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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1DFD6 it is the complementary color #5E2029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1DFD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1DFD6 shade: #A6DFD1, #B7F1E4, #C8FFF7, #D9FFFF and #EAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1DFD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1DFD6 shade: #A1DFD6, #90CDC3, #7FBBB0, #6EA99D and #5D978A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1DFD6 shade: #A0DED5, #A0DEC4, #A0DEB3, #A0DEA2 and #ADDEA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1DFD6 shade: #A0DED5, #A0D6DE, #A0C5DE, #A0B5DE and #A0A4DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1DFD6 shade matches the following richer shades: #A0DED5, #95E8DC, #8BF3E4 and #81FDEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1DFD6 shade: #A0DED5, #AAD4CE, #B4C9C6, #BEBFBF and #C9B5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1DFD6 shade: #A0DEB3, #A0DEC4, #A0DED5, #A0D7DE and #A0C6DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1DFD6 shade: #62C9BA, #81D3C7, #A0DED5, #BEE9E2 and #DDF3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1DFD6 shade: #A1DFD6, #A3A0DE and #DEBCA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1DFD6 shade: #A1DFD6, #D5A0DE and #DED5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1DFD6 shade: #A1DFD6, #A3A0DE, #DEA0A9 and #DBDEA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1DFD6 shade: #A1DFD6, #B5A0DE, #DEA0A9 and #C8DEA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 4 / 13

HEX #A1DFD6

RGB 161 223 214

HSL 171.29, 0.49%, 0.75%

LAB 84.59, -21.46, -1.93

 

Complementary color

CMYK 0 / 66 / 56 / 63

HEX #5E2029

RGB 94 32 41

HSL 351.29, 0.49%, 0.25%

LAB 22.21, 29.1, 9.06

 

CMYK 26 / 0 / 6 / 13

HEX #A6DFD1

RGB 166 223 209

HSL 165.26, 0.47%, 0.76%

LAB 84.73, -21.05, 0.95

 

CMYK 24 / 0 / 5 / 5

HEX #B7F1E4

RGB 183 241 228

HSL 166.55, 0.67%, 0.83%

LAB 91.04, -20.91, 0.3

 

CMYK 22 / 0 / 3 / 0

HEX #C8FFF7

RGB 200 255 247

HSL 171.27, 1%, 0.89%

LAB 96.21, -18.83, -1.87

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 28 / 0 / 4 / 13

HEX #A1DFD6

RGB 161 223 214

HSL 171.29, 0.49%, 0.75%

LAB 84.59, -21.46, -1.93

 

CMYK 30 / 0 / 5 / 20

HEX #90CDC3

RGB 144 205 195

HSL 170.16, 0.38%, 0.68%

LAB 78.19, -21.6, -1.29

 

CMYK 32 / 0 / 6 / 27

HEX #7FBBB0

RGB 127 187 176

HSL 169, 0.31%, 0.62%

LAB 71.68, -21.76, -0.61

 

CMYK 35 / 0 / 7 / 34

HEX #6EA99D

RGB 110 169 157

HSL 167.8, 0.26%, 0.55%

LAB 65.06, -21.93, 0.1

 

CMYK 38 / 0 / 9 / 41

HEX #5D978A

RGB 93 151 138

HSL 166.55, 0.24%, 0.48%

LAB 58.32, -22.1, 0.86

 

CMYK 28 / 0 / 4 / 13

HEX #A0DED5

RGB 160 222 213

HSL 171.29, 0.48%, 0.75%

LAB 84.24, -21.47, -1.93

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC4

RGB 160 222 196

HSL 154.84, 0.48%, 0.75%

LAB 83.81, -25.03, 6.45

 

CMYK 28 / 0 / 19 / 13

HEX #A0DEB3

RGB 160 222 179

HSL 138.39, 0.48%, 0.75%

LAB 83.43, -28.32, 14.86

 

