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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0B016 it is the complementary color #5F4FE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0B016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0B016 shade: #A5B011, #B6C224, #C7D437, #D8E64A and #E9F85D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0B016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0B016 shade: #A0B016, #8F9E03, #7E8C00, #6D7A00 and #5C6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0B016 shade: #A0B115, #B19715, #B16D15, #B14315 and #B11915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0B016 shade: #A0B115, #77B115, #4DB115, #23B115 and #15B132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0B016 shade matches the following richer shades: #A0B115 and #ADC105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0B016 shade: #A0B115, #94A025, #879036, #7A8046 and #6D7056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0B016 shade: #B16D15, #B19715, #A1B115, #78B115 and #4EB115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0B016 shade: #5E670C, #7F8C11, #A0B115, #C2D51A and #D3E533

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0B016 shade: #A0B016, #15B144 and #8215B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0B016 shade: #A0B016, #15A1B1 and #B115A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0B016 shade: #A0B016, #15B144, #2515B1 and #B11582

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0B016 shade: #A0B016, #15B172, #2515B1 and #B11553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 88 / 31

HEX #A0B016

RGB 160 176 22

HSL 66.23, 0.78%, 0.39%

LAB 68.45, -22.93, 66.97

 

Complementary color

CMYK 59 / 66 / 0 / 9

HEX #5F4FE9

RGB 95 79 233

HSL 246.23, 0.78%, 0.61%

LAB 44.1, 48.98, -75.79

 

CMYK 6 / 0 / 90 / 31

HEX #A5B011

RGB 165 176 17

HSL 64.15, 0.82%, 0.38%

LAB 68.82, -20.89, 68.34

 

CMYK 6 / 0 / 81 / 24

HEX #B6C224

RGB 182 194 36

HSL 64.56, 0.69%, 0.45%

LAB 75.24, -22.03, 70.15

 

CMYK 6 / 0 / 74 / 17

HEX #C7D437

RGB 199 212 55

HSL 64.97, 0.65%, 0.52%

LAB 81.57, -22.97, 70.81

 

CMYK 6 / 0 / 68 / 10

HEX #D8E64A

RGB 216 230 74

HSL 65.38, 0.76%, 0.6%

LAB 87.82, -23.75, 70.74

 

CMYK 6 / 0 / 63 / 3

HEX #E9F85D

RGB 233 248 93

HSL 65.81, 0.92%, 0.67%

LAB 93.99, -24.4, 70.24

 

CMYK 9 / 0 / 88 / 31

HEX #A0B016

RGB 160 176 22

HSL 66.23, 0.78%, 0.39%

LAB 68.45, -22.93, 66.97

 

CMYK 9 / 0 / 98 / 38

HEX #8F9E03

RGB 143 158 3

HSL 65.81, 0.96%, 0.32%

LAB 61.91, -21.69, 64.21

 

CMYK 10 / 0 / 100 / 45

HEX #7E8C00

RGB 126 140 0

HSL 66, 1%, 0.27%

LAB 55.27, -20.16, 59.11

 

CMYK 11 / 0 / 100 / 52

HEX #6D7A00

RGB 109 122 0

HSL 66.39, 1%, 0.24%

LAB 48.47, -18.54, 53.46

 

CMYK 12 / 0 / 100 / 59

HEX #5C6800

RGB 92 104 0

HSL 66.92, 1%, 0.2%

LAB 41.49, -16.89, 47.65

 

CMYK 10 / 0 / 88 / 31

HEX #A0B115

RGB 160 177 21

HSL 66.54, 0.79%, 0.39%

LAB 68.73, -23.45, 67.4

 

CMYK 0 / 15 / 88 / 31

HEX #B19715

RGB 177 151 21

HSL 50, 0.79%, 0.39%

LAB 62.96, -2.44, 63.34

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 62 / 88 / 31

HEX #B14315

RGB 177 67 21

HSL 17.69, 0.79%, 0.39%

LAB 43.38, 42.79, 47.66

 

CMYK 0 / 86 / 88 / 31

HEX #B11915

RGB 177 25 21

HSL 1.54, 0.79%, 0.39%

LAB 38.02, 57.54, 43.37

 

CMYK 10 / 0 / 88 / 31

HEX #A0B115

RGB 160 177 21

HSL 66.54, 0.79%, 0.39%

LAB 68.73, -23.45, 67.4

 

CMYK 33 / 0 / 88 / 31

HEX #77B115

RGB 119 177 21

HSL 82.31, 0.79%, 0.39%

LAB 66.07, -40.11, 64.11

 

CMYK 56 / 0 / 88 / 31

HEX #4DB115

RGB 77 177 21

HSL 98.46, 0.79%, 0.39%

LAB 64.22, -53.85, 61.8

 

CMYK 80 / 0 / 88 / 31

HEX #23B115

RGB 35 177 21

HSL 114.62, 0.79%, 0.39%

LAB 63.22, -62.27, 60.54

 

CMYK 88 / 0 / 72 / 31

HEX #15B132

RGB 21 177 50

HSL 131.15, 0.79%, 0.39%

LAB 63.21, -61.88, 51.8

 

CMYK 10 / 0 / 88 / 31

HEX #A0B115

RGB 160 177 21

HSL 66.54, 0.79%, 0.39%

LAB 68.73, -23.45, 67.4

 

CMYK 10 / 0 / 97 / 24

HEX #ADC105

RGB 173 193 5

HSL 66.38, 0.95%, 0.39%

LAB 74.21, -25.98, 74.26

 

