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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1D453 it is the complementary color #5E2BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1D453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1D453 shade: #A6D44E, #B7E661, #C8F874, #D9FF87 and #EAFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1D453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1D453 shade: #A1D453, #90C240, #7FB02D, #6E9E1A and #5D8C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1D453 shade: #A1D453, #C4D453, #D4C153, #D49E53 and #D47C53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1D453 shade: #A1D453, #7ED453, #5CD453, #53D46D and #53D490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1D453 shade matches the following richer shades: #A1D453, #A4E542 and #A8F630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1D453 shade: #A1D453, #9DC264, #9AB176, #96A087 and #928E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1D453 shade: #D4C053, #C5D453, #A2D453, #80D453 and #5ED453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1D453 shade: #78AA2A, #8FCB32, #A1D453, #B3DC74 and #C5E495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1D453 shade: #A1D453, #53D49E and #D253D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1D453 shade: #A1D453, #53A2D4 and #D453A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1D453 shade: #A1D453, #53D49E, #8453D4 and #D45389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1D453 shade: #A1D453, #53D4C5, #8453D4 and #D45362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

Complementary color

CMYK 45 / 75 / 0 / 33

HEX #5E2BAC

RGB 94 43 172

HSL 263.72, 0.6%, 0.42%

LAB 32, 50.22, -60.14

 

CMYK 22 / 0 / 63 / 17

HEX #A6D44E

RGB 166 212 78

HSL 80.6, 0.61%, 0.57%

LAB 79.47, -34.8, 59.45

 

CMYK 20 / 0 / 58 / 10

HEX #B7E661

RGB 183 230 97

HSL 81.2, 0.73%, 0.64%

LAB 85.77, -35.07, 58.62

 

CMYK 19 / 0 / 53 / 3

HEX #C8F874

RGB 200 248 116

HSL 81.82, 0.9%, 0.71%

LAB 91.99, -35.26, 57.65

 

CMYK 15 / 0 / 47 / 0

HEX #D9FF87

RGB 217 255 135

HSL 79, 1%, 0.76%

LAB 95.17, -30.35, 53.01

 

CMYK 8 / 0 / 40 / 0

HEX #EAFF9A

RGB 234 255 154

HSL 72.48, 1%, 0.8%

LAB 96.55, -22.03, 45.94

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 26 / 0 / 67 / 24

HEX #90C240

RGB 144 194 64

HSL 83.08, 0.52%, 0.51%

LAB 72.81, -36.01, 57.66

 

CMYK 28 / 0 / 74 / 31

HEX #7FB02D

RGB 127 176 45

HSL 82.44, 0.59%, 0.43%

LAB 66.33, -35.58, 57.91

 

CMYK 30 / 0 / 84 / 38

HEX #6E9E1A

RGB 110 158 26

HSL 81.82, 0.72%, 0.36%

LAB 59.75, -34.95, 57.31

 

CMYK 34 / 0 / 95 / 45

HEX #5D8C07

RGB 93 140 7

HSL 81.2, 0.9%, 0.29%

LAB 53.06, -34.04, 55.24

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 8 / 0 / 61 / 17

HEX #C4D453

RGB 196 212 83

HSL 67.44, 0.6%, 0.58%

LAB 81.54, -22.61, 60.19

 

CMYK 0 / 9 / 61 / 17

HEX #D4C153

RGB 212 193 83

HSL 51.16, 0.6%, 0.58%

LAB 77.73, -6.46, 56.4

 

CMYK 0 / 25 / 61 / 17

HEX #D49E53

RGB 212 158 83

HSL 34.88, 0.6%, 0.58%

LAB 68.81, 12.06, 46.32

 

CMYK 0 / 42 / 61 / 17

HEX #D47C53

RGB 212 124 83

HSL 19.07, 0.6%, 0.58%

LAB 60.81, 30.4, 36.83

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 41 / 0 / 61 / 17

HEX #7ED453

RGB 126 212 83

HSL 100, 0.6%, 0.58%

LAB 77.37, -48.53, 54.41

 

CMYK 57 / 0 / 61 / 17

HEX #5CD453

RGB 92 212 83

HSL 115.81, 0.6%, 0.58%

LAB 76.06, -58.21, 52.58

 

CMYK 61 / 0 / 49 / 17

HEX #53D46D

RGB 83 212 109

HSL 132.09, 0.6%, 0.58%

LAB 76.09, -56.99, 40.44

 

CMYK 61 / 0 / 32 / 17

HEX #53D490

RGB 83 212 144

HSL 148.37, 0.6%, 0.58%

LAB 76.64, -50.96, 23.35

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 28 / 0 / 71 / 10

HEX #A4E542

RGB 164 229 66

HSL 83.93, 0.76%, 0.58%

LAB 84.13, -43.91, 68.82

 

