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Color name
HEX #A1FA48

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1FA48 it is the complementary color #5E05B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1FA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1FA48 shade: #A6FA43, #B7FF56, #C8FF69, #D9FF7C and #EAFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1FA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1FA48 shade: #A1FA48, #90E835, #7FD622, #6EC40F and #5DB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1FA48 shade: #A0FA47, #D0FA47, #FAF347, #FAC247 and #FA9247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1FA48 shade: #A0FA47, #70FA47, #47FA4E, #47FA7E and #47FAAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1FA48 shade matches the following richer shades: #A0FA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1FA48 shade: #A0FA47, #A0EB56, #A0DB65, #A0CC74 and #A0BD84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1FA48 shade: #FAF447, #D0FA47, #A0FA47, #70FA47 and #47FA4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1FA48 shade: #77E805, #8CF91E, #A0FA47, #B5FB6F and #C9FC97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1FA48 shade: #A1FA48, #47FAC4 and #FA47E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1FA48 shade: #A1FA48, #47A0FA and #FA47A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1FA48 shade: #A1FA48, #47FAC4, #A047FA and #FA477C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1FA48 shade: #A1FA48, #47FAFA, #A047FA and #FA4747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 71 / 2

HEX #A1FA48

RGB 161 250 72

HSL 90, 0.95%, 0.63%

LAB 90.05, -53.35, 72.59

 

Complementary color

CMYK 49 / 97 / 0 / 28

HEX #5E05B7

RGB 94 5 183

HSL 270, 0.95%, 0.37%

LAB 29.18, 64.32, -71.35

 

CMYK 34 / 0 / 73 / 2

HEX #A6FA43

RGB 166 250 67

HSL 87.54, 0.95%, 0.62%

LAB 90.27, -51.95, 74.55

 

CMYK 28 / 0 / 66 / 0

HEX #B7FF56

RGB 183 255 86

HSL 85.56, 1%, 0.67%

LAB 92.69, -46.92, 70.61

 

CMYK 22 / 0 / 59 / 0

HEX #C8FF69

RGB 200 255 105

HSL 82, 1%, 0.71%

LAB 93.81, -39.37, 64.51

 

CMYK 15 / 0 / 51 / 0

HEX #D9FF7C

RGB 217 255 124

HSL 77.4, 1%, 0.74%

LAB 95.05, -31.43, 57.91

 

CMYK 8 / 0 / 44 / 0

HEX #EAFF8F

RGB 234 255 143

HSL 71.25, 1%, 0.78%

LAB 96.41, -23.2, 51.03

 

CMYK 36 / 0 / 71 / 2

HEX #A1FA48

RGB 161 250 72

HSL 90, 0.95%, 0.63%

LAB 90.05, -53.35, 72.59

 

CMYK 38 / 0 / 77 / 9

HEX #90E835

RGB 144 232 53

HSL 89.5, 0.8%, 0.56%

LAB 83.91, -52.87, 72.43

 

CMYK 41 / 0 / 84 / 16

HEX #7FD622

RGB 127 214 34

HSL 89, 0.73%, 0.49%

LAB 77.71, -52.19, 71.5

 

CMYK 44 / 0 / 92 / 23

HEX #6EC40F

RGB 110 196 15

HSL 88.51, 0.86%, 0.41%

LAB 71.44, -51.25, 69.38

 

CMYK 48 / 0 / 100 / 30

HEX #5DB200

RGB 93 178 0

HSL 88.65, 1%, 0.35%

LAB 65.1, -50.02, 65.81

 

CMYK 36 / 0 / 72 / 2

HEX #A0FA47

RGB 160 250 71

HSL 90.17, 0.95%, 0.63%

LAB 90, -53.75, 72.86

 

CMYK 17 / 0 / 72 / 2

HEX #D0FA47

RGB 208 250 71

HSL 74.08, 0.95%, 0.63%

LAB 92.68, -36.37, 76.4

 

CMYK 0 / 3 / 72 / 2

HEX #FAF347

RGB 250 243 71

HSL 57.65, 0.95%, 0.63%

LAB 93.83, -16.33, 78.56

 

CMYK 0 / 22 / 72 / 2

HEX #FAC247

RGB 250 194 71

HSL 41.23, 0.95%, 0.63%

LAB 81.49, 8.35, 66.51

 

CMYK 0 / 42 / 72 / 2

HEX #FA9247

RGB 250 146 71

HSL 25.14, 0.95%, 0.63%

LAB 70.41, 33.41, 55.11

 

CMYK 36 / 0 / 72 / 2

HEX #A0FA47

RGB 160 250 71

HSL 90.17, 0.95%, 0.63%

LAB 90, -53.75, 72.86

 

CMYK 55 / 0 / 72 / 2

HEX #70FA47

RGB 112 250 71

HSL 106.26, 0.95%, 0.63%

LAB 88.1, -67.85, 70.33

 

CMYK 72 / 0 / 69 / 2

HEX #47FA4E

RGB 71 250 78

HSL 122.35, 0.95%, 0.63%

LAB 87.12, -75.65, 66.52

 

CMYK 72 / 0 / 50 / 2

HEX #47FA7E

RGB 71 250 126

HSL 138.44, 0.95%, 0.63%

LAB 87.59, -70.11, 46.54

 

CMYK 72 / 0 / 30 / 2

HEX #47FAAE

RGB 71 250 174

HSL 154.53, 0.95%, 0.63%

LAB 88.34, -61.7, 23.81

 

CMYK 36 / 0 / 72 / 2

HEX #A0FA47

RGB 160 250 71

HSL 90.17, 0.95%, 0.63%

LAB 90, -53.75, 72.86

 

