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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0BD5F it is the complementary color #5F42A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0BD5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0BD5F shade: #A5BD5A, #B6CF6D, #C7E180, #D8F393 and #E9FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0BD5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0BD5F shade: #A0BD5F, #8FAB4C, #7E9939, #6D8726 and #5C7513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0BD5F shade: #A0BD5F, #BABD5F, #BDA85F, #BD8E5F and #BD755F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0BD5F shade: #A0BD5F, #87BD5F, #6EBD5F, #5FBD6A and #5FBD84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0BD5F shade matches the following richer shades: #A0BD5F, #A7D04D, #AEE23B and #B5F429

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0BD5F shade: #A0BD5F, #99AB71, #929983, #8B8796 and #8575A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0BD5F shade: #BDA75F, #BABD5F, #A1BD5F, #88BD5F and #6FBD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0BD5F shade: #75903A, #8DAD46, #A0BD5F, #B2C97C and #C3D59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0BD5F shade: #A0BD5F, #5FBD8E and #B45FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0BD5F shade: #A0BD5F, #5FA1BD and #BD5FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0BD5F shade: #A0BD5F, #5FBD8E, #7B5FBD and #BD5F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0BD5F shade: #A0BD5F, #5FBDAB, #7B5FBD and #BD5F72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

Complementary color

CMYK 41 / 59 / 0 / 37

HEX #5F42A0

RGB 95 66 160

HSL 258.51, 0.42%, 0.44%

LAB 35.73, 34.73, -46.88

 

CMYK 13 / 0 / 52 / 26

HEX #A5BD5A

RGB 165 189 90

HSL 74.55, 0.43%, 0.55%

LAB 72.98, -23.25, 46.76

 

CMYK 12 / 0 / 47 / 19

HEX #B6CF6D

RGB 182 207 109

HSL 75.31, 0.51%, 0.62%

LAB 79.43, -23.47, 45.63

 

CMYK 12 / 0 / 43 / 12

HEX #C7E180

RGB 199 225 128

HSL 76.08, 0.62%, 0.69%

LAB 85.78, -23.64, 44.49

 

CMYK 11 / 0 / 40 / 5

HEX #D8F393

RGB 216 243 147

HSL 76.88, 0.8%, 0.76%

LAB 92.05, -23.77, 43.35

 

CMYK 9 / 0 / 35 / 0

HEX #E9FFA6

RGB 233 255 166

HSL 74.83, 1%, 0.83%

LAB 96.66, -21, 40.2

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 16 / 0 / 56 / 33

HEX #8FAB4C

RGB 143 171 76

HSL 77.68, 0.38%, 0.48%

LAB 66.13, -24.52, 45.04

 

CMYK 18 / 0 / 63 / 40

HEX #7E9939

RGB 126 153 57

HSL 76.88, 0.46%, 0.41%

LAB 59.45, -24.21, 46

 

CMYK 19 / 0 / 72 / 47

HEX #6D8726

RGB 109 135 38

HSL 76.08, 0.56%, 0.34%

LAB 52.64, -23.75, 46.6

 

CMYK 21 / 0 / 84 / 54

HEX #5C7513

RGB 92 117 19

HSL 75.31, 0.72%, 0.27%

LAB 45.7, -23.06, 46.33

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 2 / 0 / 50 / 26

HEX #BABD5F

RGB 186 189 95

HSL 61.91, 0.42%, 0.56%

LAB 74.61, -14.27, 46.68

 

CMYK 0 / 11 / 50 / 26

HEX #BDA85F

RGB 189 168 95

HSL 46.6, 0.42%, 0.56%

LAB 69.22, -2.06, 40.24

 

CMYK 0 / 25 / 50 / 26

HEX #BD8E5F

RGB 189 142 95

HSL 30, 0.42%, 0.56%

LAB 62.5, 12.08, 31.86

 

CMYK 0 / 38 / 50 / 26

HEX #BD755F

RGB 189 117 95

HSL 14.04, 0.42%, 0.56%

LAB 56.45, 25.9, 24.02

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 29 / 0 / 50 / 26

HEX #87BD5F

RGB 135 189 95

HSL 94.47, 0.42%, 0.56%

LAB 71.13, -34.15, 41.66

 

CMYK 42 / 0 / 50 / 26

HEX #6EBD5F

RGB 110 189 95

HSL 110.43, 0.42%, 0.56%

LAB 69.85, -42.61, 39.81

 

CMYK 50 / 0 / 44 / 26

HEX #5FBD6A

RGB 95 189 106

HSL 127.02, 0.42%, 0.56%

LAB 69.38, -45.44, 33.54

 

CMYK 50 / 0 / 30 / 26

HEX #5FBD84

RGB 95 189 132

HSL 143.62, 0.42%, 0.56%

LAB 69.82, -40.9, 20.45

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 20 / 0 / 63 / 18

HEX #A7D04D

RGB 167 208 77

HSL 78.78, 0.58%, 0.56%

LAB 78.38, -32.65, 58.71

 

