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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0837D it is the complementary color #5F7C82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0837D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0837D shade: #A58378, #B6958B, #C7A79E, #D8B9B1 and #E9CBC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0837D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0837D shade: #A0837D, #8F716A, #7E5F57, #6D4D44 and #5C3B31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0837D shade: #A0837C and #A07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0837D shade: #A0837C, #A08C7C, #A0967C, #A0A07C and #97A07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0837D shade matches the following richer shades: #A0837C, #B2776A, #C56B58, #D75F46 and #E95334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0837D shade: #A0837C, #8E8E8F, #7C9AA1, #6AA6B3 and #58B2C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0837D shade: #A07C8A, #A07C80, #A0827C, #A08C7C and #A0957C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0837D shade: #755A55, #8D6D66, #A0837C, #B29994 and #C3B0AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0837D shade: #A0837D, #93A07C and #7C85A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0837D shade: #A0837D, #7CA082 and #827CA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0837D shade: #A0837D, #93A07C, #7C9AA0 and #8A7CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0837D shade: #A0837D, #88A07C, #7C9AA0 and #947CA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 22 / 37

HEX #A0837D

RGB 160 131 125

HSL 10.29, 0.16%, 0.56%

LAB 57.26, 10.12, 7.41

 

Complementary color

CMYK 27 / 5 / 0 / 49

HEX #5F7C82

RGB 95 124 130

HSL 190.29, 0.16%, 0.44%

LAB 50.05, -8.87, -6.67

 

CMYK 0 / 21 / 27 / 35

HEX #A58378

RGB 165 131 120

HSL 14.67, 0.2%, 0.56%

LAB 57.64, 11.35, 10.9

 

CMYK 0 / 18 / 24 / 29

HEX #B6958B

RGB 182 149 139

HSL 13.95, 0.23%, 0.63%

LAB 64.41, 10.77, 9.91

 

CMYK 0 / 16 / 21 / 22

HEX #C7A79E

RGB 199 167 158

HSL 13.17, 0.27%, 0.7%

LAB 71.04, 10.27, 9

 

CMYK 0 / 14 / 18 / 15

HEX #D8B9B1

RGB 216 185 177

HSL 12.31, 0.33%, 0.77%

LAB 77.56, 9.82, 8.16

 

CMYK 0 / 13 / 16 / 9

HEX #E9CBC4

RGB 233 203 196

HSL 11.35, 0.46%, 0.84%

LAB 83.98, 9.41, 7.36

 

CMYK 0 / 18 / 22 / 37

HEX #A0837D

RGB 160 131 125

HSL 10.29, 0.16%, 0.56%

LAB 57.26, 10.12, 7.41

 

CMYK 0 / 21 / 26 / 44

HEX #8F716A

RGB 143 113 106

HSL 11.35, 0.15%, 0.49%

LAB 50.32, 10.7, 8.38

 

CMYK 0 / 25 / 31 / 51

HEX #7E5F57

RGB 126 95 87

HSL 12.31, 0.18%, 0.42%

LAB 43.22, 11.38, 9.46

 

CMYK 0 / 29 / 38 / 57

HEX #6D4D44

RGB 109 77 68

HSL 13.17, 0.23%, 0.35%

LAB 35.94, 12.2, 10.69

 

CMYK 0 / 36 / 47 / 64

HEX #5C3B31

RGB 92 59 49

HSL 13.95, 0.3%, 0.28%

LAB 28.45, 13.23, 12.16

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 0 / 23 / 23 / 37

HEX #A07C7C

RGB 160 124 124

HSL 0, 0.16%, 0.56%

LAB 55.43, 13.95, 5.36

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 0 / 13 / 23 / 37

HEX #A08C7C

RGB 160 140 124

HSL 26.67, 0.16%, 0.56%

LAB 59.6, 4.88, 11.3

 

CMYK 0 / 6 / 23 / 37

HEX #A0967C

RGB 160 150 124

HSL 43.33, 0.16%, 0.56%

LAB 62.29, -0.68, 15.06

 

CMYK 0 / 0 / 23 / 37

HEX #A0A07C

RGB 160 160 124

HSL 60, 0.16%, 0.56%

LAB 65.02, -6.13, 18.83

 

CMYK 6 / 0 / 23 / 37

HEX #97A07C

RGB 151 160 124

HSL 75, 0.16%, 0.56%

LAB 64.3, -9.64, 17.73

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 0 / 33 / 40 / 30

HEX #B2776A

RGB 178 119 106

HSL 10.83, 0.32%, 0.56%

LAB 55.79, 21.51, 16.59

 

CMYK 0 / 46 / 55 / 23

HEX #C56B58

RGB 197 107 88

HSL 10.46, 0.48%, 0.56%

LAB 55.17, 33.86, 26.53

 

CMYK 0 / 56 / 67 / 16

HEX #D75F46

RGB 215 95 70

HSL 10.34, 0.64%, 0.56%

LAB 55.15, 45.53, 37.2

 

CMYK 0 / 64 / 78 / 9

HEX #E95334

RGB 233 83 52

HSL 10.28, 0.8%, 0.56%

LAB 55.84, 56.45, 48.33

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 23 / 4 / 0 / 37

HEX #7C9AA1

RGB 124 154 161

HSL 191.35, 0.16%, 0.56%

LAB 61.63, -8.78, -7.11

 

