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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E36D it is the complementary color #5F1C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E36D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E36D shade: #A5E368, #B6F57B, #C7FF8E, #D8FFA1 and #E9FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E36D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E36D shade: #A0E36D, #8FD15A, #7EBF47, #6DAD34 and #5C9B21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E36D shade: #A0E36D, #C0E36D, #DFE36D, #E3C66D and #E3A76D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E36D shade: #A0E36D, #80E36D, #6DE379, #6DE399 and #6DE3B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E36D shade matches the following richer shades: #A0E36D and #9EF15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E36D shade: #A0E36D, #A2D57B, #A4C789, #A6B997 and #A7ABA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E36D shade: #DFE36D, #BFE36D, #A0E36D, #80E36D and #6DE379

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E36D shade: #73D528, #89DC4A, #A0E36D, #B6E990 and #CDF0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E36D shade: #A0E36D, #6DE3C7 and #E36DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E36D shade: #A0E36D, #6DA0E3 and #E36DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E36D shade: #A0E36D, #6DE3C7, #B06DE3 and #E36D88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E36D shade: #A0E36D, #6DDBE3, #B06DE3 and #E3756D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

Complementary color

CMYK 35 / 81 / 0 / 43

HEX #5F1C92

RGB 95 28 146

HSL 274.07, 0.68%, 0.34%

LAB 27.68, 50.29, -51.39

 

CMYK 27 / 0 / 54 / 11

HEX #A5E368

RGB 165 227 104

HSL 90.24, 0.69%, 0.65%

LAB 83.93, -39.65, 53.12

 

CMYK 26 / 0 / 50 / 4

HEX #B6F57B

RGB 182 245 123

HSL 90.98, 0.86%, 0.72%

LAB 90.17, -39.68, 52.04

 

CMYK 22 / 0 / 44 / 0

HEX #C7FF8E

RGB 199 255 142

HSL 89.73, 1%, 0.78%

LAB 94.15, -36.08, 48.2

 

CMYK 15 / 0 / 37 / 0

HEX #D8FFA1

RGB 216 255 161

HSL 84.89, 1%, 0.82%

LAB 95.45, -27.76, 40.88

 

CMYK 9 / 0 / 29 / 0

HEX #E9FFB4

RGB 233 255 180

HSL 77.6, 1%, 0.85%

LAB 96.88, -19.22, 33.55

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 32 / 0 / 57 / 18

HEX #8FD15A

RGB 143 209 90

HSL 93.28, 0.56%, 0.59%

LAB 77.39, -40.86, 51.56

 

CMYK 34 / 0 / 63 / 25

HEX #7EBF47

RGB 126 191 71

HSL 92.5, 0.48%, 0.51%

LAB 70.98, -40.73, 52.49

 

CMYK 37 / 0 / 70 / 32

HEX #6DAD34

RGB 109 173 52

HSL 91.74, 0.54%, 0.44%

LAB 64.47, -40.47, 53.13

 

CMYK 41 / 0 / 79 / 39

HEX #5C9B21

RGB 92 155 33

HSL 90.98, 0.65%, 0.37%

LAB 57.87, -40.01, 53.17

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 15 / 0 / 52 / 11

HEX #C0E36D

RGB 192 227 109

HSL 77.8, 0.68%, 0.66%

LAB 85.63, -29.2, 53.23

 

CMYK 2 / 0 / 52 / 11

HEX #DFE36D

RGB 223 227 109

HSL 62.03, 0.68%, 0.66%

LAB 87.84, -17.09, 56.37

 

CMYK 0 / 13 / 52 / 11

HEX #E3C66D

RGB 227 198 109

HSL 45.25, 0.68%, 0.66%

LAB 80.64, -0.83, 47.94

 

CMYK 0 / 26 / 52 / 11

HEX #E3A76D

RGB 227 167 109

HSL 29.49, 0.68%, 0.66%

LAB 72.94, 15.52, 38.48

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 44 / 0 / 52 / 11

HEX #80E36D

RGB 128 227 109

HSL 110.34, 0.68%, 0.66%

LAB 82.18, -51.23, 48.28

 

CMYK 52 / 0 / 47 / 11

HEX #6DE379

RGB 109 227 121

HSL 126.1, 0.68%, 0.66%

LAB 81.6, -54.88, 41.67

 

CMYK 52 / 0 / 33 / 11

HEX #6DE399

RGB 109 227 153

HSL 142.37, 0.68%, 0.66%

LAB 82.1, -49.65, 26.23

 

