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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1CCA6 it is the complementary color #5E3359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1CCA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1CCA6 shade: #A6CCA1, #B7DEB4, #C8F0C7, #D9FFDA and #EAFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1CCA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1CCA6 shade: #A1CCA6, #90BA93, #7FA880, #6E966D and #5D845A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1CCA6 shade: #A2CDA7, #A8CDA2, #B4CDA2, #BFCDA2 and #CBCDA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1CCA6 shade: #A2CDA7, #A2CDB2, #A2CDBE, #A2CDC9 and #A2C4CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1CCA6 shade matches the following richer shades: #A2CDA7, #96D89E, #8BE495, #7FEF8C and #73FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1CCA6 shade: #A2CDA7, #ADC1B0, #B9B5B8, #C4AAC1 and #D09ECA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1CCA6 shade: #B4CDA2, #A9CDA2, #A2CDA6, #A2CDB1 and #A2CDBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1CCA6 shade: #6CB074, #87BE8D, #A2CDA7, #BCDBC0 and #D7E9D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1CCA6 shade: #A1CCA6, #A2C0CD and #CDA2AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1CCA6 shade: #A1CCA6, #A6A2CD and #CDA6A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1CCA6 shade: #A1CCA6, #A2C0CD, #CDA2C8 and #CDAFA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1CCA6 shade: #A1CCA6, #A2B3CD, #CDA2C8 and #CDBBA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 19 / 20

HEX #A1CCA6

RGB 161 204 166

HSL 126.98, 0.3%, 0.72%

LAB 78.18, -21.59, 14.37

 

Complementary color

CMYK 0 / 46 / 5 / 63

HEX #5E3359

RGB 94 51 89

HSL 306.98, 0.3%, 0.28%

LAB 28.03, 25.65, -14.64

 

CMYK 19 / 0 / 21 / 20

HEX #A6CCA1

RGB 166 204 161

HSL 113.02, 0.3%, 0.72%

LAB 78.38, -20.76, 17.36

 

CMYK 18 / 0 / 19 / 13

HEX #B7DEB4

RGB 183 222 180

HSL 115.71, 0.39%, 0.79%

LAB 84.79, -20.63, 16.45

 

CMYK 17 / 0 / 17 / 6

HEX #C8F0C7

RGB 200 240 199

HSL 118.54, 0.58%, 0.86%

LAB 91.11, -20.51, 15.59

 

CMYK 15 / 0 / 15 / 0

HEX #D9FFDA

RGB 217 255 218

HSL 121.58, 1%, 0.93%

LAB 96.55, -18.95, 13.65

 

CMYK 8 / 0 / 7 / 0

HEX #EAFFED

RGB 234 255 237

HSL 128.57, 1%, 0.96%

LAB 98.08, -10.06, 6.26

 

CMYK 21 / 0 / 19 / 20

HEX #A1CCA6

RGB 161 204 166

HSL 126.98, 0.3%, 0.72%

LAB 78.18, -21.59, 14.37

 

CMYK 23 / 0 / 21 / 27

HEX #90BA93

RGB 144 186 147

HSL 124.29, 0.23%, 0.65%

LAB 71.66, -21.77, 15.29

 

CMYK 24 / 0 / 24 / 34

HEX #7FA880

RGB 127 168 128

HSL 121.46, 0.19%, 0.58%

LAB 65.02, -21.97, 16.26

 

CMYK 27 / 0 / 27 / 41

HEX #6E966D

RGB 110 150 109

HSL 118.54, 0.16%, 0.51%

LAB 58.26, -22.2, 17.31

 

CMYK 30 / 0 / 32 / 48

HEX #5D845A

RGB 93 132 90

HSL 115.71, 0.19%, 0.44%

LAB 51.35, -22.44, 18.45

 

CMYK 21 / 0 / 19 / 20

HEX #A2CDA7

RGB 162 205 167

HSL 126.98, 0.3%, 0.72%

LAB 78.54, -21.57, 14.35

 

CMYK 18 / 0 / 21 / 20

HEX #A8CDA2

RGB 168 205 162

HSL 111.63, 0.3%, 0.72%

LAB 78.81, -20.4, 17.44

 

