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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0A7AF it is the complementary color #5F5850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0A7AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0A7AF shade: #A5A7AA, #B6B9BD, #C7CBD0, #D8DDE3 and #E9EFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0A7AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0A7AF shade: #A0A7AF, #8F959C, #7E8389, #6D7176 and #5C5F63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0A7AF shade: #A0A7B0, #A0A3B0, #A1A0B0, #A5A0B0 and #AAA0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0A7AF shade: #A0A7B0, #A0A3B0 and #A0A0B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0A7AF shade matches the following richer shades: #A0A7B0, #92A6BE, #84A5CC, #76A4DA and #68A4E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0A7AF shade: #A0A7B0, #AEA8A2, #BCA994, #CAAA86 and #D8AB77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0A7AF shade: #A0B0B0, #A0ABB0, #A0A7B0, #A0A3B0 and #A1A0B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0A7AF shade: #737E8A, #8A939D, #A0A7B0, #B6BCC2 and #CDD1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0A7AF shade: #A0A7AF, #ABA0B0 and #AEB0A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0A7AF shade: #A0A7AF, #B0A0A7 and #A7B0A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0A7AF shade: #A0A7AF, #ABA0B0, #B0A8A0 and #A4B0A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0A7AF shade: #A0A7AF, #B0A0AF, #B0A8A0 and #A0B0A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 31

HEX #A0A7AF

RGB 160 167 175

HSL 212, 0.09%, 0.66%

LAB 68.17, -0.87, -4.98

 

Complementary color

CMYK 0 / 7 / 16 / 63

HEX #5F5850

RGB 95 88 80

HSL 32, 0.09%, 0.34%

LAB 37.83, 1.3, 5.66

 

CMYK 3 / 2 / 0 / 33

HEX #A5A7AA

RGB 165 167 170

HSL 216, 0.03%, 0.66%

LAB 68.42, -0.13, -1.8

 

CMYK 4 / 2 / 0 / 26

HEX #B6B9BD

RGB 182 185 189

HSL 214.29, 0.05%, 0.73%

LAB 75.02, -0.28, -2.4

 

CMYK 4 / 2 / 0 / 18

HEX #C7CBD0

RGB 199 203 208

HSL 213.33, 0.09%, 0.8%

LAB 81.52, -0.43, -2.97

 

CMYK 5 / 3 / 0 / 11

HEX #D8DDE3

RGB 216 221 227

HSL 212.73, 0.16%, 0.87%

LAB 87.9, -0.57, -3.53

 

CMYK 5 / 3 / 0 / 4

HEX #E9EFF6

RGB 233 239 246

HSL 212.31, 0.42%, 0.94%

LAB 94.19, -0.7, -4.07

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7AF

RGB 160 167 175

HSL 212, 0.09%, 0.66%

LAB 68.17, -0.87, -4.98

 

CMYK 8 / 4 / 0 / 39

HEX #8F959C

RGB 143 149 156

HSL 212.31, 0.06%, 0.59%

LAB 61.42, -0.73, -4.44

 

CMYK 8 / 4 / 0 / 46

HEX #7E8389

RGB 126 131 137

HSL 212.73, 0.04%, 0.52%

LAB 54.53, -0.6, -3.88

 

CMYK 8 / 4 / 0 / 54

HEX #6D7176

RGB 109 113 118

HSL 213.33, 0.04%, 0.45%

LAB 47.46, -0.45, -3.3

 

CMYK 7 / 4 / 0 / 61

HEX #5C5F63

RGB 92 95 99

HSL 214.29, 0.04%, 0.37%

LAB 40.18, -0.3, -2.69

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 9 / 7 / 0 / 31

HEX #A0A3B0

RGB 160 163 176

HSL 228.75, 0.09%, 0.66%

LAB 67.13, 1.53, -7.08

 

CMYK 9 / 9 / 0 / 31

HEX #A1A0B0

RGB 161 160 176

HSL 243.75, 0.09%, 0.66%

LAB 66.41, 3.54, -8.15

 

CMYK 6 / 9 / 0 / 31

HEX #A5A0B0

RGB 165 160 176

HSL 258.75, 0.09%, 0.66%

LAB 66.73, 4.92, -7.63

 

CMYK 3 / 9 / 0 / 31

HEX #AAA0B0

RGB 170 160 176

HSL 277.5, 0.09%, 0.66%

LAB 67.14, 6.66, -6.97

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 9 / 7 / 0 / 31

HEX #A0A3B0

RGB 160 163 176

HSL 228.75, 0.09%, 0.66%

LAB 67.13, 1.53, -7.08

 

CMYK 9 / 9 / 0 / 31

HEX #A0A0B0

RGB 160 160 176

HSL 240, 0.09%, 0.66%

LAB 66.33, 3.19, -8.27

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 23 / 13 / 0 / 25

HEX #92A6BE

RGB 146 166 190

HSL 212.73, 0.25%, 0.66%

LAB 67.35, -1.63, -14.64

 

CMYK 35 / 19 / 0 / 20

HEX #84A5CC

RGB 132 165 204

HSL 212.5, 0.41%, 0.66%

LAB 66.65, -1.78, -23.55

 