CMYK 28 / 0 / 27 / 13

HEX #A0DEA2

RGB 160 222 162

HSL 121.94, 0.48%, 0.75%

LAB 83.09, -31.31, 23.28

 

CMYK 22 / 0 / 28 / 13

HEX #ADDEA0

RGB 173 222 160

HSL 107.42, 0.48%, 0.75%

LAB 83.79, -27.32, 25.4

 

CMYK 28 / 0 / 4 / 13

HEX #A0DED5

RGB 160 222 213

HSL 171.29, 0.48%, 0.75%

LAB 84.24, -21.47, -1.93

 

CMYK 28 / 4 / 0 / 13

HEX #A0D6DE

RGB 160 214 222

HSL 187.74, 0.48%, 0.75%

LAB 82.29, -15.45, -9.58

 

CMYK 28 / 11 / 0 / 13

HEX #A0C5DE

RGB 160 197 222

HSL 204.19, 0.48%, 0.75%

LAB 77.69, -6.62, -16.48

 

CMYK 28 / 18 / 0 / 13

HEX #A0B5DE

RGB 160 181 222

HSL 219.68, 0.48%, 0.75%

LAB 73.41, 1.99, -22.95

 

CMYK 28 / 26 / 0 / 13

HEX #A0A4DE

RGB 160 164 222

HSL 236.13, 0.48%, 0.75%

LAB 68.97, 11.42, -29.77

 

CMYK 28 / 0 / 4 / 13

HEX #A0DED5

RGB 160 222 213

HSL 171.29, 0.48%, 0.75%

LAB 84.24, -21.47, -1.93

 

CMYK 36 / 0 / 5 / 9

HEX #95E8DC

RGB 149 232 220

HSL 171.33, 0.64%, 0.75%

LAB 86.64, -27.86, -2.16

 

CMYK 43 / 0 / 6 / 5

HEX #8BF3E4

RGB 139 243 228

HSL 171.35, 0.81%, 0.75%

LAB 89.48, -33.76, -2.23

 

CMYK 49 / 0 / 7 / 1

HEX #81FDEB

RGB 129 253 235

HSL 171.29, 0.97%, 0.75%

LAB 92.09, -38.98, -2.09

 

CMYK 28 / 0 / 4 / 13

HEX #A0DED5

RGB 160 222 213

HSL 171.29, 0.48%, 0.75%

LAB 84.24, -21.47, -1.93

 

CMYK 20 / 0 / 3 / 17

HEX #AAD4CE

RGB 170 212 206

HSL 171.43, 0.33%, 0.75%

LAB 81.89, -14.93, -1.59

 

CMYK 10 / 0 / 1 / 21

HEX #B4C9C6

RGB 180 201 198

HSL 171.43, 0.16%, 0.75%

LAB 79.36, -7.67, -0.93

 

CMYK 1 / 0 / 0 / 25

HEX #BEBFBF

RGB 190 191 191

HSL 180, 0.01%, 0.75%

LAB 77.26, -0.34, -0.13

 

CMYK 0 / 10 / 8 / 21

HEX #C9B5B8

RGB 201 181 184

HSL 351, 0.16%, 0.75%

LAB 75.41, 7.65, 1.07

 

CMYK 28 / 0 / 19 / 13

HEX #A0DEB3

RGB 160 222 179

HSL 138.39, 0.48%, 0.75%

LAB 83.43, -28.32, 14.86

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC4

RGB 160 222 196

HSL 154.84, 0.48%, 0.75%

LAB 83.81, -25.03, 6.45

 

CMYK 28 / 0 / 4 / 13

HEX #A0DED5

RGB 160 222 213

HSL 171.29, 0.48%, 0.75%

LAB 84.24, -21.47, -1.93

 

CMYK 28 / 3 / 0 / 13

HEX #A0D7DE

RGB 160 215 222

HSL 186.77, 0.48%, 0.75%

LAB 82.57, -15.96, -9.17

 

CMYK 28 / 11 / 0 / 13

HEX #A0C6DE

RGB 160 198 222

HSL 203.23, 0.48%, 0.75%

LAB 77.96, -7.15, -16.07

 

