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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C352 it is the complementary color #5E3CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C352 shade: #A6C34D, #B7D560, #C8E773, #D9F986 and #EAFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C352 shade: #A1C352, #90B13F, #7F9F2C, #6E8D19 and #5D7B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C352 shade: #A0C251, #BEC251, #C2A751, #C28851 and #C26A51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C352 shade: #A0C251, #81C251, #63C251, #51C25D and #51C27C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C352 shade matches the following richer shades: #A0C251, #A7D43E, #AFE72B and #B6FA18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C352 shade: #A0C251, #98AF64, #919C77, #89898A and #81769D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C352 shade: #C2A751, #BEC251, #A0C251, #82C251 and #64C251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C352 shade: #728E32, #8BAD3C, #A0C251, #B0CC6F and #C1D78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C352 shade: #A1C352, #51C289 and #B651C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C352 shade: #A1C352, #51A0C2 and #C251A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C352 shade: #A1C352, #51C289, #7351C2 and #C25189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C352 shade: #A1C352, #51C2AB, #7351C2 and #C25167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 58 / 24

HEX #A1C352

RGB 161 195 82

HSL 78.05, 0.48%, 0.54%

LAB 74.33, -28.47, 51.96

 

Complementary color

CMYK 46 / 65 / 0 / 32

HEX #5E3CAD

RGB 94 60 173

HSL 258.05, 0.48%, 0.46%

LAB 35.26, 41.69, -55.43

 

CMYK 15 / 0 / 61 / 24

HEX #A6C34D

RGB 166 195 77

HSL 74.75, 0.5%, 0.53%

LAB 74.62, -26.9, 54.59

 

CMYK 14 / 0 / 55 / 16

HEX #B7D560

RGB 183 213 96

HSL 75.38, 0.58%, 0.61%

LAB 81.02, -27.23, 53.65

 

CMYK 13 / 0 / 50 / 9

HEX #C8E773

RGB 200 231 115

HSL 76.03, 0.71%, 0.68%

LAB 87.32, -27.47, 52.59

 

CMYK 13 / 0 / 46 / 2

HEX #D9F986

RGB 217 249 134

HSL 76.7, 0.91%, 0.75%

LAB 93.55, -27.66, 51.49

 

CMYK 8 / 0 / 40 / 0

HEX #EAFF99

RGB 234 255 153

HSL 72.35, 1%, 0.8%

LAB 96.54, -22.14, 46.41

 

CMYK 17 / 0 / 58 / 24

HEX #A1C352

RGB 161 195 82

HSL 78.05, 0.48%, 0.54%

LAB 74.33, -28.47, 51.96

 

CMYK 19 / 0 / 64 / 31

HEX #90B13F

RGB 144 177 63

HSL 77.37, 0.48%, 0.47%

LAB 67.82, -28.13, 52.8

 

CMYK 20 / 0 / 72 / 38

HEX #7F9F2C

RGB 127 159 44

HSL 76.7, 0.57%, 0.4%

LAB 61.21, -27.66, 53.25

 

CMYK 22 / 0 / 82 / 45

HEX #6E8D19

RGB 110 141 25

HSL 76.03, 0.7%, 0.33%

LAB 54.49, -26.99, 52.9

 

CMYK 24 / 0 / 95 / 52

HEX #5D7B06

RGB 93 123 6

HSL 75.38, 0.91%, 0.25%

LAB 47.63, -26.05, 51.06

 

CMYK 18 / 0 / 58 / 24

HEX #A0C251

RGB 160 194 81

HSL 78.05, 0.48%, 0.54%

LAB 73.97, -28.47, 51.98

 

CMYK 2 / 0 / 58 / 24

HEX #BEC251

RGB 190 194 81

HSL 62.12, 0.48%, 0.54%

LAB 76.15, -16.31, 55.02

 

CMYK 0 / 14 / 58 / 24

HEX #C2A751

RGB 194 167 81

HSL 45.66, 0.48%, 0.54%

LAB 69.26, -0.59, 47.34

 

