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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1D9DE it is the complementary color #5E2621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1D9DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1D9DE shade: #A6D9D9, #B7EBEC, #C8FDFF, #D9FFFF and #EAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1D9DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1D9DE shade: #A1D9DE, #90C7CB, #7FB5B8, #6EA3A5 and #5D9192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1D9DE shade: #A0D8DD, #A0C8DD, #A0B7DD, #A0A7DD and #AAA0DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1D9DE shade: #A0D8DD, #A0C8DD, #A0B7DD, #A0A7DD and #A0A0DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1D9DE shade matches the following richer shades: #A0D8DD, #96E1E8, #8CEAF2 and #81F2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1D9DE shade: #A0D8DD, #AAD0D3, #B5C7C9, #BFBEBE and #C9B6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1D9DE shade: #A0DDC1, #A0DDD1, #A0D9DD, #A0C9DD and #A0B9DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1D9DE shade: #63C0C8, #82CCD3, #A0D8DD, #BFE5E8 and #DDF1F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1D9DE shade: #A1D9DE, #B0A0DD and #DDC9A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1D9DE shade: #A1D9DE, #DDA0D9 and #D9DDA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1D9DE shade: #A1D9DE, #B0A0DD, #DDA4A0 and #CDDDA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1D9DE shade: #A1D9DE, #C3A0DD, #DDA4A0 and #BBDDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 2 / 0 / 13

HEX #A1D9DE

RGB 161 217 222

HSL 184.92, 0.48%, 0.75%

LAB 83.17, -16.69, -8.27

 

Complementary color

CMYK 0 / 60 / 65 / 63

HEX #5E2621

RGB 94 38 33

HSL 4.92, 0.48%, 0.25%

LAB 23.26, 25.16, 15.87

 

CMYK 24 / 0 / 0 / 15

HEX #A6D9D9

RGB 166 217 217

HSL 180, 0.4%, 0.75%

LAB 83.31, -16.34, -5.38

 

CMYK 22 / 0 / 0 / 7

HEX #B7EBEC

RGB 183 235 236

HSL 181.13, 0.58%, 0.82%

LAB 89.65, -16.26, -5.93

 

CMYK 22 / 1 / 0 / 0

HEX #C8FDFF

RGB 200 253 255

HSL 182.18, 1%, 0.89%

LAB 95.89, -16.2, -6.46

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 27 / 2 / 0 / 13

HEX #A1D9DE

RGB 161 217 222

HSL 184.92, 0.48%, 0.75%

LAB 83.17, -16.69, -8.27

 

CMYK 29 / 2 / 0 / 20

HEX #90C7CB

RGB 144 199 203

HSL 184.07, 0.36%, 0.68%

LAB 76.73, -16.75, -7.75

 

CMYK 31 / 2 / 0 / 28

HEX #7FB5B8

RGB 127 181 184

HSL 183.16, 0.29%, 0.61%

LAB 70.19, -16.82, -7.2

 

CMYK 33 / 1 / 0 / 35

HEX #6EA3A5

RGB 110 163 165

HSL 182.18, 0.23%, 0.54%

LAB 63.53, -16.9, -6.63

 

CMYK 36 / 1 / 0 / 43

HEX #5D9192

RGB 93 145 146

HSL 181.13, 0.22%, 0.47%

LAB 56.74, -16.98, -6.03

 

CMYK 28 / 2 / 0 / 13

HEX #A0D8DD

RGB 160 216 221

HSL 184.92, 0.47%, 0.75%

LAB 82.81, -16.69, -8.28

 

CMYK 28 / 10 / 0 / 13

HEX #A0C8DD

RGB 160 200 221

HSL 200.66, 0.47%, 0.75%

LAB 78.46, -8.44, -14.77

 

CMYK 28 / 17 / 0 / 13

HEX #A0B7DD

RGB 160 183 221

HSL 217.38, 0.47%, 0.75%

LAB 73.91, 0.66, -21.65

 

