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Color name
HEX #A18139

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18139 it is the complementary color #5E7EC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18139 shade: #A68134, #B79347, #C8A55A, #D9B76D and #EAC980

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18139 shade: #A18139, #906F26, #7F5D13, #6E4B00 and #5D3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18139 shade: #A28139, #A26539, #A24939 and #A23939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18139 shade: #A28139, #A29E39, #89A239, #6DA239 and #51A239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18139 shade matches the following richer shades: #A28139, #B48827, #C58F15 and #D79603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18139 shade: #A28139, #907B4A, #7E745C, #6D6D6E and #5B667F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18139 shade: #A24839, #A26439, #A28039, #A29D39 and #8BA239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18139 shade: #655123, #83692E, #A28139, #BE9946 and #C8AA64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18139 shade: #A18139, #45A239 and #5639A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18139 shade: #A18139, #39A280 and #8039A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18139 shade: #A18139, #45A239, #395AA2 and #9639A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18139 shade: #A18139, #39A24C, #395AA2 and #A2398E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 65 / 37

HEX #A18139

RGB 161 129 57

HSL 41.54, 0.48%, 0.43%

LAB 55.66, 4, 42.7

 

Complementary color

CMYK 53 / 36 / 0 / 22

HEX #5E7EC6

RGB 94 126 198

HSL 221.54, 0.48%, 0.57%

LAB 53.36, 9.27, -41.01

 

CMYK 0 / 22 / 69 / 35

HEX #A68134

RGB 166 129 52

HSL 40.53, 0.52%, 0.43%

LAB 56.14, 5.93, 45.75

 

CMYK 0 / 20 / 61 / 28

HEX #B79347

RGB 183 147 71

HSL 40.71, 0.44%, 0.5%

LAB 62.84, 4.73, 44.56

 

CMYK 0 / 18 / 55 / 22

HEX #C8A55A

RGB 200 165 90

HSL 40.91, 0.5%, 0.57%

LAB 69.42, 3.74, 43.25

 

CMYK 0 / 16 / 50 / 15

HEX #D9B76D

RGB 217 183 109

HSL 41.11, 0.59%, 0.64%

LAB 75.9, 2.91, 41.95

 

CMYK 0 / 14 / 45 / 8

HEX #EAC980

RGB 234 201 128

HSL 41.32, 0.72%, 0.71%

LAB 82.28, 2.19, 40.68

 

CMYK 0 / 20 / 65 / 37

HEX #A18139

RGB 161 129 57

HSL 41.54, 0.48%, 0.43%

LAB 55.66, 4, 42.7

 

CMYK 0 / 23 / 74 / 44

HEX #906F26

RGB 144 111 38

HSL 41.32, 0.58%, 0.36%

LAB 48.81, 5.3, 43.76

 

CMYK 0 / 27 / 85 / 50

HEX #7F5D13

RGB 127 93 19

HSL 41.11, 0.74%, 0.29%

LAB 41.83, 6.93, 44.15

 

CMYK 0 / 32 / 100 / 57

HEX #6E4B00

RGB 110 75 0

HSL 40.91, 1%, 0.22%

LAB 34.7, 8.93, 43.66

 

CMYK 0 / 39 / 100 / 64

HEX #5D3900

RGB 93 57 0

HSL 36.77, 1%, 0.18%

LAB 27.44, 11.57, 37.32

 

CMYK 0 / 20 / 65 / 36

HEX #A28139

RGB 162 129 57

HSL 41.14, 0.48%, 0.43%

LAB 55.76, 4.45, 42.84

 

CMYK 0 / 38 / 65 / 36

HEX #A26539

RGB 162 101 57

HSL 25.14, 0.48%, 0.43%

LAB 48.62, 20.32, 34.72

 

CMYK 0 / 55 / 65 / 36

HEX #A24939

RGB 162 73 57

HSL 9.14, 0.48%, 0.43%

LAB 42.37, 35.64, 27.25

 

