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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0DEDB it is the complementary color #5F2124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0DEDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0DEDB shade: #A5DED6, #B6F0E9, #C7FFFC, #D8FFFF and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0DEDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0DEDB shade: #A0DEDB, #8FCCC8, #7EBAB5, #6DA8A2 and #5C968F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0DEDB shade: #A0DDDA, #A0DDCA, #A0DDB9, #A0DDA9 and #A8DDA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0DEDB shade: #A0DDDA, #A0D0DD, #A0BFDD, #A0AFDD and #A0A0DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0DEDB shade matches the following richer shades: #A0DDDA, #96E8E4, #8CF2ED and #81FCF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0DEDB shade: #A0DDDA, #AAD3D1, #B5C9C8, #BFBEBE and #C9B4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0DEDB shade: #A0DDBA, #A0DDCA, #A0DDDA, #A0D0DD and #A0C0DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0DEDB shade: #63C8C3, #82D3CF, #A0DDDA, #BFE8E6 and #DDF3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0DEDB shade: #A0DEDB, #A9A0DD and #DDC2A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0DEDB shade: #A0DEDB, #DAA0DD and #DDDAA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0DEDB shade: #A0DEDB, #A9A0DD, #DDA0A3 and #D4DDA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0DEDB shade: #A0DEDB, #BCA0DD, #DDA0A3 and #C2DDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 1 / 13

HEX #A0DEDB

RGB 160 222 219

HSL 177.1, 0.48%, 0.75%

LAB 84.4, -20.15, -4.87

 

Complementary color

CMYK 0 / 65 / 62 / 63

HEX #5F2124

RGB 95 33 36

HSL 357.1, 0.48%, 0.25%

LAB 22.47, 28.52, 12.87

 

CMYK 26 / 0 / 4 / 13

HEX #A5DED6

RGB 165 222 214

HSL 171.58, 0.46%, 0.76%

LAB 84.53, -19.79, -1.99

 

CMYK 24 / 0 / 3 / 6

HEX #B6F0E9

RGB 182 240 233

HSL 172.76, 0.66%, 0.83%

LAB 90.85, -19.67, -2.6

 

CMYK 22 / 0 / 1 / 0

HEX #C7FFFC

RGB 199 255 252

HSL 176.79, 1%, 0.89%

LAB 96.28, -18.1, -4.35

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 28 / 0 / 1 / 13

HEX #A0DEDB

RGB 160 222 219

HSL 177.1, 0.48%, 0.75%

LAB 84.4, -20.15, -4.87

 

CMYK 30 / 0 / 2 / 20

HEX #8FCCC8

RGB 143 204 200

HSL 176.07, 0.37%, 0.68%

LAB 77.99, -20.27, -4.27

 

CMYK 32 / 0 / 3 / 27

HEX #7EBAB5

RGB 126 186 181

HSL 175, 0.3%, 0.61%

LAB 71.48, -20.39, -3.65

 

CMYK 35 / 0 / 4 / 34

HEX #6DA8A2

RGB 109 168 162

HSL 173.9, 0.25%, 0.54%

LAB 64.86, -20.52, -3

 

CMYK 39 / 0 / 5 / 41

HEX #5C968F

RGB 92 150 143

HSL 172.76, 0.24%, 0.47%

LAB 58.1, -20.65, -2.3

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDA

RGB 160 221 218

HSL 177.05, 0.47%, 0.75%

LAB 84.09, -19.88, -4.78

 

CMYK 28 / 0 / 9 / 13

HEX #A0DDCA

RGB 160 221 202

HSL 161.31, 0.47%, 0.75%

LAB 83.68, -23.31, 3.08

 

CMYK 28 / 0 / 16 / 13

HEX #A0DDB9

RGB 160 221 185

HSL 144.59, 0.47%, 0.75%

LAB 83.28, -26.71, 11.49

 