CMYK 10 / 0 / 88 / 31

HEX #A0B115

RGB 160 177 21

HSL 66.54, 0.79%, 0.39%

LAB 68.73, -23.45, 67.4

 

CMYK 7 / 0 / 77 / 37

HEX #94A025

RGB 148 160 37

HSL 65.85, 0.62%, 0.39%

LAB 62.99, -19.6, 57.94

 

CMYK 6 / 0 / 63 / 44

HEX #879036

RGB 135 144 54

HSL 66, 0.45%, 0.39%

LAB 57.43, -16.01, 45.36

 

CMYK 5 / 0 / 45 / 50

HEX #7A8046

RGB 122 128 70

HSL 66.21, 0.29%, 0.39%

LAB 51.86, -11.6, 30.62

 

CMYK 3 / 0 / 23 / 56

HEX #6D7056

RGB 109 112 86

HSL 66.92, 0.13%, 0.39%

LAB 46.33, -5.98, 14.11

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 15 / 88 / 31

HEX #B19715

RGB 177 151 21

HSL 50, 0.79%, 0.39%

LAB 62.96, -2.44, 63.34

 

CMYK 9 / 0 / 88 / 31

HEX #A1B115

RGB 161 177 21

HSL 66.15, 0.79%, 0.39%

LAB 68.81, -23.02, 67.49

 

CMYK 32 / 0 / 88 / 31

HEX #78B115

RGB 120 177 21

HSL 81.92, 0.79%, 0.39%

LAB 66.13, -39.73, 64.18

 

CMYK 56 / 0 / 88 / 31

HEX #4EB115

RGB 78 177 21

HSL 98.08, 0.79%, 0.39%

LAB 64.26, -53.58, 61.84

 

CMYK 9 / 0 / 88 / 60

HEX #5E670C

RGB 94 103 12

HSL 65.93, 0.79%, 0.23%

LAB 41.39, -15.04, 44.61

 

CMYK 9 / 0 / 88 / 45

HEX #7F8C11

RGB 127 140 17

HSL 66.34, 0.78%, 0.31%

LAB 55.39, -19.35, 56.22

 

CMYK 10 / 0 / 88 / 31

HEX #A0B115

RGB 160 177 21

HSL 66.54, 0.79%, 0.39%

LAB 68.73, -23.45, 67.4

 

CMYK 9 / 0 / 88 / 16

HEX #C2D51A

RGB 194 213 26

HSL 66.1, 0.78%, 0.47%

LAB 81.36, -26.46, 77.77

 

CMYK 8 / 0 / 78 / 10

HEX #D3E533

RGB 211 229 51

HSL 66.07, 0.77%, 0.55%

LAB 87.06, -26.35, 77.36

 

CMYK 9 / 0 / 88 / 31

HEX #A0B016

RGB 160 176 22

HSL 66.23, 0.78%, 0.39%

LAB 68.45, -22.93, 66.97

 

CMYK 88 / 0 / 62 / 31

HEX #15B144

RGB 21 177 68

HSL 138.08, 0.79%, 0.39%

LAB 63.36, -59.94, 44.39

 

CMYK 27 / 88 / 0 / 31

HEX #8215B1

RGB 130 21 177

HSL 281.92, 0.79%, 0.39%

LAB 34.92, 64.49, -58.16

 

CMYK 9 / 0 / 88 / 31

HEX #A0B016

RGB 160 176 22

HSL 66.23, 0.78%, 0.39%

LAB 68.45, -22.93, 66.97

 

CMYK 88 / 9 / 0 / 31

HEX #15A1B1

RGB 21 161 177

HSL 186.15, 0.79%, 0.39%

LAB 60.63, -28.06, -18.01

 

CMYK 0 / 88 / 9 / 31

HEX #B115A1

RGB 177 21 161

HSL 306.15, 0.79%, 0.39%

LAB 41.93, 69.93, -36.88

 

CMYK 9 / 0 / 88 / 31

HEX #A0B016

RGB 160 176 22

HSL 66.23, 0.78%, 0.39%

LAB 68.45, -22.93, 66.97

 

CMYK 88 / 0 / 62 / 31

HEX #15B144

RGB 21 177 68

HSL 138.08, 0.79%, 0.39%

LAB 63.36, -59.94, 44.39

 

CMYK 79 / 88 / 0 / 31

HEX #2515B1

RGB 37 21 177

HSL 246.15, 0.79%, 0.39%

LAB 24.01, 55.15, -76.5

 

CMYK 0 / 88 / 27 / 31

HEX #B11582

RGB 177 21 130

HSL 318.08, 0.79%, 0.39%

LAB 40.4, 65.86, -20.39

 

CMYK 9 / 0 / 88 / 31

HEX #A0B016

RGB 160 176 22

HSL 66.23, 0.78%, 0.39%

LAB 68.45, -22.93, 66.97

 

CMYK 88 / 0 / 36 / 31

HEX #15B172

RGB 21 177 114

HSL 155.77, 0.79%, 0.39%

LAB 64.01, -52.18, 21.95

 

CMYK 79 / 88 / 0 / 31

HEX #2515B1

RGB 37 21 177

HSL 246.15, 0.79%, 0.39%

LAB 24.01, 55.15, -76.5

 

CMYK 0 / 88 / 53 / 31

HEX #B11553

RGB 177 21 83

HSL 336.15, 0.79%, 0.39%

LAB 38.74, 61.26, 6.74

 

Description

Color code: HEX #A0B016 | qconv.com Color code: HEX #A0B016 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 176 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 176 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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