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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18144 it is the complementary color #5E7EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18144 shade: #A6813F, #B79352, #C8A565, #D9B778 and #EAC98B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18144 shade: #A18144, #906F31, #7F5D1E, #6E4B0B and #5D3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18144 shade: #A18143, #A16843, #A14E43 and #A14343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18144 shade: #A18143, #A19A43, #8FA143, #76A143 and #5CA143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18144 shade matches the following richer shades: #A18143, #B48731, #C68C1E and #D9920C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18144 shade: #A18143, #8F7B56, #7C7568, #6A707B and #576A8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18144 shade: #A14E43, #A16743, #A18043, #A19943 and #90A143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18144 shade: #67522B, #846A37, #A18143, #B89656 and #C4A873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18144 shade: #A18144, #51A143 and #5B43A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18144 shade: #A18144, #43A180 and #8043A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18144 shade: #A18144, #51A143, #4364A1 and #9343A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18144 shade: #A18144, #43A151, #4364A1 and #A14393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 58 / 37

HEX #A18144

RGB 161 129 68

HSL 39.35, 0.41%, 0.45%

LAB 55.78, 4.83, 37.29

 

Complementary color

CMYK 50 / 33 / 0 / 27

HEX #5E7EBB

RGB 94 126 187

HSL 219.35, 0.41%, 0.55%

LAB 52.83, 5.82, -35.57

 

CMYK 0 / 22 / 62 / 35

HEX #A6813F

RGB 166 129 63

HSL 38.45, 0.45%, 0.45%

LAB 56.25, 6.65, 40.54

 

CMYK 0 / 20 / 55 / 28

HEX #B79352

RGB 183 147 82

HSL 38.61, 0.41%, 0.52%

LAB 62.96, 5.6, 39.17

 

CMYK 0 / 18 / 50 / 22

HEX #C8A565

RGB 200 165 101

HSL 38.79, 0.47%, 0.59%

LAB 69.56, 4.72, 37.82

 

CMYK 0 / 16 / 45 / 15

HEX #D9B778

RGB 217 183 120

HSL 38.97, 0.56%, 0.66%

LAB 76.05, 3.97, 36.51

 

CMYK 0 / 14 / 41 / 8

HEX #EAC98B

RGB 234 201 139

HSL 39.16, 0.69%, 0.73%

LAB 82.45, 3.32, 35.27

 

CMYK 0 / 20 / 58 / 37

HEX #A18144

RGB 161 129 68

HSL 39.35, 0.41%, 0.45%

LAB 55.78, 4.83, 37.29

 

CMYK 0 / 23 / 66 / 44

HEX #906F31

RGB 144 111 49

HSL 39.16, 0.49%, 0.38%

LAB 48.91, 5.97, 38.65

 

CMYK 0 / 27 / 76 / 50

HEX #7F5D1E

RGB 127 93 30

HSL 38.97, 0.62%, 0.31%

LAB 41.9, 7.4, 39.77

 

CMYK 0 / 32 / 90 / 57

HEX #6E4B0B

RGB 110 75 11

HSL 38.79, 0.82%, 0.24%

LAB 34.74, 9.23, 40

 

CMYK 0 / 39 / 100 / 64

HEX #5D3900

RGB 93 57 0

HSL 36.77, 1%, 0.18%

LAB 27.44, 11.57, 37.32

 

CMYK 0 / 20 / 58 / 37

HEX #A18143

RGB 161 129 67

HSL 39.57, 0.41%, 0.45%

LAB 55.77, 4.74, 37.8

 

CMYK 0 / 35 / 58 / 37

HEX #A16843

RGB 161 104 67

HSL 23.62, 0.41%, 0.45%

LAB 49.35, 18.94, 30.07

 

CMYK 0 / 52 / 58 / 37

HEX #A14E43

RGB 161 78 67

HSL 7.02, 0.41%, 0.45%

LAB 43.41, 33.37, 22.57

 

