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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1CE72 it is the complementary color #5E318D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1CE72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1CE72 shade: #A6CE6D, #B7E080, #C8F293, #D9FFA6 and #EAFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1CE72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1CE72 shade: #A1CE72, #90BC5F, #7FAA4C, #6E9839 and #5D8626

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1CE72 shade: #A1CD73, #BACD73, #CDC973, #CDB073 and #CD9873

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1CE72 shade: #A1CD73, #89CD73, #73CD75, #73CD8E and #73CDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1CE72 shade matches the following richer shades: #A1CD73, #A1DD64, #A2EC54 and #A2FB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1CE72 shade: #A1CD73, #A1BE82, #A0AF91, #A0A0A1 and #A090B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1CE72 shade: #CDC973, #BACD73, #A2CD73, #8ACD73 and #73CD74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1CE72 shade: #78B03E, #8DC354, #A1CD73, #B6D891 and #CAE3B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1CE72 shade: #A1CE72, #73CDB1 and #CD73C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1CE72 shade: #A1CE72, #73A2CD and #CD73A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1CE72 shade: #A1CE72, #73CDB1, #9F73CD and #CD7390

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1CE72 shade: #A1CE72, #73CDCC, #9F73CD and #CD7374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 45 / 19

HEX #A1CE72

RGB 161 206 114

HSL 89.35, 0.48%, 0.63%

LAB 77.84, -30.38, 40.91

 

Complementary color

CMYK 33 / 65 / 0 / 45

HEX #5E318D

RGB 94 49 141

HSL 269.35, 0.48%, 0.37%

LAB 30.64, 39.05, -43.51

 

CMYK 19 / 0 / 47 / 19

HEX #A6CE6D

RGB 166 206 109

HSL 84.74, 0.5%, 0.62%

LAB 78.08, -29.1, 43.75

 

CMYK 18 / 0 / 43 / 12

HEX #B7E080

RGB 183 224 128

HSL 85.63, 0.61%, 0.69%

LAB 84.45, -29.14, 42.59

 

CMYK 17 / 0 / 39 / 5

HEX #C8F293

RGB 200 242 147

HSL 86.53, 0.79%, 0.76%

LAB 90.73, -29.14, 41.46

 

CMYK 15 / 0 / 35 / 0

HEX #D9FFA6

RGB 217 255 166

HSL 85.62, 1%, 0.83%

LAB 95.59, -26.77, 38.61

 

CMYK 8 / 0 / 27 / 0

HEX #EAFFB9

RGB 234 255 185

HSL 78, 1%, 0.86%

LAB 97.03, -18.19, 31.26

 

CMYK 22 / 0 / 45 / 19

HEX #A1CE72

RGB 161 206 114

HSL 89.35, 0.48%, 0.63%

LAB 77.84, -30.38, 40.91

 

CMYK 23 / 0 / 49 / 26

HEX #90BC5F

RGB 144 188 95

HSL 88.39, 0.41%, 0.55%

LAB 71.37, -30.38, 42.08

 

CMYK 25 / 0 / 55 / 33

HEX #7FAA4C

RGB 127 170 76

HSL 87.45, 0.38%, 0.48%

LAB 64.79, -30.32, 43.22

 

CMYK 28 / 0 / 63 / 40

HEX #6E9839

RGB 110 152 57

HSL 86.53, 0.45%, 0.41%

LAB 58.1, -30.17, 44.23

 

CMYK 31 / 0 / 72 / 47

HEX #5D8626

RGB 93 134 38

HSL 85.63, 0.56%, 0.34%

LAB 51.29, -29.87, 44.9

 

CMYK 21 / 0 / 44 / 20

HEX #A1CD73

RGB 161 205 115

HSL 89.33, 0.47%, 0.63%

LAB 77.57, -29.78, 40.07

 

CMYK 9 / 0 / 44 / 20

HEX #BACD73

RGB 186 205 115

HSL 72.67, 0.47%, 0.63%

LAB 79.24, -20.3, 42.52

 

