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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1B204 it is the complementary color #5E4DFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1B204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1B204 shade: #A6B200, #B7C412, #C8D625, #D9E838 and #EAFA4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1B204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1B204 shade: #A1B204, #90A000, #7F8E00, #6E7C00 and #5D6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1B204 shade: #A2B303, #B39503, #B36603, #B33603 and #B30703

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1B204 shade: #A2B303, #73B303, #43B303, #14B303 and #03B322

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1B204 shade matches the following richer shades: #A2B303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1B204 shade: #A2B303, #96A512, #8A9621, #7E8730 and #72783F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1B204 shade: #B36403, #B39303, #A5B303, #76B303 and #47B303

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1B204 shade: #596302, #7E8B02, #A2B303, #C7DC04 and #E3FA0F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1B204 shade: #A1B204, #03B335 and #7C03B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1B204 shade: #A1B204, #03A5B3 and #B303A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1B204 shade: #A1B204, #03B335, #1203B3 and #B30381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1B204 shade: #A1B204, #03B36A, #1203B3 and #B3034D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 98 / 30

HEX #A1B204

RGB 161 178 4

HSL 65.86, 0.96%, 0.36%

LAB 69.06, -23.8, 70.08

 

Complementary color

CMYK 63 / 69 / 0 / 2

HEX #5E4DFB

RGB 94 77 251

HSL 245.86, 0.96%, 0.64%

LAB 45.15, 55.4, -84.18

 

CMYK 7 / 0 / 100 / 30

HEX #A6B200

RGB 166 178 0

HSL 64.04, 1%, 0.35%

LAB 69.43, -21.69, 71.01

 

CMYK 7 / 0 / 91 / 23

HEX #B7C412

RGB 183 196 18

HSL 64.38, 0.83%, 0.42%

LAB 75.82, -23.02, 74.3

 

CMYK 7 / 0 / 83 / 16

HEX #C8D625

RGB 200 214 37

HSL 64.75, 0.71%, 0.49%

LAB 82.11, -24.17, 76.33

 

CMYK 6 / 0 / 76 / 9

HEX #D9E838

RGB 217 232 56

HSL 65.11, 0.79%, 0.56%

LAB 88.33, -25.14, 77.24

 

CMYK 6 / 0 / 70 / 2

HEX #EAFA4B

RGB 234 250 75

HSL 65.49, 0.95%, 0.64%

LAB 94.47, -25.96, 77.4

 

CMYK 10 / 0 / 98 / 30

HEX #A1B204

RGB 161 178 4

HSL 65.86, 0.96%, 0.36%

LAB 69.06, -23.8, 70.08

 

CMYK 10 / 0 / 100 / 37

HEX #90A000

RGB 144 160 0

HSL 66, 1%, 0.31%

LAB 62.57, -22.31, 65.16

 

CMYK 11 / 0 / 100 / 44

HEX #7F8E00

RGB 127 142 0

HSL 66.34, 1%, 0.28%

LAB 55.95, -20.73, 59.65

 

CMYK 11 / 0 / 100 / 51

HEX #6E7C00

RGB 110 124 0

HSL 66.77, 1%, 0.24%

LAB 49.17, -19.13, 54.01

 

CMYK 12 / 0 / 100 / 58

HEX #5D6A00

RGB 93 106 0

HSL 67.36, 1%, 0.21%

LAB 42.21, -17.5, 48.22

 

CMYK 9 / 0 / 98 / 30

HEX #A2B303

RGB 162 179 3

HSL 65.8, 0.97%, 0.36%

LAB 69.42, -23.87, 70.51

 

CMYK 0 / 17 / 98 / 30

HEX #B39503

RGB 179 149 3

HSL 49.77, 0.97%, 0.36%

LAB 62.58, -0.73, 66.13

 

CMYK 0 / 43 / 98 / 30

HEX #B36603

RGB 179 102 3

HSL 33.75, 0.97%, 0.36%

LAB 50.8, 25.27, 58.02

 

CMYK 0 / 70 / 98 / 30

HEX #B33603

RGB 179 54 3

HSL 17.39, 0.97%, 0.36%

LAB 41.58, 48.85, 52.46

 

CMYK 0 / 96 / 98 / 30

HEX #B30703

RGB 179 7 3

HSL 1.36, 0.97%, 0.36%

LAB 37.38, 60.65, 50.4

 

CMYK 9 / 0 / 98 / 30

HEX #A2B303

RGB 162 179 3

HSL 65.8, 0.97%, 0.36%

LAB 69.42, -23.87, 70.51

 

CMYK 36 / 0 / 98 / 30

HEX #73B303

RGB 115 179 3

HSL 81.82, 0.97%, 0.36%

LAB 66.44, -42.82, 66.92

 

CMYK 63 / 0 / 98 / 30

HEX #43B303

RGB 67 179 3

HSL 98.18, 0.97%, 0.36%

LAB 64.52, -57.54, 64.58

 

CMYK 89 / 0 / 98 / 30

HEX #14B303

RGB 20 179 3

HSL 114.2, 0.97%, 0.36%

LAB 63.67, -64.9, 63.55

 

CMYK 98 / 0 / 81 / 30

HEX #03B322

RGB 3 179 34

HSL 130.57, 0.97%, 0.36%

LAB 63.65, -64.7, 57.61

 

CMYK 9 / 0 / 98 / 30

HEX #A2B303

RGB 162 179 3

HSL 65.8, 0.97%, 0.36%

LAB 69.42, -23.87, 70.51

 

CMYK 9 / 0 / 98 / 30

HEX #A2B303

RGB 162 179 3

HSL 65.8, 0.97%, 0.36%

LAB 69.42, -23.87, 70.51

 

