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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1F404 it is the complementary color #5E0BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1F404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1F404 shade: #A6F400, #B7FF12, #C8FF25, #D9FF38 and #EAFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1F404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1F404 shade: #A1F404, #90E200, #7FD000, #6EBE00 and #5DAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1F404 shade: #A2F603, #E3F603, #F6C703, #F68503 and #F64403

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1F404 shade: #A2F603, #60F603, #1FF603, #03F629 and #03F66A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1F404 shade matches the following richer shades: #A2F603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1F404 shade: #A2F603, #9CE117, #95CD2C, #8FB940 and #89A554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1F404 shade: #F6C503, #E5F603, #A5F603, #64F603 and #24F603

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1F404 shade: #6CA402, #87CD03, #A2F603, #B2FB27 and #C0FC50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1F404 shade: #A1F404, #03F685 and #E503F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1F404 shade: #A1F404, #03A5F6 and #F603A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1F404 shade: #A1F404, #03F685, #5403F6 and #F60374

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1F404 shade: #A1F404, #03F6CD, #5403F6 and #F6032C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 98 / 4

HEX #A1F404

RGB 161 244 4

HSL 80.75, 0.97%, 0.49%

LAB 88.11, -53.15, 84.72

 

Complementary color

CMYK 63 / 96 / 0 / 2

HEX #5E0BFB

RGB 94 11 251

HSL 260.75, 0.97%, 0.51%

LAB 37.09, 78.87, -97.52

 

CMYK 32 / 0 / 100 / 4

HEX #A6F400

RGB 166 244 0

HSL 79.18, 1%, 0.48%

LAB 88.36, -51.43, 85.33

 

CMYK 28 / 0 / 93 / 0

HEX #B7FF12

RGB 183 255 18

HSL 78.23, 1%, 0.54%

LAB 92.41, -49.63, 87.41

 

CMYK 22 / 0 / 85 / 0

HEX #C8FF25

RGB 200 255 37

HSL 75.14, 1%, 0.57%

LAB 93.42, -42.93, 85.84

 

CMYK 15 / 0 / 78 / 0

HEX #D9FF38

RGB 217 255 56

HSL 71.46, 1%, 0.61%

LAB 94.55, -35.79, 82.87

 

CMYK 8 / 0 / 71 / 0

HEX #EAFF4B

RGB 234 255 75

HSL 67, 1%, 0.65%

LAB 95.8, -28.29, 78.7

 

CMYK 34 / 0 / 98 / 4

HEX #A1F404

RGB 161 244 4

HSL 80.75, 0.97%, 0.49%

LAB 88.11, -53.15, 84.72

 

CMYK 36 / 0 / 100 / 11

HEX #90E200

RGB 144 226 0

HSL 81.77, 1%, 0.44%

LAB 82.01, -51.89, 79.96

 

CMYK 39 / 0 / 100 / 18

HEX #7FD000

RGB 127 208 0

HSL 83.37, 1%, 0.41%

LAB 75.84, -50.54, 74.83

 

CMYK 42 / 0 / 100 / 25

HEX #6EBE00

RGB 110 190 0

HSL 85.26, 1%, 0.37%

LAB 69.57, -49.15, 69.62

 

CMYK 46 / 0 / 100 / 33

HEX #5DAC00

RGB 93 172 0

HSL 87.56, 1%, 0.34%

LAB 63.2, -47.68, 64.33

 

CMYK 34 / 0 / 99 / 4

HEX #A2F603

RGB 162 246 3

HSL 80.74, 0.98%, 0.49%

LAB 88.73, -53.62, 85.3

 

CMYK 8 / 0 / 99 / 4

HEX #E3F603

RGB 227 246 3

HSL 64.69, 0.98%, 0.49%

LAB 92.68, -28.74, 90.04

 

CMYK 0 / 19 / 99 / 4

HEX #F6C703

RGB 246 199 3

HSL 48.4, 0.98%, 0.49%

LAB 82.08, 2.42, 83.05

 

CMYK 0 / 46 / 99 / 4

HEX #F68503

RGB 246 133 3

HSL 32.1, 0.98%, 0.49%

LAB 66.81, 36.81, 72.8

 

CMYK 0 / 72 / 99 / 4

HEX #F64403

RGB 246 68 3

HSL 16.05, 0.98%, 0.49%

LAB 55.82, 65.4, 66.57

 

CMYK 34 / 0 / 99 / 4

HEX #A2F603

RGB 162 246 3

HSL 80.74, 0.98%, 0.49%

LAB 88.73, -53.62, 85.3

 

CMYK 61 / 0 / 99 / 4

HEX #60F603

RGB 96 246 3

HSL 97.04, 0.98%, 0.49%

LAB 86.21, -72.87, 82.24

 

CMYK 87 / 0 / 99 / 4

HEX #1FF603

RGB 31 246 3

HSL 113.09, 0.98%, 0.49%

LAB 85.1, -82.47, 80.89

 

CMYK 99 / 0 / 83 / 4

HEX #03F629

RGB 3 246 41

HSL 129.38, 0.98%, 0.49%

LAB 85.04, -82.72, 75.49

 

CMYK 99 / 0 / 57 / 4

HEX #03F66A

RGB 3 246 106

HSL 145.43, 0.98%, 0.49%

LAB 85.49, -77.05, 53.03

 

CMYK 34 / 0 / 99 / 4

HEX #A2F603

RGB 162 246 3

HSL 80.74, 0.98%, 0.49%

LAB 88.73, -53.62, 85.3

 

CMYK 34 / 0 / 99 / 4

HEX #A2F603

RGB 162 246 3

HSL 80.74, 0.98%, 0.49%

LAB 88.73, -53.62, 85.3

 