CMYK 0 / 2 / 44 / 20

HEX #CDC973

RGB 205 201 115

HSL 57.33, 0.47%, 0.63%

LAB 79.61, -10.76, 43.3

 

CMYK 0 / 14 / 44 / 20

HEX #CDB073

RGB 205 176 115

HSL 40.67, 0.47%, 0.63%

LAB 73.07, 2.28, 35.06

 

CMYK 0 / 26 / 44 / 20

HEX #CD9873

RGB 205 152 115

HSL 24.67, 0.47%, 0.63%

LAB 67.03, 15.23, 27.21

 

CMYK 21 / 0 / 44 / 20

HEX #A1CD73

RGB 161 205 115

HSL 89.33, 0.47%, 0.63%

LAB 77.57, -29.78, 40.07

 

CMYK 33 / 0 / 44 / 20

HEX #89CD73

RGB 137 205 115

HSL 105.33, 0.47%, 0.63%

LAB 76.2, -38.22, 38.07

 

CMYK 44 / 0 / 43 / 20

HEX #73CD75

RGB 115 205 117

HSL 121.33, 0.47%, 0.63%

LAB 75.2, -44.85, 35.56

 

CMYK 44 / 0 / 31 / 20

HEX #73CD8E

RGB 115 205 142

HSL 138, 0.47%, 0.63%

LAB 75.61, -40.7, 23.18

 

CMYK 44 / 0 / 19 / 20

HEX #73CDA6

RGB 115 205 166

HSL 154, 0.47%, 0.63%

LAB 76.11, -35.97, 11.11

 

CMYK 21 / 0 / 44 / 20

HEX #A1CD73

RGB 161 205 115

HSL 89.33, 0.47%, 0.63%

LAB 77.57, -29.78, 40.07

 

CMYK 27 / 0 / 55 / 13

HEX #A1DD64

RGB 161 221 100

HSL 89.75, 0.64%, 0.63%

LAB 81.95, -38.8, 52.57

 

CMYK 31 / 0 / 64 / 7

HEX #A2EC54

RGB 162 236 84

HSL 89.21, 0.8%, 0.63%

LAB 86.16, -46.39, 64.14

 

CMYK 35 / 0 / 73 / 2

HEX #A2FB45

RGB 162 251 69

HSL 89.34, 0.96%, 0.63%

LAB 90.37, -53.6, 73.93

 

CMYK 21 / 0 / 44 / 20

HEX #A1CD73

RGB 161 205 115

HSL 89.33, 0.47%, 0.63%

LAB 77.57, -29.78, 40.07

 

CMYK 15 / 0 / 32 / 25

HEX #A1BE82

RGB 161 190 130

HSL 89, 0.32%, 0.63%

LAB 73.56, -20.47, 27.16

 

CMYK 9 / 0 / 17 / 31

HEX #A0AF91

RGB 160 175 145

HSL 90, 0.16%, 0.63%

LAB 69.6, -10.78, 13.64

 

CMYK 1 / 1 / 0 / 37

HEX #A0A0A1

RGB 160 160 161

HSL 240, 0.01%, 0.63%

LAB 65.9, 0.2, -0.53

 

CMYK 9 / 18 / 0 / 31

HEX #A090B0

RGB 160 144 176

HSL 270, 0.17%, 0.63%

LAB 62.13, 12.18, -14.56

 

CMYK 0 / 2 / 44 / 20

HEX #CDC973

RGB 205 201 115

HSL 57.33, 0.47%, 0.63%

LAB 79.61, -10.76, 43.3

 

CMYK 9 / 0 / 44 / 20

HEX #BACD73

RGB 186 205 115

HSL 72.67, 0.47%, 0.63%

LAB 79.24, -20.3, 42.52

 

CMYK 21 / 0 / 44 / 20

HEX #A2CD73

RGB 162 205 115

HSL 88.67, 0.47%, 0.63%

LAB 77.63, -29.42, 40.16

 

CMYK 33 / 0 / 44 / 20

HEX #8ACD73

RGB 138 205 115

HSL 104.67, 0.47%, 0.63%

LAB 76.26, -37.89, 38.14

 

