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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C77B it is the complementary color #5E3884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C77B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C77B shade: #A6C776, #B7D989, #C8EB9C, #D9FDAF and #EAFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C77B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C77B shade: #A1C77B, #90B568, #7FA355, #6E9142 and #5D7F2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C77B shade: #A0C67A, #B5C67A, #C6C37A, #C6AF7A and #C69A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C77B shade: #A0C67A, #8CC67A, #7AC67D, #7AC692 and #7AC6A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C77B shade matches the following richer shades: #A0C67A, #A0D56B, #A0E45C and #A0F44D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C77B shade: #A0C67A, #A0B78A, #A0A799, #A098A8 and #A089B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C77B shade: #C6C37A, #B4C67A, #A0C67A, #8CC67A and #7AC67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C77B shade: #77A747, #8CBA5E, #A0C67A, #B5D297 and #C9DFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C77B shade: #A1C77B, #7AC6AF and #C67ABE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C77B shade: #A1C77B, #7AA0C6 and #C67AA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C77B shade: #A1C77B, #7AC6AF, #A07AC6 and #C67A91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C77B shade: #A1C77B, #7AC6C6, #A07AC6 and #C67A7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 38 / 22

HEX #A1C77B

RGB 161 199 123

HSL 90, 0.4%, 0.63%

LAB 75.98, -25.88, 34

 

Complementary color

CMYK 29 / 58 / 0 / 48

HEX #5E3884

RGB 94 56 132

HSL 270, 0.4%, 0.37%

LAB 31.52, 32.75, -36.52

 

CMYK 17 / 0 / 41 / 22

HEX #A6C776

RGB 166 199 118

HSL 84.44, 0.42%, 0.62%

LAB 76.23, -24.67, 36.94

 

CMYK 16 / 0 / 37 / 15

HEX #B7D989

RGB 183 217 137

HSL 85.5, 0.51%, 0.69%

LAB 82.65, -24.67, 35.79

 

CMYK 15 / 0 / 34 / 8

HEX #C8EB9C

RGB 200 235 156

HSL 86.58, 0.66%, 0.77%

LAB 88.97, -24.66, 34.68

 

CMYK 14 / 0 / 31 / 1

HEX #D9FDAF

RGB 217 253 175

HSL 87.69, 0.95%, 0.84%

LAB 95.2, -24.63, 33.62

 

CMYK 8 / 0 / 24 / 0

HEX #EAFFC2

RGB 234 255 194

HSL 80.66, 1%, 0.88%

LAB 97.19, -16.93, 26.94

 

CMYK 19 / 0 / 38 / 22

HEX #A1C77B

RGB 161 199 123

HSL 90, 0.4%, 0.63%

LAB 75.98, -25.88, 34

 

CMYK 20 / 0 / 43 / 29

HEX #90B568

RGB 144 181 104

HSL 88.83, 0.34%, 0.56%

LAB 69.45, -25.93, 35.17

 

CMYK 22 / 0 / 48 / 36

HEX #7FA355

RGB 127 163 85

HSL 87.69, 0.31%, 0.49%

LAB 62.81, -25.94, 36.38

 

CMYK 24 / 0 / 54 / 43

HEX #6E9142

RGB 110 145 66

HSL 86.58, 0.37%, 0.41%

LAB 56.05, -25.89, 37.57

 

CMYK 27 / 0 / 63 / 50

HEX #5D7F2F

RGB 93 127 47

HSL 85.5, 0.46%, 0.34%

LAB 49.14, -25.73, 38.64

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 9 / 0 / 38 / 22

HEX #B5C67A

RGB 181 198 122

HSL 73.42, 0.4%, 0.63%

LAB 77.05, -17.95, 36.16

 

CMYK 0 / 2 / 38 / 22

HEX #C6C37A

RGB 198 195 122

HSL 57.63, 0.4%, 0.63%

LAB 77.54, -9.74, 37.05

 

CMYK 0 / 12 / 38 / 22

HEX #C6AF7A

RGB 198 175 122

HSL 41.84, 0.4%, 0.63%

LAB 72.28, 0.74, 30.23

 

CMYK 0 / 22 / 38 / 22

HEX #C69A7A

RGB 198 154 122

HSL 25.26, 0.4%, 0.63%

LAB 66.92, 12.09, 23.09

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 29 / 0 / 38 / 22

HEX #8CC67A

RGB 140 198 122

HSL 105.79, 0.4%, 0.63%

LAB 74.43, -33.02, 32.25

 

CMYK 38 / 0 / 37 / 22

HEX #7AC67D

RGB 122 198 125

HSL 122.37, 0.4%, 0.63%

LAB 73.55, -38.44, 29.37

 

CMYK 38 / 0 / 26 / 22

HEX #7AC692

RGB 122 198 146

HSL 138.95, 0.4%, 0.63%

LAB 73.93, -34.78, 18.8

 

CMYK 38 / 0 / 16 / 22

HEX #7AC6A6

RGB 122 198 166

HSL 154.74, 0.4%, 0.63%

LAB 74.37, -30.78, 8.67

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 25 / 0 / 50 / 16

HEX #A0D56B

RGB 160 213 107

HSL 90, 0.56%, 0.63%

LAB 79.68, -34.81, 46.58

 

CMYK 30 / 0 / 60 / 11

HEX #A0E45C

RGB 160 228 92

HSL 90, 0.72%, 0.63%

LAB 83.83, -42.99, 58.24

 

