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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17EE1 it is the complementary color #5E811E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17EE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17EE1 shade: #A67EDC, #B790EF, #C8A2FF, #D9B4FF and #EAC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17EE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17EE1 shade: #A17EE1, #906CCE, #7F5ABB, #6E48A8 and #5D3695

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17EE1 shade: #A17EE0, #BC7EE0, #D67EE0, #E07ED1 and #E07EB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17EE1 shade: #A17EE0, #877EE0 and #7E7EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17EE1 shade matches the following richer shades: #A17EE0, #9D72ED and #9A65FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17EE1 shade: #A17EE0, #A58BD4, #A998C7, #ACA5BA and #B0B2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17EE1 shade: #7E90E0, #877EE0, #A17EE0, #BB7EE0 and #D57EE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17EE1 shade: #703CD1, #895DD9, #A17EE0, #B9A0E8 and #D2C1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17EE1 shade: #A17EE1, #E07EAB and #83E07E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17EE1 shade: #A17EE1, #E0A17E and #7EE0A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17EE1 shade: #A17EE1, #E07EAB, #BEE07E and #7EE0B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17EE1 shade: #A17EE1, #E07E8D, #BEE07E and #7EE0D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 44 / 0 / 12

HEX #A17EE1

RGB 161 126 225

HSL 261.21, 0.62%, 0.69%

LAB 59.83, 34.07, -45.69

 

Complementary color

CMYK 27 / 0 / 77 / 49

HEX #5E811E

RGB 94 129 30

HSL 81.21, 0.62%, 0.31%

LAB 49.71, -27.59, 46.43

 

CMYK 25 / 43 / 0 / 14

HEX #A67EDC

RGB 166 126 220

HSL 265.53, 0.57%, 0.68%

LAB 60.07, 34.25, -42.49

 

CMYK 23 / 40 / 0 / 6

HEX #B790EF

RGB 183 144 239

HSL 264.63, 0.75%, 0.75%

LAB 66.71, 33.44, -42.48

 

CMYK 22 / 36 / 0 / 0

HEX #C8A2FF

RGB 200 162 255

HSL 264.52, 1%, 0.82%

LAB 73.12, 32.01, -41.06

 

CMYK 15 / 29 / 0 / 0

HEX #D9B4FF

RGB 217 180 255

HSL 269.6, 1%, 0.85%

LAB 78.82, 27.22, -32.1

 

CMYK 8 / 22 / 0 / 0

HEX #EAC6FF

RGB 234 198 255

HSL 277.89, 1%, 0.89%

LAB 84.54, 22.82, -23.23

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE1

RGB 161 126 225

HSL 261.21, 0.62%, 0.69%

LAB 59.83, 34.07, -45.69

 

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

CMYK 32 / 52 / 0 / 27

HEX #7F5ABB

RGB 127 90 187

HSL 262.89, 0.42%, 0.54%

LAB 46.19, 36, -45.89

 

CMYK 35 / 57 / 0 / 34

HEX #6E48A8

RGB 110 72 168

HSL 263.75, 0.4%, 0.47%

LAB 39.2, 37.07, -46

 

CMYK 38 / 64 / 0 / 42

HEX #5D3695

RGB 93 54 149

HSL 264.63, 0.47%, 0.4%

LAB 32.11, 38.17, -46.05

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 16 / 44 / 0 / 12

HEX #BC7EE0

RGB 188 126 224

HSL 277.96, 0.61%, 0.69%

LAB 62.5, 41.41, -40.73

 

CMYK 4 / 44 / 0 / 12

HEX #D67EE0

RGB 214 126 224

HSL 293.88, 0.61%, 0.69%

LAB 65.44, 48.94, -35.94

 

CMYK 0 / 44 / 7 / 12

HEX #E07ED1

RGB 224 126 209

HSL 309.18, 0.61%, 0.69%

LAB 66.04, 49.23, -26.55

 

CMYK 0 / 44 / 19 / 12

HEX #E07EB6

RGB 224 126 182

HSL 325.71, 0.61%, 0.69%

LAB 65.08, 44.91, -12.83

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 40 / 44 / 0 / 12

HEX #877EE0

RGB 135 126 224

HSL 245.51, 0.61%, 0.69%

LAB 57.52, 26.95, -48.94

 

CMYK 44 / 44 / 0 / 12

HEX #7E7EE0

RGB 126 126 224

HSL 240, 0.61%, 0.69%

LAB 56.82, 24.72, -50.08

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 34 / 52 / 0 / 7

HEX #9D72ED

RGB 157 114 237

HSL 260.98, 0.77%, 0.69%

LAB 57.38, 42.78, -56.29

 

CMYK 38 / 60 / 0 / 2

HEX #9A65FA

RGB 154 101 250

HSL 261.34, 0.94%, 0.69%

LAB 55.15, 52.49, -67.11

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 22 / 34 / 0 / 17

HEX #A58BD4

RGB 165 139 212

HSL 261.37, 0.46%, 0.69%

LAB 62.69, 24.69, -33.91

 