CMYK 0 / 65 / 65 / 36

HEX #A23939

RGB 162 57 57

HSL 0, 0.48%, 0.43%

LAB 39.42, 43.41, 23.57

 

CMYK 0 / 20 / 65 / 36

HEX #A28139

RGB 162 129 57

HSL 41.14, 0.48%, 0.43%

LAB 55.76, 4.45, 42.84

 

CMYK 0 / 2 / 65 / 36

HEX #A29E39

RGB 162 158 57

HSL 57.71, 0.48%, 0.43%

LAB 63.7, -11.36, 51.39

 

CMYK 15 / 0 / 65 / 36

HEX #89A239

RGB 137 162 57

HSL 74.29, 0.48%, 0.43%

LAB 62.89, -24.12, 49.94

 

CMYK 33 / 0 / 65 / 36

HEX #6DA239

RGB 109 162 57

HSL 90.29, 0.48%, 0.43%

LAB 61.12, -35.2, 47.52

 

CMYK 50 / 0 / 65 / 36

HEX #51A239

RGB 81 162 57

HSL 106.29, 0.48%, 0.43%

LAB 59.79, -44.66, 45.68

 

CMYK 0 / 20 / 65 / 36

HEX #A28139

RGB 162 129 57

HSL 41.14, 0.48%, 0.43%

LAB 55.76, 4.45, 42.84

 

CMYK 0 / 24 / 78 / 29

HEX #B48827

RGB 180 136 39

HSL 41.28, 0.64%, 0.43%

LAB 59.4, 7.68, 54.98

 

CMYK 0 / 27 / 89 / 23

HEX #C58F15

RGB 197 143 21

HSL 41.59, 0.81%, 0.43%

LAB 62.99, 10.91, 64.26

 

CMYK 0 / 30 / 99 / 16

HEX #D79603

RGB 215 150 3

HSL 41.6, 0.97%, 0.43%

LAB 66.72, 14.81, 70.85

 

CMYK 0 / 20 / 65 / 36

HEX #A28139

RGB 162 129 57

HSL 41.14, 0.48%, 0.43%

LAB 55.76, 4.45, 42.84

 

CMYK 0 / 15 / 49 / 44

HEX #907B4A

RGB 144 123 74

HSL 42, 0.32%, 0.43%

LAB 52.5, 1.26, 29.68

 

CMYK 0 / 8 / 27 / 51

HEX #7E745C

RGB 126 116 92

HSL 42.35, 0.16%, 0.43%

LAB 49.13, -0.23, 14.68

 

CMYK 1 / 1 / 0 / 57

HEX #6D6D6E

RGB 109 109 110

HSL 240, 0%, 0.43%

LAB 46.06, 0.21, -0.56

 

CMYK 28 / 20 / 0 / 50

HEX #5B667F

RGB 91 102 127

HSL 221.67, 0.17%, 0.43%

LAB 43.15, 1.97, -15.3

 

CMYK 0 / 56 / 65 / 36

HEX #A24839

RGB 162 72 57

HSL 8.57, 0.48%, 0.43%

LAB 42.17, 36.16, 27

 

CMYK 0 / 38 / 65 / 36

HEX #A26439

RGB 162 100 57

HSL 24.57, 0.48%, 0.43%

LAB 48.37, 20.89, 34.44

 

CMYK 0 / 21 / 65 / 36

HEX #A28039

RGB 162 128 57

HSL 40.57, 0.48%, 0.43%

LAB 55.5, 5.01, 42.55

 

CMYK 0 / 3 / 65 / 36

HEX #A29D39

RGB 162 157 57

HSL 57.14, 0.48%, 0.43%

LAB 63.42, -10.83, 51.1

 

CMYK 14 / 0 / 65 / 36

HEX #8BA239

RGB 139 162 57

HSL 73.14, 0.48%, 0.43%

LAB 63.03, -23.29, 50.14

 