CMYK 52 / 0 / 19 / 11

HEX #6DE3B9

RGB 109 227 185

HSL 158.64, 0.68%, 0.66%

LAB 82.75, -43.2, 10.43

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 34 / 0 / 61 / 5

HEX #9EF15F

RGB 158 241 95

HSL 94.11, 0.84%, 0.66%

LAB 87.49, -48.95, 61.03

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 24 / 0 / 42 / 16

HEX #A2D57B

RGB 162 213 123

HSL 94, 0.52%, 0.66%

LAB 80.01, -32.19, 39.18

 

CMYK 18 / 0 / 31 / 22

HEX #A4C789

RGB 164 199 137

HSL 93.87, 0.36%, 0.66%

LAB 76.4, -22.82, 27.32

 

CMYK 10 / 0 / 18 / 27

HEX #A6B997

RGB 166 185 151

HSL 93.53, 0.2%, 0.66%

LAB 72.92, -12.8, 15.09

 

CMYK 2 / 0 / 4 / 33

HEX #A7ABA5

RGB 167 171 165

HSL 100, 0.03%, 0.66%

LAB 69.51, -2.54, 2.58

 

CMYK 2 / 0 / 52 / 11

HEX #DFE36D

RGB 223 227 109

HSL 62.03, 0.68%, 0.66%

LAB 87.84, -17.09, 56.37

 

CMYK 16 / 0 / 52 / 11

HEX #BFE36D

RGB 191 227 109

HSL 78.31, 0.68%, 0.66%

LAB 85.56, -29.58, 53.14

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 44 / 0 / 52 / 11

HEX #80E36D

RGB 128 227 109

HSL 110.34, 0.68%, 0.66%

LAB 82.18, -51.23, 48.28

 

CMYK 52 / 0 / 47 / 11

HEX #6DE379

RGB 109 227 121

HSL 126.1, 0.68%, 0.66%

LAB 81.6, -54.88, 41.67

 

CMYK 46 / 0 / 81 / 16

HEX #73D528

RGB 115 213 40

HSL 93.99, 0.68%, 0.5%

LAB 76.91, -55.4, 69.13

 

CMYK 38 / 0 / 66 / 14

HEX #89DC4A

RGB 137 220 74

HSL 94.11, 0.68%, 0.58%

LAB 80.18, -49, 61.35

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 22 / 0 / 38 / 9

HEX #B6E990

RGB 182 233 144

HSL 94.38, 0.67%, 0.74%

LAB 87.11, -31.71, 38.06

 

CMYK 15 / 0 / 26 / 6

HEX #CDF0B2

RGB 205 240 178

HSL 93.87, 0.67%, 0.82%

LAB 91.01, -22.17, 26.31

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 52 / 0 / 12 / 11

HEX #6DE3C7

RGB 109 227 199

HSL 165.76, 0.68%, 0.66%

LAB 83.08, -40.03, 3.52

 

CMYK 0 / 52 / 9 / 11

HEX #E36DCF

RGB 227 109 207

HSL 310.17, 0.68%, 0.66%

LAB 63.15, 58.12, -29.84

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 52 / 30 / 0 / 11

HEX #6DA0E3

RGB 109 160 227

HSL 214.07, 0.68%, 0.66%

LAB 64.91, 1.74, -39.06

 

CMYK 0 / 52 / 30 / 11

HEX #E36DA0

RGB 227 109 160

HSL 334.07, 0.68%, 0.66%

LAB 61.49, 51.3, -5.61

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 52 / 0 / 12 / 11

HEX #6DE3C7

RGB 109 227 199

HSL 165.76, 0.68%, 0.66%

LAB 83.08, -40.03, 3.52

 

CMYK 22 / 52 / 0 / 11

HEX #B06DE3

RGB 176 109 227

HSL 274.07, 0.68%, 0.66%

LAB 57.76, 47.92, -49.98

 

CMYK 0 / 52 / 40 / 11

HEX #E36D88

RGB 227 109 136

HSL 346.27, 0.68%, 0.66%

LAB 60.82, 48.47, 7.26

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36D

RGB 160 227 109

HSL 94.07, 0.68%, 0.66%

LAB 83.71, -40.89, 50.49

 

CMYK 52 / 4 / 0 / 11

HEX #6DDBE3

RGB 109 219 227

HSL 184.07, 0.68%, 0.66%

LAB 81.54, -29.3, -13.6

 

CMYK 22 / 52 / 0 / 11

HEX #B06DE3

RGB 176 109 227

HSL 274.07, 0.68%, 0.66%

LAB 57.76, 47.92, -49.98

 

CMYK 0 / 48 / 52 / 11

HEX #E3756D

RGB 227 117 109

HSL 4.07, 0.68%, 0.66%

LAB 61.79, 41.87, 24.07

 

Description

Color code: HEX #A0E36D | qconv.com Color code: HEX #A0E36D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 227 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 227 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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