CMYK 28 / 24 / 0 / 13

HEX #A0A7DD

RGB 160 167 221

HSL 233.11, 0.47%, 0.75%

LAB 69.7, 9.5, -28.08

 

CMYK 23 / 28 / 0 / 13

HEX #AAA0DD

RGB 170 160 221

HSL 249.84, 0.47%, 0.75%

LAB 68.68, 16.42, -29.59

 

CMYK 28 / 2 / 0 / 13

HEX #A0D8DD

RGB 160 216 221

HSL 184.92, 0.47%, 0.75%

LAB 82.81, -16.69, -8.28

 

CMYK 28 / 10 / 0 / 13

HEX #A0C8DD

RGB 160 200 221

HSL 200.66, 0.47%, 0.75%

LAB 78.46, -8.44, -14.77

 

CMYK 28 / 17 / 0 / 13

HEX #A0B7DD

RGB 160 183 221

HSL 217.38, 0.47%, 0.75%

LAB 73.91, 0.66, -21.65

 

CMYK 28 / 24 / 0 / 13

HEX #A0A7DD

RGB 160 167 221

HSL 233.11, 0.47%, 0.75%

LAB 69.7, 9.5, -28.08

 

CMYK 28 / 28 / 0 / 13

HEX #A0A0DD

RGB 160 160 221

HSL 240, 0.47%, 0.75%

LAB 67.9, 13.43, -30.87

 

CMYK 28 / 2 / 0 / 13

HEX #A0D8DD

RGB 160 216 221

HSL 184.92, 0.47%, 0.75%

LAB 82.81, -16.69, -8.28

 

CMYK 35 / 3 / 0 / 9

HEX #96E1E8

RGB 150 225 232

HSL 185.12, 0.64%, 0.75%

LAB 85.08, -21.39, -10.79

 

CMYK 42 / 3 / 0 / 5

HEX #8CEAF2

RGB 140 234 242

HSL 184.71, 0.8%, 0.75%

LAB 87.4, -25.88, -12.63

 

CMYK 49 / 4 / 0 / 1

HEX #81F2FC

RGB 129 242 252

HSL 184.88, 0.95%, 0.75%

LAB 89.49, -29.67, -14.8

 

CMYK 28 / 2 / 0 / 13

HEX #A0D8DD

RGB 160 216 221

HSL 184.92, 0.47%, 0.75%

LAB 82.81, -16.69, -8.28

 

CMYK 19 / 1 / 0 / 17

HEX #AAD0D3

RGB 170 208 211

HSL 184.39, 0.32%, 0.75%

LAB 80.94, -11.83, -5.65

 

CMYK 10 / 1 / 0 / 21

HEX #B5C7C9

RGB 181 199 201

HSL 186, 0.16%, 0.75%

LAB 78.98, -5.69, -3.09

 

CMYK 0 / 1 / 1 / 25

HEX #BFBEBE

RGB 191 190 190

HSL 0, 0.01%, 0.75%

LAB 77.05, 0.35, 0.11

 

CMYK 0 / 9 / 10 / 21

HEX #C9B6B4

RGB 201 182 180

HSL 5.71, 0.16%, 0.75%

LAB 75.56, 6.43, 3.47

 

CMYK 28 / 0 / 13 / 13

HEX #A0DDC1

RGB 160 221 193

HSL 152.46, 0.47%, 0.75%

LAB 83.46, -25.14, 7.53

 

CMYK 28 / 0 / 5 / 13

HEX #A0DDD1

RGB 160 221 209

HSL 168.2, 0.47%, 0.75%

LAB 83.86, -21.84, -0.37

 

CMYK 28 / 2 / 0 / 13

HEX #A0D9DD

RGB 160 217 221

HSL 183.93, 0.47%, 0.75%

LAB 83.08, -17.2, -7.87

 

CMYK 28 / 9 / 0 / 13

HEX #A0C9DD

RGB 160 201 221

HSL 199.67, 0.47%, 0.75%

LAB 78.73, -8.96, -14.36

 

CMYK 28 / 16 / 0 / 13

HEX #A0B9DD

RGB 160 185 221

HSL 215.41, 0.47%, 0.75%

LAB 74.44, -0.43, -20.85

 

