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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C55D it is the complementary color #5F3AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C55D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C55D shade: #A5C558, #B6D76B, #C7E97E, #D8FB91 and #E9FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C55D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C55D shade: #A0C55D, #8FB34A, #7EA137, #6D8F24 and #5C7D11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C55D shade: #A0C45D, #BCC45D, #C4B15D, #C4965D and #C47A5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C55D shade: #A0C45D, #84C45D, #68C45D, #5DC46E and #5DC48A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C55D shade matches the following richer shades: #A0C45D, #A5D64C, #AAE83A and #AFFA28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C55D shade: #A0C45D, #9BB36F, #95A181, #908F93 and #8B7DA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C55D shade: #C4B15D, #BCC45D, #A0C45D, #85C45D and #69C45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C55D shade: #769937, #8DB742, #A0C45D, #B2CF7C and #C3DA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C55D shade: #A0C55D, #5DC496 and #BF5DC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C55D shade: #A0C55D, #5DA0C4 and #C45DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C55D shade: #A0C55D, #5DC496, #815DC4 and #C45D8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C55D shade: #A0C55D, #5DC4B5, #815DC4 and #C45D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 53 / 23

HEX #A0C55D

RGB 160 197 93

HSL 81.35, 0.47%, 0.57%

LAB 74.95, -28.79, 47.58

 

Complementary color

CMYK 41 / 64 / 0 / 36

HEX #5F3AA2

RGB 95 58 162

HSL 261.35, 0.47%, 0.43%

LAB 34.12, 39.93, -50.67

 

CMYK 16 / 0 / 55 / 23

HEX #A5C558

RGB 165 197 88

HSL 77.61, 0.48%, 0.56%

LAB 75.22, -27.32, 50.32

 

CMYK 15 / 0 / 50 / 16

HEX #B6D76B

RGB 182 215 107

HSL 78.33, 0.57%, 0.63%

LAB 81.62, -27.53, 49.24

 

CMYK 15 / 0 / 46 / 9

HEX #C7E97E

RGB 199 233 126

HSL 79.07, 0.71%, 0.7%

LAB 87.93, -27.68, 48.13

 

CMYK 14 / 0 / 42 / 2

HEX #D8FB91

RGB 216 251 145

HSL 79.81, 0.93%, 0.78%

LAB 94.16, -27.78, 47

 

CMYK 9 / 0 / 36 / 0

HEX #E9FFA4

RGB 233 255 164

HSL 74.51, 1%, 0.82%

LAB 96.63, -21.24, 41.15

 

CMYK 19 / 0 / 53 / 23

HEX #A0C55D

RGB 160 197 93

HSL 81.35, 0.47%, 0.57%

LAB 74.95, -28.79, 47.58

 

CMYK 20 / 0 / 59 / 30

HEX #8FB34A

RGB 143 179 74

HSL 80.57, 0.42%, 0.5%

LAB 68.44, -28.59, 48.61

 

CMYK 22 / 0 / 66 / 37

HEX #7EA137

RGB 126 161 55

HSL 79.81, 0.49%, 0.42%

LAB 61.83, -28.29, 49.44

 

CMYK 24 / 0 / 75 / 44

HEX #6D8F24

RGB 109 143 36

HSL 79.07, 0.6%, 0.35%

LAB 55.1, -27.82, 49.8

 

CMYK 26 / 0 / 86 / 51

HEX #5C7D11

RGB 92 125 17

HSL 78.33, 0.76%, 0.28%

LAB 48.24, -27.12, 49.14

 

CMYK 18 / 0 / 53 / 23

HEX #A0C45D

RGB 160 196 93

HSL 80.97, 0.47%, 0.57%

LAB 74.66, -28.31, 47.24

 

CMYK 4 / 0 / 53 / 23

HEX #BCC45D

RGB 188 196 93

HSL 64.66, 0.47%, 0.57%

LAB 76.66, -17.17, 50.08

 

CMYK 0 / 10 / 53 / 23

HEX #C4B15D

RGB 196 177 93

HSL 48.93, 0.47%, 0.57%

LAB 72.21, -4.08, 45

 

