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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E87C it is the complementary color #5F1783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E87C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E87C shade: #A5E877, #B6FA8A, #C7FF9D, #D8FFB0 and #E9FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E87C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E87C shade: #A0E87C, #8FD669, #7EC456, #6DB243 and #5CA030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E87C shade: #A0E87C, #BDE87C, #DAE87C, #E8D87C and #E8BB7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E87C shade: #A0E87C, #83E87C, #7CE893, #7CE8AF and #7CE8CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E87C shade matches the following richer shades: #A0E87C and #9CF470

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E87C shade: #A0E87C, #A4DB89, #A8CF95, #ADC2A2 and #B1B6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E87C shade: #D9E87C, #BDE87C, #A0E87C, #84E87C and #7CE892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E87C shade: #6DDB36, #87E159, #A0E87C, #BAEEA0 and #D3F4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E87C shade: #A0E87C, #7CE8D9 and #E87CCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E87C shade: #A0E87C, #7CA0E8 and #E87CA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E87C shade: #A0E87C, #7CE8D9, #C47CE8 and #E87C8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E87C shade: #A0E87C, #7CD6E8, #C47CE8 and #E88E7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

Complementary color

CMYK 27 / 82 / 0 / 49

HEX #5F1783

RGB 95 23 131

HSL 280, 0.7%, 0.3%

LAB 25.82, 48.68, -45.08

 

CMYK 29 / 0 / 49 / 9

HEX #A5E877

RGB 165 232 119

HSL 95.58, 0.71%, 0.69%

LAB 85.53, -40.26, 48.05

 

CMYK 27 / 0 / 45 / 2

HEX #B6FA8A

RGB 182 250 138

HSL 96.43, 0.92%, 0.76%

LAB 91.75, -40.2, 46.9

 

CMYK 22 / 0 / 38 / 0

HEX #C7FF9D

RGB 199 255 157

HSL 94.29, 1%, 0.81%

LAB 94.35, -34.25, 41.21

 

CMYK 15 / 0 / 31 / 0

HEX #D8FFB0

RGB 216 255 176

HSL 89.62, 1%, 0.85%

LAB 95.69, -25.79, 33.75

 

CMYK 9 / 0 / 24 / 0

HEX #E9FFC3

RGB 233 255 195

HSL 82, 1%, 0.88%

LAB 97.14, -17.14, 26.35

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 33 / 0 / 51 / 16

HEX #8FD669

RGB 143 214 105

HSL 99.08, 0.57%, 0.63%

LAB 79.01, -41.45, 46.51

 

CMYK 36 / 0 / 56 / 23

HEX #7EC456

RGB 126 196 86

HSL 98.18, 0.48%, 0.55%

LAB 72.62, -41.46, 47.63

 

CMYK 39 / 0 / 62 / 30

HEX #6DB243

RGB 109 178 67

HSL 97.3, 0.45%, 0.48%

LAB 66.13, -41.37, 48.64

 

CMYK 43 / 0 / 70 / 37

HEX #5CA030

RGB 92 160 48

HSL 96.43, 0.54%, 0.41%

LAB 59.55, -41.12, 49.36

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 19 / 0 / 47 / 9

HEX #BDE87C

RGB 189 232 124

HSL 83.89, 0.7%, 0.7%

LAB 86.99, -31.14, 47.78

 

CMYK 6 / 0 / 47 / 9

HEX #DAE87C

RGB 218 232 124

HSL 67.78, 0.7%, 0.7%

LAB 88.96, -20.16, 50.63

 

CMYK 0 / 7 / 47 / 9

HEX #E8D87C

RGB 232 216 124

HSL 51.11, 0.7%, 0.7%

LAB 85.87, -6.69, 47.1

 

CMYK 0 / 19 / 47 / 9

HEX #E8BB7C

RGB 232 187 124

HSL 35, 0.7%, 0.7%

LAB 78.55, 8.32, 37.93

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 44 / 0 / 47 / 9

HEX #83E87C

RGB 131 232 124

HSL 116.11, 0.7%, 0.7%

LAB 83.96, -50.47, 43.35

 

CMYK 47 / 0 / 37 / 9

HEX #7CE893

RGB 124 232 147

HSL 132.78, 0.7%, 0.7%

LAB 84.02, -48.97, 31.96

 

CMYK 47 / 0 / 25 / 9

HEX #7CE8AF

RGB 124 232 175

HSL 148.33, 0.7%, 0.7%

LAB 84.53, -43.9, 18.26

 

