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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1E24F it is the complementary color #5E1DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1E24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1E24F shade: #A6E24A, #B7F45D, #C8FF70, #D9FF83 and #EAFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1E24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1E24F shade: #A1E24F, #90D03C, #7FBE29, #6EAC16 and #5D9A03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1E24F shade: #A1E24F, #C9E24F, #E2D44F, #E2AC4F and #E2844F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1E24F shade: #A1E24F, #79E24F, #52E24F, #4FE274 and #4FE29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1E24F shade matches the following richer shades: #A1E24F and #A3F23F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1E24F shade: #A1E24F, #9FD160, #9DC170, #9BB081 and #99A091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1E24F shade: #E2D34F, #C9E24F, #A2E24F, #7BE24F and #54E24F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1E24F shade: #79C01F, #8EDC2C, #A1E24F, #B4E873 and #C7ED96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1E24F shade: #A1E24F, #4FE2AC and #E24FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1E24F shade: #A1E24F, #4FA2E2 and #E24FA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1E24F shade: #A1E24F, #4FE2AC, #8F4FE2 and #E24F85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1E24F shade: #A1E24F, #4FE2D8, #8F4FE2 and #E24F59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

Complementary color

CMYK 47 / 84 / 0 / 31

HEX #5E1DB0

RGB 94 29 176

HSL 266.53, 0.72%, 0.4%

LAB 30.38, 56.97, -65.19

 

CMYK 27 / 0 / 67 / 11

HEX #A6E24A

RGB 166 226 74

HSL 83.68, 0.72%, 0.59%

LAB 83.44, -41.36, 65.23

 

CMYK 25 / 0 / 62 / 4

HEX #B7F45D

RGB 183 244 93

HSL 84.24, 0.87%, 0.66%

LAB 89.65, -41.66, 64.62

 

CMYK 22 / 0 / 56 / 0

HEX #C8FF70

RGB 200 255 112

HSL 83.08, 1%, 0.72%

LAB 93.87, -38.77, 61.59

 

CMYK 15 / 0 / 49 / 0

HEX #D9FF83

RGB 217 255 131

HSL 78.39, 1%, 0.76%

LAB 95.12, -30.76, 54.81

 

CMYK 8 / 0 / 41 / 0

HEX #EAFF96

RGB 234 255 150

HSL 72, 1%, 0.79%

LAB 96.5, -22.46, 47.8

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 31 / 0 / 71 / 18

HEX #90D03C

RGB 144 208 60

HSL 85.95, 0.61%, 0.53%

LAB 76.9, -42.49, 63.36

 

CMYK 33 / 0 / 78 / 25

HEX #7FBE29

RGB 127 190 41

HSL 85.37, 0.65%, 0.45%

LAB 70.52, -41.98, 63.19

 

CMYK 36 / 0 / 87 / 33

HEX #6EAC16

RGB 110 172 22

HSL 84.8, 0.77%, 0.38%

LAB 64.06, -41.26, 62.01

 

CMYK 40 / 0 / 98 / 40

HEX #5D9A03

RGB 93 154 3

HSL 84.24, 0.96%, 0.31%

LAB 57.51, -40.27, 59.43

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 11 / 0 / 65 / 11

HEX #C9E24F

RGB 201 226 79

HSL 70.2, 0.72%, 0.6%

LAB 85.69, -27.58, 66.34

 

CMYK 0 / 6 / 65 / 11

HEX #E2D44F

RGB 226 212 79

HSL 54.29, 0.72%, 0.6%

LAB 83.87, -10.52, 65.04

 

CMYK 0 / 24 / 65 / 11

HEX #E2AC4F

RGB 226 172 79

HSL 37.96, 0.72%, 0.6%

LAB 73.7, 10.22, 54.15

 

CMYK 0 / 42 / 65 / 11

HEX #E2844F

RGB 226 132 79

HSL 21.63, 0.72%, 0.6%

LAB 64.35, 31.53, 43.59

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 46 / 0 / 65 / 11

HEX #79E24F

RGB 121 226 79

HSL 102.86, 0.72%, 0.6%

LAB 81.3, -56.01, 60.35

 

CMYK 64 / 0 / 65 / 11

HEX #52E24F

RGB 82 226 79

HSL 118.78, 0.72%, 0.6%

LAB 80.04, -65.81, 58.61

 

CMYK 65 / 0 / 49 / 11

HEX #4FE274

RGB 79 226 116

HSL 135.1, 0.72%, 0.6%

LAB 80.36, -61.89, 42.35

 

CMYK 65 / 0 / 31 / 11

HEX #4FE29C

RGB 79 226 156

HSL 151.43, 0.72%, 0.6%

LAB 80.99, -54.9, 23.02

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 33 / 0 / 74 / 5

HEX #A3F23F

RGB 163 242 63

HSL 86.48, 0.87%, 0.6%

LAB 87.8, -49.92, 73.39

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 24 / 0 / 54 / 18

HEX #9FD160

RGB 159 209 96

HSL 86.55, 0.55%, 0.6%

LAB 78.35, -34.49, 50.16

 

