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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0EE86 it is the complementary color #5F1179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0EE86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0EE86 shade: #A5EE81, #B6FF94, #C7FFA7, #D8FFBA and #E9FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0EE86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0EE86 shade: #A0EE86, #8FDC73, #7ECA60, #6DB84D and #5CA63A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0EE86 shade: #A0ED86, #BCED86, #D8ED86, #EDE786 and #EDCB86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0EE86 shade: #A0ED86, #86ED88, #86EDA4, #86EDC0 and #86EDDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0EE86 shade matches the following richer shades: #A0ED86 and #9AF87B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0EE86 shade: #A0ED86, #A5E291, #ABD79C, #B1CCA7 and #B6C1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0EE86 shade: #D7ED86, #BBED86, #A0ED86, #86ED88 and #86EDA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0EE86 shade: #67E33E, #83E862, #A0ED86, #BCF2AA and #D9F8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0EE86 shade: #A0EE86, #86EDE8 and #ED86C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0EE86 shade: #A0EE86, #86A0ED and #ED86A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0EE86 shade: #A0EE86, #86EDE8, #D386ED and #ED868B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0EE86 shade: #A0EE86, #86D3ED, #D386ED and #EDA086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 44 / 7

HEX #A0EE86

RGB 160 238 134

HSL 105, 0.75%, 0.73%

LAB 87.17, -42.74, 42.81

 

Complementary color

CMYK 21 / 86 / 0 / 53

HEX #5F1179

RGB 95 17 121

HSL 285, 0.75%, 0.27%

LAB 24.37, 48.46, -41.1

 

CMYK 31 / 0 / 46 / 7

HEX #A5EE81

RGB 165 238 129

HSL 100.18, 0.76%, 0.72%

LAB 87.36, -41.72, 45.53

 

CMYK 29 / 0 / 42 / 0

HEX #B6FF94

RGB 182 255 148

HSL 100.93, 1%, 0.79%

LAB 93.28, -41.16, 44.02

 

CMYK 22 / 0 / 35 / 0

HEX #C7FFA7

RGB 199 255 167

HSL 98.18, 1%, 0.83%

LAB 94.51, -32.91, 36.48

 

CMYK 15 / 0 / 27 / 0

HEX #D8FFBA

RGB 216 255 186

HSL 93.91, 1%, 0.86%

LAB 95.86, -24.37, 28.96

 

CMYK 9 / 0 / 20 / 0

HEX #E9FFCD

RGB 233 255 205

HSL 86.4, 1%, 0.9%

LAB 97.33, -15.65, 21.54

 

CMYK 33 / 0 / 44 / 7

HEX #A0EE86

RGB 160 238 134

HSL 105, 0.75%, 0.73%

LAB 87.17, -42.74, 42.81

 

CMYK 35 / 0 / 48 / 14

HEX #8FDC73

RGB 143 220 115

HSL 104, 0.6%, 0.66%

LAB 80.89, -42.87, 44

 

CMYK 38 / 0 / 52 / 21

HEX #7ECA60

RGB 126 202 96

HSL 103.02, 0.5%, 0.58%

LAB 74.52, -42.94, 45.18

 

CMYK 41 / 0 / 58 / 28

HEX #6DB84D

RGB 109 184 77

HSL 102.06, 0.43%, 0.51%

LAB 68.07, -42.93, 46.31

 

CMYK 45 / 0 / 65 / 35

HEX #5CA63A

RGB 92 166 58

HSL 101.11, 0.48%, 0.44%

LAB 61.53, -42.78, 47.28

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED86

RGB 160 237 134

HSL 104.85, 0.74%, 0.73%

LAB 86.88, -42.3, 42.45

 

CMYK 21 / 0 / 43 / 7

HEX #BCED86

RGB 188 237 134

HSL 88.54, 0.74%, 0.73%

LAB 88.44, -32.69, 44.75

 

CMYK 9 / 0 / 43 / 7

HEX #D8ED86

RGB 216 237 134

HSL 72.23, 0.74%, 0.73%

LAB 90.27, -22.33, 47.43

 

CMYK 0 / 3 / 43 / 7

HEX #EDE786

RGB 237 231 134

HSL 56.5, 0.74%, 0.73%

LAB 90.27, -11.28, 47.77

 

CMYK 0 / 14 / 43 / 7

HEX #EDCB86

RGB 237 203 134

HSL 40.19, 0.74%, 0.73%

LAB 83.15, 2.95, 38.79

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED86

RGB 160 237 134

HSL 104.85, 0.74%, 0.73%

LAB 86.88, -42.3, 42.45

 

CMYK 43 / 0 / 43 / 7

HEX #86ED88

RGB 134 237 136

HSL 121.17, 0.74%, 0.73%

LAB 85.71, -49.99, 39.74

 

CMYK 43 / 0 / 31 / 7

HEX #86EDA4

RGB 134 237 164

HSL 137.48, 0.74%, 0.73%

LAB 86.16, -45.49, 26.25

 

CMYK 43 / 0 / 19 / 7

HEX #86EDC0

RGB 134 237 192

HSL 153.79, 0.74%, 0.73%

LAB 86.72, -40.14, 12.54

 

CMYK 43 / 0 / 7 / 7

HEX #86EDDC

RGB 134 237 220

HSL 170.1, 0.74%, 0.73%

LAB 87.39, -34.01, -1.14

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED86

RGB 160 237 134

HSL 104.85, 0.74%, 0.73%

LAB 86.88, -42.3, 42.45

 

