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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A141AC it is the complementary color #5EBE53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A141AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A141AC shade: #A641A7, #B753BA, #C865CD, #D977E0 and #EA89F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A141AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A141AC shade: #A141AC, #902F99, #7F1D86, #6E0B73 and #5D0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A141AC shade: #9F40AA, #AA4098, #AA407C, #AA405F and #AA4043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A141AC shade: #9F40AA, #8240AA, #6640AA, #4940AA and #4040AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A141AC shade matches the following richer shades: #9F40AA, #AE2DBD, #BD1AD0 and #CC07E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A141AC shade: #9F40AA, #905397, #816684, #727971 and #628C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A141AC shade: #6540AA, #8140AA, #9D40AA, #AA409A and #AA407E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A141AC shade: #67296E, #83358C, #9F40AA, #B355BE and #C173C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A141AC shade: #A141AC, #AA4940 and #40AA73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A141AC shade: #A141AC, #AA9D40 and #40AA9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A141AC shade: #A141AC, #AA4940, #4CAA40 and #40A1AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A141AC shade: #A141AC, #AA6840, #4CAA40 and #4081AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 62 / 0 / 33

HEX #A141AC

RGB 161 65 172

HSL 293.83, 0.45%, 0.46%

LAB 44.71, 54.49, -39.2

 

Complementary color

CMYK 51 / 0 / 56 / 25

HEX #5EBE53

RGB 94 190 83

HSL 113.83, 0.45%, 0.54%

LAB 69.35, -49.28, 44.84

 

CMYK 1 / 61 / 0 / 35

HEX #A641A7

RGB 166 65 167

HSL 299.41, 0.44%, 0.45%

LAB 45.19, 54.86, -35.43

 

CMYK 2 / 55 / 0 / 27

HEX #B753BA

RGB 183 83 186

HSL 298.25, 0.43%, 0.53%

LAB 51.61, 54.54, -36.3

 

CMYK 2 / 51 / 0 / 20

HEX #C865CD

RGB 200 101 205

HSL 297.12, 0.51%, 0.6%

LAB 58.03, 54, -36.96

 

CMYK 3 / 47 / 0 / 12

HEX #D977E0

RGB 217 119 224

HSL 296, 0.63%, 0.67%

LAB 64.42, 53.35, -37.48

 

CMYK 4 / 44 / 0 / 5

HEX #EA89F3

RGB 234 137 243

HSL 294.91, 0.82%, 0.75%

LAB 70.77, 52.64, -37.93

 

CMYK 6 / 62 / 0 / 33

HEX #A141AC

RGB 161 65 172

HSL 293.83, 0.45%, 0.46%

LAB 44.71, 54.49, -39.2

 

CMYK 6 / 69 / 0 / 40

HEX #902F99

RGB 144 47 153

HSL 294.91, 0.53%, 0.39%

LAB 38.31, 54.46, -38.15

 

CMYK 5 / 78 / 0 / 47

HEX #7F1D86

RGB 127 29 134

HSL 296, 0.64%, 0.32%

LAB 32.06, 53.69, -36.62

 

CMYK 4 / 90 / 0 / 55

HEX #6E0B73

RGB 110 11 115

HSL 297.12, 0.83%, 0.25%

LAB 26.13, 51.6, -34.28

 

CMYK 3 / 100 / 0 / 62

HEX #5D0060

RGB 93 0 96

HSL 298.13, 1%, 0.19%

LAB 20.72, 47.51, -30.76

 

CMYK 6 / 62 / 0 / 33

HEX #9F40AA

RGB 159 64 170

HSL 293.77, 0.45%, 0.46%

LAB 44.15, 54.06, -38.92

 

CMYK 0 / 62 / 11 / 33

HEX #AA4098

RGB 170 64 152

HSL 310.19, 0.45%, 0.46%

LAB 44.91, 53.82, -26.88

 

CMYK 0 / 62 / 27 / 33

HEX #AA407C

RGB 170 64 124

HSL 326.04, 0.45%, 0.46%

LAB 43.75, 49.67, -11.69

 

