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Color name
HEX #A11053

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A11053 it is the complementary color #5EEFAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A11053. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A11053 shade: #A6104E, #B72261, #C83474, #D94687 and #EA589A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A11053. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A11053 shade: #A11053, #900040, #7F002D, #6E001A and #5D0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A11053 shade: #A21053, #A2102C and #A21010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A11053 shade: #A21053, #A2107B, #A210A2, #7A10A2 and #5310A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A11053 shade matches the following richer shades: #A21053 and #B00152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A11053 shade: #A21053, #931E54, #852C55, #773B56 and #684958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A11053 shade: #A210A2, #A2107B, #A21054, #A2102D and #A21910

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A11053 shade: #57082D, #7C0C40, #A21053, #C71367 and #E81C7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A11053 shade: #A11053, #A27B10 and #108EA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A11053 shade: #A11053, #54A210 and #1054A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A11053 shade: #A11053, #A27B10, #10A25E and #1037A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A11053 shade: #A11053, #9DA210, #10A25E and #1410A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 48 / 37

HEX #A11053

RGB 161 16 83

HSL 332.28, 0.82%, 0.35%

LAB 35.15, 58.15, 1.16

 

Complementary color

CMYK 61 / 0 / 28 / 6

HEX #5EEFAC

RGB 94 239 172

HSL 152.28, 0.82%, 0.65%

LAB 85.55, -54.09, 21.08

 

CMYK 0 / 90 / 53 / 35

HEX #A6104E

RGB 166 16 78

HSL 335.2, 0.82%, 0.36%

LAB 36.04, 58.99, 5.82

 

CMYK 0 / 81 / 47 / 28

HEX #B72261

RGB 183 34 97

HSL 334.63, 0.69%, 0.43%

LAB 41.33, 61.06, 1.74

 

CMYK 0 / 74 / 42 / 22

HEX #C83474

RGB 200 52 116

HSL 334.05, 0.59%, 0.49%

LAB 46.97, 62.06, -1.45

 

CMYK 0 / 68 / 38 / 15

HEX #D94687

RGB 217 70 135

HSL 333.47, 0.66%, 0.56%

LAB 52.82, 62.36, -3.97

 

CMYK 0 / 62 / 34 / 8

HEX #EA589A

RGB 234 88 154

HSL 332.88, 0.78%, 0.63%

LAB 58.79, 62.21, -6.02

 

CMYK 0 / 90 / 48 / 37

HEX #A11053

RGB 161 16 83

HSL 332.28, 0.82%, 0.35%

LAB 35.15, 58.15, 1.16

 

CMYK 0 / 100 / 56 / 44

HEX #900040

RGB 144 0 64

HSL 333.33, 1%, 0.28%

LAB 30.16, 54.83, 6.05

 

CMYK 0 / 100 / 65 / 50

HEX #7F002D

RGB 127 0 45

HSL 338.74, 1%, 0.25%

LAB 25.87, 49.33, 12.43

 

CMYK 0 / 100 / 76 / 57

HEX #6E001A

RGB 110 0 26

HSL 345.82, 1%, 0.22%

LAB 21.54, 43.87, 19.22

 

CMYK 0 / 100 / 92 / 64

HEX #5D0007

RGB 93 0 7

HSL 355.48, 1%, 0.18%

LAB 17.19, 38.52, 23.73

 

CMYK 0 / 90 / 49 / 36

HEX #A21053

RGB 162 16 83

HSL 332.47, 0.82%, 0.35%

LAB 35.35, 58.4, 1.48

 

CMYK 0 / 90 / 73 / 36

HEX #A2102C

RGB 162 16 44

HSL 348.49, 0.82%, 0.35%

LAB 34.47, 55.88, 25.59

 

CMYK 0 / 90 / 90 / 36

HEX #A21010

RGB 162 16 16

HSL 0, 0.82%, 0.35%

LAB 34.17, 55.03, 41.36

 

CMYK 0 / 90 / 49 / 36

HEX #A21053

RGB 162 16 83

HSL 332.47, 0.82%, 0.35%

LAB 35.35, 58.4, 1.48

 

CMYK 0 / 90 / 24 / 36

HEX #A2107B

RGB 162 16 123

HSL 316.03, 0.82%, 0.35%

LAB 36.9, 62.6, -21.7

 

CMYK 0 / 90 / 0 / 36

HEX #A210A2

RGB 162 16 162

HSL 300, 0.82%, 0.35%

LAB 39, 68.08, -42.3

 

CMYK 25 / 90 / 0 / 36

HEX #7A10A2

RGB 122 16 162

HSL 283.56, 0.82%, 0.35%

LAB 32.07, 61.38, -53.83

 

CMYK 49 / 90 / 0 / 36

HEX #5310A2

RGB 83 16 162

HSL 267.53, 0.82%, 0.35%

LAB 26.21, 56.24, -63.66

 

CMYK 0 / 90 / 49 / 36

HEX #A21053

RGB 162 16 83

HSL 332.47, 0.82%, 0.35%

LAB 35.35, 58.4, 1.48

 

CMYK 0 / 99 / 53 / 31

HEX #B00152

RGB 176 1 82

HSL 332.23, 0.99%, 0.35%

LAB 37.59, 63.59, 5.73

 

CMYK 0 / 90 / 49 / 36

HEX #A21053

RGB 162 16 83

HSL 332.47, 0.82%, 0.35%

LAB 35.35, 58.4, 1.48

 