CMYK 15 / 24 / 0 / 22

HEX #A998C7

RGB 169 152 199

HSL 261.7, 0.3%, 0.69%

LAB 65.76, 15.6, -21.9

 

CMYK 8 / 11 / 0 / 27

HEX #ACA5BA

RGB 172 165 186

HSL 260, 0.13%, 0.69%

LAB 68.91, 6.58, -9.88

 

CMYK 1 / 0 / 3 / 30

HEX #B0B2AD

RGB 176 178 173

HSL 84, 0.03%, 0.69%

LAB 72.29, -1.63, 2.3

 

CMYK 44 / 36 / 0 / 12

HEX #7E90E0

RGB 126 144 224

HSL 228.98, 0.61%, 0.69%

LAB 61.45, 14.12, -42.76

 

CMYK 40 / 44 / 0 / 12

HEX #877EE0

RGB 135 126 224

HSL 245.51, 0.61%, 0.69%

LAB 57.52, 26.95, -48.94

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 17 / 44 / 0 / 12

HEX #BB7EE0

RGB 187 126 224

HSL 277.35, 0.61%, 0.69%

LAB 62.4, 41.13, -40.91

 

CMYK 5 / 44 / 0 / 12

HEX #D57EE0

RGB 213 126 224

HSL 293.27, 0.61%, 0.69%

LAB 65.32, 48.65, -36.13

 

CMYK 46 / 71 / 0 / 18

HEX #703CD1

RGB 112 60 209

HSL 260.94, 0.62%, 0.53%

LAB 40.05, 54.85, -68.65

 

CMYK 37 / 57 / 0 / 15

HEX #895DD9

RGB 137 93 217

HSL 261.29, 0.62%, 0.61%

LAB 49.69, 44.56, -57.48

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 20 / 31 / 0 / 9

HEX #B9A0E8

RGB 185 160 232

HSL 260.83, 0.61%, 0.77%

LAB 70.37, 23.49, -32.92

 

CMYK 13 / 20 / 0 / 6

HEX #D2C1F0

RGB 210 193 240

HSL 261.7, 0.61%, 0.85%

LAB 80.81, 14.88, -21.07

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE1

RGB 161 126 225

HSL 261.21, 0.62%, 0.69%

LAB 59.83, 34.07, -45.69

 

CMYK 0 / 44 / 24 / 12

HEX #E07EAB

RGB 224 126 171

HSL 332.45, 0.61%, 0.69%

LAB 64.73, 43.31, -7.13

 

CMYK 42 / 0 / 44 / 12

HEX #83E07E

RGB 131 224 126

HSL 116.94, 0.61%, 0.69%

LAB 81.64, -46.87, 39.44

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE1

RGB 161 126 225

HSL 261.21, 0.62%, 0.69%

LAB 59.83, 34.07, -45.69

 

CMYK 0 / 28 / 44 / 12

HEX #E0A17E

RGB 224 161 126

HSL 21.43, 0.61%, 0.69%

LAB 71.45, 19.16, 27.47

 

CMYK 44 / 0 / 28 / 12

HEX #7EE0A1

RGB 126 224 161

HSL 141.43, 0.61%, 0.69%

LAB 82.01, -42.56, 22.07

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE1

RGB 161 126 225

HSL 261.21, 0.62%, 0.69%

LAB 59.83, 34.07, -45.69

 

CMYK 0 / 44 / 24 / 12

HEX #E07EAB

RGB 224 126 171

HSL 332.45, 0.61%, 0.69%

LAB 64.73, 43.31, -7.13

 

CMYK 15 / 0 / 44 / 12

HEX #BEE07E

RGB 190 224 126

HSL 80.82, 0.61%, 0.69%

LAB 84.88, -26.77, 44.2

 

CMYK 44 / 0 / 20 / 12

HEX #7EE0B4

RGB 126 224 180

HSL 153.06, 0.61%, 0.69%

LAB 82.4, -38.83, 12.66

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE1

RGB 161 126 225

HSL 261.21, 0.62%, 0.69%

LAB 59.83, 34.07, -45.69

 

CMYK 0 / 44 / 37 / 12

HEX #E07E8D

RGB 224 126 141

HSL 350.82, 0.61%, 0.69%

LAB 63.91, 39.42, 8.74

 

CMYK 15 / 0 / 44 / 12

HEX #BEE07E

RGB 190 224 126

HSL 80.82, 0.61%, 0.69%

LAB 84.88, -26.77, 44.2

 

CMYK 44 / 0 / 6 / 12

HEX #7EE0D2

RGB 126 224 210

HSL 171.43, 0.61%, 0.69%

LAB 83.13, -32.18, -2.15

 

Description

Color code: HEX #A17EE1 | qconv.com Color code: HEX #A17EE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 126 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 126 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 44 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 44% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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