CMYK 0 / 62 / 44 / 33

HEX #AA405F

RGB 170 64 95

HSL 342.45, 0.45%, 0.46%

LAB 42.82, 46.2, 4.83

 

CMYK 0 / 62 / 61 / 33

HEX #AA4043

RGB 170 64 67

HSL 358.3, 0.45%, 0.46%

LAB 42.18, 43.73, 21.27

 

CMYK 6 / 62 / 0 / 33

HEX #9F40AA

RGB 159 64 170

HSL 293.77, 0.45%, 0.46%

LAB 44.15, 54.06, -38.92

 

CMYK 24 / 62 / 0 / 33

HEX #8240AA

RGB 130 64 170

HSL 277.36, 0.45%, 0.46%

LAB 40.11, 46.86, -45.6

 

CMYK 40 / 62 / 0 / 33

HEX #6640AA

RGB 102 64 170

HSL 261.51, 0.45%, 0.46%

LAB 36.73, 40.29, -51.21

 

CMYK 57 / 62 / 0 / 33

HEX #4940AA

RGB 73 64 170

HSL 245.09, 0.45%, 0.46%

LAB 33.95, 34.38, -55.85

 

CMYK 62 / 62 / 0 / 33

HEX #4040AA

RGB 64 64 170

HSL 240, 0.45%, 0.46%

LAB 33.26, 32.82, -57

 

CMYK 6 / 62 / 0 / 33

HEX #9F40AA

RGB 159 64 170

HSL 293.77, 0.45%, 0.46%

LAB 44.15, 54.06, -38.92

 

CMYK 8 / 76 / 0 / 26

HEX #AE2DBD

RGB 174 45 189

HSL 293.75, 0.62%, 0.46%

LAB 45.01, 68.04, -48.59

 

CMYK 9 / 88 / 0 / 18

HEX #BD1AD0

RGB 189 26 208

HSL 293.74, 0.78%, 0.46%

LAB 47.12, 78.43, -56.1

 

CMYK 10 / 97 / 0 / 11

HEX #CC07E3

RGB 204 7 227

HSL 293.73, 0.94%, 0.46%

LAB 50.14, 85.96, -61.97

 

CMYK 6 / 62 / 0 / 33

HEX #9F40AA

RGB 159 64 170

HSL 293.77, 0.45%, 0.46%

LAB 44.15, 54.06, -38.92

 

CMYK 5 / 45 / 0 / 41

HEX #905397

RGB 144 83 151

HSL 293.82, 0.29%, 0.46%

LAB 44.73, 36.52, -26.84

 

CMYK 2 / 23 / 0 / 48

HEX #816684

RGB 129 102 132

HSL 294, 0.13%, 0.46%

LAB 46.76, 16.46, -12.51

 

CMYK 6 / 0 / 7 / 53

HEX #727971

RGB 114 121 113

HSL 112.5, 0.03%, 0.46%

LAB 50.03, -4.25, 3.47

 

CMYK 30 / 0 / 33 / 45

HEX #628C5E

RGB 98 140 94

HSL 114.78, 0.2%, 0.46%

LAB 54.2, -24.02, 20.08

 

CMYK 41 / 62 / 0 / 33

HEX #6540AA

RGB 101 64 170

HSL 260.94, 0.45%, 0.46%

LAB 36.62, 40.07, -51.39

 

CMYK 24 / 62 / 0 / 33

HEX #8140AA

RGB 129 64 170

HSL 276.79, 0.45%, 0.46%

LAB 39.98, 46.61, -45.82

 

CMYK 8 / 62 / 0 / 33

HEX #9D40AA

RGB 157 64 170

HSL 292.64, 0.45%, 0.46%

LAB 43.85, 53.56, -39.41

 

CMYK 0 / 62 / 9 / 33

HEX #AA409A

RGB 170 64 154

HSL 309.06, 0.45%, 0.46%

LAB 45.01, 54.14, -27.93

 