CMYK 0 / 58 / 58 / 37

HEX #A14343

RGB 161 67 67

HSL 0, 0.41%, 0.45%

LAB 41.21, 39.03, 19.71

 

CMYK 0 / 20 / 58 / 37

HEX #A18143

RGB 161 129 67

HSL 39.57, 0.41%, 0.45%

LAB 55.77, 4.74, 37.8

 

CMYK 0 / 4 / 58 / 37

HEX #A19A43

RGB 161 154 67

HSL 55.53, 0.41%, 0.45%

LAB 62.59, -8.97, 45.64

 

CMYK 11 / 0 / 58 / 37

HEX #8FA143

RGB 143 161 67

HSL 71.49, 0.41%, 0.45%

LAB 63.12, -20.32, 45.84

 

CMYK 27 / 0 / 58 / 37

HEX #76A143

RGB 118 161 67

HSL 87.45, 0.41%, 0.45%

LAB 61.43, -30.4, 43.48

 

CMYK 43 / 0 / 58 / 37

HEX #5CA143

RGB 92 161 67

HSL 104.04, 0.41%, 0.45%

LAB 60.04, -39.73, 41.51

 

CMYK 0 / 20 / 58 / 37

HEX #A18143

RGB 161 129 67

HSL 39.57, 0.41%, 0.45%

LAB 55.77, 4.74, 37.8

 

CMYK 0 / 25 / 73 / 29

HEX #B48731

RGB 180 135 49

HSL 39.39, 0.57%, 0.45%

LAB 59.21, 8.68, 50.76

 

CMYK 0 / 29 / 85 / 22

HEX #C68C1E

RGB 198 140 30

HSL 39.29, 0.74%, 0.45%

LAB 62.39, 13.2, 61.44

 

CMYK 0 / 33 / 94 / 15

HEX #D9920C

RGB 217 146 12

HSL 39.22, 0.9%, 0.45%

LAB 66.01, 17.93, 69.23

 

CMYK 0 / 20 / 58 / 37

HEX #A18143

RGB 161 129 67

HSL 39.57, 0.41%, 0.45%

LAB 55.77, 4.74, 37.8

 

CMYK 0 / 14 / 40 / 44

HEX #8F7B56

RGB 143 123 86

HSL 38.95, 0.25%, 0.45%

LAB 52.59, 2.18, 23.08

 

CMYK 0 / 6 / 16 / 51

HEX #7C7568

RGB 124 117 104

HSL 39, 0.09%, 0.45%

LAB 49.5, 0.31, 8.14

 

CMYK 14 / 9 / 0 / 52

HEX #6A707B

RGB 106 112 123

HSL 218.82, 0.07%, 0.45%

LAB 47.08, 0.16, -6.86

 

CMYK 38 / 25 / 0 / 45

HEX #576A8D

RGB 87 106 141

HSL 218.89, 0.24%, 0.45%

LAB 44.6, 2.17, -21.51

 

CMYK 0 / 52 / 58 / 37

HEX #A14E43

RGB 161 78 67

HSL 7.02, 0.41%, 0.45%

LAB 43.41, 33.37, 22.57

 

CMYK 0 / 36 / 58 / 37

HEX #A16743

RGB 161 103 67

HSL 22.98, 0.41%, 0.45%

LAB 49.11, 19.51, 29.77

 

CMYK 0 / 20 / 58 / 37

HEX #A18043

RGB 161 128 67

HSL 38.94, 0.41%, 0.45%

LAB 55.5, 5.31, 37.48

 

CMYK 0 / 5 / 58 / 37

HEX #A19943

RGB 161 153 67

HSL 54.89, 0.41%, 0.45%

LAB 62.31, -8.44, 45.32

 

CMYK 11 / 0 / 58 / 37

HEX #90A143

RGB 144 161 67

HSL 70.85, 0.41%, 0.45%

LAB 63.2, -19.9, 45.95

 