CMYK 47 / 0 / 12 / 9

HEX #7CE8CC

RGB 124 232 204

HSL 164.44, 0.7%, 0.7%

LAB 85.18, -37.76, 3.99

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 36 / 0 / 54 / 4

HEX #9CF470

RGB 156 244 112

HSL 100, 0.86%, 0.7%

LAB 88.42, -49.2, 54.65

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 25 / 0 / 37 / 14

HEX #A4DB89

RGB 164 219 137

HSL 100.24, 0.53%, 0.7%

LAB 82.03, -32.41, 34.77

 

CMYK 19 / 0 / 28 / 19

HEX #A8CF95

RGB 168 207 149

HSL 100.34, 0.38%, 0.7%

LAB 79.11, -23.5, 24.72

 

CMYK 11 / 0 / 16 / 24

HEX #ADC2A2

RGB 173 194 162

HSL 99.38, 0.21%, 0.7%

LAB 76.12, -13.08, 13.72

 

CMYK 3 / 0 / 4 / 29

HEX #B1B6AE

RGB 177 182 174

HSL 97.5, 0.05%, 0.7%

LAB 73.45, -3.24, 3.45

 

CMYK 6 / 0 / 47 / 9

HEX #D9E87C

RGB 217 232 124

HSL 68.33, 0.7%, 0.7%

LAB 88.88, -20.54, 50.53

 

CMYK 19 / 0 / 47 / 9

HEX #BDE87C

RGB 189 232 124

HSL 83.89, 0.7%, 0.7%

LAB 86.99, -31.14, 47.78

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 47 / 0 / 37 / 9

HEX #7CE892

RGB 124 232 146

HSL 132.22, 0.7%, 0.7%

LAB 84, -49.14, 32.44

 

CMYK 50 / 0 / 75 / 14

HEX #6DDB36

RGB 109 219 54

HSL 100, 0.7%, 0.54%

LAB 78.57, -58.68, 66.51

 

CMYK 40 / 0 / 60 / 12

HEX #87E159

RGB 135 225 89

HSL 99.71, 0.69%, 0.62%

LAB 81.69, -50.41, 56.79

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 22 / 0 / 33 / 7

HEX #BAEEA0

RGB 186 238 160

HSL 100, 0.7%, 0.78%

LAB 88.98, -30.45, 32.52

 

CMYK 14 / 0 / 20 / 4

HEX #D3F4C3

RGB 211 244 195

HSL 100.41, 0.69%, 0.86%

LAB 92.79, -19.41, 20.11

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 47 / 0 / 6 / 9

HEX #7CE8D9

RGB 124 232 217

HSL 171.67, 0.7%, 0.7%

LAB 85.51, -34.73, -2.37

 

CMYK 0 / 47 / 13 / 9

HEX #E87CCB

RGB 232 124 203

HSL 316.11, 0.7%, 0.7%

LAB 66.43, 51.7, -22.5

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 47 / 31 / 0 / 9

HEX #7CA0E8

RGB 124 160 232

HSL 220, 0.7%, 0.7%

LAB 65.95, 6.69, -40.14

 

CMYK 0 / 47 / 31 / 9

HEX #E87CA0

RGB 232 124 160

HSL 340, 0.7%, 0.7%

LAB 65.05, 45.56, -0.29

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 47 / 0 / 6 / 9

HEX #7CE8D9

RGB 124 232 217

HSL 171.67, 0.7%, 0.7%

LAB 85.51, -34.73, -2.37

 

CMYK 16 / 47 / 0 / 9

HEX #C47CE8

RGB 196 124 232

HSL 280, 0.7%, 0.7%

LAB 63.32, 46.45, -43.83

 

CMYK 0 / 47 / 40 / 9

HEX #E87C8B

RGB 232 124 139

HSL 351.67, 0.7%, 0.7%

LAB 64.51, 43.09, 10.88

 

CMYK 31 / 0 / 47 / 9

HEX #A0E87C

RGB 160 232 124

HSL 100, 0.7%, 0.7%

LAB 85.32, -41.37, 45.35

 

CMYK 47 / 8 / 0 / 9

HEX #7CD6E8

RGB 124 214 232

HSL 190, 0.7%, 0.7%

LAB 80.85, -22.29, -17.24

 

CMYK 16 / 47 / 0 / 9

HEX #C47CE8

RGB 196 124 232

HSL 280, 0.7%, 0.7%

LAB 63.32, 46.45, -43.83

 

CMYK 0 / 39 / 47 / 9

HEX #E88E7C

RGB 232 142 124

HSL 10, 0.7%, 0.7%

LAB 67.99, 32.21, 24.1

 

Description

Color code: HEX #A0E87C | qconv.com Color code: HEX #A0E87C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 232 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 232 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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