CMYK 51 / 0 / 7 / 21

HEX #62C9BA

RGB 98 201 186

HSL 171.26, 0.49%, 0.59%

LAB 74.77, -33.6, -1.68

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C7

RGB 129 211 199

HSL 171.22, 0.48%, 0.67%

LAB 79.26, -27.79, -1.95

 

CMYK 28 / 0 / 4 / 13

HEX #A0DED5

RGB 160 222 213

HSL 171.29, 0.48%, 0.75%

LAB 84.24, -21.47, -1.93

 

CMYK 18 / 0 / 3 / 9

HEX #BEE9E2

RGB 190 233 226

HSL 170.23, 0.49%, 0.83%

LAB 89.26, -15.23, -1.21

 

CMYK 9 / 0 / 1 / 5

HEX #DDF3F0

RGB 221 243 240

HSL 171.82, 0.48%, 0.91%

LAB 94.21, -7.74, -1.03

 

CMYK 28 / 0 / 4 / 13

HEX #A1DFD6

RGB 161 223 214

HSL 171.29, 0.49%, 0.75%

LAB 84.59, -21.46, -1.93

 

CMYK 27 / 28 / 0 / 13

HEX #A3A0DE

RGB 163 160 222

HSL 242.9, 0.48%, 0.75%

LAB 68.17, 14.56, -30.98

 

CMYK 0 / 15 / 28 / 13

HEX #DEBCA0

RGB 222 188 160

HSL 27.1, 0.48%, 0.75%

LAB 78.48, 8.02, 18.69

 

CMYK 28 / 0 / 4 / 13

HEX #A1DFD6

RGB 161 223 214

HSL 171.29, 0.49%, 0.75%

LAB 84.59, -21.46, -1.93

 

CMYK 4 / 28 / 0 / 13

HEX #D5A0DE

RGB 213 160 222

HSL 291.29, 0.48%, 0.75%

LAB 72.6, 30.14, -23.79

 

CMYK 0 / 4 / 28 / 13

HEX #DED5A0

RGB 222 213 160

HSL 51.29, 0.48%, 0.75%

LAB 84.82, -5.03, 27.37

 

CMYK 28 / 0 / 4 / 13

HEX #A1DFD6

RGB 161 223 214

HSL 171.29, 0.49%, 0.75%

LAB 84.59, -21.46, -1.93

 

CMYK 27 / 28 / 0 / 13

HEX #A3A0DE

RGB 163 160 222

HSL 242.9, 0.48%, 0.75%

LAB 68.17, 14.56, -30.98

 

CMYK 0 / 28 / 24 / 13

HEX #DEA0A9

RGB 222 160 169

HSL 351.29, 0.48%, 0.75%

LAB 71.92, 24.29, 4.49

 

CMYK 1 / 0 / 28 / 13

HEX #DBDEA0

RGB 219 222 160

HSL 62.9, 0.48%, 0.75%

LAB 86.92, -10.73, 30.16

 

CMYK 28 / 0 / 4 / 13

HEX #A1DFD6

RGB 161 223 214

HSL 171.29, 0.49%, 0.75%

LAB 84.59, -21.46, -1.93

 

CMYK 18 / 28 / 0 / 13

HEX #B5A0DE

RGB 181 160 222

HSL 260.32, 0.48%, 0.75%

LAB 69.64, 20.02, -28.59

 

CMYK 0 / 28 / 24 / 13

HEX #DEA0A9

RGB 222 160 169

HSL 351.29, 0.48%, 0.75%

LAB 71.92, 24.29, 4.49

 

CMYK 10 / 0 / 28 / 13

HEX #C8DEA0

RGB 200 222 160

HSL 81.29, 0.48%, 0.75%

LAB 85.53, -17.77, 28.06

 

Description

Color code: HEX #A1DFD6 | qconv.com Color code: HEX #A1DFD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 223 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 223 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 4 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 4% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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