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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0919D it is the complementary color #5F6E62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0919D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0919D shade: #A59198, #B6A3AB, #C7B5BE, #D8C7D1 and #E9D9E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0919D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0919D shade: #A0919D, #8F7F8A, #7E6D77, #6D5B64 and #5C4951

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0919D shade: #A0919D, #A09199, #A09195 and #A09191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0919D shade: #A0919D, #9F91A0, #9B91A0, #9791A0 and #9391A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0919D shade matches the following richer shades: #A0919D, #B081A7, #C170B1, #D160BA and #E24FC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0919D shade: #A0919D, #8FA293, #7FB289, #6EC37F and #5ED375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0919D shade: #9B91A0, #9F91A0, #A0919D, #A09199 and #A09195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0919D shade: #776774, #8C7B89, #A0919D, #B3A7B1 and #C6BEC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0919D shade: #A0919D, #A09791 and #91A09D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0919D shade: #A0919D, #9DA091 and #919DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0919D shade: #A0919D, #A09791, #91A094 and #919AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0919D shade: #A0919D, #A09B91, #91A094 and #9196A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

Complementary color

CMYK 14 / 0 / 11 / 57

HEX #5F6E62

RGB 95 110 98

HSL 132, 0.07%, 0.4%

LAB 44.89, -8.21, 4.8

 

CMYK 0 / 12 / 8 / 35

HEX #A59198

RGB 165 145 152

HSL 339, 0.1%, 0.61%

LAB 62.1, 8.69, -0.96

 

CMYK 0 / 10 / 6 / 29

HEX #B6A3AB

RGB 182 163 171

HSL 334.74, 0.12%, 0.68%

LAB 68.81, 8.32, -1.61

 

CMYK 0 / 9 / 5 / 22

HEX #C7B5BE

RGB 199 181 190

HSL 330, 0.14%, 0.75%

LAB 75.39, 7.99, -2.24

 

CMYK 0 / 8 / 3 / 15

HEX #D8C7D1

RGB 216 199 209

HSL 324.71, 0.18%, 0.81%

LAB 81.86, 7.68, -2.84

 

CMYK 0 / 7 / 2 / 9

HEX #E9D9E4

RGB 233 217 228

HSL 318.75, 0.27%, 0.88%

LAB 88.23, 7.4, -3.42

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 11 / 3 / 44

HEX #8F7F8A

RGB 143 127 138

HSL 318.75, 0.07%, 0.53%

LAB 54.92, 8.15, -3.71

 

CMYK 0 / 13 / 6 / 51

HEX #7E6D77

RGB 126 109 119

HSL 324.71, 0.07%, 0.46%

LAB 47.89, 8.55, -3.08

 

CMYK 0 / 17 / 8 / 57

HEX #6D5B64

RGB 109 91 100

HSL 330, 0.09%, 0.39%

LAB 40.66, 9.01, -2.42

 

CMYK 0 / 21 / 12 / 64

HEX #5C4951

RGB 92 73 81

HSL 334.74, 0.12%, 0.32%

LAB 33.21, 9.55, -1.7

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 9 / 4 / 37

HEX #A09199

RGB 160 145 153

HSL 328, 0.07%, 0.6%

LAB 61.68, 7.03, -2.2

 

CMYK 0 / 9 / 7 / 37

HEX #A09195

RGB 160 145 149

HSL 344, 0.07%, 0.6%

LAB 61.56, 6.29, -0.1

 

CMYK 0 / 9 / 9 / 37

HEX #A09191

RGB 160 145 145

HSL 0, 0.07%, 0.6%

LAB 61.45, 5.57, 2.02

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 1 / 9 / 0 / 37

HEX #9F91A0

RGB 159 145 160

HSL 296, 0.07%, 0.6%

LAB 61.79, 8.01, -6.01

 

CMYK 3 / 9 / 0 / 37

HEX #9B91A0

RGB 155 145 160

HSL 280, 0.07%, 0.6%

LAB 61.44, 6.58, -6.57

 

CMYK 6 / 9 / 0 / 37

HEX #9791A0

RGB 151 145 160

HSL 264, 0.07%, 0.6%

LAB 61.11, 5.16, -7.11

 

CMYK 8 / 9 / 0 / 37

HEX #9391A0

RGB 147 145 160

HSL 248, 0.07%, 0.6%

LAB 60.77, 3.75, -7.64

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 27 / 5 / 31

HEX #B081A7

RGB 176 129 167

HSL 311.49, 0.23%, 0.6%

LAB 59.64, 24.44, -13.05

 

CMYK 0 / 42 / 8 / 24

HEX #C170B1

RGB 193 112 177

HSL 311.85, 0.4%, 0.6%

LAB 58.13, 41.3, -20.89

 

