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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0F994 it is the complementary color #5F066B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0F994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0F994 shade: #A5F98F, #B6FFA2, #C7FFB5, #D8FFC8 and #E9FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0F994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0F994 shade: #A0F994, #8FE781, #7ED56E, #6DC35B and #5CB148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0F994 shade: #A0F894, #BBF894, #D6F894, #F1F894 and #F8E594

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0F994 shade: #A0F894, #94F8A4, #94F8BE, #94F8D9 and #94F8F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0F994 shade matches the following richer shades: #A0F894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0F994 shade: #A0F894, #A7EF9E, #AEE6A7, #B5DDB0 and #BCD4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0F994 shade: #D7F894, #BCF894, #A2F894, #94F8A2 and #94F8BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0F994 shade: #5BF446, #7EF66D, #A0F894, #C3FBBB and #E6FDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0F994 shade: #A0F994, #94F2F8 and #F894CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0F994 shade: #A0F994, #94A2F8 and #F894A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0F994 shade: #A0F994, #94F2F8, #EB94F8 and #F89B94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0F994 shade: #A0F994, #94D4F8, #EB94F8 and #F8B994

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 41 / 2

HEX #A0F994

RGB 160 249 148

HSL 112.87, 0.89%, 0.78%

LAB 90.49, -45.61, 40.22

 

Complementary color

CMYK 11 / 94 / 0 / 58

HEX #5F066B

RGB 95 6 107

HSL 292.87, 0.89%, 0.22%

LAB 22.39, 48.4, -35.28

 

CMYK 34 / 0 / 43 / 2

HEX #A5F98F

RGB 165 249 143

HSL 107.55, 0.9%, 0.77%

LAB 90.66, -44.72, 42.93

 

CMYK 29 / 0 / 36 / 0

HEX #B6FFA2

RGB 182 255 162

HSL 107.1, 1%, 0.82%

LAB 93.48, -39.27, 37.44

 

CMYK 22 / 0 / 29 / 0

HEX #C7FFB5

RGB 199 255 181

HSL 105.41, 1%, 0.85%

LAB 94.74, -30.89, 29.79

 

CMYK 15 / 0 / 22 / 0

HEX #D8FFC8

RGB 216 255 200

HSL 102.55, 1%, 0.89%

LAB 96.12, -22.24, 22.23

 

CMYK 9 / 0 / 14 / 0

HEX #E9FFDB

RGB 233 255 219

HSL 96.67, 1%, 0.93%

LAB 97.62, -13.44, 14.8

 

CMYK 36 / 0 / 41 / 2

HEX #A0F994

RGB 160 249 148

HSL 112.87, 0.89%, 0.78%

LAB 90.49, -45.61, 40.22

 

CMYK 38 / 0 / 44 / 9

HEX #8FE781

RGB 143 231 129

HSL 111.76, 0.68%, 0.71%

LAB 84.27, -45.78, 41.41

 

CMYK 41 / 0 / 48 / 16

HEX #7ED56E

RGB 126 213 110

HSL 110.68, 0.55%, 0.63%

LAB 77.96, -45.91, 42.63

 

CMYK 44 / 0 / 53 / 24

HEX #6DC35B

RGB 109 195 91

HSL 109.62, 0.46%, 0.56%

LAB 71.58, -45.96, 43.85

 

CMYK 48 / 0 / 59 / 31

HEX #5CB148

RGB 92 177 72

HSL 108.57, 0.42%, 0.49%

LAB 65.11, -45.89, 45.02

 

CMYK 35 / 0 / 40 / 3

HEX #A0F894

RGB 160 248 148

HSL 112.8, 0.88%, 0.78%

LAB 90.2, -45.18, 39.85

 

CMYK 25 / 0 / 40 / 3

HEX #BBF894

RGB 187 248 148

HSL 96.6, 0.88%, 0.78%

LAB 91.61, -36.35, 41.95

 

CMYK 14 / 0 / 40 / 3

HEX #D6F894

RGB 214 248 148

HSL 80.4, 0.88%, 0.78%

LAB 93.26, -26.76, 44.39

 

CMYK 3 / 0 / 40 / 3

HEX #F1F894

RGB 241 248 148

HSL 64.2, 0.88%, 0.78%

LAB 95.15, -16.67, 47.17

 

CMYK 0 / 8 / 40 / 3

HEX #F8E594

RGB 248 229 148

HSL 48.6, 0.88%, 0.78%

LAB 90.84, -4.57, 41.81

 

CMYK 35 / 0 / 40 / 3

HEX #A0F894

RGB 160 248 148

HSL 112.8, 0.88%, 0.78%

LAB 90.2, -45.18, 39.85

 

CMYK 40 / 0 / 34 / 3

HEX #94F8A4

RGB 148 248 164

HSL 129.6, 0.88%, 0.78%

LAB 89.91, -46.32, 31.4

 

CMYK 40 / 0 / 23 / 3

HEX #94F8BE

RGB 148 248 190

HSL 145.2, 0.88%, 0.78%

LAB 90.39, -41.73, 18.82

 

CMYK 40 / 0 / 13 / 3

HEX #94F8D9

RGB 148 248 217

HSL 161.4, 0.88%, 0.78%

LAB 90.98, -36.28, 5.71

 

CMYK 40 / 0 / 2 / 3

HEX #94F8F4

RGB 148 248 244

HSL 177.6, 0.88%, 0.78%

LAB 91.67, -30.2, -7.3

 

CMYK 35 / 0 / 40 / 3

HEX #A0F894

RGB 160 248 148

HSL 112.8, 0.88%, 0.78%

LAB 90.2, -45.18, 39.85

 