CMYK 12 / 0 / 21 / 20

HEX #B4CDA2

RGB 180 205 162

HSL 94.88, 0.3%, 0.72%

LAB 79.6, -16.19, 18.66

 

CMYK 7 / 0 / 21 / 20

HEX #BFCDA2

RGB 191 205 162

HSL 79.53, 0.3%, 0.72%

LAB 80.37, -12.22, 19.86

 

CMYK 1 / 0 / 21 / 20

HEX #CBCDA2

RGB 203 205 162

HSL 62.79, 0.3%, 0.72%

LAB 81.27, -7.79, 21.24

 

CMYK 21 / 0 / 19 / 20

HEX #A2CDA7

RGB 162 205 167

HSL 126.98, 0.3%, 0.72%

LAB 78.54, -21.57, 14.35

 

CMYK 21 / 0 / 13 / 20

HEX #A2CDB2

RGB 162 205 178

HSL 142.33, 0.3%, 0.72%

LAB 78.79, -19.54, 8.83

 

CMYK 21 / 0 / 7 / 20

HEX #A2CDBE

RGB 162 205 190

HSL 159.07, 0.3%, 0.72%

LAB 79.08, -17.18, 2.81

 

CMYK 21 / 0 / 2 / 20

HEX #A2CDC9

RGB 162 205 201

HSL 174.42, 0.3%, 0.72%

LAB 79.36, -14.89, -2.67

 

CMYK 21 / 4 / 0 / 20

HEX #A2C4CD

RGB 162 196 205

HSL 192.56, 0.3%, 0.72%

LAB 77.02, -9.37, -8.28

 

CMYK 21 / 0 / 19 / 20

HEX #A2CDA7

RGB 162 205 167

HSL 126.98, 0.3%, 0.72%

LAB 78.54, -21.57, 14.35

 

CMYK 31 / 0 / 27 / 15

HEX #96D89E

RGB 150 216 158

HSL 127.27, 0.46%, 0.72%

LAB 80.77, -32.39, 22.11

 

CMYK 39 / 0 / 35 / 11

HEX #8BE495

RGB 139 228 149

HSL 126.74, 0.62%, 0.72%

LAB 83.52, -42.71, 30.39

 

CMYK 47 / 0 / 41 / 6

HEX #7FEF8C

RGB 127 239 140

HSL 126.96, 0.78%, 0.72%

LAB 86.08, -52.16, 38.18

 

CMYK 54 / 0 / 48 / 2

HEX #73FB83

RGB 115 251 131

HSL 127.06, 0.94%, 0.72%

LAB 89.05, -61.21, 46.24

 

CMYK 21 / 0 / 19 / 20

HEX #A2CDA7

RGB 162 205 167

HSL 126.98, 0.3%, 0.72%

LAB 78.54, -21.57, 14.35

 

CMYK 10 / 0 / 9 / 24

HEX #ADC1B0

RGB 173 193 176

HSL 129, 0.14%, 0.72%

LAB 76.17, -10.07, 6.24

 

CMYK 0 / 2 / 1 / 27

HEX #B9B5B8

RGB 185 181 184

HSL 315, 0.03%, 0.72%

LAB 74.08, 1.97, -1.03

 

CMYK 0 / 13 / 2 / 23

HEX #C4AAC1

RGB 196 170 193

HSL 306.92, 0.18%, 0.72%

LAB 72.45, 13.47, -8.25

 

CMYK 0 / 24 / 3 / 18

HEX #D09ECA

RGB 208 158 202

HSL 307.2, 0.35%, 0.72%

LAB 70.96, 25.82, -15.33

 

CMYK 12 / 0 / 21 / 20

HEX #B4CDA2

RGB 180 205 162

HSL 94.88, 0.3%, 0.72%

LAB 79.6, -16.19, 18.66

 

CMYK 18 / 0 / 21 / 20

HEX #A9CDA2

RGB 169 205 162

HSL 110.23, 0.3%, 0.72%

LAB 78.87, -20.06, 17.54

 

CMYK 21 / 0 / 19 / 20

HEX #A2CDA6

RGB 162 205 166

HSL 125.58, 0.3%, 0.72%

LAB 78.52, -21.75, 14.85

 

CMYK 21 / 0 / 14 / 20

HEX #A2CDB1

RGB 162 205 177

HSL 140.93, 0.3%, 0.72%

LAB 78.76, -19.73, 9.33

 