CMYK 44 / 0 / 43 / 20

HEX #73CD74

RGB 115 205 116

HSL 120.67, 0.47%, 0.63%

LAB 75.18, -45, 36.05

 

CMYK 32 / 0 / 65 / 31

HEX #78B03E

RGB 120 176 62

HSL 89.47, 0.48%, 0.47%

LAB 66.05, -37.03, 50.89

 

CMYK 28 / 0 / 57 / 24

HEX #8DC354

RGB 141 195 84

HSL 89.19, 0.48%, 0.55%

LAB 73.11, -35.9, 49.33

 

CMYK 21 / 0 / 44 / 20

HEX #A1CD73

RGB 161 205 115

HSL 89.33, 0.47%, 0.63%

LAB 77.57, -29.78, 40.07

 

CMYK 16 / 0 / 33 / 15

HEX #B6D891

RGB 182 216 145

HSL 88.73, 0.48%, 0.71%

LAB 82.43, -23.48, 31.41

 

CMYK 11 / 0 / 22 / 11

HEX #CAE3B0

RGB 202 227 176

HSL 89.41, 0.48%, 0.79%

LAB 87.3, -17.17, 22.22

 

CMYK 22 / 0 / 45 / 19

HEX #A1CE72

RGB 161 206 114

HSL 89.35, 0.48%, 0.63%

LAB 77.84, -30.38, 40.91

 

CMYK 44 / 0 / 14 / 20

HEX #73CDB1

RGB 115 205 177

HSL 161.33, 0.47%, 0.63%

LAB 76.36, -33.57, 5.57

 

CMYK 0 / 44 / 3 / 20

HEX #CD73C6

RGB 205 115 198

HSL 304.67, 0.47%, 0.63%

LAB 61.06, 47.16, -28.23

 

CMYK 22 / 0 / 45 / 19

HEX #A1CE72

RGB 161 206 114

HSL 89.35, 0.48%, 0.63%

LAB 77.84, -30.38, 40.91

 

CMYK 44 / 21 / 0 / 20

HEX #73A2CD

RGB 115 162 205

HSL 208.67, 0.47%, 0.63%

LAB 64.88, -4.4, -26.92

 

CMYK 0 / 44 / 21 / 20

HEX #CD73A2

RGB 205 115 162

HSL 328.67, 0.47%, 0.63%

LAB 59.75, 41.27, -9.66

 

CMYK 22 / 0 / 45 / 19

HEX #A1CE72

RGB 161 206 114

HSL 89.35, 0.48%, 0.63%

LAB 77.84, -30.38, 40.91

 

CMYK 44 / 0 / 14 / 20

HEX #73CDB1

RGB 115 205 177

HSL 161.33, 0.47%, 0.63%

LAB 76.36, -33.57, 5.57

 

CMYK 22 / 44 / 0 / 20

HEX #9F73CD

RGB 159 115 205

HSL 269.33, 0.47%, 0.63%

LAB 56.13, 34.93, -40.28

 

CMYK 0 / 44 / 30 / 20

HEX #CD7390

RGB 205 115 144

HSL 340.67, 0.47%, 0.63%

LAB 59.21, 38.73, -0.08

 

CMYK 22 / 0 / 45 / 19

HEX #A1CE72

RGB 161 206 114

HSL 89.35, 0.48%, 0.63%

LAB 77.84, -30.38, 40.91

 

CMYK 44 / 0 / 0 / 20

HEX #73CDCC

RGB 115 205 204

HSL 179.33, 0.47%, 0.63%

LAB 77.08, -27.14, -7.92

 

CMYK 22 / 44 / 0 / 20

HEX #9F73CD

RGB 159 115 205

HSL 269.33, 0.47%, 0.63%

LAB 56.13, 34.93, -40.28

 

CMYK 0 / 44 / 43 / 20

HEX #CD7374

RGB 205 115 116

HSL 359.33, 0.47%, 0.63%

LAB 58.51, 35.37, 15.11

 

Description

Color code: HEX #A1CE72 | qconv.com Color code: HEX #A1CE72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 206 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 206 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 45 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 45% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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