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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19271 it is the complementary color #5E6D8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19271 shade: #A6926C, #B7A47F, #C8B692, #D9C8A5 and #EADAB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19271 shade: #A19271, #90805E, #7F6E4B, #6E5C38 and #5D4A25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19271 shade: #A19272, #A18572, #A17972 and #A17272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19271 shade: #A19272, #A19F72, #96A172, #89A172 and #7DA172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19271 shade matches the following richer shades: #A19272, #B4995F, #C7A04C, #DAA739 and #EDAE26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19271 shade: #A19272, #8E8B85, #7B8498, #687DAB and #5576BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19271 shade: #A17972, #A18572, #A19272, #A19E72 and #96A172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19271 shade: #73674D, #8C7D5D, #A19272, #B1A58A and #C2B8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19271 shade: #A19271, #77A172 and #7F72A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19271 shade: #A19271, #72A192 and #9272A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19271 shade: #A19271, #77A172, #7281A1 and #9B72A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19271 shade: #A19271, #72A17A, #7281A1 and #A17298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 30 / 37

HEX #A19271

RGB 161 146 113

HSL 41.25, 0.2%, 0.54%

LAB 61.07, 0.33, 19.55

 

Complementary color

CMYK 34 / 23 / 0 / 44

HEX #5E6D8E

RGB 94 109 142

HSL 221.25, 0.2%, 0.46%

LAB 46, 2.76, -19.9

 

CMYK 0 / 12 / 35 / 35

HEX #A6926C

RGB 166 146 108

HSL 39.31, 0.25%, 0.54%

LAB 61.44, 1.71, 22.9

 

CMYK 0 / 10 / 31 / 28

HEX #B7A47F

RGB 183 164 127

HSL 39.64, 0.28%, 0.61%

LAB 68.13, 1.24, 21.76

 

CMYK 0 / 9 / 27 / 22

HEX #C8B692

RGB 200 182 146

HSL 40, 0.33%, 0.68%

LAB 74.71, 0.84, 20.69

 

CMYK 0 / 8 / 24 / 15

HEX #D9C8A5

RGB 217 200 165

HSL 40.38, 0.41%, 0.75%

LAB 81.17, 0.49, 19.68

 

CMYK 0 / 7 / 21 / 8

HEX #EADAB8

RGB 234 218 184

HSL 40.8, 0.54%, 0.82%

LAB 87.53, 0.18, 18.74

 

CMYK 0 / 9 / 30 / 37

HEX #A19271

RGB 161 146 113

HSL 41.25, 0.2%, 0.54%

LAB 61.07, 0.33, 19.55

 

CMYK 0 / 11 / 35 / 44

HEX #90805E

RGB 144 128 94

HSL 40.8, 0.21%, 0.47%

LAB 54.21, 0.78, 20.71

 

CMYK 0 / 13 / 41 / 50

HEX #7F6E4B

RGB 127 110 75

HSL 40.38, 0.26%, 0.4%

LAB 47.2, 1.34, 21.99

 

CMYK 0 / 16 / 49 / 57

HEX #6E5C38

RGB 110 92 56

HSL 40, 0.33%, 0.33%

LAB 40.01, 2.04, 23.38

 

CMYK 0 / 20 / 60 / 64

HEX #5D4A25

RGB 93 74 37

HSL 39.64, 0.43%, 0.25%

LAB 32.61, 2.98, 24.87

 

CMYK 0 / 9 / 29 / 37

HEX #A19272

RGB 161 146 114

HSL 40.85, 0.2%, 0.54%

LAB 61.09, 0.47, 19.02

 

CMYK 0 / 17 / 29 / 37

HEX #A18572

RGB 161 133 114

HSL 24.26, 0.2%, 0.54%

LAB 57.62, 7.74, 14.25

 

CMYK 0 / 25 / 29 / 37

HEX #A17972

RGB 161 121 114

HSL 8.94, 0.2%, 0.54%

LAB 54.52, 14.56, 9.9

 