CMYK 21 / 0 / 8 / 20

HEX #A2CDBD

RGB 162 205 189

HSL 157.67, 0.3%, 0.72%

LAB 79.05, -17.38, 3.31

 

CMYK 39 / 0 / 34 / 31

HEX #6CB074

RGB 108 176 116

HSL 127.06, 0.3%, 0.56%

LAB 66.14, -34.27, 24.14

 

CMYK 29 / 0 / 26 / 25

HEX #87BE8D

RGB 135 190 141

HSL 126.55, 0.3%, 0.64%

LAB 72.16, -27.83, 19.14

 

CMYK 21 / 0 / 19 / 20

HEX #A2CDA7

RGB 162 205 167

HSL 126.98, 0.3%, 0.72%

LAB 78.54, -21.57, 14.35

 

CMYK 14 / 0 / 12 / 14

HEX #BCDBC0

RGB 188 219 192

HSL 127.74, 0.3%, 0.8%

LAB 84.57, -15.35, 9.86

 

CMYK 8 / 0 / 7 / 9

HEX #D7E9D9

RGB 215 233 217

HSL 126.67, 0.29%, 0.88%

LAB 90.66, -8.87, 5.73

 

CMYK 21 / 0 / 19 / 20

HEX #A1CCA6

RGB 161 204 166

HSL 126.98, 0.3%, 0.72%

LAB 78.18, -21.59, 14.37

 

CMYK 21 / 6 / 0 / 20

HEX #A2C0CD

RGB 162 192 205

HSL 198.14, 0.3%, 0.72%

LAB 75.94, -7.26, -9.89

 

CMYK 0 / 21 / 15 / 20

HEX #CDA2AF

RGB 205 162 175

HSL 341.86, 0.3%, 0.72%

LAB 70.81, 17.9, -0.65

 

CMYK 21 / 0 / 19 / 20

HEX #A1CCA6

RGB 161 204 166

HSL 126.98, 0.3%, 0.72%

LAB 78.18, -21.59, 14.37

 

CMYK 19 / 21 / 0 / 20

HEX #A6A2CD

RGB 166 162 205

HSL 245.58, 0.3%, 0.72%

LAB 68.28, 10.36, -21.41

 

CMYK 0 / 19 / 21 / 20

HEX #CDA6A2

RGB 205 166 162

HSL 5.58, 0.3%, 0.72%

LAB 71.46, 13.68, 7.47

 

CMYK 21 / 0 / 19 / 20

HEX #A1CCA6

RGB 161 204 166

HSL 126.98, 0.3%, 0.72%

LAB 78.18, -21.59, 14.37

 

CMYK 21 / 6 / 0 / 20

HEX #A2C0CD

RGB 162 192 205

HSL 198.14, 0.3%, 0.72%

LAB 75.94, -7.26, -9.89

 

CMYK 0 / 21 / 2 / 20

HEX #CDA2C8

RGB 205 162 200

HSL 306.98, 0.3%, 0.72%

LAB 71.55, 22.25, -13.37

 

CMYK 0 / 15 / 21 / 20

HEX #CDAFA2

RGB 205 175 162

HSL 18.14, 0.3%, 0.72%

LAB 73.71, 8.8, 10.68

 

CMYK 21 / 0 / 19 / 20

HEX #A1CCA6

RGB 161 204 166

HSL 126.98, 0.3%, 0.72%

LAB 78.18, -21.59, 14.37

 

CMYK 21 / 13 / 0 / 20

HEX #A2B3CD

RGB 162 179 205

HSL 216.28, 0.3%, 0.72%

LAB 72.45, -0.28, -15.12

 

CMYK 0 / 21 / 2 / 20

HEX #CDA2C8

RGB 205 162 200

HSL 306.98, 0.3%, 0.72%

LAB 71.55, 22.25, -13.37

 

CMYK 0 / 9 / 21 / 20

HEX #CDBBA2

RGB 205 187 162

HSL 34.88, 0.3%, 0.72%

LAB 76.76, 2.38, 14.98

 

Description

Color code: HEX #A1CCA6 | qconv.com Color code: HEX #A1CCA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 204 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 204 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 19 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 19% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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