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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1FD94 it is the complementary color #5E026B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1FD94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1FD94 shade: #A6FD8F, #B7FFA2, #C8FFB5, #D9FFC8 and #EAFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1FD94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1FD94 shade: #A1FD94, #90EB81, #7FD96E, #6EC75B and #5DB548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1FD94 shade: #A2FC96, #BEFC96, #DAFC96, #F5FC96 and #FCE896

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1FD94 shade: #A2FC96, #96FCA5, #96FCC0, #96FCDC and #96FCF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1FD94 shade matches the following richer shades: #A2FC96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1FD94 shade: #A2FC96, #A9F49E, #AFEBA7, #B6E2B0 and #BCDAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1FD94 shade: #DAFC96, #BFFC96, #A3FC96, #96FCA3 and #96FCBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1FD94 shade: #5BFB45, #7FFC6D, #A2FC96, #C6FDBE and #E9FEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1FD94 shade: #A1FD94, #96F6FC and #FC96CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1FD94 shade: #A1FD94, #96A3FC and #FC96A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1FD94 shade: #A1FD94, #96F6FC, #EF96FC and #FC9C96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1FD94 shade: #A1FD94, #96D7FC, #EF96FC and #FCBB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

Complementary color

CMYK 12 / 98 / 0 / 58

HEX #5E026B

RGB 94 2 107

HSL 292.57, 0.96%, 0.21%

LAB 21.89, 49.14, -36.09

 

CMYK 34 / 0 / 43 / 1

HEX #A6FD8F

RGB 166 253 143

HSL 107.45, 0.96%, 0.78%

LAB 91.84, -46.13, 44.44

 

CMYK 28 / 0 / 36 / 0

HEX #B7FFA2

RGB 183 255 162

HSL 106.45, 1%, 0.82%

LAB 93.54, -38.95, 37.52

 

CMYK 22 / 0 / 29 / 0

HEX #C8FFB5

RGB 200 255 181

HSL 104.59, 1%, 0.85%

LAB 94.8, -30.55, 29.88

 

CMYK 15 / 0 / 22 / 0

HEX #D9FFC8

RGB 217 255 200

HSL 101.45, 1%, 0.89%

LAB 96.18, -21.91, 22.33

 

CMYK 8 / 0 / 14 / 0

HEX #EAFFDB

RGB 234 255 219

HSL 95, 1%, 0.93%

LAB 97.68, -13.1, 14.91

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 39 / 0 / 45 / 8

HEX #90EB81

RGB 144 235 129

HSL 111.51, 0.73%, 0.71%

LAB 85.47, -47.17, 42.94

 

CMYK 41 / 0 / 49 / 15

HEX #7FD96E

RGB 127 217 110

HSL 110.47, 0.58%, 0.64%

LAB 79.19, -47.28, 44.16

 

CMYK 45 / 0 / 54 / 22

HEX #6EC75B

RGB 110 199 91

HSL 109.44, 0.49%, 0.57%

LAB 72.84, -47.31, 45.36

 

CMYK 49 / 0 / 60 / 29

HEX #5DB548

RGB 93 181 72

HSL 108.44, 0.43%, 0.5%

LAB 66.4, -47.21, 46.5

 

CMYK 36 / 0 / 40 / 1

HEX #A2FC96

RGB 162 252 150

HSL 112.94, 0.94%, 0.79%

LAB 91.46, -46, 40.52

 

CMYK 25 / 0 / 40 / 1

HEX #BEFC96

RGB 190 252 150

HSL 96.47, 0.94%, 0.79%

LAB 92.91, -36.87, 42.67

 

CMYK 13 / 0 / 40 / 1

HEX #DAFC96

RGB 218 252 150

HSL 80, 0.94%, 0.79%

LAB 94.62, -26.95, 45.2

 

CMYK 3 / 0 / 40 / 1

HEX #F5FC96

RGB 245 252 150

HSL 64.12, 0.94%, 0.79%

LAB 96.51, -16.88, 47.98

 

CMYK 0 / 8 / 40 / 1

HEX #FCE896

RGB 252 232 150

HSL 48.24, 0.94%, 0.79%

LAB 91.96, -4.31, 42.32

 

CMYK 36 / 0 / 40 / 1

HEX #A2FC96

RGB 162 252 150

HSL 112.94, 0.94%, 0.79%

LAB 91.46, -46, 40.52

 

CMYK 40 / 0 / 35 / 1

HEX #96FCA5

RGB 150 252 165

HSL 128.82, 0.94%, 0.79%

LAB 91.15, -47.29, 32.58

 

CMYK 40 / 0 / 24 / 1

HEX #96FCC0

RGB 150 252 192

HSL 144.71, 0.94%, 0.79%

LAB 91.64, -42.58, 19.56

 

CMYK 40 / 0 / 13 / 1

HEX #96FCDC

RGB 150 252 220

HSL 161.18, 0.94%, 0.79%

LAB 92.25, -36.96, 6.01

 

CMYK 40 / 0 / 2 / 1

HEX #96FCF8

RGB 150 252 248

HSL 177.65, 0.94%, 0.79%

LAB 92.96, -30.67, -7.45

 