CMYK 9 / 0 / 89 / 35

HEX #96A512

RGB 150 165 18

HSL 66.12, 0.8%, 0.36%

LAB 64.51, -21.88, 64.23

 

CMYK 8 / 0 / 78 / 41

HEX #8A9621

RGB 138 150 33

HSL 66.15, 0.64%, 0.36%

LAB 59.27, -19.04, 55.53

 

CMYK 7 / 0 / 64 / 47

HEX #7E8730

RGB 126 135 48

HSL 66.21, 0.48%, 0.36%

LAB 54, -15.66, 44.17

 

CMYK 5 / 0 / 48 / 53

HEX #72783F

RGB 114 120 63

HSL 66.32, 0.31%, 0.36%

LAB 48.72, -11.48, 30.38

 

CMYK 0 / 44 / 98 / 30

HEX #B36403

RGB 179 100 3

HSL 33.07, 0.97%, 0.36%

LAB 50.34, 26.37, 57.72

 

CMYK 0 / 18 / 98 / 30

HEX #B39303

RGB 179 147 3

HSL 49.09, 0.97%, 0.36%

LAB 62.05, 0.35, 65.75

 

CMYK 8 / 0 / 98 / 30

HEX #A5B303

RGB 165 179 3

HSL 64.77, 0.97%, 0.36%

LAB 69.64, -22.58, 70.78

 

CMYK 34 / 0 / 98 / 30

HEX #76B303

RGB 118 179 3

HSL 80.8, 0.97%, 0.36%

LAB 66.59, -41.71, 67.11

 

CMYK 60 / 0 / 98 / 30

HEX #47B303

RGB 71 179 3

HSL 96.82, 0.97%, 0.36%

LAB 64.63, -56.57, 64.73

 

CMYK 10 / 0 / 98 / 61

HEX #596302

RGB 89 99 2

HSL 66.19, 0.96%, 0.2%

LAB 39.67, -15.54, 45.62

 

CMYK 9 / 0 / 99 / 45

HEX #7E8B02

RGB 126 139 2

HSL 65.69, 0.97%, 0.28%

LAB 54.97, -19.6, 58.55

 

CMYK 9 / 0 / 98 / 30

HEX #A2B303

RGB 162 179 3

HSL 65.8, 0.97%, 0.36%

LAB 69.42, -23.87, 70.51

 

CMYK 10 / 0 / 98 / 14

HEX #C7DC04

RGB 199 220 4

HSL 65.83, 0.96%, 0.44%

LAB 83.62, -28.02, 82.28

 

CMYK 9 / 0 / 94 / 2

HEX #E3FA0F

RGB 227 250 15

HSL 65.87, 0.96%, 0.52%

LAB 93.77, -30.49, 89.94

 

CMYK 10 / 0 / 98 / 30

HEX #A1B204

RGB 161 178 4

HSL 65.86, 0.96%, 0.36%

LAB 69.06, -23.8, 70.08

 

CMYK 98 / 0 / 70 / 30

HEX #03B335

RGB 3 179 53

HSL 137.05, 0.97%, 0.36%

LAB 63.77, -63.22, 51.19

 

CMYK 31 / 98 / 0 / 30

HEX #7C03B3

RGB 124 3 179

HSL 281.25, 0.97%, 0.36%

LAB 33.15, 66.98, -62.28

 

CMYK 10 / 0 / 98 / 30

HEX #A1B204

RGB 161 178 4

HSL 65.86, 0.96%, 0.36%

LAB 69.06, -23.8, 70.08

 

CMYK 98 / 8 / 0 / 30

HEX #03A5B3

RGB 3 165 179

HSL 184.77, 0.97%, 0.36%

LAB 61.81, -30.14, -17.35

 

CMYK 0 / 98 / 8 / 30

HEX #B303A5

RGB 179 3 165

HSL 304.77, 0.97%, 0.36%

LAB 41.79, 73.02, -39.48

 

CMYK 10 / 0 / 98 / 30

HEX #A1B204

RGB 161 178 4

HSL 65.86, 0.96%, 0.36%

LAB 69.06, -23.8, 70.08

 

CMYK 98 / 0 / 70 / 30

HEX #03B335

RGB 3 179 53

HSL 137.05, 0.97%, 0.36%

LAB 63.77, -63.22, 51.19

 

CMYK 90 / 98 / 0 / 30

HEX #1203B3

RGB 18 3 179

HSL 245.11, 0.97%, 0.36%

LAB 21.76, 60.14, -81.49

 

CMYK 0 / 98 / 28 / 30

HEX #B30381

RGB 179 3 129

HSL 317.05, 0.97%, 0.36%

LAB 39.97, 68.44, -20.4

 

CMYK 10 / 0 / 98 / 30

HEX #A1B204

RGB 161 178 4

HSL 65.86, 0.96%, 0.36%

LAB 69.06, -23.8, 70.08

 

CMYK 98 / 0 / 41 / 30

HEX #03B36A

RGB 3 179 106

HSL 155.11, 0.97%, 0.36%

LAB 64.4, -55.45, 26.72

 

CMYK 90 / 98 / 0 / 30

HEX #1203B3

RGB 18 3 179

HSL 245.11, 0.97%, 0.36%

LAB 21.76, 60.14, -81.49

 

CMYK 0 / 98 / 57 / 30

HEX #B3034D

RGB 179 3 77

HSL 334.77, 0.97%, 0.36%

LAB 38.17, 63.71, 9.86

 

Description

Color code: HEX #A1B204 | qconv.com Color code: HEX #A1B204 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 178 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 178 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 98 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 98% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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