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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08E35 it is the complementary color #5F71CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08E35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08E35 shade: #A58E30, #B6A043, #C7B256, #D8C469 and #E9D67C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08E35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08E35 shade: #A08E35, #8F7C22, #7E6A0F, #6D5800 and #5C4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08E35 shade: #A08E35, #A07135, #A05435, #A03735 and #A03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08E35 shade: #A08E35, #95A035, #78A035, #5CA035 and #3FA035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08E35 shade matches the following richer shades: #A08E35, #B19A24, #C3A512 and #D4B101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08E35 shade: #A08E35, #8F8346, #7D7758, #6C6C69 and #5B607A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08E35 shade: #A05335, #A07035, #A08D35, #97A035 and #7BA035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08E35 shade: #625720, #81732B, #A08E35, #BFA940 and #C9B75F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08E35 shade: #A08E35, #35A037 and #6235A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08E35 shade: #A08E35, #35A08D and #8D35A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08E35 shade: #A08E35, #35A037, #3549A0 and #A0359E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08E35 shade: #A08E35, #35A057, #3549A0 and #A0357E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

Complementary color

CMYK 53 / 44 / 0 / 21

HEX #5F71CA

RGB 95 113 202

HSL 229.91, 0.5%, 0.58%

LAB 50.11, 18.69, -48.46

 

CMYK 0 / 14 / 71 / 35

HEX #A58E30

RGB 165 142 48

HSL 48.21, 0.55%, 0.42%

LAB 59.49, -1.96, 50.96

 

CMYK 0 / 12 / 63 / 29

HEX #B6A043

RGB 182 160 67

HSL 48.52, 0.46%, 0.49%

LAB 66.13, -3.03, 50.1

 

CMYK 0 / 11 / 57 / 22

HEX #C7B256

RGB 199 178 86

HSL 48.85, 0.5%, 0.56%

LAB 72.66, -3.91, 48.99

 

CMYK 0 / 9 / 51 / 15

HEX #D8C469

RGB 216 196 105

HSL 49.19, 0.59%, 0.63%

LAB 79.1, -4.65, 47.8

 

CMYK 0 / 8 / 47 / 9

HEX #E9D67C

RGB 233 214 124

HSL 49.54, 0.71%, 0.7%

LAB 85.44, -5.27, 46.59

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 0 / 13 / 76 / 44

HEX #8F7C22

RGB 143 124 34

HSL 49.54, 0.62%, 0.35%

LAB 52.25, -2.75, 48.77

 

CMYK 0 / 16 / 88 / 51

HEX #7E6A0F

RGB 126 106 15

HSL 49.19, 0.79%, 0.28%

LAB 45.33, -1.27, 48.33

 

CMYK 0 / 19 / 100 / 57

HEX #6D5800

RGB 109 88 0

HSL 48.44, 1%, 0.21%

LAB 38.25, 0.58, 46.04

 

CMYK 0 / 24 / 100 / 64

HEX #5C4600

RGB 92 70 0

HSL 45.65, 1%, 0.18%

LAB 31.01, 2.92, 40.07

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 0 / 29 / 67 / 37

HEX #A07135

RGB 160 113 53

HSL 33.64, 0.5%, 0.42%

LAB 51.31, 12.34, 39.82

 

CMYK 0 / 48 / 67 / 37

HEX #A05435

RGB 160 84 53

HSL 17.38, 0.5%, 0.42%

LAB 44.33, 28.71, 31.84

 

CMYK 0 / 66 / 67 / 37

HEX #A03735

RGB 160 55 53

HSL 1.12, 0.5%, 0.42%

LAB 38.66, 43.35, 25

 

CMYK 0 / 67 / 67 / 37

HEX #A03535

RGB 160 53 53

HSL 0, 0.5%, 0.42%

LAB 38.33, 44.23, 24.6

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 7 / 0 / 67 / 37

HEX #95A035

RGB 149 160 53

HSL 66.17, 0.5%, 0.42%

LAB 63.17, -18.3, 52.19

 

CMYK 25 / 0 / 67 / 37

HEX #78A035

RGB 120 160 53

HSL 82.43, 0.5%, 0.42%

LAB 61.13, -30.36, 49.43

 

CMYK 43 / 0 / 67 / 37

HEX #5CA035

RGB 92 160 53

HSL 98.13, 0.5%, 0.42%

LAB 59.59, -40.7, 47.34

 

CMYK 61 / 0 / 67 / 37

HEX #3FA035

RGB 63 160 53

HSL 114.39, 0.5%, 0.42%

LAB 58.47, -49.2, 45.79

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 0 / 13 / 80 / 31

HEX #B19A24

RGB 177 154 36

HSL 50.21, 0.66%, 0.42%

LAB 63.82, -3.62, 59.96

 

CMYK 0 / 15 / 91 / 24

HEX #C3A512

RGB 195 165 18

HSL 49.83, 0.83%, 0.42%

LAB 68.43, -1.92, 68.98

 