CMYK 0 / 30 / 58 / 24

HEX #C28851

RGB 194 136 81

HSL 29.2, 0.48%, 0.54%

LAB 61.37, 16.28, 38.05

 

CMYK 0 / 45 / 58 / 24

HEX #C26A51

RGB 194 106 81

HSL 13.27, 0.48%, 0.54%

LAB 54.42, 32.64, 29.46

 

CMYK 18 / 0 / 58 / 24

HEX #A0C251

RGB 160 194 81

HSL 78.05, 0.48%, 0.54%

LAB 73.97, -28.47, 51.98

 

CMYK 34 / 0 / 58 / 24

HEX #81C251

RGB 129 194 81

HSL 94.51, 0.48%, 0.54%

LAB 72.12, -40.06, 49.4

 

CMYK 49 / 0 / 58 / 24

HEX #63C251

RGB 99 194 81

HSL 110.44, 0.48%, 0.54%

LAB 70.75, -49.69, 47.46

 

CMYK 58 / 0 / 52 / 24

HEX #51C25D

RGB 81 194 93

HSL 126.37, 0.48%, 0.54%

LAB 70.26, -52.92, 41.05

 

CMYK 58 / 0 / 36 / 24

HEX #51C27C

RGB 81 194 124

HSL 142.83, 0.48%, 0.54%

LAB 70.72, -47.9, 25.85

 

CMYK 18 / 0 / 58 / 24

HEX #A0C251

RGB 160 194 81

HSL 78.05, 0.48%, 0.54%

LAB 73.97, -28.47, 51.98

 

CMYK 21 / 0 / 71 / 17

HEX #A7D43E

RGB 167 212 62

HSL 78, 0.64%, 0.54%

LAB 79.41, -35.49, 65.59

 

CMYK 24 / 0 / 81 / 9

HEX #AFE72B

RGB 175 231 43

HSL 77.87, 0.8%, 0.54%

LAB 85.22, -41.78, 76.93

 

CMYK 27 / 0 / 90 / 2

HEX #B6FA18

RGB 182 250 24

HSL 78.05, 0.96%, 0.54%

LAB 90.95, -47.81, 85.5

 

CMYK 18 / 0 / 58 / 24

HEX #A0C251

RGB 160 194 81

HSL 78.05, 0.48%, 0.54%

LAB 73.97, -28.47, 51.98

 

CMYK 13 / 0 / 43 / 31

HEX #98AF64

RGB 152 175 100

HSL 78.4, 0.32%, 0.54%

LAB 68.21, -20.36, 35.77

 

CMYK 7 / 0 / 24 / 39

HEX #919C77

RGB 145 156 119

HSL 77.84, 0.16%, 0.54%

LAB 62.62, -10.6, 18.11

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 18 / 25 / 0 / 38

HEX #81769D

RGB 129 118 157

HSL 256.92, 0.17%, 0.54%

LAB 51.9, 12.52, -19.45

 

CMYK 0 / 14 / 58 / 24

HEX #C2A751

RGB 194 167 81

HSL 45.66, 0.48%, 0.54%

LAB 69.26, -0.59, 47.34

 

CMYK 2 / 0 / 58 / 24

HEX #BEC251

RGB 190 194 81

HSL 62.12, 0.48%, 0.54%

LAB 76.15, -16.31, 55.02

 

CMYK 18 / 0 / 58 / 24

HEX #A0C251

RGB 160 194 81

HSL 78.05, 0.48%, 0.54%

LAB 73.97, -28.47, 51.98

 

CMYK 33 / 0 / 58 / 24

HEX #82C251

RGB 130 194 81

HSL 93.98, 0.48%, 0.54%

LAB 72.18, -39.71, 49.47

 

CMYK 48 / 0 / 58 / 24

HEX #64C251

RGB 100 194 81

HSL 109.91, 0.48%, 0.54%

LAB 70.79, -49.4, 47.52

 