CMYK 51 / 4 / 0 / 22

HEX #63C0C8

RGB 99 192 200

HSL 184.75, 0.48%, 0.59%

LAB 72.58, -25.4, -12.54

 

CMYK 38 / 3 / 0 / 17

HEX #82CCD3

RGB 130 204 211

HSL 185.19, 0.48%, 0.67%

LAB 77.66, -21.19, -10.76

 

CMYK 28 / 2 / 0 / 13

HEX #A0D8DD

RGB 160 216 221

HSL 184.92, 0.47%, 0.75%

LAB 82.81, -16.69, -8.28

 

CMYK 18 / 1 / 0 / 9

HEX #BFE5E8

RGB 191 229 232

HSL 184.39, 0.47%, 0.83%

LAB 88.42, -11.68, -5.59

 

CMYK 9 / 1 / 0 / 5

HEX #DDF1F3

RGB 221 241 243

HSL 185.45, 0.48%, 0.91%

LAB 93.78, -6.16, -3.22

 

CMYK 27 / 2 / 0 / 13

HEX #A1D9DE

RGB 161 217 222

HSL 184.92, 0.48%, 0.75%

LAB 83.17, -16.69, -8.27

 

CMYK 20 / 28 / 0 / 13

HEX #B0A0DD

RGB 176 160 221

HSL 255.74, 0.47%, 0.75%

LAB 69.18, 18.25, -28.79

 

CMYK 0 / 9 / 28 / 13

HEX #DDC9A0

RGB 221 201 160

HSL 40.33, 0.47%, 0.75%

LAB 81.67, 0.8, 23.07

 

CMYK 27 / 2 / 0 / 13

HEX #A1D9DE

RGB 161 217 222

HSL 184.92, 0.48%, 0.75%

LAB 83.17, -16.69, -8.27

 

CMYK 0 / 28 / 2 / 13

HEX #DDA0D9

RGB 221 160 217

HSL 303.93, 0.47%, 0.75%

LAB 73.24, 31.8, -20.02

 

CMYK 2 / 0 / 28 / 13

HEX #D9DDA0

RGB 217 221 160

HSL 63.93, 0.47%, 0.75%

LAB 86.51, -10.98, 29.58

 

CMYK 27 / 2 / 0 / 13

HEX #A1D9DE

RGB 161 217 222

HSL 184.92, 0.48%, 0.75%

LAB 83.17, -16.69, -8.27

 

CMYK 20 / 28 / 0 / 13

HEX #B0A0DD

RGB 176 160 221

HSL 255.74, 0.47%, 0.75%

LAB 69.18, 18.25, -28.79

 

CMYK 0 / 26 / 28 / 13

HEX #DDA4A0

RGB 221 164 160

HSL 3.93, 0.47%, 0.75%

LAB 72.54, 20.49, 10.33

 

CMYK 7 / 0 / 28 / 13

HEX #CDDDA0

RGB 205 221 160

HSL 75.74, 0.47%, 0.75%

LAB 85.62, -15.44, 28.23

 

CMYK 27 / 2 / 0 / 13

HEX #A1D9DE

RGB 161 217 222

HSL 184.92, 0.48%, 0.75%

LAB 83.17, -16.69, -8.27

 

CMYK 12 / 28 / 0 / 13

HEX #C3A0DD

RGB 195 160 221

HSL 274.43, 0.47%, 0.75%

LAB 70.85, 24.19, -26.08

 

CMYK 0 / 26 / 28 / 13

HEX #DDA4A0

RGB 221 164 160

HSL 3.93, 0.47%, 0.75%

LAB 72.54, 20.49, 10.33

 

CMYK 15 / 0 / 28 / 13

HEX #BBDDA0

RGB 187 221 160

HSL 93.44, 0.47%, 0.75%

LAB 84.39, -21.96, 26.36

 

Description

Color code: HEX #A1D9DE | qconv.com Color code: HEX #A1D9DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 217 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 217 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 2 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 2% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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