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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1CDB1 it is the complementary color #5E324E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1CDB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1CDB1 shade: #A6CDAC, #B7DFBF, #C8F1D2, #D9FFE5 and #EAFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1CDB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1CDB1 shade: #A1CDB1, #90BB9E, #7FA98B, #6E9778 and #5D8565

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1CDB1 shade: #A1CDB1, #A1CDA5, #A9CDA1, #B5CDA1 and #C1CDA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1CDB1 shade: #A1CDB1, #A1CDBD, #A1CDC9, #A1C6CD and #A1BACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1CDB1 shade matches the following richer shades: #A1CDB1, #95D9AE, #8AE4AB, #7EF0A8 and #73FBA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1CDB1 shade: #A1CDB1, #ADC2B4, #B8B6B7, #C4ABBB and #CF9FBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1CDB1 shade: #A9CDA1, #A1CDA5, #A1CDB0, #A1CDBC and #A1CDC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1CDB1 shade: #6BB184, #86BF9B, #A1CDB1, #BCDBC7 and #D7EADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1CDB1 shade: #A1CDB1, #A1B5CD and #CDA1A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1CDB1 shade: #A1CDB1, #B0A1CD and #CDB0A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1CDB1 shade: #A1CDB1, #A1B5CD, #CDA1BE and #CDB9A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1CDB1 shade: #A1CDB1, #A1A8CD, #CDA1BE and #CDC7A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

Complementary color

CMYK 0 / 47 / 17 / 63

HEX #5E324E

RGB 94 50 78

HSL 321.82, 0.31%, 0.28%

LAB 27.33, 24.13, -8.49

 

CMYK 19 / 0 / 16 / 20

HEX #A6CDAC

RGB 166 205 172

HSL 129.23, 0.28%, 0.73%

LAB 78.9, -19.33, 12.22

 

CMYK 18 / 0 / 14 / 13

HEX #B7DFBF

RGB 183 223 191

HSL 132, 0.38%, 0.8%

LAB 85.3, -19.19, 11.4

 

CMYK 17 / 0 / 13 / 5

HEX #C8F1D2

RGB 200 241 210

HSL 134.63, 0.59%, 0.86%

LAB 91.61, -19.07, 10.61

 

CMYK 15 / 0 / 10 / 0

HEX #D9FFE5

RGB 217 255 229

HSL 138.95, 1%, 0.93%

LAB 96.79, -17.02, 8.36

 

CMYK 8 / 0 / 3 / 0

HEX #EAFFF8

RGB 234 255 248

HSL 160, 1%, 0.96%

LAB 98.35, -8.09, 0.99

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 23 / 0 / 16 / 27

HEX #90BB9E

RGB 144 187 158

HSL 139.53, 0.24%, 0.65%

LAB 72.19, -20.23, 10.06

 

CMYK 25 / 0 / 18 / 34

HEX #7FA98B

RGB 127 169 139

HSL 137.14, 0.2%, 0.58%

LAB 65.56, -20.43, 10.94

 

CMYK 27 / 0 / 21 / 41

HEX #6E9778

RGB 110 151 120

HSL 134.63, 0.16%, 0.51%

LAB 58.79, -20.65, 11.87

 

CMYK 30 / 0 / 24 / 48

HEX #5D8565

RGB 93 133 101

HSL 132, 0.18%, 0.44%

LAB 51.88, -20.91, 12.89

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 21 / 0 / 20 / 20

HEX #A1CDA5

RGB 161 205 165

HSL 125.45, 0.31%, 0.72%

LAB 78.44, -22.26, 15.26

 

CMYK 18 / 0 / 21 / 20

HEX #A9CDA1

RGB 169 205 161

HSL 109.09, 0.31%, 0.72%

LAB 78.85, -20.23, 18.04

 

CMYK 12 / 0 / 21 / 20

HEX #B5CDA1

RGB 181 205 161

HSL 92.73, 0.31%, 0.72%

LAB 79.65, -15.99, 19.27

 

CMYK 6 / 0 / 21 / 20

HEX #C1CDA1

RGB 193 205 161

HSL 76.36, 0.31%, 0.72%

LAB 80.5, -11.64, 20.58

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 21 / 0 / 8 / 20

HEX #A1CDBD

RGB 161 205 189

HSL 158.18, 0.31%, 0.72%

LAB 78.99, -17.7, 3.22

 

CMYK 21 / 0 / 2 / 20

HEX #A1CDC9

RGB 161 205 201

HSL 174.55, 0.31%, 0.72%

LAB 79.3, -15.2, -2.76

 

CMYK 21 / 3 / 0 / 20

HEX #A1C6CD

RGB 161 198 205

HSL 189.55, 0.31%, 0.72%

LAB 77.5, -10.72, -7.57

 

CMYK 21 / 9 / 0 / 20

HEX #A1BACD

RGB 161 186 205

HSL 205.91, 0.31%, 0.72%

LAB 74.26, -4.37, -12.42

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 31 / 0 / 20 / 15

HEX #95D9AE

RGB 149 217 174

HSL 142.06, 0.47%, 0.72%

LAB 81.33, -30.27, 14.46

 

