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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1ACA9 it is the complementary color #5E5356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1ACA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1ACA9 shade: #A6ACA4, #B7BEB7, #C8D0CA, #D9E2DD and #EAF4F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1ACA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1ACA9 shade: #A1ACA9, #909A96, #7F8883, #6E7670 and #5D645D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1ACA9 shade: #A0ABA8, #A0ABA5, #A0ABA2, #A1ABA0 and #A4ABA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1ACA9 shade: #A0ABA8, #A0ABAB, #A0A8AB, #A0A5AB and #A0A2AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1ACA9 shade matches the following richer shades: #A0ABA8, #91B9AE, #83C7B5, #75D6BB and #66E4C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1ACA9 shade: #A0ABA8, #AE9CA1, #BD8E9B, #CB7F94 and #DA718D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1ACA9 shade: #A0ABA2, #A0ABA5, #A0ABA8, #A0ABAA and #A0A8AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1ACA9 shade: #75837F, #8A9794, #A0ABA8, #B6BEBC and #CCD1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1ACA9 shade: #A1ACA9, #A0A1AB and #ABA3A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1ACA9 shade: #A1ACA9, #A8A0AB and #ABA8A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1ACA9 shade: #A1ACA9, #A0A1AB, #ABA0A3 and #ABAAA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1ACA9 shade: #A1ACA9, #A2A0AB, #ABA0A3 and #A8ABA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 2 / 33

HEX #A1ACA9

RGB 161 172 169

HSL 163.64, 0.06%, 0.65%

LAB 69.43, -4.44, 0.2

 

Complementary color

CMYK 0 / 12 / 9 / 63

HEX #5E5356

RGB 94 83 86

HSL 343.64, 0.06%, 0.35%

LAB 36.44, 5.11, -0.1

 

CMYK 3 / 0 / 5 / 33

HEX #A6ACA4

RGB 166 172 164

HSL 105, 0.05%, 0.66%

LAB 69.68, -3.63, 3.37

 

CMYK 4 / 0 / 4 / 25

HEX #B7BEB7

RGB 183 190 183

HSL 120, 0.05%, 0.73%

LAB 76.26, -3.73, 2.68

 

CMYK 4 / 0 / 3 / 18

HEX #C8D0CA

RGB 200 208 202

HSL 135, 0.08%, 0.8%

LAB 82.73, -3.82, 2.02

 

CMYK 4 / 0 / 2 / 11

HEX #D9E2DD

RGB 217 226 221

HSL 146.67, 0.13%, 0.87%

LAB 89.09, -3.92, 1.38

 

CMYK 4 / 0 / 2 / 4

HEX #EAF4F0

RGB 234 244 240

HSL 156, 0.31%, 0.94%

LAB 95.36, -4.01, 0.77

 

CMYK 6 / 0 / 2 / 33

HEX #A1ACA9

RGB 161 172 169

HSL 163.64, 0.06%, 0.65%

LAB 69.43, -4.44, 0.2

 

CMYK 6 / 0 / 3 / 40

HEX #909A96

RGB 144 154 150

HSL 156, 0.05%, 0.58%

LAB 62.71, -4.37, 0.85

 

CMYK 7 / 0 / 4 / 47

HEX #7F8883

RGB 127 136 131

HSL 146.67, 0.04%, 0.52%

LAB 55.85, -4.31, 1.54

 

CMYK 7 / 0 / 5 / 54

HEX #6E7670

RGB 110 118 112

HSL 135, 0.04%, 0.45%

LAB 48.81, -4.25, 2.26

 

CMYK 7 / 0 / 7 / 61

HEX #5D645D

RGB 93 100 93

HSL 120, 0.04%, 0.38%

LAB 41.58, -4.19, 3.03

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA8

RGB 160 171 168

HSL 163.64, 0.06%, 0.65%

LAB 69.06, -4.44, 0.2

 

CMYK 6 / 0 / 4 / 33

HEX #A0ABA5

RGB 160 171 165

HSL 147.27, 0.06%, 0.65%

LAB 68.98, -5.03, 1.75

 