CMYK 46 / 25 / 0 / 15

HEX #76A4DA

RGB 118 164 218

HSL 212.4, 0.57%, 0.66%

LAB 66.11, -1.08, -32.2

 

CMYK 55 / 29 / 0 / 9

HEX #68A4E8

RGB 104 164 232

HSL 211.88, 0.74%, 0.66%

LAB 66, -0.07, -40.14

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 0 / 3 / 7 / 32

HEX #AEA8A2

RGB 174 168 162

HSL 30, 0.07%, 0.66%

LAB 69.19, 1.07, 3.85

 

CMYK 0 / 10 / 21 / 26

HEX #BCA994

RGB 188 169 148

HSL 31.5, 0.23%, 0.66%

LAB 70.32, 3.48, 13.34

 

CMYK 0 / 16 / 34 / 21

HEX #CAAA86

RGB 202 170 134

HSL 31.76, 0.39%, 0.66%

LAB 71.57, 6.47, 22.92

 

CMYK 0 / 21 / 45 / 15

HEX #D8AB77

RGB 216 171 119

HSL 32.16, 0.55%, 0.66%

LAB 72.93, 9.85, 33

 

CMYK 9 / 0 / 0 / 31

HEX #A0B0B0

RGB 160 176 176

HSL 180, 0.09%, 0.66%

LAB 70.64, -5.54, -1.91

 

CMYK 9 / 3 / 0 / 31

HEX #A0ABB0

RGB 160 171 176

HSL 198.75, 0.09%, 0.66%

LAB 69.28, -2.84, -3.9

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 9 / 7 / 0 / 31

HEX #A0A3B0

RGB 160 163 176

HSL 228.75, 0.09%, 0.66%

LAB 67.13, 1.53, -7.08

 

CMYK 9 / 9 / 0 / 31

HEX #A1A0B0

RGB 161 160 176

HSL 243.75, 0.09%, 0.66%

LAB 66.41, 3.54, -8.15

 

CMYK 17 / 9 / 0 / 46

HEX #737E8A

RGB 115 126 138

HSL 211.3, 0.09%, 0.5%

LAB 52.29, -1.39, -7.87

 

CMYK 12 / 6 / 0 / 38

HEX #8A939D

RGB 138 147 157

HSL 211.58, 0.09%, 0.58%

LAB 60.52, -1.14, -6.38

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 6 / 3 / 0 / 24

HEX #B6BCC2

RGB 182 188 194

HSL 210, 0.09%, 0.74%

LAB 75.95, -0.92, -3.75

 

CMYK 4 / 2 / 0 / 16

HEX #CDD1D5

RGB 205 209 213

HSL 210, 0.09%, 0.82%

LAB 83.64, -0.61, -2.46

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7AF

RGB 160 167 175

HSL 212, 0.09%, 0.66%

LAB 68.17, -0.87, -4.98

 

CMYK 3 / 9 / 0 / 31

HEX #ABA0B0

RGB 171 160 176

HSL 281.25, 0.09%, 0.66%

LAB 67.23, 7.01, -6.84

 

CMYK 1 / 0 / 9 / 31

HEX #AEB0A0

RGB 174 176 160

HSL 67.5, 0.09%, 0.66%

LAB 71.27, -3.6, 7.95

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7AF

RGB 160 167 175

HSL 212, 0.09%, 0.66%

LAB 68.17, -0.87, -4.98

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 5 / 0 / 9 / 31

HEX #A7B0A0

RGB 167 176 160

HSL 93.75, 0.09%, 0.66%

LAB 70.74, -6.14, 7.1

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7AF

RGB 160 167 175

HSL 212, 0.09%, 0.66%

LAB 68.17, -0.87, -4.98

 

CMYK 3 / 9 / 0 / 31

HEX #ABA0B0

RGB 171 160 176

HSL 281.25, 0.09%, 0.66%

LAB 67.23, 7.01, -6.84

 

CMYK 0 / 5 / 9 / 31

HEX #B0A8A0

RGB 176 168 160

HSL 30, 0.09%, 0.66%

LAB 69.31, 1.45, 5.15

 

CMYK 7 / 0 / 9 / 31

HEX #A4B0A0

RGB 164 176 160

HSL 105, 0.09%, 0.66%

LAB 70.51, -7.22, 6.75

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7AF

RGB 160 167 175

HSL 212, 0.09%, 0.66%

LAB 68.17, -0.87, -4.98

 

CMYK 0 / 9 / 1 / 31

HEX #B0A0AF

RGB 176 160 175

HSL 303.75, 0.09%, 0.66%

LAB 67.63, 8.57, -5.64

 

CMYK 0 / 5 / 9 / 31

HEX #B0A8A0

RGB 176 168 160

HSL 30, 0.09%, 0.66%

LAB 69.31, 1.45, 5.15

 

CMYK 9 / 0 / 9 / 31

HEX #A0B0A1

RGB 160 176 161

HSL 123.75, 0.09%, 0.66%

LAB 70.24, -8.46, 5.78

 

Description

Color code: HEX #A0A7AF | qconv.com Color code: HEX #A0A7AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 167 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 167 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - 图虫网 - 做最专业的摄影社区
Link: http://tuchong.com

33% - Clínica Omega Zeta -...
Link: http://www.clinicaomegazeta.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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