CMYK 35 / 0 / 40 / 3

HEX #A0F894

RGB 160 248 148

HSL 112.8, 0.88%, 0.78%

LAB 90.2, -45.18, 39.85

 

CMYK 30 / 0 / 34 / 6

HEX #A7EF9E

RGB 167 239 158

HSL 113.33, 0.72%, 0.78%

LAB 88.17, -37.53, 32.26

 

CMYK 24 / 0 / 27 / 10

HEX #AEE6A7

RGB 174 230 167

HSL 113.33, 0.56%, 0.78%

LAB 86.2, -29.67, 25.07

 

CMYK 18 / 0 / 20 / 13

HEX #B5DDB0

RGB 181 221 176

HSL 113.33, 0.4%, 0.78%

LAB 84.31, -21.5, 17.86

 

CMYK 11 / 0 / 13 / 17

HEX #BCD4B9

RGB 188 212 185

HSL 113.33, 0.24%, 0.78%

LAB 82.53, -13.05, 10.66

 

CMYK 13 / 0 / 40 / 3

HEX #D7F894

RGB 215 248 148

HSL 79.8, 0.88%, 0.78%

LAB 93.33, -26.4, 44.49

 

CMYK 24 / 0 / 40 / 3

HEX #BCF894

RGB 188 248 148

HSL 96, 0.88%, 0.78%

LAB 91.67, -36, 42.03

 

CMYK 35 / 0 / 40 / 3

HEX #A2F894

RGB 162 248 148

HSL 111.6, 0.88%, 0.78%

LAB 90.3, -44.55, 40

 

CMYK 40 / 0 / 35 / 3

HEX #94F8A2

RGB 148 248 162

HSL 128.4, 0.88%, 0.78%

LAB 89.88, -46.64, 32.37

 

CMYK 40 / 0 / 24 / 3

HEX #94F8BC

RGB 148 248 188

HSL 144, 0.88%, 0.78%

LAB 90.35, -42.11, 19.8

 

CMYK 63 / 0 / 71 / 4

HEX #5BF446

RGB 91 244 70

HSL 112.76, 0.89%, 0.62%

LAB 85.69, -70.72, 68.04

 

CMYK 49 / 0 / 56 / 4

HEX #7EF66D

RGB 126 246 109

HSL 112.55, 0.88%, 0.7%

LAB 87.7, -59.27, 54.84

 

CMYK 35 / 0 / 40 / 3

HEX #A0F894

RGB 160 248 148

HSL 112.8, 0.88%, 0.78%

LAB 90.2, -45.18, 39.85

 

CMYK 22 / 0 / 25 / 2

HEX #C3FBBB

RGB 195 251 187

HSL 112.5, 0.89%, 0.86%

LAB 93.53, -29.41, 25.07

 

CMYK 9 / 0 / 11 / 1

HEX #E6FDE2

RGB 230 253 226

HSL 111.11, 0.87%, 0.94%

LAB 97.05, -12.3, 10.38

 

CMYK 36 / 0 / 41 / 2

HEX #A0F994

RGB 160 249 148

HSL 112.87, 0.89%, 0.78%

LAB 90.49, -45.61, 40.22

 

CMYK 40 / 2 / 0 / 3

HEX #94F2F8

RGB 148 242 248

HSL 183.6, 0.88%, 0.78%

LAB 90.13, -26.37, -11.67

 

CMYK 0 / 40 / 19 / 3

HEX #F894CA

RGB 248 148 202

HSL 327.6, 0.88%, 0.78%

LAB 73.15, 44.54, -11.59

 

CMYK 36 / 0 / 41 / 2

HEX #A0F994

RGB 160 249 148

HSL 112.87, 0.89%, 0.78%

LAB 90.49, -45.61, 40.22

 

CMYK 40 / 35 / 0 / 3

HEX #94A2F8

RGB 148 162 248

HSL 231.6, 0.88%, 0.78%

LAB 68.69, 16.03, -44.49

 

CMYK 0 / 40 / 35 / 3

HEX #F894A2

RGB 248 148 162

HSL 351.6, 0.88%, 0.78%

LAB 72.06, 39.17, 8.96

 

CMYK 36 / 0 / 41 / 2

HEX #A0F994

RGB 160 249 148

HSL 112.87, 0.89%, 0.78%

LAB 90.49, -45.61, 40.22

 

CMYK 40 / 2 / 0 / 3

HEX #94F2F8

RGB 148 242 248

HSL 183.6, 0.88%, 0.78%

LAB 90.13, -26.37, -11.67

 

CMYK 5 / 40 / 0 / 3

HEX #EB94F8

RGB 235 148 248

HSL 292.2, 0.88%, 0.78%

LAB 73.3, 48.25, -36.72

 

CMYK 0 / 38 / 40 / 3

HEX #F89B94

RGB 248 155 148

HSL 4.2, 0.88%, 0.78%

LAB 73.24, 33.94, 18.36

 

CMYK 36 / 0 / 41 / 2

HEX #A0F994

RGB 160 249 148

HSL 112.87, 0.89%, 0.78%

LAB 90.49, -45.61, 40.22

 

CMYK 40 / 15 / 0 / 3

HEX #94D4F8

RGB 148 212 248

HSL 201.6, 0.88%, 0.78%

LAB 81.93, -11.33, -24.03

 

CMYK 5 / 40 / 0 / 3

HEX #EB94F8

RGB 235 148 248

HSL 292.2, 0.88%, 0.78%

LAB 73.3, 48.25, -36.72

 

CMYK 0 / 25 / 40 / 3

HEX #F8B994

RGB 248 185 148

HSL 22.2, 0.88%, 0.78%

LAB 80.06, 18.18, 27.66

 

Description

Color code: HEX #A0F994 | qconv.com Color code: HEX #A0F994 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 249 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 249 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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