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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0A978 it is the complementary color #5F5687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0A978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0A978 shade: #A5A973, #B6BB86, #C7CD99, #D8DFAC and #E9F1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0A978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0A978 shade: #A0A978, #8F9765, #7E8552, #6D733F and #5C612C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0A978 shade: #A0A979, #A9A579, #A99879, #A98B79 and #A97E79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0A978 shade: #A0A979, #93A979, #86A979, #79A979 and #79A985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0A978 shade matches the following richer shades: #A0A979, #ABBB67, #B7CC55, #C2DE44 and #CDF032

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0A978 shade: #A0A979, #95978A, #8A859C, #7E74AE and #7362C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0A978 shade: #A99879, #A9A579, #A0A979, #93A979 and #86A979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0A978 shade: #767E51, #8E9861, #A0A979, #B2B992 and #C4C9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0A978 shade: #A0A978, #79A98B and #9F79A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0A978 shade: #A0A978, #79A0A9 and #A979A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0A978 shade: #A0A978, #79A98B, #8279A9 and #A97996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0A978 shade: #A0A978, #79A99A, #8279A9 and #A97988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

Complementary color

CMYK 30 / 36 / 0 / 47

HEX #5F5687

RGB 95 86 135

HSL 251.02, 0.22%, 0.43%

LAB 39.31, 15.34, -26.06

 

CMYK 2 / 0 / 32 / 34

HEX #A5A973

RGB 165 169 115

HSL 64.44, 0.24%, 0.56%

LAB 67.73, -10.22, 27.45

 

CMYK 3 / 0 / 28 / 27

HEX #B6BB86

RGB 182 187 134

HSL 65.66, 0.28%, 0.63%

LAB 74.32, -10.41, 26.33

 

CMYK 3 / 0 / 25 / 20

HEX #C7CD99

RGB 199 205 153

HSL 66.92, 0.34%, 0.7%

LAB 80.8, -10.57, 25.27

 

CMYK 3 / 0 / 23 / 13

HEX #D8DFAC

RGB 216 223 172

HSL 68.24, 0.44%, 0.77%

LAB 87.17, -10.71, 24.27

 

CMYK 3 / 0 / 21 / 5

HEX #E9F1BF

RGB 233 241 191

HSL 69.6, 0.64%, 0.85%

LAB 93.45, -10.83, 23.31

 

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

CMYK 5 / 0 / 33 / 41

HEX #8F9765

RGB 143 151 101

HSL 69.6, 0.2%, 0.49%

LAB 60.7, -11.36, 25.43

 

CMYK 5 / 0 / 38 / 48

HEX #7E8552

RGB 126 133 82

HSL 68.24, 0.24%, 0.42%

LAB 53.84, -11.17, 26.65

 

CMYK 5 / 0 / 45 / 55

HEX #6D733F

RGB 109 115 63

HSL 66.92, 0.29%, 0.35%

LAB 46.81, -10.91, 27.92

 

CMYK 5 / 0 / 55 / 62

HEX #5C612C

RGB 92 97 44

HSL 65.66, 0.38%, 0.28%

LAB 39.59, -10.52, 29.22

 

CMYK 5 / 0 / 28 / 34

HEX #A0A979

RGB 160 169 121

HSL 71.25, 0.22%, 0.57%

LAB 67.45, -11.37, 23.77

 

CMYK 0 / 2 / 28 / 34

HEX #A9A579

RGB 169 165 121

HSL 55, 0.22%, 0.57%

LAB 67.07, -5.69, 23.39

 

CMYK 0 / 10 / 28 / 34

HEX #A99879

RGB 169 152 121

HSL 38.75, 0.22%, 0.57%

LAB 63.57, 1.37, 18.62

 

CMYK 0 / 18 / 28 / 34

HEX #A98B79

RGB 169 139 121

HSL 22.5, 0.22%, 0.57%

LAB 60.14, 8.59, 13.89

 

CMYK 0 / 25 / 28 / 34

HEX #A97E79

RGB 169 126 121

HSL 6.25, 0.22%, 0.57%

LAB 56.82, 15.92, 9.22

 

CMYK 5 / 0 / 28 / 34

HEX #A0A979

RGB 160 169 121

HSL 71.25, 0.22%, 0.57%

LAB 67.45, -11.37, 23.77

 

CMYK 13 / 0 / 28 / 34

HEX #93A979

RGB 147 169 121

HSL 87.5, 0.22%, 0.57%

LAB 66.49, -16.37, 22.31

 

CMYK 21 / 0 / 28 / 34

HEX #86A979

RGB 134 169 121

HSL 103.75, 0.22%, 0.57%

LAB 65.61, -21.19, 20.98

 

CMYK 28 / 0 / 28 / 34

HEX #79A979

RGB 121 169 121

HSL 120, 0.22%, 0.57%

LAB 64.82, -25.78, 19.77

 

CMYK 28 / 0 / 21 / 34

HEX #79A985

RGB 121 169 133

HSL 135, 0.22%, 0.57%

LAB 65.07, -23.59, 13.52

 

CMYK 5 / 0 / 28 / 34

HEX #A0A979

RGB 160 169 121

HSL 71.25, 0.22%, 0.57%

LAB 67.45, -11.37, 23.77

 

CMYK 9 / 0 / 45 / 27

HEX #ABBB67

RGB 171 187 103

HSL 71.43, 0.38%, 0.57%

LAB 73.01, -18.53, 40.53

 

CMYK 10 / 0 / 58 / 20

HEX #B7CC55

RGB 183 204 85

HSL 70.59, 0.54%, 0.57%

LAB 78.41, -23.81, 55.62

 

