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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A16DE3 it is the complementary color #5E921C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A16DE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A16DE3 shade: #A66DDE, #B77FF1, #C891FF, #D9A3FF and #EAB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A16DE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A16DE3 shade: #A16DE3, #905BD0, #7F49BD, #6E37AA and #5D2597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A16DE3 shade: #A16DE3, #C16DE3, #E06DE3, #E36DC5 and #E36DA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A16DE3 shade: #A16DE3, #816DE3 and #6D6DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A16DE3 shade matches the following richer shades: #A16DE3 and #9F5FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A16DE3 shade: #A16DE3, #A27BD5, #A489C7, #A697B9 and #A7A5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A16DE3 shade: #6D79E3, #806DE3, #A06DE3, #BF6DE3 and #DF6DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A16DE3 shade: #7428D5, #8B4ADC, #A16DE3, #B790E9 and #CDB2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A16DE3 shade: #A16DE3, #E36D98 and #6DE371

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A16DE3 shade: #A16DE3, #E3A06D and #6DE3A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A16DE3 shade: #A16DE3, #E36D98, #B0E36D and #6DE3B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A16DE3 shade: #A16DE3, #E36D75, #B0E36D and #6DE3DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

Complementary color

CMYK 36 / 0 / 81 / 43

HEX #5E921C

RGB 94 146 28

HSL 86.44, 0.68%, 0.34%

LAB 55.09, -35.61, 52.19

 

CMYK 25 / 51 / 0 / 13

HEX #A66DDE

RGB 166 109 222

HSL 270.27, 0.63%, 0.65%

LAB 56.4, 44.16, -49.4

 

CMYK 24 / 47 / 0 / 5

HEX #B77FF1

RGB 183 127 241

HSL 269.47, 0.8%, 0.72%

LAB 63.01, 43.27, -49.4

 

CMYK 22 / 43 / 0 / 0

HEX #C891FF

RGB 200 145 255

HSL 270, 1%, 0.78%

LAB 69.29, 41.29, -47.05

 

CMYK 15 / 36 / 0 / 0

HEX #D9A3FF

RGB 217 163 255

HSL 275.22, 1%, 0.82%

LAB 74.93, 36.41, -38.12

 

CMYK 8 / 29 / 0 / 0

HEX #EAB5FF

RGB 234 181 255

HSL 282.97, 1%, 0.85%

LAB 80.61, 31.89, -29.23

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 31 / 56 / 0 / 18

HEX #905BD0

RGB 144 91 208

HSL 267.18, 0.55%, 0.59%

LAB 49.45, 45.04, -52.69

 

CMYK 33 / 61 / 0 / 26

HEX #7F49BD

RGB 127 73 189

HSL 267.93, 0.47%, 0.51%

LAB 42.69, 46, -52.67

 

CMYK 35 / 68 / 0 / 33

HEX #6E37AA

RGB 110 55 170

HSL 268.7, 0.51%, 0.44%

LAB 35.89, 46.86, -52.53

 

CMYK 38 / 75 / 0 / 41

HEX #5D2597

RGB 93 37 151

HSL 269.47, 0.61%, 0.37%

LAB 29.12, 47.41, -52.13

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 15 / 52 / 0 / 11

HEX #C16DE3

RGB 193 109 227

HSL 282.71, 0.68%, 0.66%

LAB 59.73, 52.38, -46.74

 

CMYK 1 / 52 / 0 / 11

HEX #E06DE3

RGB 224 109 227

HSL 298.47, 0.68%, 0.66%

LAB 63.62, 60.66, -40.36

 

CMYK 0 / 52 / 13 / 11

HEX #E36DC5

RGB 227 109 197

HSL 315.25, 0.68%, 0.66%

LAB 62.76, 56.54, -24.81

 

CMYK 0 / 52 / 27 / 11

HEX #E36DA6

RGB 227 109 166

HSL 331.02, 0.68%, 0.66%

LAB 61.67, 52.08, -8.78

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 43 / 52 / 0 / 11

HEX #816DE3

RGB 129 109 227

HSL 250.17, 0.68%, 0.66%

LAB 53.11, 36.31, -57.67

 

CMYK 52 / 52 / 0 / 11

HEX #6D6DE3

RGB 109 109 227

HSL 240, 0.68%, 0.66%

LAB 51.54, 31.97, -60.29

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 34 / 61 / 0 / 5

HEX #9F5FF1

RGB 159 95 241

HSL 266.3, 0.84%, 0.66%

LAB 53.93, 54.45, -64.05

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 24 / 42 / 0 / 16

HEX #A27BD5

RGB 162 123 213

HSL 266, 0.52%, 0.66%

LAB 58.65, 33.15, -40.81

 