CMYK 34 / 0 / 68 / 4

HEX #A0F44D

RGB 160 244 77

HSL 90.18, 0.88%, 0.63%

LAB 88.31, -50.92, 69.04

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 13 / 0 / 25 / 28

HEX #A0B78A

RGB 160 183 138

HSL 90.67, 0.24%, 0.63%

LAB 71.67, -16.08, 20.33

 

CMYK 4 / 0 / 8 / 35

HEX #A0A799

RGB 160 167 153

HSL 90, 0.07%, 0.63%

LAB 67.58, -5.11, 6.38

 

CMYK 5 / 10 / 0 / 34

HEX #A098A8

RGB 160 152 168

HSL 270, 0.08%, 0.63%

LAB 63.96, 6.01, -7.3

 

CMYK 13 / 25 / 0 / 28

HEX #A089B7

RGB 160 137 183

HSL 270, 0.24%, 0.63%

LAB 60.59, 17.67, -20.87

 

CMYK 0 / 2 / 38 / 22

HEX #C6C37A

RGB 198 195 122

HSL 57.63, 0.4%, 0.63%

LAB 77.54, -9.74, 37.05

 

CMYK 9 / 0 / 38 / 22

HEX #B4C67A

RGB 180 198 122

HSL 74.21, 0.4%, 0.63%

LAB 76.98, -18.34, 36.05

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 29 / 0 / 38 / 22

HEX #8CC67A

RGB 140 198 122

HSL 105.79, 0.4%, 0.63%

LAB 74.43, -33.02, 32.25

 

CMYK 38 / 0 / 37 / 22

HEX #7AC67D

RGB 122 198 125

HSL 122.37, 0.4%, 0.63%

LAB 73.55, -38.44, 29.37

 

CMYK 29 / 0 / 57 / 35

HEX #77A747

RGB 119 167 71

HSL 90, 0.4%, 0.47%

LAB 63.35, -32.45, 43.81

 

CMYK 25 / 0 / 49 / 27

HEX #8CBA5E

RGB 140 186 94

HSL 90, 0.4%, 0.55%

LAB 70.53, -31.04, 41.49

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 14 / 0 / 28 / 18

HEX #B5D297

RGB 181 210 151

HSL 89.49, 0.4%, 0.71%

LAB 80.82, -20.03, 26.14

 

CMYK 10 / 0 / 19 / 13

HEX #C9DFB4

RGB 201 223 180

HSL 90.7, 0.4%, 0.79%

LAB 86.25, -14.9, 18.67

 

CMYK 19 / 0 / 38 / 22

HEX #A1C77B

RGB 161 199 123

HSL 90, 0.4%, 0.63%

LAB 75.98, -25.88, 34

 

CMYK 38 / 0 / 12 / 22

HEX #7AC6AF

RGB 122 198 175

HSL 161.84, 0.4%, 0.63%

LAB 74.59, -28.83, 4.12

 

CMYK 0 / 38 / 4 / 22

HEX #C67ABE

RGB 198 122 190

HSL 306.32, 0.4%, 0.63%

LAB 61.34, 39.88, -23.33

 

CMYK 19 / 0 / 38 / 22

HEX #A1C77B

RGB 161 199 123

HSL 90, 0.4%, 0.63%

LAB 75.98, -25.88, 34

 

CMYK 38 / 19 / 0 / 22

HEX #7AA0C6

RGB 122 160 198

HSL 210, 0.4%, 0.63%

LAB 64.45, -3.37, -23.65

 

CMYK 0 / 38 / 19 / 22

HEX #C67AA0

RGB 198 122 160

HSL 330, 0.4%, 0.63%

LAB 60.3, 34.84, -7.78

 

CMYK 19 / 0 / 38 / 22

HEX #A1C77B

RGB 161 199 123

HSL 90, 0.4%, 0.63%

LAB 75.98, -25.88, 34

 

CMYK 38 / 0 / 12 / 22

HEX #7AC6AF

RGB 122 198 175

HSL 161.84, 0.4%, 0.63%

LAB 74.59, -28.83, 4.12

 

CMYK 19 / 38 / 0 / 22

HEX #A07AC6

RGB 160 122 198

HSL 270, 0.4%, 0.63%

LAB 57.53, 29.62, -34.1

 

CMYK 0 / 38 / 27 / 22

HEX #C67A91

RGB 198 122 145

HSL 341.84, 0.4%, 0.63%

LAB 59.86, 32.62, 0.19

 

CMYK 19 / 0 / 38 / 22

HEX #A1C77B

RGB 161 199 123

HSL 90, 0.4%, 0.63%

LAB 75.98, -25.88, 34

 

CMYK 38 / 0 / 0 / 22

HEX #7AC6C6

RGB 122 198 198

HSL 180, 0.4%, 0.63%

LAB 75.2, -23.45, -7.43

 

CMYK 19 / 38 / 0 / 22

HEX #A07AC6

RGB 160 122 198

HSL 270, 0.4%, 0.63%

LAB 57.53, 29.62, -34.1

 

CMYK 0 / 38 / 38 / 22

HEX #C67A7A

RGB 198 122 122

HSL 0, 0.4%, 0.63%

LAB 59.28, 29.63, 12.59

 

Description

Color code: HEX #A1C77B | qconv.com Color code: HEX #A1C77B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 199 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 199 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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