CMYK 32 / 0 / 80 / 4

HEX #A8F630

RGB 168 246 48

HSL 83.64, 0.92%, 0.58%

LAB 89.13, -50.52, 79.02

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 19 / 0 / 48 / 24

HEX #9DC264

RGB 157 194 100

HSL 83.62, 0.44%, 0.58%

LAB 73.98, -27.77, 43

 

CMYK 13 / 0 / 33 / 31

HEX #9AB176

RGB 154 177 118

HSL 83.39, 0.27%, 0.58%

LAB 69.2, -18.25, 27.64

 

CMYK 6 / 0 / 16 / 37

HEX #96A087

RGB 150 160 135

HSL 84, 0.12%, 0.58%

LAB 64.46, -8.21, 11.84

 

CMYK 4 / 7 / 0 / 40

HEX #928E98

RGB 146 142 152

HSL 264, 0.05%, 0.58%

LAB 59.64, 3.44, -4.77

 

CMYK 0 / 9 / 61 / 17

HEX #D4C053

RGB 212 192 83

HSL 50.7, 0.6%, 0.58%

LAB 77.47, -5.94, 56.11

 

CMYK 7 / 0 / 61 / 17

HEX #C5D453

RGB 197 212 83

HSL 66.98, 0.6%, 0.58%

LAB 81.61, -22.2, 60.29

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 40 / 0 / 61 / 17

HEX #80D453

RGB 128 212 83

HSL 99.07, 0.6%, 0.58%

LAB 77.46, -47.89, 54.54

 

CMYK 56 / 0 / 61 / 17

HEX #5ED453

RGB 94 212 83

HSL 114.88, 0.6%, 0.58%

LAB 76.13, -57.72, 52.67

 

CMYK 29 / 0 / 75 / 33

HEX #78AA2A

RGB 120 170 42

HSL 83.44, 0.6%, 0.42%

LAB 64.09, -35.73, 56.63

 

CMYK 30 / 0 / 75 / 20

HEX #8FCB32

RGB 143 203 50

HSL 83.53, 0.6%, 0.5%

LAB 75.32, -41.26, 65.2

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 19 / 0 / 47 / 14

HEX #B3DC74

RGB 179 220 116

HSL 83.65, 0.6%, 0.66%

LAB 82.93, -30.09, 46.49

 

CMYK 14 / 0 / 35 / 11

HEX #C5E495

RGB 197 228 149

HSL 83.54, 0.59%, 0.74%

LAB 86.76, -23.3, 35.28

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 61 / 0 / 25 / 17

HEX #53D49E

RGB 83 212 158

HSL 154.88, 0.6%, 0.58%

LAB 76.92, -48.09, 16.35

 

CMYK 1 / 61 / 0 / 17

HEX #D253D4

RGB 210 83 212

HSL 299.07, 0.6%, 0.58%

LAB 56.72, 66.02, -42.89

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 61 / 24 / 0 / 17

HEX #53A2D4

RGB 83 162 212

HSL 203.26, 0.6%, 0.58%

LAB 63.7, -9.37, -32.74

 

CMYK 0 / 61 / 24 / 17

HEX #D453A2

RGB 212 83 162

HSL 323.26, 0.6%, 0.58%

LAB 54.86, 58.89, -16.95

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 61 / 0 / 25 / 17

HEX #53D49E

RGB 83 212 158

HSL 154.88, 0.6%, 0.58%

LAB 76.92, -48.09, 16.35

 

CMYK 38 / 61 / 0 / 17

HEX #8453D4

RGB 132 83 212

HSL 262.79, 0.6%, 0.58%

LAB 46.77, 47.61, -59.36

 

CMYK 0 / 61 / 35 / 17

HEX #D45389

RGB 212 83 137

HSL 334.88, 0.6%, 0.58%

LAB 54.02, 55.77, -3.49

 

CMYK 24 / 0 / 61 / 17

HEX #A1D453

RGB 161 212 83

HSL 83.72, 0.6%, 0.58%

LAB 79.21, -36.3, 56.97

 

CMYK 61 / 0 / 7 / 17

HEX #53D4C5

RGB 83 212 197

HSL 173.02, 0.6%, 0.58%

LAB 77.85, -38.82, -3.14

 

CMYK 38 / 61 / 0 / 17

HEX #8453D4

RGB 132 83 212

HSL 262.79, 0.6%, 0.58%

LAB 46.77, 47.61, -59.36

 

CMYK 0 / 61 / 54 / 17

HEX #D45362

RGB 212 83 98

HSL 353.02, 0.6%, 0.58%

LAB 53.02, 51.95, 18.27

 

Description

Color code: HEX #A1D453 | qconv.com Color code: HEX #A1D453 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 212 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 212 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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