CMYK 18 / 31 / 0 / 22

HEX #A489C7

RGB 164 137 199

HSL 266.13, 0.36%, 0.66%

LAB 61.57, 22.52, -28.36

 

CMYK 10 / 18 / 0 / 27

HEX #A697B9

RGB 166 151 185

HSL 266.47, 0.2%, 0.66%

LAB 64.76, 12.15, -15.61

 

CMYK 2 / 4 / 0 / 33

HEX #A7A5AB

RGB 167 165 171

HSL 260, 0.03%, 0.66%

LAB 68.07, 1.87, -2.85

 

CMYK 52 / 47 / 0 / 11

HEX #6D79E3

RGB 109 121 227

HSL 233.9, 0.68%, 0.66%

LAB 54.52, 24.74, -55.5

 

CMYK 44 / 52 / 0 / 11

HEX #806DE3

RGB 128 109 227

HSL 249.66, 0.68%, 0.66%

LAB 53.03, 36.09, -57.81

 

CMYK 30 / 52 / 0 / 11

HEX #A06DE3

RGB 160 109 227

HSL 265.93, 0.68%, 0.66%

LAB 56.04, 43.81, -52.82

 

CMYK 16 / 52 / 0 / 11

HEX #BF6DE3

RGB 191 109 227

HSL 281.69, 0.68%, 0.66%

LAB 59.49, 51.85, -47.13

 

CMYK 2 / 52 / 0 / 11

HEX #DF6DE3

RGB 223 109 227

HSL 297.97, 0.68%, 0.66%

LAB 63.48, 60.39, -40.57

 

CMYK 46 / 81 / 0 / 16

HEX #7428D5

RGB 116 40 213

HSL 266.36, 0.68%, 0.5%

LAB 37.9, 64.91, -74.45

 

CMYK 37 / 66 / 0 / 14

HEX #8B4ADC

RGB 139 74 220

HSL 266.71, 0.68%, 0.58%

LAB 46.38, 55.74, -64.51

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 21 / 38 / 0 / 9

HEX #B790E9

RGB 183 144 233

HSL 266.29, 0.67%, 0.74%

LAB 66.44, 32.05, -39.59

 

CMYK 15 / 26 / 0 / 6

HEX #CDB2F0

RGB 205 178 240

HSL 266.13, 0.67%, 0.82%

LAB 76.75, 21.45, -27.31

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 0 / 52 / 33 / 11

HEX #E36D98

RGB 227 109 152

HSL 338.14, 0.68%, 0.66%

LAB 61.25, 50.31, -1.35

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 0 / 30 / 52 / 11

HEX #E3A06D

RGB 227 160 109

HSL 25.93, 0.68%, 0.66%

LAB 71.27, 19.27, 36.38

 

CMYK 52 / 0 / 30 / 11

HEX #6DE3A0

RGB 109 227 160

HSL 145.93, 0.68%, 0.66%

LAB 82.23, -48.34, 22.78

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 0 / 52 / 33 / 11

HEX #E36D98

RGB 227 109 152

HSL 338.14, 0.68%, 0.66%

LAB 61.25, 50.31, -1.35

 

CMYK 22 / 0 / 52 / 11

HEX #B0E36D

RGB 176 227 109

HSL 85.93, 0.68%, 0.66%

LAB 84.62, -35.18, 51.79

 

CMYK 52 / 0 / 19 / 11

HEX #6DE3B8

RGB 109 227 184

HSL 158.14, 0.68%, 0.66%

LAB 82.73, -43.42, 10.93

 

CMYK 29 / 52 / 0 / 11

HEX #A16DE3

RGB 161 109 227

HSL 266.44, 0.68%, 0.66%

LAB 56.15, 44.06, -52.65

 

CMYK 0 / 52 / 48 / 11

HEX #E36D75

RGB 227 109 117

HSL 355.93, 0.68%, 0.66%

LAB 60.38, 46.56, 17.6

 

CMYK 22 / 0 / 52 / 11

HEX #B0E36D

RGB 176 227 109

HSL 85.93, 0.68%, 0.66%

LAB 84.62, -35.18, 51.79

 

CMYK 52 / 0 / 4 / 11

HEX #6DE3DB

RGB 109 227 219

HSL 175.93, 0.68%, 0.66%

LAB 83.6, -35.16, -6.29

 

Description

Color code: HEX #A16DE3 | qconv.com Color code: HEX #A16DE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 109 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 109 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 52 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 52% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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