CMYK 0 / 17 / 100 / 17

HEX #D4B101

RGB 212 177 1

HSL 50.05, 0.99%, 0.42%

LAB 73.18, -0.93, 75.44

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 0 / 8 / 51 / 44

HEX #8F8346

RGB 143 131 70

HSL 50.14, 0.34%, 0.42%

LAB 54.57, -4.08, 34.37

 

CMYK 0 / 5 / 30 / 51

HEX #7D7758

RGB 125 119 88

HSL 50.27, 0.17%, 0.42%

LAB 49.81, -2.96, 17.92

 

CMYK 0 / 0 / 3 / 58

HEX #6C6C69

RGB 108 108 105

HSL 60, 0.01%, 0.42%

LAB 45.54, -0.6, 1.67

 

CMYK 25 / 21 / 0 / 52

HEX #5B607A

RGB 91 96 122

HSL 230.32, 0.15%, 0.42%

LAB 41.21, 4.32, -15.23

 

CMYK 0 / 48 / 67 / 37

HEX #A05335

RGB 160 83 53

HSL 16.82, 0.5%, 0.42%

LAB 44.11, 29.25, 31.58

 

CMYK 0 / 30 / 67 / 37

HEX #A07035

RGB 160 112 53

HSL 33.08, 0.5%, 0.42%

LAB 51.06, 12.91, 39.54

 

CMYK 0 / 12 / 67 / 37

HEX #A08D35

RGB 160 141 53

HSL 49.35, 0.5%, 0.42%

LAB 58.77, -3.37, 47.9

 

CMYK 6 / 0 / 67 / 37

HEX #97A035

RGB 151 160 53

HSL 65.05, 0.5%, 0.42%

LAB 63.32, -17.44, 52.41

 

CMYK 23 / 0 / 67 / 37

HEX #7BA035

RGB 123 160 53

HSL 80.75, 0.5%, 0.42%

LAB 61.32, -29.17, 49.69

 

CMYK 0 / 11 / 67 / 62

HEX #625720

RGB 98 87 32

HSL 50, 0.51%, 0.25%

LAB 36.96, -2.9, 32.67

 

CMYK 0 / 11 / 67 / 49

HEX #81732B

RGB 129 115 43

HSL 50.23, 0.5%, 0.34%

LAB 48.39, -3.67, 40.54

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 0 / 12 / 66 / 25

HEX #BFA940

RGB 191 169 64

HSL 49.61, 0.5%, 0.5%

LAB 69.34, -4.1, 55.11

 

CMYK 0 / 9 / 53 / 21

HEX #C9B75F

RGB 201 183 95

HSL 49.81, 0.5%, 0.58%

LAB 74.26, -4.96, 46.57

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 67 / 0 / 66 / 37

HEX #35A037

RGB 53 160 55

HSL 121.12, 0.5%, 0.42%

LAB 58.2, -51.28, 44.55

 

CMYK 39 / 67 / 0 / 37

HEX #6235A0

RGB 98 53 160

HSL 265.23, 0.5%, 0.42%

LAB 33.31, 42.78, -50.77

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 67 / 0 / 12 / 37

HEX #35A08D

RGB 53 160 141

HSL 169.35, 0.5%, 0.42%

LAB 59.73, -34.85, 1.04

 

CMYK 12 / 67 / 0 / 37

HEX #8D35A0

RGB 141 53 160

HSL 289.35, 0.5%, 0.42%

LAB 39.15, 52.58, -41.06

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 67 / 0 / 66 / 37

HEX #35A037

RGB 53 160 55

HSL 121.12, 0.5%, 0.42%

LAB 58.2, -51.28, 44.55

 

CMYK 67 / 54 / 0 / 37

HEX #3549A0

RGB 53 73 160

HSL 228.79, 0.5%, 0.42%

LAB 34.11, 21.59, -49.66

 

CMYK 0 / 67 / 1 / 37

HEX #A0359E

RGB 160 53 158

HSL 301.12, 0.5%, 0.42%

LAB 41.98, 56.8, -35.19

 

CMYK 0 / 11 / 67 / 37

HEX #A08E35

RGB 160 142 53

HSL 49.91, 0.5%, 0.42%

LAB 59.05, -3.91, 48.19

 

CMYK 67 / 0 / 46 / 37

HEX #35A057

RGB 53 160 87

HSL 139.07, 0.5%, 0.42%

LAB 58.59, -46.82, 29.32

 

CMYK 67 / 54 / 0 / 37

HEX #3549A0

RGB 53 73 160

HSL 228.79, 0.5%, 0.42%

LAB 34.11, 21.59, -49.66

 

CMYK 0 / 67 / 21 / 37

HEX #A0357E

RGB 160 53 126

HSL 319.07, 0.5%, 0.42%

LAB 40.45, 51.75, -18.1

 

Description

Color code: HEX #A08E35 | qconv.com Color code: HEX #A08E35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 142 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 142 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 67 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 67% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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