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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18590 it is the complementary color #5E7A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18590 shade: #A6858B, #B7979E, #C8A9B1, #D9BBC4 and #EACDD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18590 shade: #A18590, #90737D, #7F616A, #6E4F57 and #5D3D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18590 shade: #A18590, #A18589 and #A18585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18590 shade: #A18590, #A18598, #A1859F, #9C85A1 and #9485A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18590 shade matches the following richer shades: #A18590, #B3748D, #C46389, #D55185 and #E74082

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18590 shade: #A18590, #909794, #7FA898, #6DB99C and #5CCB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18590 shade: #A1859F, #A18598, #A18591, #A18589 and #A18985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18590 shade: #785C67, #8F6E7B, #A18590, #B39DA6 and #C5B4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18590 shade: #A18590, #A19C85 and #859CA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18590 shade: #A18590, #91A185 and #8591A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18590 shade: #A18590, #A19C85, #85A196 and #858BA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18590 shade: #A18590, #9FA185, #85A196 and #8885A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

Complementary color

CMYK 23 / 0 / 9 / 52

HEX #5E7A6F

RGB 94 122 111

HSL 156.43, 0.13%, 0.42%

LAB 48.82, -12.56, 2.71

 

CMYK 0 / 20 / 16 / 35

HEX #A6858B

RGB 166 133 139

HSL 349.09, 0.16%, 0.59%

LAB 58.74, 13.58, 1.57

 

CMYK 0 / 17 / 14 / 28

HEX #B7979E

RGB 183 151 158

HSL 346.88, 0.18%, 0.65%

LAB 65.49, 13.06, 0.81

 

CMYK 0 / 16 / 12 / 22

HEX #C8A9B1

RGB 200 169 177

HSL 344.52, 0.22%, 0.72%

LAB 72.11, 12.6, 0.1

 

CMYK 0 / 14 / 10 / 15

HEX #D9BBC4

RGB 217 187 196

HSL 342, 0.28%, 0.79%

LAB 78.62, 12.18, -0.58

 

CMYK 0 / 12 / 8 / 8

HEX #EACDD7

RGB 234 205 215

HSL 339.31, 0.41%, 0.86%

LAB 85.03, 11.79, -1.22

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 20 / 13 / 44

HEX #90737D

RGB 144 115 125

HSL 339.31, 0.12%, 0.51%

LAB 51.46, 13.07, -1.18

 

CMYK 0 / 24 / 17 / 50

HEX #7F616A

RGB 127 97 106

HSL 342, 0.13%, 0.44%

LAB 44.38, 13.67, -0.4

 

CMYK 0 / 28 / 21 / 57

HEX #6E4F57

RGB 110 79 87

HSL 344.52, 0.16%, 0.37%

LAB 37.11, 14.36, 0.46

 

CMYK 0 / 34 / 27 / 64

HEX #5D3D44

RGB 93 61 68

HSL 346.88, 0.21%, 0.3%

LAB 29.62, 15.19, 1.45

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 17 / 15 / 37

HEX #A18589

RGB 161 133 137

HSL 351.43, 0.13%, 0.58%

LAB 58.19, 11.33, 1.85

 

CMYK 0 / 17 / 17 / 37

HEX #A18585

RGB 161 133 133

HSL 0, 0.13%, 0.58%

LAB 58.08, 10.66, 4

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 17 / 6 / 37

HEX #A18598

RGB 161 133 152

HSL 319.29, 0.13%, 0.58%

LAB 58.62, 14.01, -6.13

 

CMYK 0 / 17 / 1 / 37

HEX #A1859F

RGB 161 133 159

HSL 304.29, 0.13%, 0.58%

LAB 58.84, 15.34, -9.82

 

CMYK 3 / 17 / 0 / 37

HEX #9C85A1

RGB 156 133 161

HSL 289.29, 0.13%, 0.58%

LAB 58.43, 13.96, -11.63

 

CMYK 8 / 17 / 0 / 37

HEX #9485A1

RGB 148 133 161

HSL 272.14, 0.13%, 0.58%

LAB 57.7, 11.16, -12.81

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 35 / 21 / 30

HEX #B3748D

RGB 179 116 141

HSL 336.19, 0.29%, 0.58%

LAB 56.09, 28.37, -3.3

 

CMYK 0 / 49 / 30 / 23

HEX #C46389

RGB 196 99 137

HSL 336.49, 0.45%, 0.58%

LAB 54.52, 42.94, -3.02

 

CMYK 0 / 62 / 38 / 16

HEX #D55185

RGB 213 81 133

HSL 336.36, 0.61%, 0.58%

LAB 53.73, 56.49, -1.51

 

