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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A176F8 it is the complementary color #5E8907. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A176F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A176F8 shade: #A676F3, #B788FF, #C89AFF, #D9ACFF and #EABEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A176F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A176F8 shade: #A176F8, #9064E5, #7F52D2, #6E40BF and #5D2EAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A176F8 shade: #A177F7, #C477F7, #E777F7, #F777E5 and #F777C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A176F8 shade: #A177F7, #7F77F7 and #7777F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A176F8 shade matches the following richer shades: #A177F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A176F8 shade: #A177F7, #A582EC, #A98EE0, #AD99D5 and #B1A5C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A176F8 shade: #7793F7, #7D77F7, #A077F7, #C277F7 and #E477F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A176F8 shade: #6C28F3, #8650F5, #A177F7, #BC9EF9 and #D7C5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A176F8 shade: #A176F8, #F777B5 and #82F777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A176F8 shade: #A176F8, #F7A077 and #77F7A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A176F8 shade: #A176F8, #F777B5, #CFF777 and #77F7B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A176F8 shade: #A176F8, #F7778E, #CFF777 and #77F7E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 52 / 0 / 3

HEX #A176F8

RGB 161 118 248

HSL 259.85, 0.9%, 0.72%

LAB 59.26, 44.33, -59.36

 

Complementary color

CMYK 31 / 0 / 95 / 46

HEX #5E8907

RGB 94 137 7

HSL 79.85, 0.9%, 0.28%

LAB 52.16, -32.27, 54.54

 

CMYK 32 / 51 / 0 / 5

HEX #A676F3

RGB 166 118 243

HSL 263.04, 0.84%, 0.71%

LAB 59.47, 44.29, -56.24

 

CMYK 28 / 47 / 0 / 0

HEX #B788FF

RGB 183 136 255

HSL 263.7, 1%, 0.77%

LAB 65.67, 41.63, -52.88

 

CMYK 22 / 40 / 0 / 0

HEX #C89AFF

RGB 200 154 255

HSL 267.33, 1%, 0.8%

LAB 71.29, 36.39, -43.92

 

CMYK 15 / 33 / 0 / 0

HEX #D9ACFF

RGB 217 172 255

HSL 272.53, 1%, 0.84%

LAB 76.97, 31.55, -34.96

 

CMYK 8 / 25 / 0 / 0

HEX #EABEFF

RGB 234 190 255

HSL 280.62, 1%, 0.87%

LAB 82.67, 27.09, -26.07

 

CMYK 35 / 52 / 0 / 3

HEX #A176F8

RGB 161 118 248

HSL 259.85, 0.9%, 0.72%

LAB 59.26, 44.33, -59.36

 

CMYK 37 / 56 / 0 / 10

HEX #9064E5

RGB 144 100 229

HSL 260.47, 0.71%, 0.65%

LAB 52.62, 45.42, -59.51

 

CMYK 40 / 61 / 0 / 18

HEX #7F52D2

RGB 127 82 210

HSL 261.09, 0.59%, 0.57%

LAB 45.91, 46.55, -59.63

 

CMYK 42 / 66 / 0 / 25

HEX #6E40BF

RGB 110 64 191

HSL 261.73, 0.5%, 0.5%

LAB 39.14, 47.66, -59.67

 

CMYK 46 / 73 / 0 / 33

HEX #5D2EAC

RGB 93 46 172

HSL 262.38, 0.58%, 0.43%

LAB 32.39, 48.62, -59.51

 

CMYK 35 / 52 / 0 / 3

HEX #A177F7

RGB 161 119 247

HSL 259.69, 0.89%, 0.72%

LAB 59.42, 43.52, -58.55

 

CMYK 21 / 52 / 0 / 3

HEX #C477F7

RGB 196 119 247

HSL 276.09, 0.89%, 0.72%

LAB 63.05, 52.27, -52.56

 

CMYK 6 / 52 / 0 / 3

HEX #E777F7

RGB 231 119 247

HSL 292.5, 0.89%, 0.72%

LAB 67.2, 61.39, -45.73

 

CMYK 0 / 52 / 7 / 3

HEX #F777E5

RGB 247 119 229

HSL 308.44, 0.89%, 0.72%

LAB 68.48, 62.62, -33.66

 

CMYK 0 / 52 / 21 / 3

HEX #F777C3

RGB 247 119 195

HSL 324.38, 0.89%, 0.72%

LAB 67.21, 57.51, -16.65

 

CMYK 35 / 52 / 0 / 3

HEX #A177F7

RGB 161 119 247

HSL 259.69, 0.89%, 0.72%

LAB 59.42, 43.52, -58.55

 

CMYK 49 / 52 / 0 / 3

HEX #7F77F7

RGB 127 119 247

HSL 243.75, 0.89%, 0.72%

LAB 56.51, 35.8, -63.39

 

CMYK 52 / 52 / 0 / 3

HEX #7777F7

RGB 119 119 247

HSL 240, 0.89%, 0.72%

LAB 55.92, 34.16, -64.37

 

CMYK 35 / 52 / 0 / 3

HEX #A177F7

RGB 161 119 247

HSL 259.69, 0.89%, 0.72%

LAB 59.42, 43.52, -58.55

 

CMYK 35 / 52 / 0 / 3

HEX #A177F7

RGB 161 119 247

HSL 259.69, 0.89%, 0.72%

LAB 59.42, 43.52, -58.55

 

CMYK 30 / 45 / 0 / 7

HEX #A582EC

RGB 165 130 236

HSL 259.81, 0.74%, 0.72%

LAB 61.67, 35.61, -48.87

 

