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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A10C9A it is the complementary color #5EF365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A10C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A10C9A shade: #A60C95, #B71EA8, #C830BB, #D942CE and #EA54E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A10C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A10C9A shade: #A10C9A, #900087, #7F0074, #6E0061 and #5D004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A10C9A shade: #A10C9A, #A10C72, #A10C49, #A10C21 and #A10C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A10C9A shade: #A10C9A, #800CA1, #570CA1, #2F0CA1 and #0C0CA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A10C9A shade matches the following richer shades: #A10C9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A10C9A shade: #A10C9A, #931A8D, #852880, #773674 and #694467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A10C9A shade: #560CA1, #7E0CA1, #A10C9C, #A10C74 and #A10C4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A10C9A shade: #540650, #7A0975, #A10C9A, #C70FBE and #ED12E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A10C9A shade: #A10C9A, #A12E0C and #0CA16A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A10C9A shade: #A10C9A, #9CA10C and #0C9CA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A10C9A shade: #A10C9A, #A12E0C, #0CA111 and #0C7EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A10C9A shade: #A10C9A, #A15B0C, #0CA111 and #0C51A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

Complementary color

CMYK 61 / 0 / 58 / 5

HEX #5EF365

RGB 94 243 101

HSL 122.82, 0.86%, 0.66%

LAB 85.72, -66.84, 55.8

 

CMYK 0 / 93 / 10 / 35

HEX #A60C95

RGB 166 12 149

HSL 306.62, 0.87%, 0.35%

LAB 38.79, 67.44, -34.72

 

CMYK 0 / 84 / 8 / 28

HEX #B71EA8

RGB 183 30 168

HSL 305.88, 0.72%, 0.42%

LAB 43.98, 70.4, -37.76

 

CMYK 0 / 76 / 7 / 22

HEX #C830BB

RGB 200 48 187

HSL 305.13, 0.61%, 0.49%

LAB 49.47, 72.19, -40.07

 

CMYK 0 / 70 / 5 / 15

HEX #D942CE

RGB 217 66 206

HSL 304.37, 0.67%, 0.55%

LAB 55.18, 73.13, -41.84

 

CMYK 0 / 64 / 4 / 8

HEX #EA54E1

RGB 234 84 225

HSL 303.6, 0.78%, 0.62%

LAB 61.02, 73.51, -43.22

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 100 / 6 / 44

HEX #900087

RGB 144 0 135

HSL 303.75, 1%, 0.28%

LAB 33.3, 62.84, -35.07

 

CMYK 0 / 100 / 9 / 50

HEX #7F0074

RGB 127 0 116

HSL 305.2, 1%, 0.25%

LAB 28.83, 56.92, -30.42

 

CMYK 0 / 100 / 12 / 57

HEX #6E0061

RGB 110 0 97

HSL 307.09, 1%, 0.22%

LAB 24.25, 50.87, -25.58

 

CMYK 0 / 100 / 16 / 64

HEX #5D004E

RGB 93 0 78

HSL 309.68, 1%, 0.18%

LAB 19.55, 44.64, -20.53

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 93 / 29 / 37

HEX #A10C72

RGB 161 12 114

HSL 318.93, 0.86%, 0.34%

LAB 36.09, 61.9, -17.3

 

CMYK 0 / 93 / 55 / 37

HEX #A10C49

RGB 161 12 73

HSL 335.44, 0.86%, 0.34%

LAB 34.64, 57.97, 6.95

 

CMYK 0 / 93 / 80 / 37

HEX #A10C21

RGB 161 12 33

HSL 351.54, 0.86%, 0.34%

LAB 33.88, 55.83, 31.71

 

CMYK 0 / 93 / 93 / 37

HEX #A10C0C

RGB 161 12 12

HSL 0, 0.86%, 0.34%

LAB 33.7, 55.34, 42.71

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 20 / 93 / 0 / 37

HEX #800CA1

RGB 128 12 161

HSL 286.71, 0.86%, 0.34%

LAB 32.76, 62.82, -52.07

 

CMYK 46 / 93 / 0 / 37

HEX #570CA1

RGB 87 12 161

HSL 270.2, 0.86%, 0.34%

LAB 26.34, 57.38, -62.83

 

CMYK 71 / 93 / 0 / 37

HEX #2F0CA1

RGB 47 12 161

HSL 254.09, 0.86%, 0.34%

LAB 21.73, 54.07, -70.6

 