CMYK 0 / 72 / 44 / 9

HEX #E74082

RGB 231 64 130

HSL 336.29, 0.78%, 0.58%

LAB 54.31, 67.91, 1.47

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 5 / 0 / 2 / 41

HEX #909794

RGB 144 151 148

HSL 154.29, 0.03%, 0.58%

LAB 61.83, -3.11, 0.69

 

CMYK 24 / 0 / 10 / 34

HEX #7FA898

RGB 127 168 152

HSL 156.59, 0.19%, 0.58%

LAB 65.58, -17.28, 3.75

 

CMYK 41 / 0 / 16 / 27

HEX #6DB99C

RGB 109 185 156

HSL 157.11, 0.35%, 0.58%

LAB 69.72, -30.35, 7.38

 

CMYK 55 / 0 / 22 / 20

HEX #5CCB9F

RGB 92 203 159

HSL 156.22, 0.52%, 0.58%

LAB 74.5, -42.16, 12.47

 

CMYK 0 / 17 / 1 / 37

HEX #A1859F

RGB 161 133 159

HSL 304.29, 0.13%, 0.58%

LAB 58.84, 15.34, -9.82

 

CMYK 0 / 17 / 6 / 37

HEX #A18598

RGB 161 133 152

HSL 319.29, 0.13%, 0.58%

LAB 58.62, 14.01, -6.13

 

CMYK 0 / 17 / 10 / 37

HEX #A18591

RGB 161 133 145

HSL 334.29, 0.13%, 0.58%

LAB 58.41, 12.73, -2.42

 

CMYK 0 / 17 / 15 / 37

HEX #A18589

RGB 161 133 137

HSL 351.43, 0.13%, 0.58%

LAB 58.19, 11.33, 1.85

 

CMYK 0 / 15 / 17 / 37

HEX #A18985

RGB 161 137 133

HSL 8.57, 0.13%, 0.58%

LAB 59.12, 8.4, 5.5

 

CMYK 0 / 23 / 14 / 53

HEX #785C67

RGB 120 92 103

HSL 336.43, 0.13%, 0.42%

LAB 42.2, 13.35, -1.87

 

CMYK 0 / 23 / 14 / 44

HEX #8F6E7B

RGB 143 110 123

HSL 336.36, 0.13%, 0.5%

LAB 50, 15.25, -2.15

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 12 / 7 / 30

HEX #B39DA6

RGB 179 157 166

HSL 335.45, 0.13%, 0.66%

LAB 66.86, 9.65, -1.71

 

CMYK 0 / 9 / 5 / 23

HEX #C5B4BB

RGB 197 180 187

HSL 335.29, 0.13%, 0.74%

LAB 74.89, 7.29, -1.36

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 3 / 17 / 37

HEX #A19C85

RGB 161 156 133

HSL 49.29, 0.13%, 0.58%

LAB 64.2, -2.18, 12.71

 

CMYK 17 / 3 / 0 / 37

HEX #859CA1

RGB 133 156 161

HSL 190.71, 0.13%, 0.58%

LAB 62.79, -6.95, -5.32

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 10 / 0 / 17 / 37

HEX #91A185

RGB 145 161 133

HSL 94.29, 0.13%, 0.58%

LAB 64.32, -10.96, 12.7

 

CMYK 17 / 10 / 0 / 37

HEX #8591A1

RGB 133 145 161

HSL 214.29, 0.13%, 0.58%

LAB 59.72, -0.83, -9.9

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 0 / 3 / 17 / 37

HEX #A19C85

RGB 161 156 133

HSL 49.29, 0.13%, 0.58%

LAB 64.2, -2.18, 12.71

 

CMYK 17 / 0 / 7 / 37

HEX #85A196

RGB 133 161 150

HSL 156.43, 0.13%, 0.58%

LAB 63.9, -12.01, 2.49

 

CMYK 17 / 14 / 0 / 37

HEX #858BA1

RGB 133 139 161

HSL 227.14, 0.13%, 0.58%

LAB 58.06, 2.57, -12.38

 

CMYK 0 / 17 / 11 / 37

HEX #A18590

RGB 161 133 144

HSL 336.43, 0.13%, 0.58%

LAB 58.38, 12.55, -1.89

 

CMYK 1 / 0 / 17 / 37

HEX #9FA185

RGB 159 161 133

HSL 64.29, 0.13%, 0.58%

LAB 65.4, -5.67, 14.37

 

CMYK 17 / 0 / 7 / 37

HEX #85A196

RGB 133 161 150

HSL 156.43, 0.13%, 0.58%

LAB 63.9, -12.01, 2.49

 

CMYK 16 / 17 / 0 / 37

HEX #8885A1

RGB 136 133 161

HSL 246.43, 0.13%, 0.58%

LAB 56.67, 7.03, -14.46

 

Description

Color code: HEX #A18590 | qconv.com Color code: HEX #A18590 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 133 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 133 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 11 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 11% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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