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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1604A it is the complementary color #5E9FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1604A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1604A shade: #A66045, #B77258, #C8846B, #D9967E and #EAA891

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1604A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1604A shade: #A1604A, #904E37, #7F3C24, #6E2A11 and #5D1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1604A shade: #A05F49 and #A04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1604A shade: #A05F49, #A07749, #A08E49, #9BA049 and #83A049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1604A shade matches the following richer shades: #A05F49, #B35636, #C64D23 and #D94310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1604A shade: #A05F49, #8D695C, #7A726F, #677B82 and #548595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1604A shade: #A04962, #A0494B, #A05F49, #A07649 and #A08D49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1604A shade: #683E2F, #844E3C, #A05F49, #B5745E and #C28C7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1604A shade: #A1604A, #79A049 and #4956A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1604A shade: #A1604A, #49A05F and #5F49A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1604A shade: #A1604A, #79A049, #498BA0 and #7049A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1604A shade: #A1604A, #5FA049, #498BA0 and #8B49A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 54 / 37

HEX #A1604A

RGB 161 96 74

HSL 15.17, 0.37%, 0.46%

LAB 47.54, 24.08, 23.78

 

Complementary color

CMYK 48 / 12 / 0 / 29

HEX #5E9FB5

RGB 94 159 181

HSL 195.17, 0.37%, 0.54%

LAB 62.09, -14.74, -17.85

 

CMYK 0 / 42 / 58 / 35

HEX #A66045

RGB 166 96 69

HSL 16.7, 0.41%, 0.46%

LAB 48.14, 25.74, 27.56

 

CMYK 0 / 38 / 52 / 28

HEX #B77258

RGB 183 114 88

HSL 16.42, 0.4%, 0.53%

LAB 54.87, 24.44, 25.79

 

CMYK 0 / 34 / 47 / 22

HEX #C8846B

RGB 200 132 107

HSL 16.13, 0.46%, 0.6%

LAB 61.52, 23.31, 24.21

 

CMYK 0 / 31 / 42 / 15

HEX #D9967E

RGB 217 150 126

HSL 15.82, 0.54%, 0.67%

LAB 68.07, 22.31, 22.8

 

CMYK 0 / 28 / 38 / 8

HEX #EAA891

RGB 234 168 145

HSL 15.51, 0.68%, 0.74%

LAB 74.54, 21.42, 21.52

 

CMYK 0 / 40 / 54 / 37

HEX #A1604A

RGB 161 96 74

HSL 15.17, 0.37%, 0.46%

LAB 47.54, 24.08, 23.78

 

CMYK 0 / 46 / 62 / 44

HEX #904E37

RGB 144 78 55

HSL 15.51, 0.45%, 0.39%

LAB 40.66, 25.47, 25.7

 

CMYK 0 / 53 / 72 / 50

HEX #7F3C24

RGB 127 60 36

HSL 15.82, 0.56%, 0.32%

LAB 33.71, 27.05, 27.93

 

CMYK 0 / 62 / 85 / 57

HEX #6E2A11

RGB 110 42 17

HSL 16.13, 0.73%, 0.25%

LAB 26.77, 28.77, 30.37

 

CMYK 0 / 74 / 100 / 64

HEX #5D1800

RGB 93 24 0

HSL 15.48, 1%, 0.18%

LAB 19.97, 30.31, 29.84

 

CMYK 0 / 41 / 54 / 37

HEX #A05F49

RGB 160 95 73

HSL 15.17, 0.37%, 0.46%

LAB 47.16, 24.13, 23.83

 

CMYK 0 / 54 / 54 / 37

HEX #A04949

RGB 160 73 73

HSL 0, 0.37%, 0.46%

LAB 42.34, 36.11, 17.5

 

CMYK 0 / 41 / 54 / 37

HEX #A05F49

RGB 160 95 73

HSL 15.17, 0.37%, 0.46%

LAB 47.16, 24.13, 23.83

 

CMYK 0 / 26 / 54 / 37

HEX #A07749

RGB 160 119 73

HSL 31.72, 0.37%, 0.46%

LAB 53.11, 10.47, 31.36

 

CMYK 0 / 11 / 54 / 37

HEX #A08E49

RGB 160 142 73

HSL 47.59, 0.37%, 0.46%

LAB 59.25, -2.42, 38.81

 

CMYK 3 / 0 / 54 / 37

HEX #9BA049

RGB 155 160 73

HSL 63.45, 0.37%, 0.46%

LAB 63.83, -14.23, 44.05

 

CMYK 18 / 0 / 54 / 37

HEX #83A049

RGB 131 160 73

HSL 80, 0.37%, 0.46%

LAB 62.04, -24.19, 41.51

 

CMYK 0 / 41 / 54 / 37

HEX #A05F49

RGB 160 95 73

HSL 15.17, 0.37%, 0.46%

LAB 47.16, 24.13, 23.83

 

CMYK 0 / 52 / 70 / 30

HEX #B35636

RGB 179 86 54

HSL 15.36, 0.54%, 0.46%

LAB 47.63, 35.42, 35.84

 

CMYK 0 / 61 / 82 / 22

HEX #C64D23

RGB 198 77 35

HSL 15.46, 0.7%, 0.46%

LAB 48.8, 46.27, 47.7

 

CMYK 0 / 69 / 93 / 15

HEX #D94310

RGB 217 67 16

HSL 15.22, 0.86%, 0.46%

LAB 50.46, 56.67, 57.73

 

CMYK 0 / 41 / 54 / 37

HEX #A05F49

RGB 160 95 73

HSL 15.17, 0.37%, 0.46%

LAB 47.16, 24.13, 23.83

 

