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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C466 it is the complementary color #5F3B99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C466 shade: #A5C461, #B6D674, #C7E887, #D8FA9A and #E9FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C466 shade: #A0C466, #8FB253, #7EA040, #6D8E2D and #5C7C1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C466 shade: #9EC364, #B8C364, #C3B464, #C39A64 and #C38164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C466 shade: #9EC364, #85C364, #6CC364, #64C376 and #64C390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C466 shade matches the following richer shades: #9EC364, #A2D453, #A7E542 and #ABF730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C466 shade: #9EC364, #9AB176, #96A087, #928F98 and #8E7DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C466 shade: #C3B364, #B9C364, #A0C364, #87C364 and #6EC364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C466 shade: #75993B, #8CB747, #9EC364, #B1CE82 and #C3DAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C466 shade: #A0C466, #64C39A and #BF64C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C466 shade: #A0C466, #64A0C3 and #C364A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C466 shade: #A0C466, #64C39A, #8764C3 and #C3648D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C466 shade: #A0C466, #64C3B6, #8764C3 and #C36471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 48 / 23

HEX #A0C466

RGB 160 196 102

HSL 82.98, 0.44%, 0.58%

LAB 74.77, -27.37, 43.02

 

Complementary color

CMYK 38 / 61 / 0 / 40

HEX #5F3B99

RGB 95 59 153

HSL 262.98, 0.44%, 0.42%

LAB 33.69, 36.88, -45.93

 

CMYK 16 / 0 / 51 / 23

HEX #A5C461

RGB 165 196 97

HSL 78.79, 0.46%, 0.57%

LAB 75.04, -25.97, 45.86

 

CMYK 15 / 0 / 46 / 16

HEX #B6D674

RGB 182 214 116

HSL 79.59, 0.54%, 0.65%

LAB 81.46, -26.11, 44.72

 

CMYK 14 / 0 / 42 / 9

HEX #C7E887

RGB 199 232 135

HSL 80.41, 0.68%, 0.72%

LAB 87.78, -26.21, 43.57

 

CMYK 14 / 0 / 38 / 2

HEX #D8FA9A

RGB 216 250 154

HSL 81.25, 0.91%, 0.79%

LAB 94.01, -26.27, 42.45

 

CMYK 9 / 0 / 32 / 0

HEX #E9FFAD

RGB 233 255 173

HSL 76.1, 1%, 0.84%

LAB 96.76, -20.13, 36.88

 

CMYK 18 / 0 / 48 / 23

HEX #A0C466

RGB 160 196 102

HSL 82.98, 0.44%, 0.58%

LAB 74.77, -27.37, 43.02

 

CMYK 20 / 0 / 53 / 30

HEX #8FB253

RGB 143 178 83

HSL 82.11, 0.38%, 0.51%

LAB 68.24, -27.26, 44.16

 

CMYK 21 / 0 / 60 / 37

HEX #7EA040

RGB 126 160 64

HSL 81.25, 0.43%, 0.44%

LAB 61.61, -27.06, 45.21

 

CMYK 23 / 0 / 68 / 44

HEX #6D8E2D

RGB 109 142 45

HSL 80.41, 0.52%, 0.37%

LAB 54.85, -26.74, 45.99

 

CMYK 26 / 0 / 79 / 51

HEX #5C7C1A

RGB 92 124 26

HSL 79.59, 0.65%, 0.29%

LAB 47.96, -26.22, 46.14

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 6 / 0 / 49 / 24

HEX #B8C364

RGB 184 195 100

HSL 66.95, 0.44%, 0.58%

LAB 76.16, -17.65, 46.07

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 0 / 21 / 49 / 24

HEX #C39A64

RGB 195 154 100

HSL 34.11, 0.44%, 0.58%

LAB 66.24, 8.49, 34.06

 

CMYK 0 / 34 / 49 / 24

HEX #C38164

RGB 195 129 100

HSL 18.32, 0.44%, 0.58%

LAB 60.09, 22.23, 26.13

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 32 / 0 / 49 / 24

HEX #85C364

RGB 133 195 100

HSL 99.16, 0.44%, 0.58%

LAB 72.85, -37, 41.29

 

CMYK 45 / 0 / 49 / 24

HEX #6CC364

RGB 108 195 100

HSL 114.95, 0.44%, 0.58%

LAB 71.65, -45.11, 39.54

 

CMYK 49 / 0 / 39 / 24

HEX #64C376

RGB 100 195 118

HSL 131.37, 0.44%, 0.58%

LAB 71.59, -44.68, 30.25

 

CMYK 49 / 0 / 26 / 24

HEX #64C390

RGB 100 195 144

HSL 147.79, 0.44%, 0.58%

LAB 72.06, -39.89, 17.14

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 27 / 0 / 71 / 10

HEX #A7E542

RGB 167 229 66

HSL 82.82, 0.76%, 0.58%

LAB 84.3, -42.81, 69.04

 

CMYK 31 / 0 / 81 / 3

HEX #ABF730

RGB 171 247 48

HSL 82.91, 0.93%, 0.58%

LAB 89.58, -49.87, 79.47

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 13 / 0 / 33 / 31

HEX #9AB176

RGB 154 177 118

HSL 83.39, 0.27%, 0.58%

LAB 69.2, -18.25, 27.64

 