CMYK 25 / 37 / 0 / 12

HEX #A98EE0

RGB 169 142 224

HSL 259.76, 0.57%, 0.72%

LAB 64.29, 27.01, -38.07

 

CMYK 19 / 28 / 0 / 16

HEX #AD99D5

RGB 173 153 213

HSL 260, 0.42%, 0.72%

LAB 66.88, 19.43, -27.93

 

CMYK 12 / 18 / 0 / 21

HEX #B1A5C9

RGB 177 165 201

HSL 260, 0.25%, 0.72%

LAB 69.81, 11.37, -16.8

 

CMYK 52 / 40 / 0 / 3

HEX #7793F7

RGB 119 147 247

HSL 226.88, 0.89%, 0.72%

LAB 62.93, 17.58, -53.15

 

CMYK 49 / 52 / 0 / 3

HEX #7D77F7

RGB 125 119 247

HSL 242.81, 0.89%, 0.72%

LAB 56.36, 35.38, -63.64

 

CMYK 35 / 52 / 0 / 3

HEX #A077F7

RGB 160 119 247

HSL 259.22, 0.89%, 0.72%

LAB 59.33, 43.28, -58.71

 

CMYK 21 / 52 / 0 / 3

HEX #C277F7

RGB 194 119 247

HSL 275.16, 0.89%, 0.72%

LAB 62.83, 51.75, -52.93

 

CMYK 8 / 52 / 0 / 3

HEX #E477F7

RGB 228 119 247

HSL 291.09, 0.89%, 0.72%

LAB 66.83, 60.6, -46.34

 

CMYK 56 / 84 / 0 / 5

HEX #6C28F3

RGB 108 40 243

HSL 260.1, 0.89%, 0.55%

LAB 39.88, 71.27, -88.34

 

CMYK 45 / 67 / 0 / 4

HEX #8650F5

RGB 134 80 245

HSL 259.64, 0.89%, 0.64%

LAB 48.76, 58.18, -74.79

 

CMYK 35 / 52 / 0 / 3

HEX #A177F7

RGB 161 119 247

HSL 259.69, 0.89%, 0.72%

LAB 59.42, 43.52, -58.55

 

CMYK 24 / 37 / 0 / 2

HEX #BC9EF9

RGB 188 158 249

HSL 259.78, 0.88%, 0.8%

LAB 70.86, 29.4, -41.41

 

CMYK 14 / 22 / 0 / 2

HEX #D7C5FB

RGB 215 197 251

HSL 260, 0.87%, 0.88%

LAB 82.56, 16.58, -24.25

 

CMYK 35 / 52 / 0 / 3

HEX #A176F8

RGB 161 118 248

HSL 259.85, 0.9%, 0.72%

LAB 59.26, 44.33, -59.36

 

CMYK 0 / 52 / 27 / 3

HEX #F777B5

RGB 247 119 181

HSL 330.94, 0.89%, 0.72%

LAB 66.75, 55.62, -9.45

 

CMYK 47 / 0 / 52 / 3

HEX #82F777

RGB 130 247 119

HSL 114.84, 0.89%, 0.72%

LAB 88.26, -57.4, 51

 

CMYK 35 / 52 / 0 / 3

HEX #A176F8

RGB 161 118 248

HSL 259.85, 0.9%, 0.72%

LAB 59.26, 44.33, -59.36

 

CMYK 0 / 35 / 52 / 3

HEX #F7A077

RGB 247 160 119

HSL 19.22, 0.89%, 0.72%

LAB 73.71, 28.11, 34.66

 

CMYK 52 / 0 / 35 / 3

HEX #77F7A0

RGB 119 247 160

HSL 139.22, 0.89%, 0.72%

LAB 88.44, -54.18, 31.25

 

CMYK 35 / 52 / 0 / 3

HEX #A176F8

RGB 161 118 248

HSL 259.85, 0.9%, 0.72%

LAB 59.26, 44.33, -59.36

 

CMYK 0 / 52 / 27 / 3

HEX #F777B5

RGB 247 119 181

HSL 330.94, 0.89%, 0.72%

LAB 66.75, 55.62, -9.45

 

CMYK 16 / 0 / 52 / 3

HEX #CFF777

RGB 207 247 119

HSL 78.75, 0.89%, 0.72%

LAB 92.18, -31.93, 56.64

 

CMYK 52 / 0 / 25 / 3

HEX #77F7B9

RGB 119 247 185

HSL 150.94, 0.89%, 0.72%

LAB 88.9, -49.53, 19.15

 

CMYK 35 / 52 / 0 / 3

HEX #A176F8

RGB 161 118 248

HSL 259.85, 0.9%, 0.72%

LAB 59.26, 44.33, -59.36

 

CMYK 0 / 52 / 43 / 3

HEX #F7778E

RGB 247 119 142

HSL 349.22, 0.89%, 0.72%

LAB 65.69, 51.09, 11.13

 

CMYK 16 / 0 / 52 / 3

HEX #CFF777

RGB 207 247 119

HSL 78.75, 0.89%, 0.72%

LAB 92.18, -31.93, 56.64

 

CMYK 52 / 0 / 9 / 3

HEX #77F7E0

RGB 119 247 224

HSL 169.22, 0.89%, 0.72%

LAB 89.78, -41, 0.2

 

Description

Color code: HEX #A176F8 | qconv.com Color code: HEX #A176F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 118 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 118 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 52 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 52% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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