CMYK 23 / 0 / 74 / 11

HEX #AEE23B

RGB 174 226 59

HSL 78.68, 0.74%, 0.56%

LAB 83.81, -39.26, 71.05

 

CMYK 26 / 0 / 83 / 4

HEX #B5F429

RGB 181 244 41

HSL 78.62, 0.9%, 0.56%

LAB 89.25, -45.21, 81.04

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 11 / 0 / 34 / 33

HEX #99AB71

RGB 153 171 113

HSL 78.62, 0.26%, 0.56%

LAB 67.34, -16.26, 27.84

 

CMYK 5 / 0 / 14 / 40

HEX #929983

RGB 146 153 131

HSL 79.09, 0.1%, 0.56%

LAB 62.11, -6.62, 10.71

 

CMYK 7 / 10 / 0 / 41

HEX #8B8796

RGB 139 135 150

HSL 256, 0.07%, 0.56%

LAB 57.09, 4.51, -7.47

 

CMYK 21 / 30 / 0 / 34

HEX #8575A8

RGB 133 117 168

HSL 258.82, 0.23%, 0.56%

LAB 52.44, 17.05, -24.99

 

CMYK 0 / 12 / 50 / 26

HEX #BDA75F

RGB 189 167 95

HSL 45.96, 0.42%, 0.56%

LAB 68.96, -1.53, 39.92

 

CMYK 2 / 0 / 50 / 26

HEX #BABD5F

RGB 186 189 95

HSL 61.91, 0.42%, 0.56%

LAB 74.61, -14.27, 46.68

 

CMYK 15 / 0 / 50 / 26

HEX #A1BD5F

RGB 161 189 95

HSL 77.87, 0.42%, 0.56%

LAB 72.76, -24.33, 44.02

 

CMYK 28 / 0 / 50 / 26

HEX #88BD5F

RGB 136 189 95

HSL 93.83, 0.42%, 0.56%

LAB 71.18, -33.79, 41.75

 

CMYK 41 / 0 / 50 / 26

HEX #6FBD5F

RGB 111 189 95

HSL 109.79, 0.42%, 0.56%

LAB 69.9, -42.29, 39.88

 

CMYK 19 / 0 / 60 / 44

HEX #75903A

RGB 117 144 58

HSL 78.84, 0.43%, 0.4%

LAB 56.12, -23.35, 41.68

 

CMYK 18 / 0 / 60 / 32

HEX #8DAD46

RGB 141 173 70

HSL 78.64, 0.42%, 0.48%

LAB 66.51, -26.84, 48.23

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 11 / 0 / 38 / 21

HEX #B2C97C

RGB 178 201 124

HSL 77.92, 0.42%, 0.64%

LAB 77.69, -20.36, 35.92

 

CMYK 8 / 0 / 28 / 16

HEX #C3D59A

RGB 195 213 154

HSL 78.31, 0.41%, 0.72%

LAB 82.66, -15.97, 27.22

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 50 / 0 / 25 / 26

HEX #5FBD8E

RGB 95 189 142

HSL 150, 0.42%, 0.56%

LAB 70.02, -38.89, 15.35

 

CMYK 5 / 50 / 0 / 26

HEX #B45FBD

RGB 180 95 189

HSL 294.26, 0.42%, 0.56%

LAB 53.56, 48.37, -35

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 50 / 15 / 0 / 26

HEX #5FA1BD

RGB 95 161 189

HSL 197.87, 0.42%, 0.56%

LAB 63.01, -13.3, -20.95

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA1

RGB 189 95 161

HSL 317.87, 0.42%, 0.56%

LAB 53.57, 46.17, -18.62

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 50 / 0 / 25 / 26

HEX #5FBD8E

RGB 95 189 142

HSL 150, 0.42%, 0.56%

LAB 70.02, -38.89, 15.35

 

CMYK 35 / 50 / 0 / 26

HEX #7B5FBD

RGB 123 95 189

HSL 257.87, 0.42%, 0.56%

LAB 47.07, 32.56, -45.69

 

CMYK 0 / 50 / 25 / 26

HEX #BD5F8E

RGB 189 95 142

HSL 330, 0.42%, 0.56%

LAB 52.9, 43.3, -8.47

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 50 / 0 / 10 / 26

HEX #5FBDAB

RGB 95 189 171

HSL 168.51, 0.42%, 0.56%

LAB 70.71, -32.31, 0.53

 

CMYK 35 / 50 / 0 / 26

HEX #7B5FBD

RGB 123 95 189

HSL 257.87, 0.42%, 0.56%

LAB 47.07, 32.56, -45.69

 

CMYK 0 / 50 / 40 / 26

HEX #BD5F72

RGB 189 95 114

HSL 347.87, 0.42%, 0.56%

LAB 52.08, 39.69, 6.93

 

Description

Color code: HEX #A0BD5F | qconv.com Color code: HEX #A0BD5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 189 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 189 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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