CMYK 36 / 0 / 72 / 2

HEX #A0FA47

RGB 160 250 71

HSL 90.17, 0.95%, 0.63%

LAB 90, -53.75, 72.86

 

CMYK 32 / 0 / 63 / 8

HEX #A0EB56

RGB 160 235 86

HSL 90.2, 0.79%, 0.63%

LAB 85.79, -46.5, 62.9

 

CMYK 27 / 0 / 54 / 14

HEX #A0DB65

RGB 160 219 101

HSL 90, 0.62%, 0.63%

LAB 81.33, -38.17, 51.37

 

CMYK 22 / 0 / 43 / 20

HEX #A0CC74

RGB 160 204 116

HSL 90, 0.46%, 0.63%

LAB 77.23, -29.55, 39.14

 

CMYK 15 / 0 / 30 / 26

HEX #A0BD84

RGB 160 189 132

HSL 90.53, 0.3%, 0.63%

LAB 73.24, -20.05, 25.67

 

CMYK 0 / 2 / 72 / 2

HEX #FAF447

RGB 250 244 71

HSL 57.99, 0.95%, 0.63%

LAB 94.09, -16.81, 78.8

 

CMYK 17 / 0 / 72 / 2

HEX #D0FA47

RGB 208 250 71

HSL 74.08, 0.95%, 0.63%

LAB 92.68, -36.37, 76.4

 

CMYK 36 / 0 / 72 / 2

HEX #A0FA47

RGB 160 250 71

HSL 90.17, 0.95%, 0.63%

LAB 90, -53.75, 72.86

 

CMYK 55 / 0 / 72 / 2

HEX #70FA47

RGB 112 250 71

HSL 106.26, 0.95%, 0.63%

LAB 88.1, -67.85, 70.33

 

CMYK 72 / 0 / 70 / 2

HEX #47FA4C

RGB 71 250 76

HSL 121.68, 0.95%, 0.63%

LAB 87.11, -75.81, 67.23

 

CMYK 49 / 0 / 98 / 9

HEX #77E805

RGB 119 232 5

HSL 89.87, 0.96%, 0.46%

LAB 82.72, -62.14, 79.62

 

CMYK 44 / 0 / 88 / 2

HEX #8CF91E

RGB 140 249 30

HSL 89.86, 0.95%, 0.55%

LAB 88.65, -61.59, 81.86

 

CMYK 36 / 0 / 72 / 2

HEX #A0FA47

RGB 160 250 71

HSL 90.17, 0.95%, 0.63%

LAB 90, -53.75, 72.86

 

CMYK 28 / 0 / 56 / 2

HEX #B5FB6F

RGB 181 251 111

HSL 90, 0.95%, 0.71%

LAB 91.67, -43.87, 59.22

 

CMYK 20 / 0 / 40 / 1

HEX #C9FC97

RGB 201 252 151

HSL 90.3, 0.94%, 0.79%

LAB 93.57, -32.93, 43.16

 

CMYK 36 / 0 / 71 / 2

HEX #A1FA48

RGB 161 250 72

HSL 90, 0.95%, 0.63%

LAB 90.05, -53.35, 72.59

 

CMYK 72 / 0 / 22 / 2

HEX #47FAC4

RGB 71 250 196

HSL 161.9, 0.95%, 0.63%

LAB 88.78, -56.95, 13.13

 

CMYK 0 / 72 / 7 / 2

HEX #FA47E8

RGB 250 71 232

HSL 306.03, 0.95%, 0.63%

LAB 62.22, 82.63, -45.08

 

CMYK 36 / 0 / 71 / 2

HEX #A1FA48

RGB 161 250 72

HSL 90, 0.95%, 0.63%

LAB 90.05, -53.35, 72.59

 

CMYK 72 / 36 / 0 / 2

HEX #47A0FA

RGB 71 160 250

HSL 210.17, 0.95%, 0.63%

LAB 64.47, 2.51, -52.49

 

CMYK 0 / 72 / 36 / 2

HEX #FA47A0

RGB 250 71 160

HSL 330.17, 0.95%, 0.63%

LAB 59.31, 73.61, -8.46

 

CMYK 36 / 0 / 71 / 2

HEX #A1FA48

RGB 161 250 72

HSL 90, 0.95%, 0.63%

LAB 90.05, -53.35, 72.59

 

CMYK 72 / 0 / 22 / 2

HEX #47FAC4

RGB 71 250 196

HSL 161.9, 0.95%, 0.63%

LAB 88.78, -56.95, 13.13

 

CMYK 36 / 72 / 0 / 2

HEX #A047FA

RGB 160 71 250

HSL 269.83, 0.95%, 0.63%

LAB 50.55, 68.11, -74.54

 

CMYK 0 / 72 / 50 / 2

HEX #FA477C

RGB 250 71 124

HSL 342.23, 0.95%, 0.63%

LAB 58.31, 70.32, 11.2

 

CMYK 36 / 0 / 71 / 2

HEX #A1FA48

RGB 161 250 72

HSL 90, 0.95%, 0.63%

LAB 90.05, -53.35, 72.59

 

CMYK 72 / 0 / 0 / 2

HEX #47FAFA

RGB 71 250 250

HSL 180, 0.95%, 0.63%

LAB 90.14, -43.3, -12.93

 

CMYK 36 / 72 / 0 / 2

HEX #A047FA

RGB 160 71 250

HSL 269.83, 0.95%, 0.63%

LAB 50.55, 68.11, -74.54

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

Description

Color code: HEX #A1FA48 | qconv.com Color code: HEX #A1FA48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 250 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 250 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 71 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 71% 2% C M Y K

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Provide designers and agencies with accurate color values.

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