CMYK 0 / 23 / 53 / 23

HEX #C4965D

RGB 196 150 93

HSL 33.2, 0.47%, 0.57%

LAB 65.23, 10.45, 36.52

 

CMYK 0 / 38 / 53 / 23

HEX #C47A5D

RGB 196 122 93

HSL 16.89, 0.47%, 0.57%

LAB 58.46, 25.81, 27.94

 

CMYK 18 / 0 / 53 / 23

HEX #A0C45D

RGB 160 196 93

HSL 80.97, 0.47%, 0.57%

LAB 74.66, -28.31, 47.24

 

CMYK 33 / 0 / 53 / 23

HEX #84C45D

RGB 132 196 93

HSL 97.28, 0.47%, 0.57%

LAB 73.01, -38.62, 44.87

 

CMYK 47 / 0 / 53 / 23

HEX #68C45D

RGB 104 196 93

HSL 113.59, 0.47%, 0.57%

LAB 71.7, -47.62, 42.98

 

CMYK 53 / 0 / 44 / 23

HEX #5DC46E

RGB 93 196 110

HSL 129.9, 0.47%, 0.57%

LAB 71.51, -48.23, 34.21

 

CMYK 53 / 0 / 30 / 23

HEX #5DC48A

RGB 93 196 138

HSL 146.21, 0.47%, 0.57%

LAB 71.99, -43.27, 20.21

 

CMYK 18 / 0 / 53 / 23

HEX #A0C45D

RGB 160 196 93

HSL 80.97, 0.47%, 0.57%

LAB 74.66, -28.31, 47.24

 

CMYK 23 / 0 / 64 / 16

HEX #A5D64C

RGB 165 214 76

HSL 81.3, 0.63%, 0.57%

LAB 79.96, -36.24, 60.77

 

CMYK 27 / 0 / 75 / 9

HEX #AAE83A

RGB 170 232 58

HSL 81.38, 0.79%, 0.57%

LAB 85.28, -43.44, 72.69

 

CMYK 30 / 0 / 84 / 2

HEX #AFFA28

RGB 175 250 40

HSL 81.43, 0.95%, 0.57%

LAB 90.61, -49.96, 82.3

 

CMYK 18 / 0 / 53 / 23

HEX #A0C45D

RGB 160 196 93

HSL 80.97, 0.47%, 0.57%

LAB 74.66, -28.31, 47.24

 

CMYK 13 / 0 / 38 / 30

HEX #9BB36F

RGB 155 179 111

HSL 81.18, 0.31%, 0.57%

LAB 69.72, -19.83, 32.03

 

CMYK 7 / 0 / 20 / 37

HEX #95A181

RGB 149 161 129

HSL 82.5, 0.15%, 0.57%

LAB 64.54, -10.13, 15.26

 

CMYK 2 / 3 / 0 / 42

HEX #908F93

RGB 144 143 147

HSL 255, 0.02%, 0.57%

LAB 59.6, 1.15, -2

 

CMYK 15 / 24 / 0 / 36

HEX #8B7DA4

RGB 139 125 164

HSL 261.54, 0.18%, 0.57%

LAB 54.9, 13.38, -18.85

 

CMYK 0 / 10 / 53 / 23

HEX #C4B15D

RGB 196 177 93

HSL 48.93, 0.47%, 0.57%

LAB 72.21, -4.08, 45

 

CMYK 4 / 0 / 53 / 23

HEX #BCC45D

RGB 188 196 93

HSL 64.66, 0.47%, 0.57%

LAB 76.66, -17.17, 50.08

 

CMYK 18 / 0 / 53 / 23

HEX #A0C45D

RGB 160 196 93

HSL 80.97, 0.47%, 0.57%

LAB 74.66, -28.31, 47.24

 

CMYK 32 / 0 / 53 / 23

HEX #85C45D

RGB 133 196 93

HSL 96.7, 0.47%, 0.57%

LAB 73.06, -38.28, 44.94

 