CMYK 19 / 0 / 42 / 24

HEX #9DC170

RGB 157 193 112

HSL 86.67, 0.4%, 0.6%

LAB 73.85, -25.88, 36.84

 

CMYK 12 / 0 / 27 / 31

HEX #9BB081

RGB 155 176 129

HSL 86.81, 0.23%, 0.6%

LAB 69.19, -15.74, 21.73

 

CMYK 4 / 0 / 9 / 37

HEX #99A091

RGB 153 160 145

HSL 88, 0.07%, 0.6%

LAB 64.93, -5.33, 6.95

 

CMYK 0 / 7 / 65 / 11

HEX #E2D34F

RGB 226 211 79

HSL 53.88, 0.72%, 0.6%

LAB 83.61, -10.02, 64.76

 

CMYK 11 / 0 / 65 / 11

HEX #C9E24F

RGB 201 226 79

HSL 70.2, 0.72%, 0.6%

LAB 85.69, -27.58, 66.34

 

CMYK 28 / 0 / 65 / 11

HEX #A2E24F

RGB 162 226 79

HSL 86.12, 0.72%, 0.6%

LAB 83.25, -42.47, 63.02

 

CMYK 46 / 0 / 65 / 11

HEX #7BE24F

RGB 123 226 79

HSL 102.04, 0.72%, 0.6%

LAB 81.38, -55.41, 60.46

 

CMYK 63 / 0 / 65 / 11

HEX #54E24F

RGB 84 226 79

HSL 117.96, 0.72%, 0.6%

LAB 80.09, -65.4, 58.68

 

CMYK 37 / 0 / 84 / 25

HEX #79C01F

RGB 121 192 31

HSL 86.46, 0.72%, 0.44%

LAB 70.78, -45.43, 66.01

 

CMYK 35 / 0 / 80 / 14

HEX #8EDC2C

RGB 142 220 44

HSL 86.59, 0.72%, 0.52%

LAB 80.25, -49.11, 71.55

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 22 / 0 / 50 / 9

HEX #B4E873

RGB 180 232 115

HSL 86.67, 0.72%, 0.68%

LAB 86.33, -35.39, 51.1

 

CMYK 16 / 0 / 37 / 7

HEX #C7ED96

RGB 199 237 150

HSL 86.21, 0.71%, 0.76%

LAB 89.35, -26.76, 38.18

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 65 / 0 / 24 / 11

HEX #4FE2AC

RGB 79 226 172

HSL 157.96, 0.72%, 0.6%

LAB 81.31, -51.53, 15.11

 

CMYK 0 / 65 / 2 / 11

HEX #E24FDD

RGB 226 79 221

HSL 302.04, 0.72%, 0.6%

LAB 58.96, 72.89, -44.3

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 65 / 28 / 0 / 11

HEX #4FA2E2

RGB 79 162 226

HSL 206.12, 0.72%, 0.6%

LAB 64.16, -5.55, -39.79

 

CMYK 0 / 65 / 28 / 11

HEX #E24FA2

RGB 226 79 162

HSL 326.12, 0.72%, 0.6%

LAB 56.46, 64.5, -14.32

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 65 / 0 / 24 / 11

HEX #4FE2AC

RGB 79 226 172

HSL 157.96, 0.72%, 0.6%

LAB 81.31, -51.53, 15.11

 

CMYK 37 / 65 / 0 / 11

HEX #8F4FE2

RGB 143 79 226

HSL 266.12, 0.72%, 0.6%

LAB 48.16, 55.54, -65.02

 

CMYK 0 / 65 / 41 / 11

HEX #E24F85

RGB 226 79 133

HSL 337.96, 0.72%, 0.6%

LAB 55.54, 61.26, 1.37

 

CMYK 29 / 0 / 65 / 11

HEX #A1E24F

RGB 161 226 79

HSL 86.53, 0.72%, 0.6%

LAB 83.2, -42.83, 62.95

 

CMYK 65 / 0 / 4 / 11

HEX #4FE2D8

RGB 79 226 216

HSL 175.92, 0.72%, 0.6%

LAB 82.39, -40.79, -6.59

 

CMYK 37 / 65 / 0 / 11

HEX #8F4FE2

RGB 143 79 226

HSL 266.12, 0.72%, 0.6%

LAB 48.16, 55.54, -65.02

 

CMYK 0 / 65 / 61 / 11

HEX #E24F59

RGB 226 79 89

HSL 355.92, 0.72%, 0.6%

LAB 54.53, 57.61, 26

 

Description

Color code: HEX #A1E24F | qconv.com Color code: HEX #A1E24F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 226 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 226 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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