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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A16FDB it is the complementary color #5E9024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A16FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A16FDB shade: #A66FD6, #B781E9, #C893FC, #D9A5FF and #EAB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A16FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A16FDB shade: #A16FDB, #905DC8, #7F4BB5, #6E39A2 and #5D278F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A16FDB shade: #A170DB, #BE70DB, #DB70DB, #DB70BE and #DB70A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A16FDB shade: #A170DB, #8470DB and #7070DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A16FDB shade matches the following richer shades: #A170DB, #A061E9 and #9F53F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A16FDB shade: #A170DB, #A27ECC, #A38DBE, #A49BAF and #A6A9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A16FDB shade: #7079DB, #8370DB, #A070DB, #BC70DB and #D970DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A16FDB shade: #7631C7, #8C4FD3, #A170DB, #B791E3 and #CCB2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A16FDB shade: #A16FDB, #DB7095 and #70DB75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A16FDB shade: #A16FDB, #DBA070 and #70DBA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A16FDB shade: #A16FDB, #DB7095, #ABDB70 and #70DBB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A16FDB shade: #A16FDB, #DB7075, #ABDB70 and #70DBD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 49 / 0 / 14

HEX #A16FDB

RGB 161 111 219

HSL 267.78, 0.6%, 0.65%

LAB 56.15, 41.04, -48.15

 

Complementary color

CMYK 35 / 0 / 75 / 44

HEX #5E9024

RGB 94 144 36

HSL 87.78, 0.6%, 0.35%

LAB 54.5, -34.25, 48.92

 

CMYK 22 / 48 / 0 / 16

HEX #A66FD6

RGB 166 111 214

HSL 272.04, 0.56%, 0.64%

LAB 56.42, 41.21, -44.87

 

CMYK 21 / 45 / 0 / 9

HEX #B781E9

RGB 183 129 233

HSL 271.15, 0.7%, 0.71%

LAB 63.05, 40.35, -44.91

 

CMYK 21 / 42 / 0 / 1

HEX #C893FC

RGB 200 147 252

HSL 270.29, 0.95%, 0.78%

LAB 69.59, 39.54, -44.94

 

CMYK 15 / 35 / 0 / 0

HEX #D9A5FF

RGB 217 165 255

HSL 274.67, 1%, 0.82%

LAB 75.38, 35.33, -37.42

 

CMYK 8 / 28 / 0 / 0

HEX #EAB7FF

RGB 234 183 255

HSL 282.5, 1%, 0.86%

LAB 81.06, 30.83, -28.53

 

CMYK 26 / 49 / 0 / 14

HEX #A16FDB

RGB 161 111 219

HSL 267.78, 0.6%, 0.65%

LAB 56.15, 41.04, -48.15

 

CMYK 28 / 54 / 0 / 22

HEX #905DC8

RGB 144 93 200

HSL 268.6, 0.49%, 0.57%

LAB 49.41, 41.98, -48.17

 

CMYK 30 / 59 / 0 / 29

HEX #7F4BB5

RGB 127 75 181

HSL 269.43, 0.42%, 0.5%

LAB 42.58, 42.93, -48.16

 

CMYK 32 / 65 / 0 / 36

HEX #6E39A2

RGB 110 57 162

HSL 270.29, 0.48%, 0.43%

LAB 35.69, 43.83, -48.05

 

CMYK 35 / 73 / 0 / 44

HEX #5D278F

RGB 93 39 143

HSL 271.15, 0.57%, 0.36%

LAB 28.8, 44.47, -47.72

 

CMYK 26 / 49 / 0 / 14

HEX #A170DB

RGB 161 112 219

HSL 267.48, 0.6%, 0.65%

LAB 56.37, 40.48, -47.8

 

CMYK 13 / 49 / 0 / 14

HEX #BE70DB

RGB 190 112 219

HSL 283.74, 0.6%, 0.65%

LAB 59.57, 48.38, -42.53

 

CMYK 0 / 49 / 0 / 14

HEX #DB70DB

RGB 219 112 219

HSL 300, 0.6%, 0.65%

LAB 63.15, 56.45, -36.67

 

CMYK 0 / 49 / 13 / 14

HEX #DB70BE

RGB 219 112 190

HSL 316.26, 0.6%, 0.65%

LAB 61.97, 51.6, -22.14

 

CMYK 0 / 49 / 26 / 14

HEX #DB70A1

RGB 219 112 161

HSL 332.52, 0.6%, 0.65%

LAB 60.98, 47.34, -7.07

 

CMYK 26 / 49 / 0 / 14

HEX #A170DB

RGB 161 112 219

HSL 267.48, 0.6%, 0.65%

LAB 56.37, 40.48, -47.8

 

CMYK 40 / 49 / 0 / 14

HEX #8470DB

RGB 132 112 219

HSL 251.21, 0.6%, 0.65%

LAB 53.61, 33.03, -52.36

 

CMYK 49 / 49 / 0 / 14

HEX #7070DB

RGB 112 112 219

HSL 240, 0.6%, 0.65%

LAB 52, 28.36, -55.02

 

CMYK 26 / 49 / 0 / 14

HEX #A170DB

RGB 161 112 219

HSL 267.48, 0.6%, 0.65%

LAB 56.37, 40.48, -47.8

 

CMYK 31 / 58 / 0 / 9

HEX #A061E9

RGB 160 97 233

HSL 267.79, 0.76%, 0.65%

LAB 53.93, 51.71, -59.57

 

CMYK 36 / 67 / 0 / 3

HEX #9F53F8

RGB 159 83 248

HSL 267.64, 0.92%, 0.65%

LAB 52.21, 62.07, -70.73

 