CMYK 36 / 0 / 40 / 1

HEX #A2FC96

RGB 162 252 150

HSL 112.94, 0.94%, 0.79%

LAB 91.46, -46, 40.52

 

CMYK 36 / 0 / 40 / 1

HEX #A2FC96

RGB 162 252 150

HSL 112.94, 0.94%, 0.79%

LAB 91.46, -46, 40.52

 

CMYK 31 / 0 / 35 / 4

HEX #A9F49E

RGB 169 244 158

HSL 112.33, 0.8%, 0.79%

LAB 89.68, -39.13, 34.28

 

CMYK 26 / 0 / 29 / 8

HEX #AFEBA7

RGB 175 235 167

HSL 112.94, 0.63%, 0.79%

LAB 87.64, -31.69, 27.05

 

CMYK 19 / 0 / 22 / 11

HEX #B6E2B0

RGB 182 226 176

HSL 112.8, 0.46%, 0.79%

LAB 85.74, -23.6, 19.86

 

CMYK 14 / 0 / 16 / 15

HEX #BCDAB8

RGB 188 218 184

HSL 112.94, 0.31%, 0.79%

LAB 84.12, -16.25, 13.45

 

CMYK 13 / 0 / 40 / 1

HEX #DAFC96

RGB 218 252 150

HSL 80, 0.94%, 0.79%

LAB 94.62, -26.95, 45.2

 

CMYK 24 / 0 / 40 / 1

HEX #BFFC96

RGB 191 252 150

HSL 95.88, 0.94%, 0.79%

LAB 92.97, -36.53, 42.76

 

CMYK 35 / 0 / 40 / 1

HEX #A3FC96

RGB 163 252 150

HSL 112.35, 0.94%, 0.79%

LAB 91.51, -45.69, 40.59

 

CMYK 40 / 0 / 35 / 1

HEX #96FCA3

RGB 150 252 163

HSL 127.65, 0.94%, 0.79%

LAB 91.12, -47.61, 33.54

 

CMYK 40 / 0 / 24 / 1

HEX #96FCBF

RGB 150 252 191

HSL 144.12, 0.94%, 0.79%

LAB 91.62, -42.77, 20.05

 

CMYK 64 / 0 / 73 / 2

HEX #5BFB45

RGB 91 251 69

HSL 112.75, 0.96%, 0.63%

LAB 87.8, -73.07, 70.52

 

CMYK 50 / 0 / 57 / 1

HEX #7FFC6D

RGB 127 252 109

HSL 112.45, 0.96%, 0.71%

LAB 89.5, -61.28, 56.96

 

CMYK 36 / 0 / 40 / 1

HEX #A2FC96

RGB 162 252 150

HSL 112.94, 0.94%, 0.79%

LAB 91.46, -46, 40.52

 

CMYK 22 / 0 / 25 / 1

HEX #C6FDBE

RGB 198 253 190

HSL 112.38, 0.94%, 0.87%

LAB 94.3, -28.89, 24.64

 

CMYK 8 / 0 / 9 / 0

HEX #E9FEE6

RGB 233 254 230

HSL 112.5, 0.92%, 0.95%

LAB 97.6, -11.11, 9.14

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 40 / 2 / 0 / 1

HEX #96F6FC

RGB 150 246 252

HSL 183.53, 0.94%, 0.79%

LAB 91.43, -26.85, -11.81

 

CMYK 0 / 40 / 19 / 1

HEX #FC96CC

RGB 252 150 204

HSL 328.24, 0.94%, 0.79%

LAB 74.11, 45.13, -11.22

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 40 / 35 / 0 / 1

HEX #96A3FC

RGB 150 163 252

HSL 232.35, 0.94%, 0.79%

LAB 69.26, 17.07, -45.76

 

CMYK 0 / 40 / 35 / 1

HEX #FC96A3

RGB 252 150 163

HSL 352.35, 0.94%, 0.79%

LAB 72.99, 39.69, 9.81

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 40 / 2 / 0 / 1

HEX #96F6FC

RGB 150 246 252

HSL 183.53, 0.94%, 0.79%

LAB 91.43, -26.85, -11.81

 

CMYK 5 / 40 / 0 / 1

HEX #EF96FC

RGB 239 150 252

HSL 292.35, 0.94%, 0.79%

LAB 74.31, 49.14, -37.28

 

CMYK 0 / 38 / 40 / 1

HEX #FC9C96

RGB 252 156 150

HSL 3.53, 0.94%, 0.79%

LAB 73.98, 35.12, 18.36

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 40 / 15 / 0 / 1

HEX #96D7FC

RGB 150 215 252

HSL 201.76, 0.94%, 0.79%

LAB 82.97, -11.35, -24.55

 

CMYK 5 / 40 / 0 / 1

HEX #EF96FC

RGB 239 150 252

HSL 292.35, 0.94%, 0.79%

LAB 74.31, 49.14, -37.28

 

CMYK 0 / 26 / 40 / 1

HEX #FCBB96

RGB 252 187 150

HSL 21.76, 0.94%, 0.79%

LAB 80.98, 18.89, 27.91

 

Description

Color code: HEX #A1FD94 | qconv.com Color code: HEX #A1FD94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 253 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 253 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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