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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A085D5 it is the complementary color #5F7A2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A085D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A085D5 shade: #A585D0, #B697E3, #C7A9F6, #D8BBFF and #E9CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A085D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A085D5 shade: #A085D5, #8F73C2, #7E61AF, #6D4F9C and #5C3D89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A085D5 shade: #A085D5, #B585D5, #CB85D5, #D585C9 and #D585B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A085D5 shade: #A085D5, #8A85D5 and #8585D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A085D5 shade matches the following richer shades: #A085D5, #9C78E2, #976BEF and #935DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A085D5 shade: #A085D5, #A492C8, #A89FBA, #ADADAD and #B1BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A085D5 shade: #8595D5, #8A85D5, #A085D5, #B585D5 and #CA85D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A085D5 shade: #7047C0, #8866CA, #A085D5, #B8A4DF and #D0C2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A085D5 shade: #A085D5, #D585AA and #8AD585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A085D5 shade: #A085D5, #D5A085 and #85D5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A085D5 shade: #A085D5, #D585AA, #BAD585 and #85D5B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A085D5 shade: #A085D5, #D58592, #BAD585 and #85D5C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

Complementary color

CMYK 22 / 0 / 66 / 52

HEX #5F7A2A

RGB 95 122 42

HSL 80.25, 0.49%, 0.32%

LAB 47.65, -22.84, 39.38

 

CMYK 21 / 36 / 0 / 18

HEX #A585D0

RGB 165 133 208

HSL 265.6, 0.44%, 0.67%

LAB 61.07, 27.17, -34.2

 

CMYK 20 / 33 / 0 / 11

HEX #B697E3

RGB 182 151 227

HSL 264.47, 0.58%, 0.74%

LAB 67.74, 26.48, -34.27

 

CMYK 19 / 31 / 0 / 4

HEX #C7A9F6

RGB 199 169 246

HSL 263.38, 0.81%, 0.81%

LAB 74.3, 25.85, -34.36

 

CMYK 15 / 27 / 0 / 0

HEX #D8BBFF

RGB 216 187 255

HSL 265.59, 1%, 0.87%

LAB 80.38, 23.13, -29.71

 

CMYK 9 / 20 / 0 / 0

HEX #E9CDFF

RGB 233 205 255

HSL 273.6, 1%, 0.9%

LAB 86.11, 18.78, -20.85

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 26 / 41 / 0 / 24

HEX #8F73C2

RGB 143 115 194

HSL 261.27, 0.39%, 0.61%

LAB 54.02, 27.65, -37.44

 

CMYK 28 / 45 / 0 / 31

HEX #7E61AF

RGB 126 97 175

HSL 262.31, 0.33%, 0.53%

LAB 47.08, 28.53, -37.49

 

CMYK 30 / 49 / 0 / 39

HEX #6D4F9C

RGB 109 79 156

HSL 263.38, 0.33%, 0.46%

LAB 39.99, 29.5, -37.58

 

CMYK 33 / 55 / 0 / 46

HEX #5C3D89

RGB 92 61 137

HSL 264.47, 0.38%, 0.39%

LAB 32.74, 30.56, -37.67

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 15 / 38 / 0 / 16

HEX #B585D5

RGB 181 133 213

HSL 276, 0.49%, 0.68%

LAB 62.85, 33.13, -34.11

 

CMYK 5 / 38 / 0 / 16

HEX #CB85D5

RGB 203 133 213

HSL 292.5, 0.49%, 0.68%

LAB 65.18, 39.86, -30.31

 

CMYK 0 / 38 / 6 / 16

HEX #D585C9

RGB 213 133 201

HSL 309, 0.49%, 0.68%

LAB 65.86, 40.79, -22.47

 

CMYK 0 / 38 / 15 / 16

HEX #D585B4

RGB 213 133 180

HSL 324.75, 0.49%, 0.68%

LAB 65.13, 37.27, -11.76

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 35 / 38 / 0 / 16

HEX #8A85D5

RGB 138 133 213

HSL 243.75, 0.49%, 0.68%

LAB 58.96, 20.63, -40.48

 

CMYK 38 / 38 / 0 / 16

HEX #8585D5

RGB 133 133 213

HSL 240, 0.49%, 0.68%

LAB 58.57, 19.28, -41.11

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 31 / 47 / 0 / 11

HEX #9C78E2

RGB 156 120 226

HSL 260.38, 0.65%, 0.68%

LAB 58.03, 36.38, -49.12

 

CMYK 37 / 55 / 0 / 6

HEX #976BEF

RGB 151 107 239

HSL 260, 0.8%, 0.68%

LAB 55.41, 45.75, -60.6

 