CMYK 0 / 26 / 35 / 45

HEX #8D695C

RGB 141 105 92

HSL 15.92, 0.21%, 0.46%

LAB 47.67, 12.51, 12.92

 

CMYK 0 / 7 / 9 / 52

HEX #7A726F

RGB 122 114 111

HSL 16.36, 0.05%, 0.46%

LAB 48.66, 2.52, 2.76

 

CMYK 21 / 5 / 0 / 49

HEX #677B82

RGB 103 123 130

HSL 195.56, 0.12%, 0.46%

LAB 50.29, -5.65, -6.25

 

CMYK 44 / 11 / 0 / 42

HEX #548595

RGB 84 133 149

HSL 194.77, 0.28%, 0.46%

LAB 52.76, -12.11, -13.77

 

CMYK 0 / 54 / 39 / 37

HEX #A04962

RGB 160 73 98

HSL 342.76, 0.37%, 0.46%

LAB 42.94, 38.72, 2.94

 

CMYK 0 / 54 / 53 / 37

HEX #A0494B

RGB 160 73 75

HSL 358.62, 0.37%, 0.46%

LAB 42.38, 36.29, 16.33

 

CMYK 0 / 41 / 54 / 37

HEX #A05F49

RGB 160 95 73

HSL 15.17, 0.37%, 0.46%

LAB 47.16, 24.13, 23.83

 

CMYK 0 / 26 / 54 / 37

HEX #A07649

RGB 160 118 73

HSL 31.03, 0.37%, 0.46%

LAB 52.85, 11.04, 31.04

 

CMYK 0 / 12 / 54 / 37

HEX #A08D49

RGB 160 141 73

HSL 46.9, 0.37%, 0.46%

LAB 58.98, -1.87, 38.48

 

CMYK 0 / 40 / 55 / 59

HEX #683E2F

RGB 104 62 47

HSL 15.79, 0.38%, 0.3%

LAB 30.86, 16.62, 16.95

 

CMYK 0 / 41 / 55 / 48

HEX #844E3C

RGB 132 78 60

HSL 15, 0.38%, 0.38%

LAB 39.04, 20.75, 20.3

 

CMYK 0 / 41 / 54 / 37

HEX #A05F49

RGB 160 95 73

HSL 15.17, 0.37%, 0.46%

LAB 47.16, 24.13, 23.83

 

CMYK 0 / 36 / 48 / 29

HEX #B5745E

RGB 181 116 94

HSL 15.17, 0.37%, 0.54%

LAB 55.2, 23.09, 22.75

 

CMYK 0 / 28 / 37 / 24

HEX #C28C7A

RGB 194 140 122

HSL 15, 0.37%, 0.62%

LAB 63.04, 18.18, 17.74

 

CMYK 0 / 40 / 54 / 37

HEX #A1604A

RGB 161 96 74

HSL 15.17, 0.37%, 0.46%

LAB 47.54, 24.08, 23.78

 

CMYK 24 / 0 / 54 / 37

HEX #79A049

RGB 121 160 73

HSL 86.9, 0.37%, 0.46%

LAB 61.38, -28.15, 40.58

 

CMYK 54 / 46 / 0 / 37

HEX #4956A0

RGB 73 86 160

HSL 231.03, 0.37%, 0.46%

LAB 38.92, 17.02, -41.86

 

CMYK 0 / 40 / 54 / 37

HEX #A1604A

RGB 161 96 74

HSL 15.17, 0.37%, 0.46%

LAB 47.54, 24.08, 23.78

 

CMYK 54 / 0 / 41 / 37

HEX #49A05F

RGB 73 160 95

HSL 135.17, 0.37%, 0.46%

LAB 59.33, -40.87, 26.14

 

CMYK 41 / 54 / 0 / 37

HEX #5F49A0

RGB 95 73 160

HSL 255.17, 0.37%, 0.46%

LAB 37.36, 30.52, -44.25

 

CMYK 0 / 40 / 54 / 37

HEX #A1604A

RGB 161 96 74

HSL 15.17, 0.37%, 0.46%

LAB 47.54, 24.08, 23.78

 

CMYK 24 / 0 / 54 / 37

HEX #79A049

RGB 121 160 73

HSL 86.9, 0.37%, 0.46%

LAB 61.38, -28.15, 40.58

 

CMYK 54 / 13 / 0 / 37

HEX #498BA0

RGB 73 139 160

HSL 194.48, 0.37%, 0.46%

LAB 54.47, -14.9, -17.59

 

CMYK 30 / 54 / 0 / 37

HEX #7049A0

RGB 112 73 160

HSL 266.9, 0.37%, 0.46%

LAB 39.15, 34.91, -41.28

 

CMYK 0 / 40 / 54 / 37

HEX #A1604A

RGB 161 96 74

HSL 15.17, 0.37%, 0.46%

LAB 47.54, 24.08, 23.78

 

CMYK 41 / 0 / 54 / 37

HEX #5FA049

RGB 95 160 73

HSL 104.83, 0.37%, 0.46%

LAB 59.94, -37.59, 38.51

 

CMYK 54 / 13 / 0 / 37

HEX #498BA0

RGB 73 139 160

HSL 194.48, 0.37%, 0.46%

LAB 54.47, -14.9, -17.59

 

CMYK 13 / 54 / 0 / 37

HEX #8B49A0

RGB 139 73 160

HSL 285.52, 0.37%, 0.46%

LAB 42.45, 42.33, -35.85

 

Description

Color code: HEX #A1604A | qconv.com Color code: HEX #A1604A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 96 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 96 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 54 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 54% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Cablemax - Imagen Si...
Link: http://cablemax.com.do

28% - Be-musica
Link: http://be-musica.com

21% - Zetaplay
Link: http://zetaplay.blogspot.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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