CMYK 0 / 80 / 43 / 42

HEX #931E54

RGB 147 30 84

HSL 332.31, 0.66%, 0.35%

LAB 33.5, 51.29, -2.24

 

CMYK 0 / 67 / 36 / 48

HEX #852C55

RGB 133 44 85

HSL 332.36, 0.5%, 0.35%

LAB 32.8, 41.98, -4.22

 

CMYK 0 / 50 / 28 / 53

HEX #773B56

RGB 119 59 86

HSL 333, 0.34%, 0.35%

LAB 33.4, 29.64, -4.23

 

CMYK 0 / 30 / 15 / 59

HEX #684958

RGB 104 73 88

HSL 330.97, 0.18%, 0.35%

LAB 34.83, 15.79, -3.6

 

CMYK 0 / 90 / 0 / 36

HEX #A210A2

RGB 162 16 162

HSL 300, 0.82%, 0.35%

LAB 39, 68.08, -42.3

 

CMYK 0 / 90 / 24 / 36

HEX #A2107B

RGB 162 16 123

HSL 316.03, 0.82%, 0.35%

LAB 36.9, 62.6, -21.7

 

CMYK 0 / 90 / 48 / 36

HEX #A21054

RGB 162 16 84

HSL 332.05, 0.82%, 0.35%

LAB 35.38, 58.48, 0.88

 

CMYK 0 / 90 / 72 / 36

HEX #A2102D

RGB 162 16 45

HSL 348.08, 0.82%, 0.35%

LAB 34.48, 55.93, 24.97

 

CMYK 0 / 85 / 90 / 36

HEX #A21910

RGB 162 25 16

HSL 3.7, 0.82%, 0.35%

LAB 34.83, 53.14, 41.86

 

CMYK 0 / 91 / 48 / 66

HEX #57082D

RGB 87 8 45

HSL 331.9, 0.83%, 0.19%

LAB 17.41, 36.75, -0.77

 

CMYK 0 / 90 / 48 / 51

HEX #7C0C40

RGB 124 12 64

HSL 332.14, 0.82%, 0.27%

LAB 26.5, 47.78, 0.22

 

CMYK 0 / 90 / 49 / 36

HEX #A21053

RGB 162 16 83

HSL 332.47, 0.82%, 0.35%

LAB 35.35, 58.4, 1.48

 

CMYK 0 / 90 / 48 / 22

HEX #C71367

RGB 199 19 103

HSL 332, 0.83%, 0.43%

LAB 43.63, 68.5, 1.7

 

CMYK 0 / 88 / 47 / 9

HEX #E81C7A

RGB 232 28 122

HSL 332.35, 0.82%, 0.51%

LAB 51.14, 76.36, 1.71

 

CMYK 0 / 90 / 48 / 37

HEX #A11053

RGB 161 16 83

HSL 332.28, 0.82%, 0.35%

LAB 35.15, 58.15, 1.16

 

CMYK 0 / 24 / 90 / 36

HEX #A27B10

RGB 162 123 16

HSL 43.97, 0.82%, 0.35%

LAB 53.9, 6.04, 56.63

 

CMYK 90 / 12 / 0 / 36

HEX #108EA2

RGB 16 142 162

HSL 188.22, 0.82%, 0.35%

LAB 54.1, -23.73, -19.43

 

CMYK 0 / 90 / 48 / 37

HEX #A11053

RGB 161 16 83

HSL 332.28, 0.82%, 0.35%

LAB 35.15, 58.15, 1.16

 

CMYK 48 / 0 / 90 / 36

HEX #54A210

RGB 84 162 16

HSL 92.05, 0.82%, 0.35%

LAB 59.67, -46.3, 58.99

 

CMYK 90 / 48 / 0 / 36

HEX #1054A2

RGB 16 84 162

HSL 212.05, 0.82%, 0.35%

LAB 36.1, 10.74, -47.71

 

CMYK 0 / 90 / 48 / 37

HEX #A11053

RGB 161 16 83

HSL 332.28, 0.82%, 0.35%

LAB 35.15, 58.15, 1.16

 

CMYK 0 / 24 / 90 / 36

HEX #A27B10

RGB 162 123 16

HSL 43.97, 0.82%, 0.35%

LAB 53.9, 6.04, 56.63

 

CMYK 90 / 0 / 42 / 36

HEX #10A25E

RGB 16 162 94

HSL 152.05, 0.82%, 0.35%

LAB 58.75, -51.08, 25.69

 

CMYK 90 / 66 / 0 / 36

HEX #1037A2

RGB 16 55 162

HSL 223.97, 0.82%, 0.35%

LAB 27.98, 30.46, -60.92

 

CMYK 0 / 90 / 48 / 37

HEX #A11053

RGB 161 16 83

HSL 332.28, 0.82%, 0.35%

LAB 35.15, 58.15, 1.16

 

CMYK 3 / 0 / 90 / 36

HEX #9DA210

RGB 157 162 16

HSL 62.05, 0.82%, 0.35%

LAB 64.2, -17.33, 64.57

 

CMYK 90 / 0 / 42 / 36

HEX #10A25E

RGB 16 162 94

HSL 152.05, 0.82%, 0.35%

LAB 58.75, -51.08, 25.69

 

CMYK 88 / 90 / 0 / 36

HEX #1410A2

RGB 20 16 162

HSL 241.64, 0.82%, 0.35%

LAB 20.55, 52, -73.22

 

Description

Color code: HEX #A11053 | qconv.com Color code: HEX #A11053 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 16 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 16 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 48 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 48% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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