CMYK 31 / 0 / 90 / 12

HEX #9CE117

RGB 156 225 23

HSL 80.5, 0.81%, 0.49%

LAB 82.37, -46.85, 78.09

 

CMYK 27 / 0 / 79 / 20

HEX #95CD2C

RGB 149 205 44

HSL 80.87, 0.65%, 0.49%

LAB 76.21, -40.18, 68

 

CMYK 23 / 0 / 65 / 27

HEX #8FB940

RGB 143 185 64

HSL 80.83, 0.49%, 0.49%

LAB 70.11, -32.25, 54.8

 

CMYK 17 / 0 / 49 / 35

HEX #89A554

RGB 137 165 84

HSL 80.74, 0.33%, 0.49%

LAB 64.05, -23.12, 38.56

 

CMYK 0 / 20 / 99 / 4

HEX #F6C503

RGB 246 197 3

HSL 47.9, 0.98%, 0.49%

LAB 81.58, 3.45, 82.7

 

CMYK 7 / 0 / 99 / 4

HEX #E5F603

RGB 229 246 3

HSL 64.2, 0.98%, 0.49%

LAB 92.83, -27.93, 90.22

 

CMYK 33 / 0 / 99 / 4

HEX #A5F603

RGB 165 246 3

HSL 80, 0.98%, 0.49%

LAB 88.88, -52.56, 85.49

 

CMYK 59 / 0 / 99 / 4

HEX #64F603

RGB 100 246 3

HSL 96.05, 0.98%, 0.49%

LAB 86.32, -71.95, 82.38

 

CMYK 85 / 0 / 99 / 4

HEX #24F603

RGB 36 246 3

HSL 111.85, 0.98%, 0.49%

LAB 85.15, -82.08, 80.94

 

CMYK 34 / 0 / 99 / 36

HEX #6CA402

RGB 108 164 2

HSL 80.74, 0.98%, 0.33%

LAB 61.43, -39.01, 62.99

 

CMYK 34 / 0 / 99 / 20

HEX #87CD03

RGB 135 205 3

HSL 80.79, 0.97%, 0.41%

LAB 75.34, -46.45, 74.31

 

CMYK 34 / 0 / 99 / 4

HEX #A2F603

RGB 162 246 3

HSL 80.74, 0.98%, 0.49%

LAB 88.73, -53.62, 85.3

 

CMYK 29 / 0 / 84 / 2

HEX #B2FB27

RGB 178 251 39

HSL 80.66, 0.96%, 0.57%

LAB 91.06, -49.33, 82.95

 

CMYK 24 / 0 / 68 / 1

HEX #C0FC50

RGB 192 252 80

HSL 80.93, 0.97%, 0.65%

LAB 92.31, -42.77, 72.59

 

CMYK 34 / 0 / 98 / 4

HEX #A1F404

RGB 161 244 4

HSL 80.75, 0.97%, 0.49%

LAB 88.11, -53.15, 84.72

 

CMYK 99 / 0 / 46 / 4

HEX #03F685

RGB 3 246 133

HSL 152.1, 0.98%, 0.49%

LAB 85.82, -73.04, 40.83

 

CMYK 7 / 99 / 0 / 4

HEX #E503F6

RGB 229 3 246

HSL 295.8, 0.98%, 0.49%

LAB 55.46, 92.85, -63.88

 

CMYK 34 / 0 / 98 / 4

HEX #A1F404

RGB 161 244 4

HSL 80.75, 0.97%, 0.49%

LAB 88.11, -53.15, 84.72

 

CMYK 99 / 33 / 0 / 4

HEX #03A5F6

RGB 3 165 246

HSL 200, 0.98%, 0.49%

LAB 64.63, -6.63, -50.12

 

CMYK 0 / 99 / 33 / 4

HEX #F603A5

RGB 246 3 165

HSL 320, 0.98%, 0.49%

LAB 54.42, 85.66, -18.84

 

CMYK 34 / 0 / 98 / 4

HEX #A1F404

RGB 161 244 4

HSL 80.75, 0.97%, 0.49%

LAB 88.11, -53.15, 84.72

 

CMYK 99 / 0 / 46 / 4

HEX #03F685

RGB 3 246 133

HSL 152.1, 0.98%, 0.49%

LAB 85.82, -73.04, 40.83

 

CMYK 66 / 99 / 0 / 4

HEX #5403F6

RGB 84 3 246

HSL 260, 0.98%, 0.49%

LAB 35.21, 78.26, -97.85

 

CMYK 0 / 99 / 53 / 4

HEX #F60374

RGB 246 3 116

HSL 332.1, 0.98%, 0.49%

LAB 52.86, 81.56, 8.17

 

CMYK 34 / 0 / 98 / 4

HEX #A1F404

RGB 161 244 4

HSL 80.75, 0.97%, 0.49%

LAB 88.11, -53.15, 84.72

 

CMYK 99 / 0 / 17 / 4

HEX #03F6CD

RGB 3 246 205

HSL 169.88, 0.98%, 0.49%

LAB 87.16, -57.84, 6.07

 

CMYK 66 / 99 / 0 / 4

HEX #5403F6

RGB 84 3 246

HSL 260, 0.98%, 0.49%

LAB 35.21, 78.26, -97.85

 

CMYK 0 / 99 / 82 / 4

HEX #F6032C

RGB 246 3 44

HSL 349.88, 0.98%, 0.49%

LAB 51.66, 78.31, 49.16

 

Description

Color code: HEX #A1F404 | qconv.com Color code: HEX #A1F404 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 244 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 244 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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