CMYK 46 / 0 / 53 / 23

HEX #69C45D

RGB 105 196 93

HSL 113.01, 0.47%, 0.57%

LAB 71.74, -47.32, 43.04

 

CMYK 23 / 0 / 64 / 40

HEX #769937

RGB 118 153 55

HSL 81.43, 0.47%, 0.41%

LAB 58.89, -27.65, 46.14

 

CMYK 23 / 0 / 64 / 28

HEX #8DB742

RGB 141 183 66

HSL 81.54, 0.47%, 0.49%

LAB 69.41, -31.94, 53.18

 

CMYK 18 / 0 / 53 / 23

HEX #A0C45D

RGB 160 196 93

HSL 80.97, 0.47%, 0.57%

LAB 74.66, -28.31, 47.24

 

CMYK 14 / 0 / 40 / 19

HEX #B2CF7C

RGB 178 207 124

HSL 80.96, 0.46%, 0.65%

LAB 79.35, -23.31, 38.05

 

CMYK 11 / 0 / 29 / 15

HEX #C3DA9A

RGB 195 218 154

HSL 81.56, 0.46%, 0.73%

LAB 84.01, -18.46, 29.04

 

CMYK 19 / 0 / 53 / 23

HEX #A0C55D

RGB 160 197 93

HSL 81.35, 0.47%, 0.57%

LAB 74.95, -28.79, 47.58

 

CMYK 53 / 0 / 23 / 23

HEX #5DC496

RGB 93 196 150

HSL 153.2, 0.47%, 0.57%

LAB 72.23, -40.8, 14.11

 

CMYK 3 / 53 / 0 / 23

HEX #BF5DC4

RGB 191 93 196

HSL 297.09, 0.47%, 0.57%

LAB 54.96, 53.76, -36.72

 

CMYK 19 / 0 / 53 / 23

HEX #A0C55D

RGB 160 197 93

HSL 81.35, 0.47%, 0.57%

LAB 74.95, -28.79, 47.58

 

CMYK 53 / 18 / 0 / 23

HEX #5DA0C4

RGB 93 160 196

HSL 200.97, 0.47%, 0.57%

LAB 62.89, -11.16, -25.05

 

CMYK 0 / 53 / 18 / 23

HEX #C45DA0

RGB 196 93 160

HSL 320.97, 0.47%, 0.57%

LAB 54.14, 49.2, -17.09

 

CMYK 19 / 0 / 53 / 23

HEX #A0C55D

RGB 160 197 93

HSL 81.35, 0.47%, 0.57%

LAB 74.95, -28.79, 47.58

 

CMYK 53 / 0 / 23 / 23

HEX #5DC496

RGB 93 196 150

HSL 153.2, 0.47%, 0.57%

LAB 72.23, -40.8, 14.11

 

CMYK 34 / 53 / 0 / 23

HEX #815DC4

RGB 129 93 196

HSL 260.97, 0.47%, 0.57%

LAB 47.6, 37.13, -48.85

 

CMYK 0 / 53 / 29 / 23

HEX #C45D8C

RGB 196 93 140

HSL 332.62, 0.47%, 0.57%

LAB 53.45, 46.35, -6.37

 

CMYK 19 / 0 / 53 / 23

HEX #A0C55D

RGB 160 197 93

HSL 81.35, 0.47%, 0.57%

LAB 74.95, -28.79, 47.58

 

CMYK 53 / 0 / 8 / 23

HEX #5DC4B5

RGB 93 196 181

HSL 171.26, 0.47%, 0.57%

LAB 72.99, -33.58, -1.6

 

CMYK 34 / 53 / 0 / 23

HEX #815DC4

RGB 129 93 196

HSL 260.97, 0.47%, 0.57%

LAB 47.6, 37.13, -48.85

 

CMYK 0 / 53 / 44 / 23

HEX #C45D6D

RGB 196 93 109

HSL 350.68, 0.47%, 0.57%

LAB 52.58, 42.68, 10.75

 

Description

Color code: HEX #A0C55D | qconv.com Color code: HEX #A0C55D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 197 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 197 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 53% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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