CMYK 26 / 49 / 0 / 14

HEX #A170DB

RGB 161 112 219

HSL 267.48, 0.6%, 0.65%

LAB 56.37, 40.48, -47.8

 

CMYK 21 / 38 / 0 / 20

HEX #A27ECC

RGB 162 126 204

HSL 267.69, 0.43%, 0.65%

LAB 58.94, 29.33, -35.29

 

CMYK 14 / 26 / 0 / 25

HEX #A38DBE

RGB 163 141 190

HSL 266.94, 0.27%, 0.65%

LAB 62.13, 17.91, -22.45

 

CMYK 6 / 11 / 0 / 31

HEX #A49BAF

RGB 164 155 175

HSL 267, 0.11%, 0.65%

LAB 65.3, 7.15, -9.21

 

CMYK 2 / 0 / 5 / 34

HEX #A6A9A1

RGB 166 169 161

HSL 82.5, 0.04%, 0.65%

LAB 68.79, -2.56, 3.74

 

CMYK 49 / 45 / 0 / 14

HEX #7079DB

RGB 112 121 219

HSL 234.95, 0.6%, 0.65%

LAB 54.27, 22.94, -51.39

 

CMYK 40 / 49 / 0 / 14

HEX #8370DB

RGB 131 112 219

HSL 250.65, 0.6%, 0.65%

LAB 53.52, 32.79, -52.5

 

CMYK 27 / 49 / 0 / 14

HEX #A070DB

RGB 160 112 219

HSL 266.92, 0.6%, 0.65%

LAB 56.26, 40.21, -47.97

 

CMYK 14 / 49 / 0 / 14

HEX #BC70DB

RGB 188 112 219

HSL 282.62, 0.6%, 0.65%

LAB 59.34, 47.83, -42.91

 

CMYK 1 / 49 / 0 / 14

HEX #D970DB

RGB 217 112 219

HSL 298.88, 0.6%, 0.65%

LAB 62.89, 55.89, -37.09

 

CMYK 41 / 75 / 0 / 22

HEX #7631C7

RGB 118 49 199

HSL 267.6, 0.6%, 0.49%

LAB 38.15, 58.33, -65.92

 

CMYK 34 / 63 / 0 / 17

HEX #8C4FD3

RGB 140 79 211

HSL 267.73, 0.6%, 0.57%

LAB 46.8, 51.22, -58.69

 

CMYK 26 / 49 / 0 / 14

HEX #A170DB

RGB 161 112 219

HSL 267.48, 0.6%, 0.65%

LAB 56.37, 40.48, -47.8

 

CMYK 19 / 36 / 0 / 11

HEX #B791E3

RGB 183 145 227

HSL 267.8, 0.59%, 0.73%

LAB 66.42, 30.13, -36.32

 

CMYK 13 / 24 / 0 / 8

HEX #CCB2EB

RGB 204 178 235

HSL 267.37, 0.59%, 0.81%

LAB 76.48, 20.08, -25.02

 

CMYK 26 / 49 / 0 / 14

HEX #A16FDB

RGB 161 111 219

HSL 267.78, 0.6%, 0.65%

LAB 56.15, 41.04, -48.15

 

CMYK 0 / 49 / 32 / 14

HEX #DB7095

RGB 219 112 149

HSL 339.25, 0.6%, 0.65%

LAB 60.62, 45.78, -0.68

 

CMYK 49 / 0 / 47 / 14

HEX #70DB75

RGB 112 219 117

HSL 122.8, 0.6%, 0.65%

LAB 79.27, -51.49, 40.71

 

CMYK 26 / 49 / 0 / 14

HEX #A16FDB

RGB 161 111 219

HSL 267.78, 0.6%, 0.65%

LAB 56.15, 41.04, -48.15

 

CMYK 0 / 27 / 49 / 14

HEX #DBA070

RGB 219 160 112

HSL 26.92, 0.6%, 0.65%

LAB 70.44, 16.29, 33.55

 

CMYK 49 / 0 / 27 / 14

HEX #70DBA0

RGB 112 219 160

HSL 146.92, 0.6%, 0.65%

LAB 79.98, -44.21, 19.7

 

CMYK 26 / 49 / 0 / 14

HEX #A16FDB

RGB 161 111 219

HSL 267.78, 0.6%, 0.65%

LAB 56.15, 41.04, -48.15

 

CMYK 0 / 49 / 32 / 14

HEX #DB7095

RGB 219 112 149

HSL 339.25, 0.6%, 0.65%

LAB 60.62, 45.78, -0.68

 

CMYK 22 / 0 / 49 / 14

HEX #ABDB70

RGB 171 219 112

HSL 86.92, 0.6%, 0.65%

LAB 82.1, -33.02, 47.28

 

CMYK 49 / 0 / 17 / 14

HEX #70DBB5

RGB 112 219 181

HSL 158.69, 0.6%, 0.65%

LAB 80.43, -39.84, 9.25

 

CMYK 26 / 49 / 0 / 14

HEX #A16FDB

RGB 161 111 219

HSL 267.78, 0.6%, 0.65%

LAB 56.15, 41.04, -48.15

 

CMYK 0 / 49 / 47 / 14

HEX #DB7075

RGB 219 112 117

HSL 357.2, 0.6%, 0.65%

LAB 59.83, 42.2, 16.66

 

CMYK 22 / 0 / 49 / 14

HEX #ABDB70

RGB 171 219 112

HSL 86.92, 0.6%, 0.65%

LAB 82.1, -33.02, 47.28

 

CMYK 49 / 0 / 3 / 14

HEX #70DBD5

RGB 112 219 213

HSL 176.64, 0.6%, 0.65%

LAB 81.24, -32.29, -6.58

 

Description

Color code: HEX #A16FDB | qconv.com Color code: HEX #A16FDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 111 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 111 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 49 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 49% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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