CMYK 13 / 0 / 69 / 13

HEX #C2DE44

RGB 194 222 68

HSL 70.91, 0.7%, 0.57%

LAB 84.03, -29.14, 68.62

 

CMYK 15 / 0 / 79 / 6

HEX #CDF032

RGB 205 240 50

HSL 71.05, 0.86%, 0.57%

LAB 89.64, -33.92, 79.78

 

CMYK 5 / 0 / 28 / 34

HEX #A0A979

RGB 160 169 121

HSL 71.25, 0.22%, 0.57%

LAB 67.45, -11.37, 23.77

 

CMYK 1 / 0 / 9 / 41

HEX #95978A

RGB 149 151 138

HSL 69.23, 0.06%, 0.57%

LAB 61.96, -3.16, 6.59

HEX #95978A

CMYK 12 / 15 / 0 / 39

HEX #8A859C

RGB 138 133 156

HSL 253.04, 0.1%, 0.57%

LAB 56.66, 6.6, -11.57

HEX #8A859C

CMYK 28 / 33 / 0 / 32

HEX #7E74AE

RGB 126 116 174

HSL 250.34, 0.26%, 0.57%

LAB 51.82, 16.94, -29.48

HEX #7E74AE

CMYK 40 / 49 / 0 / 25

HEX #7362C0

RGB 115 98 192

HSL 250.85, 0.43%, 0.57%

LAB 47.22, 29.55, -47.22

HEX #7362C0

CMYK 0 / 10 / 28 / 34

HEX #A99879

RGB 169 152 121

HSL 38.75, 0.22%, 0.57%

LAB 63.57, 1.37, 18.62

 

CMYK 0 / 2 / 28 / 34

HEX #A9A579

RGB 169 165 121

HSL 55, 0.22%, 0.57%

LAB 67.07, -5.69, 23.39

 

CMYK 5 / 0 / 28 / 34

HEX #A0A979

RGB 160 169 121

HSL 71.25, 0.22%, 0.57%

LAB 67.45, -11.37, 23.77

 

CMYK 13 / 0 / 28 / 34

HEX #93A979

RGB 147 169 121

HSL 87.5, 0.22%, 0.57%

LAB 66.49, -16.37, 22.31

 

CMYK 21 / 0 / 28 / 34

HEX #86A979

RGB 134 169 121

HSL 103.75, 0.22%, 0.57%

LAB 65.61, -21.19, 20.98

 

CMYK 6 / 0 / 36 / 51

HEX #767E51

RGB 118 126 81

HSL 70.67, 0.22%, 0.41%

LAB 51.11, -10.83, 23.54

 

CMYK 7 / 0 / 36 / 40

HEX #8E9861

RGB 142 152 97

HSL 70.91, 0.22%, 0.49%

LAB 60.84, -12.84, 27.78

 

CMYK 5 / 0 / 28 / 34

HEX #A0A979

RGB 160 169 121

HSL 71.25, 0.22%, 0.57%

LAB 67.45, -11.37, 23.77

 

CMYK 4 / 0 / 21 / 27

HEX #B2B992

RGB 178 185 146

HSL 70.77, 0.22%, 0.65%

LAB 73.7, -9.16, 19.02

 

CMYK 2 / 0 / 15 / 21

HEX #C4C9AB

RGB 196 201 171

HSL 70, 0.22%, 0.73%

LAB 79.87, -6.92, 14.42

 

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

CMYK 28 / 0 / 18 / 34

HEX #79A98B

RGB 121 169 139

HSL 142.5, 0.22%, 0.57%

LAB 65.2, -22.42, 10.39

 

CMYK 6 / 28 / 0 / 34

HEX #9F79A9

RGB 159 121 169

HSL 287.5, 0.22%, 0.57%

LAB 56, 23.53, -19.89

 

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

CMYK 28 / 5 / 0 / 34

HEX #79A0A9

RGB 121 160 169

HSL 191.25, 0.22%, 0.57%

LAB 63.4, -11.08, -9

 

CMYK 0 / 28 / 5 / 34

HEX #A979A0

RGB 169 121 160

HSL 311.25, 0.22%, 0.57%

LAB 56.73, 25.21, -13.48

 

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

CMYK 28 / 0 / 18 / 34

HEX #79A98B

RGB 121 169 139

HSL 142.5, 0.22%, 0.57%

LAB 65.2, -22.42, 10.39

 

CMYK 23 / 28 / 0 / 34

HEX #8279A9

RGB 130 121 169

HSL 251.25, 0.22%, 0.57%

LAB 53.26, 13.96, -24.33

 

CMYK 0 / 28 / 11 / 34

HEX #A97996

RGB 169 121 150

HSL 323.75, 0.22%, 0.57%

LAB 56.4, 23.4, -8.19

 

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

CMYK 28 / 0 / 9 / 34

HEX #79A99A

RGB 121 169 154

HSL 161.25, 0.22%, 0.57%

LAB 65.57, -19.29, 2.59

 

CMYK 23 / 28 / 0 / 34

HEX #8279A9

RGB 130 121 169

HSL 251.25, 0.22%, 0.57%

LAB 53.26, 13.96, -24.33

 

CMYK 0 / 28 / 20 / 34

HEX #A97988

RGB 169 121 136

HSL 341.25, 0.22%, 0.57%

LAB 55.97, 21.04, -0.69

 

Description

Color code: HEX #A0A978 | qconv.com Color code: HEX #A0A978 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 169 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 169 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 29 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 29% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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