CMYK 41 / 7 / 0 / 30

HEX #6AA6B3

RGB 106 166 179

HSL 190.68, 0.32%, 0.56%

LAB 64.64, -16.01, -12.84

 

CMYK 55 / 10 / 0 / 23

HEX #58B2C5

RGB 88 178 197

HSL 190.46, 0.48%, 0.56%

LAB 67.98, -21.47, -17.86

 

CMYK 0 / 23 / 14 / 37

HEX #A07C8A

RGB 160 124 138

HSL 336.67, 0.16%, 0.56%

LAB 55.81, 16.26, -2.21

 

CMYK 0 / 23 / 20 / 37

HEX #A07C80

RGB 160 124 128

HSL 353.33, 0.16%, 0.56%

LAB 55.53, 14.59, 3.19

 

CMYK 0 / 19 / 23 / 37

HEX #A0827C

RGB 160 130 124

HSL 10, 0.16%, 0.56%

LAB 56.97, 10.53, 7.58

 

CMYK 0 / 13 / 23 / 37

HEX #A08C7C

RGB 160 140 124

HSL 26.67, 0.16%, 0.56%

LAB 59.6, 4.88, 11.3

 

CMYK 0 / 7 / 23 / 37

HEX #A0957C

RGB 160 149 124

HSL 41.67, 0.16%, 0.56%

LAB 62.02, -0.13, 14.68

 

CMYK 0 / 23 / 27 / 54

HEX #755A55

RGB 117 90 85

HSL 9.38, 0.16%, 0.4%

LAB 40.82, 10.26, 7.14

 

CMYK 0 / 23 / 28 / 45

HEX #8D6D66

RGB 141 109 102

HSL 10.77, 0.16%, 0.48%

LAB 48.96, 11.6, 8.78

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 0 / 14 / 17 / 30

HEX #B29994

RGB 178 153 148

HSL 10, 0.16%, 0.64%

LAB 65.27, 8.42, 6.04

 

CMYK 0 / 10 / 12 / 24

HEX #C3B0AC

RGB 195 176 172

HSL 10.43, 0.16%, 0.72%

LAB 73.31, 6.13, 4.52

 

CMYK 0 / 18 / 22 / 37

HEX #A0837D

RGB 160 131 125

HSL 10.29, 0.16%, 0.56%

LAB 57.26, 10.12, 7.41

 

CMYK 8 / 0 / 23 / 37

HEX #93A07C

RGB 147 160 124

HSL 81.67, 0.16%, 0.56%

LAB 64, -11.17, 17.26

 

CMYK 23 / 17 / 0 / 37

HEX #7C85A0

RGB 124 133 160

HSL 225, 0.16%, 0.56%

LAB 55.68, 2.8, -15.47

 

CMYK 0 / 18 / 22 / 37

HEX #A0837D

RGB 160 131 125

HSL 10.29, 0.16%, 0.56%

LAB 57.26, 10.12, 7.41

 

CMYK 23 / 0 / 19 / 37

HEX #7CA082

RGB 124 160 130

HSL 130, 0.16%, 0.56%

LAB 62.54, -18.55, 11.66

 

CMYK 19 / 23 / 0 / 37

HEX #827CA0

RGB 130 124 160

HSL 250, 0.16%, 0.56%

LAB 53.71, 10.03, -18.43

 

CMYK 0 / 18 / 22 / 37

HEX #A0837D

RGB 160 131 125

HSL 10.29, 0.16%, 0.56%

LAB 57.26, 10.12, 7.41

 

CMYK 8 / 0 / 23 / 37

HEX #93A07C

RGB 147 160 124

HSL 81.67, 0.16%, 0.56%

LAB 64, -11.17, 17.26

 

CMYK 23 / 4 / 0 / 37

HEX #7C9AA0

RGB 124 154 160

HSL 190, 0.16%, 0.56%

LAB 61.6, -9.01, -6.59

HEX #7C9AA0

CMYK 14 / 23 / 0 / 37

HEX #8A7CA0

RGB 138 124 160

HSL 263.33, 0.16%, 0.56%

LAB 54.4, 12.72, -17.3

HEX #8A7CA0

CMYK 0 / 18 / 22 / 37

HEX #A0837D

RGB 160 131 125

HSL 10.29, 0.16%, 0.56%

LAB 57.26, 10.12, 7.41

 

CMYK 15 / 0 / 23 / 37

HEX #88A07C

RGB 136 160 124

HSL 100, 0.16%, 0.56%

LAB 63.2, -15.32, 16.04

 

CMYK 23 / 4 / 0 / 37

HEX #7C9AA0

RGB 124 154 160

HSL 190, 0.16%, 0.56%

LAB 61.6, -9.01, -6.59

HEX #7C9AA0

CMYK 7 / 23 / 0 / 37

HEX #947CA0

RGB 148 124 160

HSL 280, 0.16%, 0.56%

LAB 55.33, 16.15, -15.81

HEX #947CA0

Description

Color code: HEX #A0837D | qconv.com Color code: HEX #A0837D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 131 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 131 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 22 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 22% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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