CMYK 39 / 0 / 25 / 11

HEX #8AE4AB

RGB 138 228 171

HSL 142, 0.63%, 0.72%

LAB 83.88, -39.15, 19.52

 

CMYK 48 / 0 / 30 / 6

HEX #7EF0A8

RGB 126 240 168

HSL 142.11, 0.79%, 0.72%

LAB 86.79, -48.15, 25

 

CMYK 54 / 0 / 35 / 2

HEX #73FBA4

RGB 115 251 164

HSL 141.62, 0.94%, 0.72%

LAB 89.54, -56.01, 30.7

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 11 / 0 / 7 / 24

HEX #ADC2B4

RGB 173 194 180

HSL 140, 0.15%, 0.72%

LAB 76.54, -9.84, 4.61

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B7

RGB 184 182 183

HSL 330, 0.01%, 0.72%

LAB 74.23, 0.89, -0.27

 

CMYK 0 / 13 / 5 / 23

HEX #C4ABBB

RGB 196 171 187

HSL 321.6, 0.17%, 0.72%

LAB 72.53, 11.82, -4.84

 

CMYK 0 / 23 / 8 / 19

HEX #CF9FBE

RGB 207 159 190

HSL 321.25, 0.33%, 0.72%

LAB 70.72, 22.79, -9.07

 

CMYK 18 / 0 / 21 / 20

HEX #A9CDA1

RGB 169 205 161

HSL 109.09, 0.31%, 0.72%

LAB 78.85, -20.23, 18.04

 

CMYK 21 / 0 / 20 / 20

HEX #A1CDA5

RGB 161 205 165

HSL 125.45, 0.31%, 0.72%

LAB 78.44, -22.26, 15.26

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB0

RGB 161 205 176

HSL 140.45, 0.31%, 0.72%

LAB 78.68, -20.24, 9.74

 

CMYK 21 / 0 / 8 / 20

HEX #A1CDBC

RGB 161 205 188

HSL 156.82, 0.31%, 0.72%

LAB 78.97, -17.9, 3.72

 

CMYK 21 / 0 / 2 / 20

HEX #A1CDC8

RGB 161 205 200

HSL 173.18, 0.31%, 0.72%

LAB 79.28, -15.42, -2.27

 

CMYK 40 / 0 / 25 / 31

HEX #6BB184

RGB 107 177 132

HSL 141.43, 0.31%, 0.56%

LAB 66.7, -32.1, 16.23

 

CMYK 30 / 0 / 19 / 25

HEX #86BF9B

RGB 134 191 155

HSL 142.11, 0.31%, 0.64%

LAB 72.69, -26.04, 12.32

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 14 / 0 / 9 / 14

HEX #BCDBC7

RGB 188 219 199

HSL 141.29, 0.3%, 0.8%

LAB 84.73, -14.07, 6.4

 

CMYK 8 / 0 / 5 / 8

HEX #D7EADE

RGB 215 234 222

HSL 142.11, 0.31%, 0.88%

LAB 91.04, -8.48, 3.67

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 21 / 12 / 0 / 20

HEX #A1B5CD

RGB 161 181 205

HSL 212.73, 0.31%, 0.72%

LAB 72.91, -1.68, -14.43

 

CMYK 0 / 21 / 20 / 20

HEX #CDA1A3

RGB 205 161 163

HSL 357.27, 0.31%, 0.72%

LAB 70.26, 16.55, 5.19

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 14 / 21 / 0 / 20

HEX #B0A1CD

RGB 176 161 205

HSL 260.45, 0.31%, 0.72%

LAB 68.84, 14.13, -20.48

 

CMYK 0 / 14 / 21 / 20

HEX #CDB0A1

RGB 205 176 161

HSL 20.45, 0.31%, 0.72%

LAB 73.94, 8.12, 11.55

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 21 / 12 / 0 / 20

HEX #A1B5CD

RGB 161 181 205

HSL 212.73, 0.31%, 0.72%

LAB 72.91, -1.68, -14.43

 

CMYK 0 / 21 / 7 / 20

HEX #CDA1BE

RGB 205 161 190

HSL 320.45, 0.31%, 0.72%

LAB 71, 21, -8.67

 

CMYK 0 / 10 / 21 / 20

HEX #CDB9A1

RGB 205 185 161

HSL 32.73, 0.31%, 0.72%

LAB 76.22, 3.29, 14.77

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB1

RGB 161 205 177

HSL 141.82, 0.31%, 0.72%

LAB 78.7, -20.05, 9.23

 

CMYK 21 / 18 / 0 / 20

HEX #A1A8CD

RGB 161 168 205

HSL 230.45, 0.31%, 0.72%

LAB 69.46, 5.45, -19.64

 

CMYK 0 / 21 / 7 / 20

HEX #CDA1BE

RGB 205 161 190

HSL 320.45, 0.31%, 0.72%

LAB 71, 21, -8.67

 

CMYK 0 / 3 / 21 / 20

HEX #CDC7A1

RGB 205 199 161

HSL 51.82, 0.31%, 0.72%

LAB 79.84, -4.08, 19.81

 

Description

Color code: HEX #A1CDB1 | qconv.com Color code: HEX #A1CDB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 205 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 205 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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