CMYK 0 / 29 / 29 / 37

HEX #A17272

RGB 161 114 114

HSL 0, 0.2%, 0.54%

LAB 52.76, 18.56, 7.4

 

CMYK 0 / 9 / 29 / 37

HEX #A19272

RGB 161 146 114

HSL 40.85, 0.2%, 0.54%

LAB 61.09, 0.47, 19.02

 

CMYK 0 / 1 / 29 / 37

HEX #A19F72

RGB 161 159 114

HSL 57.45, 0.2%, 0.54%

LAB 64.63, -6.63, 23.81

 

CMYK 7 / 0 / 29 / 37

HEX #96A172

RGB 150 161 114

HSL 74.04, 0.2%, 0.54%

LAB 64.31, -12.07, 23.23

 

CMYK 15 / 0 / 29 / 37

HEX #89A172

RGB 137 161 114

HSL 90.64, 0.2%, 0.54%

LAB 63.36, -17.09, 21.78

 

CMYK 22 / 0 / 29 / 37

HEX #7DA172

RGB 125 161 114

HSL 105.96, 0.2%, 0.54%

LAB 62.56, -21.55, 20.57

 

CMYK 0 / 9 / 29 / 37

HEX #A19272

RGB 161 146 114

HSL 40.85, 0.2%, 0.54%

LAB 61.09, 0.47, 19.02

 

CMYK 0 / 15 / 47 / 29

HEX #B4995F

RGB 180 153 95

HSL 40.94, 0.36%, 0.54%

LAB 64.41, 2.24, 34.09

 

CMYK 0 / 20 / 62 / 22

HEX #C7A04C

RGB 199 160 76

HSL 40.98, 0.52%, 0.54%

LAB 67.88, 4.95, 48.3

 

CMYK 0 / 23 / 74 / 15

HEX #DAA739

RGB 218 167 57

HSL 40.99, 0.69%, 0.54%

LAB 71.45, 8.31, 60.99

 

CMYK 0 / 27 / 84 / 7

HEX #EDAE26

RGB 237 174 38

HSL 41.01, 0.85%, 0.54%

LAB 75.09, 12.11, 71.5

 

CMYK 0 / 9 / 29 / 37

HEX #A19272

RGB 161 146 114

HSL 40.85, 0.2%, 0.54%

LAB 61.09, 0.47, 19.02

 

CMYK 0 / 2 / 6 / 44

HEX #8E8B85

RGB 142 139 133

HSL 40, 0.04%, 0.54%

LAB 57.95, -0.02, 3.59

 

CMYK 19 / 13 / 0 / 40

HEX #7B8498

RGB 123 132 152

HSL 221.38, 0.12%, 0.54%

LAB 55.05, 1.14, -11.81

 

CMYK 39 / 27 / 0 / 33

HEX #687DAB

RGB 104 125 171

HSL 221.19, 0.29%, 0.54%

LAB 52.45, 4.27, -26.89

 

CMYK 55 / 38 / 0 / 25

HEX #5576BE

RGB 85 118 190

HSL 221.14, 0.45%, 0.54%

LAB 50.22, 9.55, -41.43

 

CMYK 0 / 25 / 29 / 37

HEX #A17972

RGB 161 121 114

HSL 8.94, 0.2%, 0.54%

LAB 54.52, 14.56, 9.9

 

CMYK 0 / 17 / 29 / 37

HEX #A18572

RGB 161 133 114

HSL 24.26, 0.2%, 0.54%

LAB 57.62, 7.74, 14.25

 

CMYK 0 / 9 / 29 / 37

HEX #A19272

RGB 161 146 114

HSL 40.85, 0.2%, 0.54%

LAB 61.09, 0.47, 19.02

 

CMYK 0 / 2 / 29 / 37

HEX #A19E72

RGB 161 158 114

HSL 56.17, 0.2%, 0.54%

LAB 64.36, -6.09, 23.44

 