CMYK 0 / 20 / 65 / 60

HEX #655123

RGB 101 81 35

HSL 41.82, 0.49%, 0.27%

LAB 35.54, 2.41, 29.63

 

CMYK 0 / 20 / 65 / 49

HEX #83692E

RGB 131 105 46

HSL 41.65, 0.48%, 0.35%

LAB 45.81, 3.22, 36.31

 

CMYK 0 / 20 / 65 / 36

HEX #A28139

RGB 162 129 57

HSL 41.14, 0.48%, 0.43%

LAB 55.76, 4.45, 42.84

 

CMYK 0 / 19 / 63 / 25

HEX #BE9946

RGB 190 153 70

HSL 41.5, 0.48%, 0.51%

LAB 65.1, 4.44, 47.78

 

CMYK 0 / 15 / 50 / 22

HEX #C8AA64

RGB 200 170 100

HSL 42, 0.48%, 0.59%

LAB 70.84, 1.94, 39.91

 

CMYK 0 / 20 / 65 / 37

HEX #A18139

RGB 161 129 57

HSL 41.54, 0.48%, 0.43%

LAB 55.66, 4, 42.7

 

CMYK 57 / 0 / 65 / 36

HEX #45A239

RGB 69 162 57

HSL 113.14, 0.48%, 0.43%

LAB 59.34, -48.03, 45.07

 

CMYK 47 / 65 / 0 / 36

HEX #5639A2

RGB 86 57 162

HSL 256.57, 0.48%, 0.43%

LAB 32.95, 38.61, -52.62

 

CMYK 0 / 20 / 65 / 37

HEX #A18139

RGB 161 129 57

HSL 41.54, 0.48%, 0.43%

LAB 55.66, 4, 42.7

 

CMYK 65 / 0 / 21 / 36

HEX #39A280

RGB 57 162 128

HSL 160.57, 0.48%, 0.43%

LAB 60.13, -38.36, 8.95

 

CMYK 21 / 65 / 0 / 36

HEX #8039A2

RGB 128 57 162

HSL 280.57, 0.48%, 0.43%

LAB 38.06, 48.05, -44.11

 

CMYK 0 / 20 / 65 / 37

HEX #A18139

RGB 161 129 57

HSL 41.54, 0.48%, 0.43%

LAB 55.66, 4, 42.7

 

CMYK 57 / 0 / 65 / 36

HEX #45A239

RGB 69 162 57

HSL 113.14, 0.48%, 0.43%

LAB 59.34, -48.03, 45.07

 

CMYK 65 / 44 / 0 / 36

HEX #395AA2

RGB 57 90 162

HSL 221.14, 0.48%, 0.43%

LAB 39.23, 11.85, -42.62

 

CMYK 7 / 65 / 0 / 36

HEX #9639A2

RGB 150 57 162

HSL 293.14, 0.48%, 0.43%

LAB 41.25, 53.41, -38.85

 

CMYK 0 / 20 / 65 / 37

HEX #A18139

RGB 161 129 57

HSL 41.54, 0.48%, 0.43%

LAB 55.66, 4, 42.7

 

CMYK 65 / 0 / 53 / 36

HEX #39A24C

RGB 57 162 76

HSL 130.86, 0.48%, 0.43%

LAB 59.19, -48.52, 35.77

 

CMYK 65 / 44 / 0 / 36

HEX #395AA2

RGB 57 90 162

HSL 221.14, 0.48%, 0.43%

LAB 39.23, 11.85, -42.62

 

CMYK 0 / 65 / 12 / 36

HEX #A2398E

RGB 162 57 142

HSL 311.43, 0.48%, 0.43%

LAB 42.09, 53.04, -25.33

 

Description

Color code: HEX #A18139 | qconv.com Color code: HEX #A18139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 129 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 129 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 65 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 65% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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