CMYK 28 / 0 / 24 / 13

HEX #A0DDA9

RGB 160 221 169

HSL 128.85, 0.47%, 0.75%

LAB 82.94, -29.64, 19.43

 

CMYK 24 / 0 / 28 / 13

HEX #A8DDA0

RGB 168 221 160

HSL 112.13, 0.47%, 0.75%

LAB 83.22, -28.53, 24.57

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDA

RGB 160 221 218

HSL 177.05, 0.47%, 0.75%

LAB 84.09, -19.88, -4.78

 

CMYK 28 / 6 / 0 / 13

HEX #A0D0DD

RGB 160 208 221

HSL 192.79, 0.47%, 0.75%

LAB 80.63, -12.6, -11.52

 

CMYK 28 / 14 / 0 / 13

HEX #A0BFDD

RGB 160 191 221

HSL 209.51, 0.47%, 0.75%

LAB 76.04, -3.66, -18.42

 

CMYK 28 / 21 / 0 / 13

HEX #A0AFDD

RGB 160 175 221

HSL 225.25, 0.47%, 0.75%

LAB 71.79, 5.05, -24.88

 

CMYK 28 / 28 / 0 / 13

HEX #A0A0DD

RGB 160 160 221

HSL 240, 0.47%, 0.75%

LAB 67.9, 13.43, -30.87

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDA

RGB 160 221 218

HSL 177.05, 0.47%, 0.75%

LAB 84.09, -19.88, -4.78

 

CMYK 35 / 0 / 2 / 9

HEX #96E8E4

RGB 150 232 228

HSL 177.07, 0.64%, 0.75%

LAB 86.9, -25.77, -5.98

 

CMYK 42 / 0 / 2 / 5

HEX #8CF2ED

RGB 140 242 237

HSL 177.06, 0.8%, 0.75%

LAB 89.48, -30.93, -6.92

 

CMYK 49 / 0 / 2 / 1

HEX #81FCF6

RGB 129 252 246

HSL 177.07, 0.95%, 0.75%

LAB 92.11, -35.87, -7.77

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDA

RGB 160 221 218

HSL 177.05, 0.47%, 0.75%

LAB 84.09, -19.88, -4.78

 

CMYK 19 / 0 / 1 / 17

HEX #AAD3D1

RGB 170 211 209

HSL 177.07, 0.32%, 0.75%

LAB 81.7, -13.79, -3.47

 

CMYK 10 / 0 / 0 / 21

HEX #B5C9C8

RGB 181 201 200

HSL 177, 0.16%, 0.75%

LAB 79.48, -6.94, -1.82

 

CMYK 0 / 1 / 1 / 25

HEX #BFBEBE

RGB 191 190 190

HSL 0, 0.01%, 0.75%

LAB 77.05, 0.35, 0.11

 

CMYK 0 / 10 / 10 / 21

HEX #C9B4B5

RGB 201 180 181

HSL 357.14, 0.16%, 0.75%

LAB 75.07, 7.67, 2.22

 

CMYK 28 / 0 / 16 / 13

HEX #A0DDBA

RGB 160 221 186

HSL 145.57, 0.47%, 0.75%

LAB 83.3, -26.51, 11

 

CMYK 28 / 0 / 9 / 13

HEX #A0DDCA

RGB 160 221 202

HSL 161.31, 0.47%, 0.75%

LAB 83.68, -23.31, 3.08

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDA

RGB 160 221 218

HSL 177.05, 0.47%, 0.75%

LAB 84.09, -19.88, -4.78

 

CMYK 28 / 6 / 0 / 13

HEX #A0D0DD

RGB 160 208 221

HSL 192.79, 0.47%, 0.75%

LAB 80.63, -12.6, -11.52

 

CMYK 28 / 13 / 0 / 13

HEX #A0C0DD

RGB 160 192 221

HSL 208.52, 0.47%, 0.75%

LAB 76.31, -4.2, -18.01

 