CMYK 6 / 0 / 5 / 33

HEX #A0ABA2

RGB 160 171 162

HSL 130.91, 0.06%, 0.65%

LAB 68.9, -5.6, 3.29

 

CMYK 6 / 0 / 6 / 33

HEX #A1ABA0

RGB 161 171 160

HSL 114.55, 0.06%, 0.65%

LAB 68.93, -5.62, 4.44

 

CMYK 4 / 0 / 6 / 33

HEX #A4ABA0

RGB 164 171 160

HSL 98.18, 0.06%, 0.65%

LAB 69.15, -4.54, 4.8

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA8

RGB 160 171 168

HSL 163.64, 0.06%, 0.65%

LAB 69.06, -4.44, 0.2

 

CMYK 6 / 0 / 0 / 33

HEX #A0ABAB

RGB 160 171 171

HSL 180, 0.06%, 0.65%

LAB 69.14, -3.85, -1.34

 

CMYK 6 / 2 / 0 / 33

HEX #A0A8AB

RGB 160 168 171

HSL 196.36, 0.06%, 0.65%

LAB 68.33, -2.22, -2.53

 

CMYK 6 / 4 / 0 / 33

HEX #A0A5AB

RGB 160 165 171

HSL 212.73, 0.06%, 0.65%

LAB 67.52, -0.58, -3.72

 

CMYK 6 / 5 / 0 / 33

HEX #A0A2AB

RGB 160 162 171

HSL 229.09, 0.06%, 0.65%

LAB 66.71, 1.06, -4.91

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA8

RGB 160 171 168

HSL 163.64, 0.06%, 0.65%

LAB 69.06, -4.44, 0.2

 

CMYK 22 / 0 / 6 / 27

HEX #91B9AE

RGB 145 185 174

HSL 163.5, 0.22%, 0.65%

LAB 72.08, -15.66, 1.18

 

CMYK 34 / 0 / 9 / 22

HEX #83C7B5

RGB 131 199 181

HSL 164.12, 0.38%, 0.65%

LAB 75.46, -25.47, 2.19

 

CMYK 45 / 0 / 13 / 16

HEX #75D6BB

RGB 117 214 187

HSL 163.3, 0.54%, 0.65%

LAB 79.31, -35.02, 4.47

 

CMYK 55 / 0 / 15 / 11

HEX #66E4C2

RGB 102 228 194

HSL 163.81, 0.7%, 0.65%

LAB 83.02, -43.1, 6.05

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA8

RGB 160 171 168

HSL 163.64, 0.06%, 0.65%

LAB 69.06, -4.44, 0.2

 

CMYK 0 / 10 / 7 / 32

HEX #AE9CA1

RGB 174 156 161

HSL 343.33, 0.1%, 0.65%

LAB 66.02, 7.48, -0.2

 

CMYK 0 / 25 / 18 / 26

HEX #BD8E9B

RGB 189 142 155

HSL 343.4, 0.26%, 0.65%

LAB 63.78, 19.8, 0.08

 

CMYK 0 / 37 / 27 / 20

HEX #CB7F94

RGB 203 127 148

HSL 343.42, 0.42%, 0.65%

LAB 61.67, 32.16, 1.17

 

CMYK 0 / 48 / 35 / 15

HEX #DA718D

RGB 218 113 141

HSL 344, 0.59%, 0.65%

LAB 60.46, 43.95, 3.69

 

CMYK 6 / 0 / 5 / 33

HEX #A0ABA2

RGB 160 171 162

HSL 130.91, 0.06%, 0.65%

LAB 68.9, -5.6, 3.29

 

CMYK 6 / 0 / 4 / 33

HEX #A0ABA5

RGB 160 171 165

HSL 147.27, 0.06%, 0.65%

LAB 68.98, -5.03, 1.75

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA8

RGB 160 171 168

HSL 163.64, 0.06%, 0.65%

LAB 69.06, -4.44, 0.2

 

