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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1DEDC it is the complementary color #5E2123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1DEDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1DEDC shade: #A6DED7, #B7F0EA, #C8FFFD, #D9FFFF and #EAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1DEDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1DEDC shade: #A1DEDC, #90CCC9, #7FBAB6, #6EA8A3 and #5D9690

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1DEDC shade: #A0DDDB, #A0DDCB, #A0DDBA, #A0DDAA and #A7DDA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1DEDC shade: #A0DDDB, #A0CFDD, #A0BEDD, #A0AEDD and #A0A0DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1DEDC shade matches the following richer shades: #A0DDDB, #96E8E5, #8CF2EF and #81FCF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1DEDC shade: #A0DDDB, #AAD3D2, #B5C9C8, #BFBEBE and #C9B4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1DEDC shade: #A0DDBB, #A0DDCB, #A0DDDB, #A0CFDD and #A0BFDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1DEDC shade: #63C8C5, #82D3D0, #A0DDDB, #BFE8E7 and #DDF3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1DEDC shade: #A1DEDC, #AAA0DD and #DDC3A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1DEDC shade: #A1DEDC, #DBA0DD and #DDDBA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1DEDC shade: #A1DEDC, #AAA0DD, #DDA0A2 and #D3DDA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1DEDC shade: #A1DEDC, #BDA0DD, #DDA0A2 and #C1DDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 1 / 13

HEX #A1DEDC

RGB 161 222 220

HSL 178.03, 0.48%, 0.75%

LAB 84.48, -19.65, -5.27

 

Complementary color

CMYK 0 / 65 / 63 / 63

HEX #5E2123

RGB 94 33 35

HSL 358.03, 0.48%, 0.25%

LAB 22.26, 28.04, 13.24

 

CMYK 25 / 0 / 3 / 13

HEX #A6DED7

RGB 166 222 215

HSL 172.5, 0.46%, 0.76%

LAB 84.62, -19.28, -2.39

 

CMYK 24 / 0 / 3 / 6

HEX #B7F0EA

RGB 183 240 234

HSL 173.68, 0.66%, 0.83%

LAB 90.93, -19.17, -2.99

 

CMYK 22 / 0 / 1 / 0

HEX #C8FFFD

RGB 200 255 253

HSL 177.82, 1%, 0.89%

LAB 96.37, -17.6, -4.73

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 27 / 0 / 1 / 13

HEX #A1DEDC

RGB 161 222 220

HSL 178.03, 0.48%, 0.75%

LAB 84.48, -19.65, -5.27

 

CMYK 29 / 0 / 1 / 20

HEX #90CCC9

RGB 144 204 201

HSL 177, 0.37%, 0.68%

LAB 78.07, -19.75, -4.69

 

CMYK 32 / 0 / 2 / 27

HEX #7FBAB6

RGB 127 186 182

HSL 175.93, 0.3%, 0.61%

LAB 71.56, -19.87, -4.08

 

CMYK 35 / 0 / 3 / 34

HEX #6EA8A3

RGB 110 168 163

HSL 174.83, 0.25%, 0.55%

LAB 64.93, -19.99, -3.44

 

CMYK 38 / 0 / 4 / 41

HEX #5D9690

RGB 93 150 144

HSL 173.68, 0.23%, 0.48%

LAB 58.18, -20.12, -2.75

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDB

RGB 160 221 219

HSL 178.03, 0.47%, 0.75%

LAB 84.12, -19.66, -5.27

 

CMYK 28 / 0 / 8 / 13

HEX #A0DDCB

RGB 160 221 203

HSL 162.3, 0.47%, 0.75%

LAB 83.7, -23.1, 2.59

 

CMYK 28 / 0 / 16 / 13

HEX #A0DDBA

RGB 160 221 186

HSL 145.57, 0.47%, 0.75%

LAB 83.3, -26.51, 11

 