CMYK 0 / 54 / 11 / 18

HEX #D160BA

RGB 209 96 186

HSL 312.21, 0.55%, 0.6%

LAB 57.53, 55.7, -26.8

 

CMYK 0 / 65 / 13 / 11

HEX #E24FC4

RGB 226 79 196

HSL 312.24, 0.72%, 0.6%

LAB 57.8, 69.07, -31.92

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 12 / 0 / 9 / 36

HEX #8FA293

RGB 143 162 147

HSL 132.63, 0.09%, 0.6%

LAB 64.79, -9.66, 5.54

 

CMYK 29 / 0 / 23 / 30

HEX #7FB289

RGB 127 178 137

HSL 131.76, 0.25%, 0.6%

LAB 68.14, -25.33, 15.66

 

CMYK 44 / 0 / 35 / 24

HEX #6EC37F

RGB 110 195 127

HSL 132, 0.41%, 0.6%

LAB 72.15, -40.36, 26.36

 

CMYK 55 / 0 / 45 / 17

HEX #5ED375

RGB 94 211 117

HSL 131.79, 0.57%, 0.6%

LAB 76.22, -52.9, 36.72

 

CMYK 3 / 9 / 0 / 37

HEX #9B91A0

RGB 155 145 160

HSL 280, 0.07%, 0.6%

LAB 61.44, 6.58, -6.57

 

CMYK 1 / 9 / 0 / 37

HEX #9F91A0

RGB 159 145 160

HSL 296, 0.07%, 0.6%

LAB 61.79, 8.01, -6.01

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 9 / 4 / 37

HEX #A09199

RGB 160 145 153

HSL 328, 0.07%, 0.6%

LAB 61.68, 7.03, -2.2

 

CMYK 0 / 9 / 7 / 37

HEX #A09195

RGB 160 145 149

HSL 344, 0.07%, 0.6%

LAB 61.56, 6.29, -0.1

 

CMYK 0 / 13 / 3 / 53

HEX #776774

RGB 119 103 116

HSL 311.25, 0.07%, 0.44%

LAB 45.47, 8.84, -4.93

 

CMYK 0 / 12 / 2 / 45

HEX #8C7B89

RGB 140 123 137

HSL 310.59, 0.07%, 0.52%

LAB 53.54, 9.15, -5.19

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 7 / 1 / 30

HEX #B3A7B1

RGB 179 167 177

HSL 310, 0.07%, 0.68%

LAB 69.75, 6.16, -3.59

 

CMYK 0 / 4 / 1 / 22

HEX #C6BEC4

RGB 198 190 196

HSL 315, 0.07%, 0.76%

LAB 77.77, 3.89, -2.02

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 6 / 9 / 37

HEX #A09791

RGB 160 151 145

HSL 24, 0.07%, 0.6%

LAB 63.05, 2.22, 4.33

 

CMYK 9 / 0 / 2 / 37

HEX #91A09D

RGB 145 160 157

HSL 168, 0.07%, 0.6%

LAB 64.64, -5.9, -0.26

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 2 / 0 / 9 / 37

HEX #9DA091

RGB 157 160 145

HSL 72, 0.07%, 0.6%

LAB 65.24, -3.85, 7.44

 

CMYK 9 / 2 / 0 / 37

HEX #919DA0

RGB 145 157 160

HSL 192, 0.07%, 0.6%

LAB 63.89, -3.64, -3.04

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 6 / 9 / 37

HEX #A09791

RGB 160 151 145

HSL 24, 0.07%, 0.6%

LAB 63.05, 2.22, 4.33

 

CMYK 9 / 0 / 7 / 37

HEX #91A094

RGB 145 160 148

HSL 132, 0.07%, 0.6%

LAB 64.4, -7.68, 4.44

 

CMYK 9 / 4 / 0 / 37

HEX #919AA0

RGB 145 154 160

HSL 204, 0.07%, 0.6%

LAB 63.07, -1.98, -4.25

 

CMYK 0 / 9 / 2 / 37

HEX #A0919D

RGB 160 145 157

HSL 312, 0.07%, 0.6%

LAB 61.79, 7.79, -4.3

 

CMYK 0 / 3 / 9 / 37

HEX #A09B91

RGB 160 155 145

HSL 40, 0.07%, 0.6%

LAB 64.13, 0, 5.88

 

CMYK 9 / 0 / 7 / 37

HEX #91A094

RGB 145 160 148

HSL 132, 0.07%, 0.6%

LAB 64.4, -7.68, 4.44

 

CMYK 9 / 6 / 0 / 37

HEX #9196A0

RGB 145 150 160

HSL 220, 0.07%, 0.6%

LAB 61.97, 0.24, -5.87

 

Description

Color code: HEX #A0919D | qconv.com Color code: HEX #A0919D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 145 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 145 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 2 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 2% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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