CMYK 20 / 0 / 65 / 44

HEX #728E32

RGB 114 142 50

HSL 78.26, 0.48%, 0.38%

LAB 55.23, -24.28, 44.32

 

CMYK 20 / 0 / 65 / 32

HEX #8BAD3C

RGB 139 173 60

HSL 78.05, 0.48%, 0.46%

LAB 66.29, -28.45, 52.33

 

CMYK 18 / 0 / 58 / 24

HEX #A0C251

RGB 160 194 81

HSL 78.05, 0.48%, 0.54%

LAB 73.97, -28.47, 51.98

 

CMYK 14 / 0 / 46 / 20

HEX #B0CC6F

RGB 176 204 111

HSL 78.06, 0.48%, 0.62%

LAB 78.21, -24.12, 43.06

 

CMYK 10 / 0 / 34 / 16

HEX #C1D78E

RGB 193 215 142

HSL 78.08, 0.48%, 0.7%

LAB 82.86, -19.34, 33.65

 

CMYK 17 / 0 / 58 / 24

HEX #A1C352

RGB 161 195 82

HSL 78.05, 0.48%, 0.54%

LAB 74.33, -28.47, 51.96

 

CMYK 58 / 0 / 29 / 24

HEX #51C289

RGB 81 194 137

HSL 149.73, 0.48%, 0.54%

LAB 70.97, -45.36, 19.27

 

CMYK 6 / 58 / 0 / 24

HEX #B651C2

RGB 182 81 194

HSL 293.63, 0.48%, 0.54%

LAB 51.52, 56.68, -41.06

 

CMYK 17 / 0 / 58 / 24

HEX #A1C352

RGB 161 195 82

HSL 78.05, 0.48%, 0.54%

LAB 74.33, -28.47, 51.96

 

CMYK 58 / 18 / 0 / 24

HEX #51A0C2

RGB 81 160 194

HSL 198.05, 0.48%, 0.54%

LAB 62.33, -14.29, -24.84

 

CMYK 0 / 58 / 18 / 24

HEX #C251A0

RGB 194 81 160

HSL 318.05, 0.48%, 0.54%

LAB 51.72, 54.27, -20.82

 

CMYK 17 / 0 / 58 / 24

HEX #A1C352

RGB 161 195 82

HSL 78.05, 0.48%, 0.54%

LAB 74.33, -28.47, 51.96

 

CMYK 58 / 0 / 29 / 24

HEX #51C289

RGB 81 194 137

HSL 149.73, 0.48%, 0.54%

LAB 70.97, -45.36, 19.27

 

CMYK 41 / 58 / 0 / 24

HEX #7351C2

RGB 115 81 194

HSL 258.05, 0.48%, 0.54%

LAB 43.4, 40.13, -54.51

 

CMYK 0 / 58 / 29 / 24

HEX #C25189

RGB 194 81 137

HSL 330.27, 0.48%, 0.54%

LAB 50.87, 51.07, -8.46

 

CMYK 17 / 0 / 58 / 24

HEX #A1C352

RGB 161 195 82

HSL 78.05, 0.48%, 0.54%

LAB 74.33, -28.47, 51.96

 

CMYK 58 / 0 / 12 / 24

HEX #51C2AB

RGB 81 194 171

HSL 167.79, 0.48%, 0.54%

LAB 71.74, -37.62, 1.97

 

CMYK 41 / 58 / 0 / 24

HEX #7351C2

RGB 115 81 194

HSL 258.05, 0.48%, 0.54%

LAB 43.4, 40.13, -54.51

 

CMYK 0 / 58 / 47 / 24

HEX #C25167

RGB 194 81 103

HSL 348.32, 0.48%, 0.54%

LAB 49.9, 47.21, 10.52

 

Description

Color code: HEX #A1C352 | qconv.com Color code: HEX #A1C352 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 195 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 195 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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