CMYK 28 / 0 / 23 / 13

HEX #A0DDAA

RGB 160 221 170

HSL 129.84, 0.47%, 0.75%

LAB 82.96, -29.47, 18.93

 

CMYK 24 / 0 / 28 / 13

HEX #A7DDA0

RGB 167 221 160

HSL 113.11, 0.47%, 0.75%

LAB 83.16, -28.86, 24.49

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDB

RGB 160 221 219

HSL 178.03, 0.47%, 0.75%

LAB 84.12, -19.66, -5.27

 

CMYK 28 / 6 / 0 / 13

HEX #A0CFDD

RGB 160 207 221

HSL 193.77, 0.47%, 0.75%

LAB 80.36, -12.09, -11.93

 

CMYK 28 / 14 / 0 / 13

HEX #A0BEDD

RGB 160 190 221

HSL 210.49, 0.47%, 0.75%

LAB 75.77, -3.12, -18.82

 

CMYK 28 / 21 / 0 / 13

HEX #A0AEDD

RGB 160 174 221

HSL 226.23, 0.47%, 0.75%

LAB 71.53, 5.6, -25.28

 

CMYK 28 / 28 / 0 / 13

HEX #A0A0DD

RGB 160 160 221

HSL 240, 0.47%, 0.75%

LAB 67.9, 13.43, -30.87

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDB

RGB 160 221 219

HSL 178.03, 0.47%, 0.75%

LAB 84.12, -19.66, -5.27

 

CMYK 35 / 0 / 1 / 9

HEX #96E8E5

RGB 150 232 229

HSL 177.8, 0.64%, 0.75%

LAB 86.93, -25.54, -6.47

 

CMYK 42 / 0 / 1 / 5

HEX #8CF2EF

RGB 140 242 239

HSL 178.24, 0.8%, 0.75%

LAB 89.54, -30.45, -7.89

 

CMYK 49 / 0 / 2 / 1

HEX #81FCF8

RGB 129 252 248

HSL 178.05, 0.95%, 0.75%

LAB 92.16, -35.38, -8.73

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDB

RGB 160 221 219

HSL 178.03, 0.47%, 0.75%

LAB 84.12, -19.66, -5.27

 

CMYK 19 / 0 / 0 / 17

HEX #AAD3D2

RGB 170 211 210

HSL 178.54, 0.32%, 0.75%

LAB 81.72, -13.58, -3.96

 

CMYK 10 / 0 / 0 / 21

HEX #B5C9C8

RGB 181 201 200

HSL 177, 0.16%, 0.75%

LAB 79.48, -6.94, -1.82

 

CMYK 0 / 1 / 1 / 25

HEX #BFBEBE

RGB 191 190 190

HSL 0, 0.01%, 0.75%

LAB 77.05, 0.35, 0.11

 

CMYK 0 / 10 / 10 / 21

HEX #C9B4B5

RGB 201 180 181

HSL 357.14, 0.16%, 0.75%

LAB 75.07, 7.67, 2.22

 

CMYK 28 / 0 / 15 / 13

HEX #A0DDBB

RGB 160 221 187

HSL 146.56, 0.47%, 0.75%

LAB 83.32, -26.32, 10.5

 

CMYK 28 / 0 / 8 / 13

HEX #A0DDCB

RGB 160 221 203

HSL 162.3, 0.47%, 0.75%

LAB 83.7, -23.1, 2.59

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDB

RGB 160 221 219

HSL 178.03, 0.47%, 0.75%

LAB 84.12, -19.66, -5.27

 

CMYK 28 / 6 / 0 / 13

HEX #A0CFDD

RGB 160 207 221

HSL 193.77, 0.47%, 0.75%

LAB 80.36, -12.09, -11.93

 

CMYK 28 / 14 / 0 / 13

HEX #A0BFDD

RGB 160 191 221

HSL 209.51, 0.47%, 0.75%

LAB 76.04, -3.66, -18.42

 

