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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E8D5 it is the complementary color #5F172A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E8D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E8D5 shade: #A5E8D0, #B6FAE3, #C7FFF6, #D8FFFF and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E8D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E8D5 shade: #A0E8D5, #8FD6C2, #7EC4AF, #6DB29C and #5CA089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E8D5 shade: #A0E8D5, #A0E8C1, #A0E8AE, #A5E8A0 and #B9E8A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E8D5 shade: #A0E8D5, #A0E7E8, #A0D4E8, #A0C1E8 and #A0ADE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E8D5 shade matches the following richer shades: #A0E8D5, #97F1D9 and #8DFBDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E8D5 shade: #A0E8D5, #AADED0, #B3D5CC, #BDCBC7 and #C6C2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E8D5 shade: #A0E8AE, #A0E8C1, #A0E8D5, #A0E8E8 and #A0D5E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E8D5 shade: #5ED8B7, #7FE0C6, #A0E8D5, #C1F0E3 and #E3F8F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E8D5 shade: #A0E8D5, #A0A5E8 and #E8B8A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E8D5 shade: #A0E8D5, #D5A0E8 and #E8D5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E8D5 shade: #A0E8D5, #A0A5E8, #E8A0B3 and #E8E3A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E8D5 shade: #A0E8D5, #B1A0E8, #E8A0B3 and #D7E8A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

Complementary color

CMYK 0 / 76 / 56 / 63

HEX #5F172A

RGB 95 23 42

HSL 344.17, 0.61%, 0.23%

LAB 20.88, 33.78, 6.56

 

CMYK 29 / 0 / 10 / 9

HEX #A5E8D0

RGB 165 232 208

HSL 158.51, 0.59%, 0.78%

LAB 87.13, -25.95, 4.95

 

CMYK 27 / 0 / 9 / 2

HEX #B6FAE3

RGB 182 250 227

HSL 159.71, 0.87%, 0.85%

LAB 93.39, -25.77, 4.23

 

CMYK 22 / 0 / 4 / 0

HEX #C7FFF6

RGB 199 255 246

HSL 170.36, 1%, 0.89%

LAB 96.13, -19.33, -1.48

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 33 / 0 / 9 / 16

HEX #8FD6C2

RGB 143 214 194

HSL 163.1, 0.46%, 0.7%

LAB 80.64, -26.54, 2.82

 

CMYK 36 / 0 / 11 / 23

HEX #7EC4AF

RGB 126 196 175

HSL 162, 0.37%, 0.63%

LAB 74.2, -26.74, 3.58

 

CMYK 39 / 0 / 12 / 30

HEX #6DB29C

RGB 109 178 156

HSL 160.87, 0.31%, 0.56%

LAB 67.64, -26.95, 4.4

 

CMYK 43 / 0 / 14 / 37

HEX #5CA089

RGB 92 160 137

HSL 159.71, 0.27%, 0.49%

LAB 60.98, -27.15, 5.27

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 31 / 0 / 17 / 9

HEX #A0E8C1

RGB 160 232 193

HSL 147.5, 0.61%, 0.77%

LAB 86.52, -30.42, 11.9

 

CMYK 31 / 0 / 25 / 9

HEX #A0E8AE

RGB 160 232 174

HSL 131.67, 0.61%, 0.77%

LAB 86.13, -33.92, 21.24

 

CMYK 29 / 0 / 31 / 9

HEX #A5E8A0

RGB 165 232 160

HSL 115.83, 0.61%, 0.77%

LAB 86.13, -34.67, 28.5

 

CMYK 20 / 0 / 31 / 9

HEX #B9E8A0

RGB 185 232 160

HSL 99.17, 0.61%, 0.77%

LAB 87.27, -27.96, 30.23

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 31 / 0 / 0 / 9

HEX #A0E7E8

RGB 160 231 232

HSL 180.83, 0.61%, 0.77%

LAB 87.22, -21.69, -7.56

 

CMYK 31 / 9 / 0 / 9

HEX #A0D4E8

RGB 160 212 232

HSL 196.67, 0.61%, 0.77%

LAB 82.05, -12.1, -15.27

 

CMYK 31 / 17 / 0 / 9

HEX #A0C1E8

RGB 160 193 232

HSL 212.5, 0.61%, 0.77%

LAB 76.94, -2.08, -22.99

 

CMYK 31 / 25 / 0 / 9

HEX #A0ADE8

RGB 160 173 232

HSL 229.17, 0.61%, 0.77%

LAB 71.68, 8.87, -31.05

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 37 / 0 / 10 / 5

HEX #97F1D9

RGB 151 241 217

HSL 164, 0.76%, 0.77%

LAB 89.16, -32.26, 3.09

 