CMYK 93 / 93 / 0 / 37

HEX #0C0CA1

RGB 12 12 161

HSL 240, 0.86%, 0.34%

LAB 19.7, 52.84, -74.04

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 82 / 4 / 42

HEX #931A8D

RGB 147 26 141

HSL 302.98, 0.7%, 0.34%

LAB 35.72, 59.92, -34.91

 

CMYK 0 / 70 / 4 / 48

HEX #852880

RGB 133 40 128

HSL 303.23, 0.54%, 0.34%

LAB 34.11, 50.1, -29.56

 

CMYK 0 / 55 / 3 / 53

HEX #773674

RGB 119 54 116

HSL 302.77, 0.38%, 0.34%

LAB 33.61, 37.56, -22.99

 

CMYK 0 / 35 / 2 / 59

HEX #694467

RGB 105 68 103

HSL 303.24, 0.21%, 0.34%

LAB 34.22, 22.21, -14

 

CMYK 47 / 93 / 0 / 37

HEX #560CA1

RGB 86 12 161

HSL 269.8, 0.86%, 0.34%

LAB 26.2, 57.27, -63.06

 

CMYK 22 / 93 / 0 / 37

HEX #7E0CA1

RGB 126 12 161

HSL 285.91, 0.86%, 0.34%

LAB 32.42, 62.51, -52.63

 

CMYK 0 / 93 / 3 / 37

HEX #A10C9C

RGB 161 12 156

HSL 302.01, 0.86%, 0.34%

LAB 38.27, 67.53, -39.86

 

CMYK 0 / 93 / 28 / 37

HEX #A10C74

RGB 161 12 116

HSL 318.12, 0.86%, 0.34%

LAB 36.18, 62.13, -18.43

 

CMYK 0 / 93 / 53 / 37

HEX #A10C4C

RGB 161 12 76

HSL 334.23, 0.86%, 0.34%

LAB 34.73, 58.2, 5.11

 

CMYK 0 / 93 / 5 / 67

HEX #540650

RGB 84 6 80

HSL 303.08, 0.87%, 0.18%

LAB 18.34, 41.42, -23.92

 

CMYK 0 / 93 / 4 / 52

HEX #7A0975

RGB 122 9 117

HSL 302.65, 0.86%, 0.26%

LAB 28.43, 54.62, -31.76

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 92 / 5 / 22

HEX #C70FBE

RGB 199 15 190

HSL 302.93, 0.86%, 0.42%

LAB 47.24, 78.91, -45.37

 

CMYK 0 / 92 / 5 / 7

HEX #ED12E2

RGB 237 18 226

HSL 303.01, 0.86%, 0.5%

LAB 56.02, 90.15, -51.67

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 71 / 93 / 37

HEX #A12E0C

RGB 161 46 12

HSL 13.69, 0.86%, 0.34%

LAB 37.04, 45.98, 45

 

CMYK 93 / 0 / 34 / 37

HEX #0CA16A

RGB 12 161 106

HSL 157.85, 0.86%, 0.34%

LAB 58.61, -48.44, 18.96

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 3 / 0 / 93 / 37

HEX #9CA10C

RGB 156 161 12

HSL 62.01, 0.86%, 0.34%

LAB 63.82, -17.33, 64.88

 

CMYK 93 / 3 / 0 / 37

HEX #0C9CA1

RGB 12 156 161

HSL 182.01, 0.86%, 0.34%

LAB 58.44, -31.24, -12.27

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 71 / 93 / 37

HEX #A12E0C

RGB 161 46 12

HSL 13.69, 0.86%, 0.34%

LAB 37.04, 45.98, 45

 

CMYK 93 / 0 / 89 / 37

HEX #0CA111

RGB 12 161 17

HSL 122.01, 0.86%, 0.34%

LAB 57.66, -59.91, 56.41

 

CMYK 93 / 22 / 0 / 37

HEX #0C7EA1

RGB 12 126 161

HSL 194.09, 0.86%, 0.34%

LAB 48.97, -15.72, -26.74

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 43 / 93 / 37

HEX #A15B0C

RGB 161 91 12

HSL 31.81, 0.86%, 0.34%

LAB 45.75, 23.62, 51.31

 

CMYK 93 / 0 / 89 / 37

HEX #0CA111

RGB 12 161 17

HSL 122.01, 0.86%, 0.34%

LAB 57.66, -59.91, 56.41

 

CMYK 93 / 50 / 0 / 37

HEX #0C51A1

RGB 12 81 161

HSL 212.21, 0.86%, 0.34%

LAB 35.08, 12.11, -48.76

 

Description

Color code: HEX #A10C9A | qconv.com Color code: HEX #A10C9A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 12 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 12 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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