CMYK 0 / 62 / 26 / 33

HEX #AA407E

RGB 170 64 126

HSL 324.91, 0.45%, 0.46%

LAB 43.83, 49.94, -12.8

 

CMYK 6 / 63 / 0 / 57

HEX #67296E

RGB 103 41 110

HSL 293.91, 0.46%, 0.3%

LAB 28.37, 38.34, -27.59

 

CMYK 6 / 62 / 0 / 45

HEX #83358C

RGB 131 53 140

HSL 293.79, 0.45%, 0.38%

LAB 36.49, 46.14, -33.24

 

CMYK 6 / 62 / 0 / 33

HEX #9F40AA

RGB 159 64 170

HSL 293.77, 0.45%, 0.46%

LAB 44.15, 54.06, -38.92

 

CMYK 6 / 55 / 0 / 25

HEX #B355BE

RGB 179 85 190

HSL 293.71, 0.45%, 0.54%

LAB 51.61, 53.25, -38.65

 

CMYK 4 / 43 / 0 / 21

HEX #C173C9

RGB 193 115 201

HSL 294.42, 0.44%, 0.62%

LAB 59.72, 44.09, -32.12

 

CMYK 6 / 62 / 0 / 33

HEX #A141AC

RGB 161 65 172

HSL 293.83, 0.45%, 0.46%

LAB 44.71, 54.49, -39.2

 

CMYK 0 / 57 / 62 / 33

HEX #AA4940

RGB 170 73 64

HSL 5.09, 0.45%, 0.46%

LAB 43.77, 39.19, 25.12

 

CMYK 62 / 0 / 32 / 33

HEX #40AA73

RGB 64 170 115

HSL 148.87, 0.45%, 0.46%

LAB 62.57, -43.36, 19.58

 

CMYK 6 / 62 / 0 / 33

HEX #A141AC

RGB 161 65 172

HSL 293.83, 0.45%, 0.46%

LAB 44.71, 54.49, -39.2

 

CMYK 0 / 8 / 62 / 33

HEX #AA9D40

RGB 170 157 64

HSL 52.64, 0.45%, 0.46%

LAB 64.19, -6.87, 49.03

 

CMYK 62 / 0 / 8 / 33

HEX #40AA9D

RGB 64 170 157

HSL 172.64, 0.45%, 0.46%

LAB 63.57, -33.32, -2.3

 

CMYK 6 / 62 / 0 / 33

HEX #A141AC

RGB 161 65 172

HSL 293.83, 0.45%, 0.46%

LAB 44.71, 54.49, -39.2

 

CMYK 0 / 57 / 62 / 33

HEX #AA4940

RGB 170 73 64

HSL 5.09, 0.45%, 0.46%

LAB 43.77, 39.19, 25.12

 

CMYK 55 / 0 / 62 / 33

HEX #4CAA40

RGB 76 170 64

HSL 113.21, 0.45%, 0.46%

LAB 62.22, -48.52, 45.21

 

CMYK 62 / 5 / 0 / 33

HEX #40A1AA

RGB 64 161 170

HSL 185.09, 0.45%, 0.46%

LAB 61.2, -25.25, -13.12

 

CMYK 6 / 62 / 0 / 33

HEX #A141AC

RGB 161 65 172

HSL 293.83, 0.45%, 0.46%

LAB 44.71, 54.49, -39.2

 

CMYK 0 / 39 / 62 / 33

HEX #AA6840

RGB 170 104 64

HSL 22.64, 0.45%, 0.46%

LAB 50.47, 22.57, 33.36

 

CMYK 55 / 0 / 62 / 33

HEX #4CAA40

RGB 76 170 64

HSL 113.21, 0.45%, 0.46%

LAB 62.22, -48.52, 45.21

 

CMYK 62 / 24 / 0 / 33

HEX #4081AA

RGB 64 129 170

HSL 203.21, 0.45%, 0.46%

LAB 51.49, -7.97, -27.98

 

Description

Color code: HEX #A141AC | qconv.com Color code: HEX #A141AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 65 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 65 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 62 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 62% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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