CMYK 0 / 20 / 58 / 60

HEX #67522B

RGB 103 82 43

HSL 39, 0.41%, 0.29%

LAB 36.16, 3.46, 25.96

 

CMYK 0 / 20 / 58 / 48

HEX #846A37

RGB 132 106 55

HSL 39.74, 0.41%, 0.37%

LAB 46.3, 3.82, 32.18

 

CMYK 0 / 20 / 58 / 37

HEX #A18143

RGB 161 129 67

HSL 39.57, 0.41%, 0.45%

LAB 55.77, 4.74, 37.8

 

CMYK 0 / 18 / 53 / 28

HEX #B89656

RGB 184 150 86

HSL 39.18, 0.41%, 0.53%

LAB 63.9, 4.73, 38.26

 

CMYK 0 / 14 / 41 / 23

HEX #C4A873

RGB 196 168 115

HSL 39.26, 0.41%, 0.61%

LAB 70.16, 2.88, 31.14

 

CMYK 0 / 20 / 58 / 37

HEX #A18144

RGB 161 129 68

HSL 39.35, 0.41%, 0.45%

LAB 55.78, 4.83, 37.29

 

CMYK 50 / 0 / 58 / 37

HEX #51A143

RGB 81 161 67

HSL 111.06, 0.41%, 0.45%

LAB 59.57, -43.17, 40.83

 

CMYK 43 / 58 / 0 / 37

HEX #5B43A1

RGB 91 67 161

HSL 255.32, 0.41%, 0.45%

LAB 35.62, 33.49, -47.67

 

CMYK 0 / 20 / 58 / 37

HEX #A18144

RGB 161 129 68

HSL 39.35, 0.41%, 0.45%

LAB 55.78, 4.83, 37.29

 

CMYK 58 / 0 / 20 / 37

HEX #43A180

RGB 67 161 128

HSL 158.94, 0.41%, 0.45%

LAB 60.11, -35.92, 8.96

 

CMYK 20 / 58 / 0 / 37

HEX #8043A1

RGB 128 67 161

HSL 278.94, 0.41%, 0.45%

LAB 39.88, 42.74, -40.61

 

CMYK 0 / 20 / 58 / 37

HEX #A18144

RGB 161 129 68

HSL 39.35, 0.41%, 0.45%

LAB 55.78, 4.83, 37.29

 

CMYK 50 / 0 / 58 / 37

HEX #51A143

RGB 81 161 67

HSL 111.06, 0.41%, 0.45%

LAB 59.57, -43.17, 40.83

 

CMYK 58 / 38 / 0 / 37

HEX #4364A1

RGB 67 100 161

HSL 218.94, 0.41%, 0.45%

LAB 42.58, 7.1, -36.65

 

CMYK 9 / 58 / 0 / 37

HEX #9343A1

RGB 147 67 161

HSL 291.06, 0.41%, 0.45%

LAB 42.45, 47.8, -36.38

 

CMYK 0 / 20 / 58 / 37

HEX #A18144

RGB 161 129 68

HSL 39.35, 0.41%, 0.45%

LAB 55.78, 4.83, 37.29

 

CMYK 58 / 0 / 50 / 37

HEX #43A151

RGB 67 161 81

HSL 128.94, 0.41%, 0.45%

LAB 59.23, -45.09, 33.35

 

CMYK 58 / 38 / 0 / 37

HEX #4364A1

RGB 67 100 161

HSL 218.94, 0.41%, 0.45%

LAB 42.58, 7.1, -36.65

 

CMYK 0 / 58 / 9 / 37

HEX #A14393

RGB 161 67 147

HSL 308.94, 0.41%, 0.45%

LAB 43.8, 49.12, -25.71

 

Description

Color code: HEX #A18144 | qconv.com Color code: HEX #A18144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 129 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 129 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 58 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 58% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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