CMYK 51 / 0 / 1 / 22

HEX #63C8C5

RGB 99 200 197

HSL 178.22, 0.48%, 0.59%

LAB 74.82, -30.11, -7.56

 

CMYK 38 / 0 / 1 / 17

HEX #82D3D0

RGB 130 211 208

HSL 177.78, 0.48%, 0.67%

LAB 79.55, -25.4, -6.34

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDB

RGB 160 221 219

HSL 178.03, 0.47%, 0.75%

LAB 84.12, -19.66, -5.27

 

CMYK 18 / 0 / 0 / 9

HEX #BFE8E7

RGB 191 232 231

HSL 178.54, 0.47%, 0.83%

LAB 89.19, -13.4, -3.93

 

CMYK 9 / 0 / 0 / 5

HEX #DDF3F2

RGB 221 243 242

HSL 177.27, 0.48%, 0.91%

LAB 94.26, -7.36, -1.99

 

CMYK 27 / 0 / 1 / 13

HEX #A1DEDC

RGB 161 222 220

HSL 178.03, 0.48%, 0.75%

LAB 84.48, -19.65, -5.27

 

CMYK 23 / 28 / 0 / 13

HEX #AAA0DD

RGB 170 160 221

HSL 249.84, 0.47%, 0.75%

LAB 68.68, 16.42, -29.59

 

CMYK 0 / 12 / 28 / 13

HEX #DDC3A0

RGB 221 195 160

HSL 34.43, 0.47%, 0.75%

LAB 80.15, 3.94, 20.98

 

CMYK 27 / 0 / 1 / 13

HEX #A1DEDC

RGB 161 222 220

HSL 178.03, 0.48%, 0.75%

LAB 84.48, -19.65, -5.27

 

CMYK 1 / 28 / 0 / 13

HEX #DBA0DD

RGB 219 160 221

HSL 298.03, 0.47%, 0.75%

LAB 73.17, 31.89, -22.33

 

CMYK 0 / 1 / 28 / 13

HEX #DDDBA0

RGB 221 219 160

HSL 58.03, 0.47%, 0.75%

LAB 86.29, -8.46, 29.34

 

CMYK 27 / 0 / 1 / 13

HEX #A1DEDC

RGB 161 222 220

HSL 178.03, 0.48%, 0.75%

LAB 84.48, -19.65, -5.27

 

CMYK 23 / 28 / 0 / 13

HEX #AAA0DD

RGB 170 160 221

HSL 249.84, 0.47%, 0.75%

LAB 68.68, 16.42, -29.59

 

CMYK 0 / 28 / 27 / 13

HEX #DDA0A2

RGB 221 160 162

HSL 358.03, 0.47%, 0.75%

LAB 71.64, 22.93, 7.95

 

CMYK 5 / 0 / 28 / 13

HEX #D3DDA0

RGB 211 221 160

HSL 69.84, 0.47%, 0.75%

LAB 86.06, -13.22, 28.9

 

CMYK 27 / 0 / 1 / 13

HEX #A1DEDC

RGB 161 222 220

HSL 178.03, 0.48%, 0.75%

LAB 84.48, -19.65, -5.27

 

CMYK 14 / 28 / 0 / 13

HEX #BDA0DD

RGB 189 160 221

HSL 268.52, 0.47%, 0.75%

LAB 70.3, 22.29, -26.96

 

CMYK 0 / 28 / 27 / 13

HEX #DDA0A2

RGB 221 160 162

HSL 358.03, 0.47%, 0.75%

LAB 71.64, 22.93, 7.95

 

CMYK 13 / 0 / 28 / 13

HEX #C1DDA0

RGB 193 221 160

HSL 87.54, 0.47%, 0.75%

LAB 84.79, -19.81, 26.96

 

Description

Color code: HEX #A1DEDC | qconv.com Color code: HEX #A1DEDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 222 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 222 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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