CMYK 7 / 0 / 29 / 37

HEX #96A172

RGB 150 161 114

HSL 74.04, 0.2%, 0.54%

LAB 64.31, -12.07, 23.23

 

CMYK 0 / 10 / 33 / 55

HEX #73674D

RGB 115 103 77

HSL 41.05, 0.2%, 0.38%

LAB 44.06, 0.43, 16.43

 

CMYK 0 / 11 / 34 / 45

HEX #8C7D5D

RGB 140 125 93

HSL 40.85, 0.2%, 0.46%

LAB 52.99, 0.66, 19.57

 

CMYK 0 / 9 / 29 / 37

HEX #A19272

RGB 161 146 114

HSL 40.85, 0.2%, 0.54%

LAB 61.09, 0.47, 19.02

 

CMYK 0 / 7 / 22 / 31

HEX #B1A58A

RGB 177 165 138

HSL 41.54, 0.2%, 0.62%

LAB 68.09, -0.11, 15.58

 

CMYK 0 / 5 / 16 / 24

HEX #C2B8A3

RGB 194 184 163

HSL 40.65, 0.2%, 0.7%

LAB 75.07, 0.01, 11.94

 

CMYK 0 / 9 / 30 / 37

HEX #A19271

RGB 161 146 113

HSL 41.25, 0.2%, 0.54%

LAB 61.07, 0.33, 19.55

 

CMYK 26 / 0 / 29 / 37

HEX #77A172

RGB 119 161 114

HSL 113.62, 0.2%, 0.54%

LAB 62.19, -23.7, 20

 

CMYK 21 / 29 / 0 / 37

HEX #7F72A1

RGB 127 114 161

HSL 256.6, 0.2%, 0.54%

LAB 50.83, 15.19, -23.45

 

CMYK 0 / 9 / 30 / 37

HEX #A19271

RGB 161 146 113

HSL 41.25, 0.2%, 0.54%

LAB 61.07, 0.33, 19.55

 

CMYK 29 / 0 / 9 / 37

HEX #72A192

RGB 114 161 146

HSL 160.85, 0.2%, 0.54%

LAB 62.63, -19.1, 2.74

 

CMYK 9 / 29 / 0 / 37

HEX #9272A1

RGB 146 114 161

HSL 280.85, 0.2%, 0.54%

LAB 52.64, 21.5, -20.51

 

CMYK 0 / 9 / 30 / 37

HEX #A19271

RGB 161 146 113

HSL 41.25, 0.2%, 0.54%

LAB 61.07, 0.33, 19.55

 

CMYK 26 / 0 / 29 / 37

HEX #77A172

RGB 119 161 114

HSL 113.62, 0.2%, 0.54%

LAB 62.19, -23.7, 20

 

CMYK 29 / 20 / 0 / 37

HEX #7281A1

RGB 114 129 161

HSL 220.85, 0.2%, 0.54%

LAB 53.87, 2.18, -18.87

 

CMYK 4 / 29 / 0 / 37

HEX #9B72A1

RGB 155 114 161

HSL 292.34, 0.2%, 0.54%

LAB 53.57, 24.55, -19

 

CMYK 0 / 9 / 30 / 37

HEX #A19271

RGB 161 146 113

HSL 41.25, 0.2%, 0.54%

LAB 61.07, 0.33, 19.55

 

CMYK 29 / 0 / 24 / 37

HEX #72A17A

RGB 114 161 122

HSL 130.21, 0.2%, 0.54%

LAB 62.06, -24, 15.35

 

CMYK 29 / 20 / 0 / 37

HEX #7281A1

RGB 114 129 161

HSL 220.85, 0.2%, 0.54%

LAB 53.87, 2.18, -18.87

 

CMYK 0 / 29 / 6 / 37

HEX #A17298

RGB 161 114 152

HSL 311.49, 0.2%, 0.54%

LAB 53.9, 24.88, -13.2

 

Description

Color code: HEX #A19271 | qconv.com Color code: HEX #A19271 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 146 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 146 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 30 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 30% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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