CMYK 6 / 0 / 1 / 33

HEX #A0ABAA

RGB 160 171 170

HSL 174.55, 0.06%, 0.65%

LAB 69.11, -4.05, -0.83

 

CMYK 6 / 2 / 0 / 33

HEX #A0A8AB

RGB 160 168 171

HSL 196.36, 0.06%, 0.65%

LAB 68.33, -2.22, -2.53

 

CMYK 11 / 0 / 3 / 49

HEX #75837F

RGB 117 131 127

HSL 162.86, 0.06%, 0.49%

LAB 53.54, -5.95, 0.41

 

CMYK 9 / 0 / 2 / 41

HEX #8A9794

RGB 138 151 148

HSL 166.15, 0.06%, 0.57%

LAB 61.37, -5.25, -0.02

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA8

RGB 160 171 168

HSL 163.64, 0.06%, 0.65%

LAB 69.06, -4.44, 0.2

 

CMYK 4 / 0 / 1 / 25

HEX #B6BEBC

RGB 182 190 188

HSL 165, 0.06%, 0.73%

LAB 76.32, -3.14, 0.04

 

CMYK 2 / 0 / 0 / 18

HEX #CCD1D0

RGB 204 209 208

HSL 168, 0.05%, 0.81%

LAB 83.44, -1.88, -0.11

 

CMYK 6 / 0 / 2 / 33

HEX #A1ACA9

RGB 161 172 169

HSL 163.64, 0.06%, 0.65%

LAB 69.43, -4.44, 0.2

 

CMYK 6 / 6 / 0 / 33

HEX #A0A1AB

RGB 160 161 171

HSL 234.55, 0.06%, 0.65%

LAB 66.45, 1.62, -5.3

 

CMYK 0 / 5 / 6 / 33

HEX #ABA3A0

RGB 171 163 160

HSL 16.36, 0.06%, 0.65%

LAB 67.57, 2.34, 2.58

 

CMYK 6 / 0 / 2 / 33

HEX #A1ACA9

RGB 161 172 169

HSL 163.64, 0.06%, 0.65%

LAB 69.43, -4.44, 0.2

 

CMYK 2 / 6 / 0 / 33

HEX #A8A0AB

RGB 168 160 171

HSL 283.64, 0.06%, 0.65%

LAB 66.83, 4.97, -4.67

 

CMYK 0 / 2 / 6 / 33

HEX #ABA8A0

RGB 171 168 160

HSL 43.64, 0.06%, 0.65%

LAB 68.9, -0.38, 4.5

 

CMYK 6 / 0 / 2 / 33

HEX #A1ACA9

RGB 161 172 169

HSL 163.64, 0.06%, 0.65%

LAB 69.43, -4.44, 0.2

 

CMYK 6 / 6 / 0 / 33

HEX #A0A1AB

RGB 160 161 171

HSL 234.55, 0.06%, 0.65%

LAB 66.45, 1.62, -5.3

 

CMYK 0 / 6 / 5 / 33

HEX #ABA0A3

RGB 171 160 163

HSL 343.64, 0.06%, 0.65%

LAB 66.86, 4.54, -0.13

 

CMYK 0 / 1 / 6 / 33

HEX #ABAAA0

RGB 171 170 160

HSL 54.55, 0.06%, 0.65%

LAB 69.43, -1.47, 5.27

 

CMYK 6 / 0 / 2 / 33

HEX #A1ACA9

RGB 161 172 169

HSL 163.64, 0.06%, 0.65%

LAB 69.43, -4.44, 0.2

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 0 / 6 / 5 / 33

HEX #ABA0A3

RGB 171 160 163

HSL 343.64, 0.06%, 0.65%

LAB 66.86, 4.54, -0.13

 

CMYK 2 / 0 / 6 / 33

HEX #A8ABA0

RGB 168 171 160

HSL 76.36, 0.06%, 0.65%

LAB 69.46, -3.1, 5.28

 

Description

Color code: HEX #A1ACA9 | qconv.com Color code: HEX #A1ACA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 172 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 172 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 2 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 2% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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