CMYK 44 / 0 / 12 / 2

HEX #8DFBDE

RGB 141 251 222

HSL 164.18, 0.93%, 0.77%

LAB 91.65, -38.31, 4.06

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 23 / 0 / 6 / 13

HEX #AADED0

RGB 170 222 208

HSL 163.85, 0.44%, 0.77%

LAB 84.66, -19.55, 1.4

 

CMYK 16 / 0 / 4 / 16

HEX #B3D5CC

RGB 179 213 204

HSL 164.12, 0.29%, 0.77%

LAB 82.66, -13, 0.68

 

CMYK 7 / 0 / 2 / 20

HEX #BDCBC7

RGB 189 203 199

HSL 162.86, 0.12%, 0.77%

LAB 80.55, -5.51, 0.34

 

CMYK 0 / 2 / 2 / 22

HEX #C6C2C3

RGB 198 194 195

HSL 345, 0.03%, 0.77%

LAB 78.77, 1.58, -0.02

 

CMYK 31 / 0 / 25 / 9

HEX #A0E8AE

RGB 160 232 174

HSL 131.67, 0.61%, 0.77%

LAB 86.13, -33.92, 21.24

 

CMYK 31 / 0 / 17 / 9

HEX #A0E8C1

RGB 160 232 193

HSL 147.5, 0.61%, 0.77%

LAB 86.52, -30.42, 11.9

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 31 / 0 / 0 / 9

HEX #A0E8E8

RGB 160 232 232

HSL 180, 0.61%, 0.77%

LAB 87.49, -22.18, -7.15

 

CMYK 31 / 8 / 0 / 9

HEX #A0D5E8

RGB 160 213 232

HSL 195.83, 0.61%, 0.77%

LAB 82.32, -12.61, -14.86

 

CMYK 56 / 0 / 15 / 15

HEX #5ED8B7

RGB 94 216 183

HSL 163.77, 0.61%, 0.61%

LAB 78.99, -42, 6.04

 

CMYK 43 / 0 / 12 / 12

HEX #7FE0C6

RGB 127 224 198

HSL 163.92, 0.61%, 0.69%

LAB 82.86, -34.7, 3.82

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 20 / 0 / 5 / 6

HEX #C1F0E3

RGB 193 240 227

HSL 163.4, 0.61%, 0.85%

LAB 91.33, -17.59, 1.3

 

CMYK 8 / 0 / 2 / 3

HEX #E3F8F2

RGB 227 248 242

HSL 162.86, 0.6%, 0.93%

LAB 95.95, -7.95, 0.52

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 31 / 29 / 0 / 9

HEX #A0A5E8

RGB 160 165 232

HSL 235.83, 0.61%, 0.77%

LAB 69.62, 13.35, -34.24

 

CMYK 0 / 21 / 31 / 9

HEX #E8B8A0

RGB 232 184 160

HSL 20, 0.61%, 0.77%

LAB 78.45, 13.97, 18.79

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 8 / 31 / 0 / 9

HEX #D5A0E8

RGB 213 160 232

HSL 284.17, 0.61%, 0.77%

LAB 72.97, 32.11, -28.7

 

CMYK 0 / 8 / 31 / 9

HEX #E8D5A0

RGB 232 213 160

HSL 44.17, 0.61%, 0.77%

LAB 85.65, -1.22, 28.63

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 31 / 29 / 0 / 9

HEX #A0A5E8

RGB 160 165 232

HSL 235.83, 0.61%, 0.77%

LAB 69.62, 13.35, -34.24

 

CMYK 0 / 31 / 23 / 9

HEX #E8A0B3

RGB 232 160 179

HSL 344.17, 0.61%, 0.77%

LAB 73.25, 29.37, 1.05

 

CMYK 0 / 2 / 31 / 9

HEX #E8E3A0

RGB 232 227 160

HSL 55.83, 0.61%, 0.77%

LAB 89.22, -8.34, 33.41

 

CMYK 31 / 0 / 8 / 9

HEX #A0E8D5

RGB 160 232 213

HSL 164.17, 0.61%, 0.77%

LAB 86.99, -26.36, 2.1

 

CMYK 24 / 31 / 0 / 9

HEX #B1A0E8

RGB 177 160 232

HSL 254.17, 0.61%, 0.77%

LAB 69.69, 21.1, -34.02

 

CMYK 0 / 31 / 23 / 9

HEX #E8A0B3

RGB 232 160 179

HSL 344.17, 0.61%, 0.77%

LAB 73.25, 29.37, 1.05

 

CMYK 7 / 0 / 31 / 9

HEX #D7E8A0

RGB 215 232 160

HSL 74.17, 0.61%, 0.77%

LAB 89.25, -17.2, 33.22

 

Description

Color code: HEX #A0E8D5 | qconv.com Color code: HEX #A0E8D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 232 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 232 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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