CMYK 6 / 0 / 16 / 37

HEX #96A087

RGB 150 160 135

HSL 84, 0.12%, 0.58%

LAB 64.46, -8.21, 11.84

 

CMYK 4 / 6 / 0 / 40

HEX #928F98

RGB 146 143 152

HSL 260, 0.04%, 0.58%

LAB 59.91, 2.88, -4.37

 

CMYK 16 / 26 / 0 / 33

HEX #8E7DAA

RGB 142 125 170

HSL 262.67, 0.21%, 0.58%

LAB 55.4, 15.75, -21.52

 

CMYK 0 / 8 / 49 / 24

HEX #C3B364

RGB 195 179 100

HSL 49.89, 0.44%, 0.58%

LAB 72.74, -4.92, 42.14

 

CMYK 5 / 0 / 49 / 24

HEX #B9C364

RGB 185 195 100

HSL 66.32, 0.44%, 0.58%

LAB 76.23, -17.25, 46.18

 

CMYK 18 / 0 / 49 / 24

HEX #A0C364

RGB 160 195 100

HSL 82.11, 0.44%, 0.58%

LAB 74.46, -27.11, 43.63

 

CMYK 31 / 0 / 49 / 24

HEX #87C364

RGB 135 195 100

HSL 97.89, 0.44%, 0.58%

LAB 72.96, -36.31, 41.45

 

CMYK 44 / 0 / 49 / 24

HEX #6EC364

RGB 110 195 100

HSL 113.68, 0.44%, 0.58%

LAB 71.73, -44.5, 39.66

 

CMYK 24 / 0 / 61 / 40

HEX #75993B

RGB 117 153 59

HSL 82.98, 0.44%, 0.42%

LAB 58.86, -27.71, 44.28

 

CMYK 23 / 0 / 61 / 28

HEX #8CB747

RGB 140 183 71

HSL 83.04, 0.44%, 0.5%

LAB 69.4, -31.92, 50.97

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 14 / 0 / 37 / 19

HEX #B1CE82

RGB 177 206 130

HSL 82.89, 0.44%, 0.66%

LAB 79.1, -22.44, 34.66

 

CMYK 11 / 0 / 27 / 15

HEX #C3DAA0

RGB 195 218 160

HSL 83.79, 0.44%, 0.74%

LAB 84.11, -17.6, 26.07

 

CMYK 18 / 0 / 48 / 23

HEX #A0C466

RGB 160 196 102

HSL 82.98, 0.44%, 0.58%

LAB 74.77, -27.37, 43.02

 

CMYK 49 / 0 / 21 / 24

HEX #64C39A

RGB 100 195 154

HSL 154.11, 0.44%, 0.58%

LAB 72.28, -37.8, 12.05

 

CMYK 2 / 49 / 0 / 24

HEX #BF64C3

RGB 191 100 195

HSL 297.47, 0.44%, 0.58%

LAB 56.22, 50.12, -34.18

 

CMYK 18 / 0 / 48 / 23

HEX #A0C466

RGB 160 196 102

HSL 82.98, 0.44%, 0.58%

LAB 74.77, -27.37, 43.02

 

CMYK 49 / 18 / 0 / 24

HEX #64A0C3

RGB 100 160 195

HSL 202.11, 0.44%, 0.58%

LAB 63.17, -9.84, -24.03

 

CMYK 0 / 49 / 18 / 24

HEX #C364A0

RGB 195 100 160

HSL 322.11, 0.44%, 0.58%

LAB 55.33, 45.39, -15.29

 

CMYK 18 / 0 / 48 / 23

HEX #A0C466

RGB 160 196 102

HSL 82.98, 0.44%, 0.58%

LAB 74.77, -27.37, 43.02

 

CMYK 49 / 0 / 21 / 24

HEX #64C39A

RGB 100 195 154

HSL 154.11, 0.44%, 0.58%

LAB 72.28, -37.8, 12.05

 

CMYK 31 / 49 / 0 / 24

HEX #8764C3

RGB 135 100 195

HSL 262.11, 0.44%, 0.58%

LAB 49.74, 34.39, -44.82

 

CMYK 0 / 49 / 28 / 24

HEX #C3648D

RGB 195 100 141

HSL 334.11, 0.44%, 0.58%

LAB 54.7, 42.63, -5.12

 

CMYK 18 / 0 / 48 / 23

HEX #A0C466

RGB 160 196 102

HSL 82.98, 0.44%, 0.58%

LAB 74.77, -27.37, 43.02

 

CMYK 49 / 0 / 7 / 24

HEX #64C3B6

RGB 100 195 182

HSL 171.79, 0.44%, 0.58%

LAB 72.97, -31.31, -2.14

 

CMYK 31 / 49 / 0 / 24

HEX #8764C3

RGB 135 100 195

HSL 262.11, 0.44%, 0.58%

LAB 49.74, 34.39, -44.82

 

CMYK 0 / 49 / 42 / 24

HEX #C36471

RGB 195 100 113

HSL 351.79, 0.44%, 0.58%

LAB 53.93, 39.17, 10.26

 

Description

Color code: HEX #A0C466 | qconv.com Color code: HEX #A0C466 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 196 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 196 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 48 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 48% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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