CMYK 38 / 0 / 50 / 3

HEX #9AF87B

RGB 154 248 123

HSL 105.12, 0.9%, 0.73%

LAB 89.6, -50.27, 51

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED86

RGB 160 237 134

HSL 104.85, 0.74%, 0.73%

LAB 86.88, -42.3, 42.45

 

CMYK 27 / 0 / 36 / 11

HEX #A5E291

RGB 165 226 145

HSL 105.19, 0.58%, 0.73%

LAB 84.19, -34.18, 33.55

 

CMYK 20 / 0 / 27 / 16

HEX #ABD79C

RGB 171 215 156

HSL 104.75, 0.42%, 0.73%

LAB 81.65, -25.26, 24.55

 

CMYK 13 / 0 / 18 / 20

HEX #B1CCA7

RGB 177 204 167

HSL 103.78, 0.27%, 0.73%

LAB 79.23, -15.92, 15.46

 

CMYK 6 / 0 / 7 / 24

HEX #B6C1B3

RGB 182 193 179

HSL 107.14, 0.1%, 0.73%

LAB 76.88, -6.39, 5.74

 

CMYK 9 / 0 / 43 / 7

HEX #D7ED86

RGB 215 237 134

HSL 72.82, 0.74%, 0.73%

LAB 90.2, -22.71, 47.33

 

CMYK 21 / 0 / 43 / 7

HEX #BBED86

RGB 187 237 134

HSL 89.13, 0.74%, 0.73%

LAB 88.38, -33.05, 44.66

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED86

RGB 160 237 134

HSL 104.85, 0.74%, 0.73%

LAB 86.88, -42.3, 42.45

 

CMYK 43 / 0 / 43 / 7

HEX #86ED88

RGB 134 237 136

HSL 121.17, 0.74%, 0.73%

LAB 85.71, -49.99, 39.74

 

CMYK 43 / 0 / 31 / 7

HEX #86EDA3

RGB 134 237 163

HSL 136.89, 0.74%, 0.73%

LAB 86.15, -45.67, 26.74

 

CMYK 55 / 0 / 73 / 11

HEX #67E33E

RGB 103 227 62

HSL 105.09, 0.75%, 0.57%

LAB 80.83, -62.68, 66.02

 

CMYK 44 / 0 / 58 / 9

HEX #83E862

RGB 131 232 98

HSL 105.22, 0.74%, 0.65%

LAB 83.66, -53.58, 55.07

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED86

RGB 160 237 134

HSL 104.85, 0.74%, 0.73%

LAB 86.88, -42.3, 42.45

 

CMYK 22 / 0 / 30 / 5

HEX #BCF2AA

RGB 188 242 170

HSL 105, 0.73%, 0.81%

LAB 90.37, -30.16, 29.34

 

CMYK 13 / 0 / 17 / 3

HEX #D9F8CE

RGB 217 248 206

HSL 104.29, 0.75%, 0.89%

LAB 94.46, -17.55, 16.86

 

CMYK 33 / 0 / 44 / 7

HEX #A0EE86

RGB 160 238 134

HSL 105, 0.75%, 0.73%

LAB 87.17, -42.74, 42.81

 

CMYK 43 / 0 / 2 / 7

HEX #86EDE8

RGB 134 237 232

HSL 177.09, 0.74%, 0.73%

LAB 87.71, -31.17, -6.96

 

CMYK 0 / 43 / 15 / 7

HEX #ED86C9

RGB 237 134 201

HSL 320.97, 0.74%, 0.73%

LAB 68.95, 47.94, -17.5

 

CMYK 33 / 0 / 44 / 7

HEX #A0EE86

RGB 160 238 134

HSL 105, 0.75%, 0.73%

LAB 87.17, -42.74, 42.81

 

CMYK 43 / 32 / 0 / 7

HEX #86A0ED

RGB 134 160 237

HSL 224.85, 0.74%, 0.73%

LAB 66.77, 10.58, -41.56

 

CMYK 0 / 43 / 32 / 7

HEX #ED86A0

RGB 237 134 160

HSL 344.85, 0.74%, 0.73%

LAB 67.72, 42.22, 3.67

 

CMYK 33 / 0 / 44 / 7

HEX #A0EE86

RGB 160 238 134

HSL 105, 0.75%, 0.73%

LAB 87.17, -42.74, 42.81

 

CMYK 43 / 0 / 2 / 7

HEX #86EDE8

RGB 134 237 232

HSL 177.09, 0.74%, 0.73%

LAB 87.71, -31.17, -6.96

 

CMYK 11 / 43 / 0 / 7

HEX #D386ED

RGB 211 134 237

HSL 284.85, 0.74%, 0.73%

LAB 67.29, 46.44, -40.26

 

CMYK 0 / 43 / 41 / 7

HEX #ED868B

RGB 237 134 139

HSL 357.09, 0.74%, 0.73%

LAB 67.22, 39.79, 14.77

 

CMYK 33 / 0 / 44 / 7

HEX #A0EE86

RGB 160 238 134

HSL 105, 0.75%, 0.73%

LAB 87.17, -42.74, 42.81

 

CMYK 43 / 11 / 0 / 7

HEX #86D3ED

RGB 134 211 237

HSL 195.15, 0.74%, 0.73%

LAB 80.61, -17.12, -20.23

 

CMYK 11 / 43 / 0 / 7

HEX #D386ED

RGB 211 134 237

HSL 284.85, 0.74%, 0.73%

LAB 67.29, 46.44, -40.26

 

CMYK 0 / 32 / 43 / 7

HEX #EDA086

RGB 237 160 134

HSL 15.15, 0.74%, 0.73%

LAB 72.8, 25.63, 25.2

 

Description

Color code: HEX #A0EE86 | qconv.com Color code: HEX #A0EE86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 238 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 238 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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