CMYK 51 / 0 / 3 / 22

HEX #63C8C3

RGB 99 200 195

HSL 177.03, 0.48%, 0.59%

LAB 74.76, -30.63, -6.56

 

CMYK 38 / 0 / 2 / 17

HEX #82D3CF

RGB 130 211 207

HSL 177.04, 0.48%, 0.67%

LAB 79.52, -25.64, -5.84

 

CMYK 28 / 0 / 1 / 13

HEX #A0DDDA

RGB 160 221 218

HSL 177.05, 0.47%, 0.75%

LAB 84.09, -19.88, -4.78

 

CMYK 18 / 0 / 1 / 9

HEX #BFE8E6

RGB 191 232 230

HSL 177.07, 0.47%, 0.83%

LAB 89.16, -13.61, -3.45

 

CMYK 9 / 0 / 0 / 5

HEX #DDF3F2

RGB 221 243 242

HSL 177.27, 0.48%, 0.91%

LAB 94.26, -7.36, -1.99

 

CMYK 28 / 0 / 1 / 13

HEX #A0DEDB

RGB 160 222 219

HSL 177.1, 0.48%, 0.75%

LAB 84.4, -20.15, -4.87

 

CMYK 24 / 28 / 0 / 13

HEX #A9A0DD

RGB 169 160 221

HSL 248.85, 0.47%, 0.75%

LAB 68.6, 16.12, -29.72

 

CMYK 0 / 12 / 28 / 13

HEX #DDC2A0

RGB 221 194 160

HSL 33.44, 0.47%, 0.75%

LAB 79.89, 4.47, 20.63

 

CMYK 28 / 0 / 1 / 13

HEX #A0DEDB

RGB 160 222 219

HSL 177.1, 0.48%, 0.75%

LAB 84.4, -20.15, -4.87

 

CMYK 1 / 28 / 0 / 13

HEX #DAA0DD

RGB 218 160 221

HSL 297.05, 0.47%, 0.75%

LAB 73.07, 31.57, -22.49

 

CMYK 0 / 1 / 28 / 13

HEX #DDDAA0

RGB 221 218 160

HSL 57.05, 0.47%, 0.75%

LAB 86.03, -7.96, 29

 

CMYK 28 / 0 / 1 / 13

HEX #A0DEDB

RGB 160 222 219

HSL 177.1, 0.48%, 0.75%

LAB 84.4, -20.15, -4.87

 

CMYK 24 / 28 / 0 / 13

HEX #A9A0DD

RGB 169 160 221

HSL 248.85, 0.47%, 0.75%

LAB 68.6, 16.12, -29.72

 

CMYK 0 / 28 / 26 / 13

HEX #DDA0A3

RGB 221 160 163

HSL 357.05, 0.47%, 0.75%

LAB 71.66, 23.07, 7.43

 

CMYK 4 / 0 / 28 / 13

HEX #D4DDA0

RGB 212 221 160

HSL 68.85, 0.47%, 0.75%

LAB 86.13, -12.85, 29.01

 

CMYK 28 / 0 / 1 / 13

HEX #A0DEDB

RGB 160 222 219

HSL 177.1, 0.48%, 0.75%

LAB 84.4, -20.15, -4.87

 

CMYK 15 / 28 / 0 / 13

HEX #BCA0DD

RGB 188 160 221

HSL 267.54, 0.47%, 0.75%

LAB 70.21, 21.98, -27.11

 

CMYK 0 / 28 / 26 / 13

HEX #DDA0A3

RGB 221 160 163

HSL 357.05, 0.47%, 0.75%

LAB 71.66, 23.07, 7.43

 

CMYK 12 / 0 / 28 / 13

HEX #C2DDA0

RGB 194 221 160

HSL 86.56, 0.47%, 0.75%

LAB 84.85, -19.45, 27.07

 

Description

Color code: HEX #A0DEDB | qconv.com Color code: HEX #A0DEDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 222 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 222 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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