CMYK 42 / 63 / 0 / 1

HEX #935DFC

RGB 147 93 252

HSL 260.38, 0.96%, 0.68%

LAB 53.02, 55.77, -71.71

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 18 / 27 / 0 / 22

HEX #A492C8

RGB 164 146 200

HSL 260, 0.33%, 0.68%

LAB 63.85, 17.62, -25.41

 

CMYK 10 / 15 / 0 / 27

HEX #A89FBA

RGB 168 159 186

HSL 260, 0.16%, 0.68%

LAB 67.03, 8.55, -12.74

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 5 / 0 / 14 / 27

HEX #B1BAA0

RGB 177 186 160

HSL 80.77, 0.16%, 0.68%

LAB 74.19, -7.81, 12.13

 

CMYK 38 / 30 / 0 / 16

HEX #8595D5

RGB 133 149 213

HSL 228, 0.49%, 0.68%

LAB 62.75, 9.96, -34.58

 

CMYK 35 / 38 / 0 / 16

HEX #8A85D5

RGB 138 133 213

HSL 243.75, 0.49%, 0.68%

LAB 58.96, 20.63, -40.48

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 15 / 38 / 0 / 16

HEX #B585D5

RGB 181 133 213

HSL 276, 0.49%, 0.68%

LAB 62.85, 33.13, -34.11

 

CMYK 5 / 38 / 0 / 16

HEX #CA85D5

RGB 202 133 213

HSL 291.75, 0.49%, 0.68%

LAB 65.07, 39.55, -30.49

 

CMYK 42 / 63 / 0 / 25

HEX #7047C0

RGB 112 71 192

HSL 260.33, 0.49%, 0.52%

LAB 40.83, 44.56, -57.51

 

CMYK 33 / 50 / 0 / 21

HEX #8866CA

RGB 136 102 202

HSL 260.4, 0.49%, 0.6%

LAB 50.69, 35.31, -47.33

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 17 / 26 / 0 / 13

HEX #B8A4DF

RGB 184 164 223

HSL 260.34, 0.48%, 0.76%

LAB 70.92, 18.94, -27.15

 

CMYK 11 / 17 / 0 / 8

HEX #D0C2EA

RGB 208 194 234

HSL 261, 0.49%, 0.84%

LAB 80.7, 12.47, -18.04

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 0 / 38 / 20 / 16

HEX #D585AA

RGB 213 133 170

HSL 332.25, 0.49%, 0.68%

LAB 64.82, 35.71, -6.57

 

CMYK 35 / 0 / 38 / 16

HEX #8AD585

RGB 138 213 133

HSL 116.25, 0.49%, 0.68%

LAB 78.86, -38.9, 32.38

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 0 / 25 / 38 / 16

HEX #D5A085

RGB 213 160 133

HSL 20.25, 0.49%, 0.68%

LAB 70.16, 16.12, 21.72

 

CMYK 38 / 0 / 25 / 16

HEX #85D5A0

RGB 133 213 160

HSL 140.25, 0.49%, 0.68%

LAB 79.11, -35.83, 18.62

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 0 / 38 / 20 / 16

HEX #D585AA

RGB 213 133 170

HSL 332.25, 0.49%, 0.68%

LAB 64.82, 35.71, -6.57

 

CMYK 13 / 0 / 38 / 16

HEX #BAD585

RGB 186 213 133

HSL 80.25, 0.49%, 0.68%

LAB 81.69, -22.12, 36.61

 

CMYK 38 / 0 / 17 / 16

HEX #85D5B0

RGB 133 213 176

HSL 152.25, 0.49%, 0.68%

LAB 79.45, -32.69, 10.63

 

CMYK 25 / 38 / 0 / 16

HEX #A085D5

RGB 160 133 213

HSL 260.25, 0.49%, 0.68%

LAB 60.83, 26.87, -37.41

 

CMYK 0 / 38 / 31 / 16

HEX #D58592

RGB 213 133 146

HSL 350.25, 0.49%, 0.68%

LAB 64.16, 32.33, 6.07

 

CMYK 13 / 0 / 38 / 16

HEX #BAD585

RGB 186 213 133

HSL 80.25, 0.49%, 0.68%

LAB 81.69, -22.12, 36.61

 

CMYK 38 / 0 / 6 / 16

HEX #85D5C8

RGB 133 213 200

HSL 170.25, 0.49%, 0.68%

LAB 80.04, -27.47, -1.33

 

Description

Color code: HEX #A085D5 | qconv.com Color code: HEX #A085D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 133 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 133 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 38 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 38% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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