

HEX #A20084

RGB 162 0 132

HSL 311.11, 1%, 0.32%

LAB 36.64, 65.77, -27.7

 

CMYK 18 / 0 / 100 / 36

HEX #85A300

RGB 133 163 0

HSL 71.04, 1%, 0.32%

LAB 62.66, -28.52, 64.88

 

CMYK 100 / 18 / 0 / 36

HEX #0085A3

RGB 0 133 163

HSL 191.04, 1%, 0.32%

LAB 51.17, -19.35, -24.51

 

CMYK 0 / 100 / 19 / 36

HEX #A20084

RGB 162 0 132

HSL 311.11, 1%, 0.32%

LAB 36.64, 65.77, -27.7

 

CMYK 0 / 62 / 100 / 36

HEX #A33E00

RGB 163 62 0

HSL 22.82, 1%, 0.32%

LAB 39.97, 39.51, 51.01

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 100 / 39 / 0 / 36

HEX #0064A3

RGB 0 100 163

HSL 203.19, 1%, 0.32%

LAB 40.83, -0.06, -40.74

 

CMYK 0 / 100 / 19 / 36

HEX #A20084

RGB 162 0 132

HSL 311.11, 1%, 0.32%

LAB 36.64, 65.77, -27.7

 

CMYK 0 / 32 / 100 / 36

HEX #A36F00

RGB 163 111 0

HSL 40.86, 1%, 0.32%

LAB 50.87, 13.03, 57.69

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 100 / 69 / 0 / 36

HEX #0033A3

RGB 0 51 163

HSL 221.23, 1%, 0.32%

LAB 26.77, 32.88, -63.53

 

Description

Color code: HEX #A20084 | qconv.com Color code: HEX #A20084 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, none green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 0 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 19 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 19% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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