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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07B53 it is the complementary color #5F84AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07B53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07B53 shade: #A57B4E, #B68D61, #C79F74, #D8B187 and #E9C39A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07B53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07B53 shade: #A07B53, #8F6940, #7E572D, #6D451A and #5C3307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07B53 shade: #A17B53, #A16653 and #A15353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07B53 shade: #A17B53, #A19153, #9CA153, #87A153 and #72A153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07B53 shade matches the following richer shades: #A17B53, #B57C3F, #C97D2B, #DC7E17 and #F07F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07B53 shade: #A17B53, #8D7B67, #797A7A, #66798E and #5278A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07B53 shade: #A15354, #A16653, #A17B53, #A19053 and #9DA153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07B53 shade: #6B5237, #866745, #A17B53, #B2906B and #C0A486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07B53 shade: #A07B53, #69A153 and #5C53A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07B53 shade: #A07B53, #53A17B and #7B53A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07B53 shade: #A07B53, #69A153, #5379A1 and #8B53A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07B53 shade: #A07B53, #53A154, #5379A1 and #A153A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

Complementary color

CMYK 45 / 23 / 0 / 33

HEX #5F84AC

RGB 95 132 172

HSL 211.17, 0.32%, 0.52%

LAB 53.94, -2, -25.22

 

CMYK 0 / 25 / 53 / 35

HEX #A57B4E

RGB 165 123 78

HSL 31.03, 0.36%, 0.48%

LAB 54.78, 10.84, 30.82

 

CMYK 0 / 23 / 47 / 29

HEX #B68D61

RGB 182 141 97

HSL 31.06, 0.37%, 0.55%

LAB 61.53, 9.89, 29.38

 

CMYK 0 / 20 / 42 / 22

HEX #C79F74

RGB 199 159 116

HSL 31.08, 0.43%, 0.62%

LAB 68.17, 9.08, 28.05

 

CMYK 0 / 18 / 38 / 15

HEX #D8B187

RGB 216 177 135

HSL 31.11, 0.51%, 0.69%

LAB 74.69, 8.39, 26.82

 

CMYK 0 / 16 / 34 / 9

HEX #E9C39A

RGB 233 195 154

HSL 31.14, 0.64%, 0.76%

LAB 81.12, 7.79, 25.66

 

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

CMYK 0 / 27 / 55 / 44

HEX #8F6940

RGB 143 105 64

HSL 31.14, 0.38%, 0.41%

LAB 47.38, 10.19, 28.83

 

CMYK 0 / 31 / 64 / 51

HEX #7E572D

RGB 126 87 45

HSL 31.11, 0.47%, 0.34%

LAB 40.31, 11.44, 30.43

 

CMYK 0 / 37 / 76 / 57

HEX #6D451A

RGB 109 69 26

HSL 31.08, 0.61%, 0.26%

LAB 33.1, 13.03, 32

 

CMYK 0 / 45 / 92 / 64

HEX #5C3307

RGB 92 51 7

HSL 31.06, 0.86%, 0.19%

LAB 25.74, 15.07, 32.89

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 37 / 48 / 37

HEX #A16653

RGB 161 102 83

HSL 14.62, 0.32%, 0.48%

LAB 49.14, 21.57, 20.61

 

CMYK 0 / 48 / 48 / 37

HEX #A15353

RGB 161 83 83

HSL 0, 0.32%, 0.48%

LAB 44.78, 32.15, 14.74

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 10 / 48 / 37

HEX #A19153

RGB 161 145 83

HSL 47.69, 0.32%, 0.48%

LAB 60.3, -2.69, 34.9

 

CMYK 3 / 0 / 48 / 37

HEX #9CA153

RGB 156 161 83

HSL 63.85, 0.32%, 0.48%

LAB 64.31, -13.4, 39.7

 

CMYK 16 / 0 / 48 / 37

HEX #87A153

RGB 135 161 83

HSL 80, 0.32%, 0.48%

LAB 62.73, -22.03, 37.42

 

CMYK 29 / 0 / 48 / 37

HEX #72A153

RGB 114 161 83

HSL 96.15, 0.32%, 0.48%

LAB 61.39, -30.12, 35.46

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 31 / 65 / 29

HEX #B57C3F

RGB 181 124 63

HSL 31.02, 0.48%, 0.48%

LAB 56.68, 16.05, 41.48

 

CMYK 0 / 38 / 79 / 21

HEX #C97D2B

RGB 201 125 43

HSL 31.14, 0.65%, 0.48%

LAB 59.21, 23.12, 54.13

 

CMYK 0 / 43 / 90 / 14

HEX #DC7E17

RGB 220 126 23

HSL 31.37, 0.81%, 0.48%

LAB 61.83, 30.06, 64.11

 

CMYK 0 / 47 / 98 / 6

HEX #F07F04

RGB 240 127 4

HSL 31.27, 0.97%, 0.48%

LAB 64.73, 37.46, 70.95

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 13 / 27 / 45

HEX #8D7B67

RGB 141 123 103

HSL 31.58, 0.16%, 0.48%

LAB 52.74, 3.64, 13.49

 

CMYK 1 / 0 / 0 / 52

HEX #797A7A

RGB 121 122 122

HSL 180, 0%, 0.48%

LAB 51.14, -0.37, -0.14

 

CMYK 28 / 15 / 0 / 44

HEX #66798E

RGB 102 121 142

HSL 211.5, 0.16%, 0.48%

LAB 50.04, -1.85, -13.69

 

CMYK 49 / 26 / 0 / 36

HEX #5278A2

RGB 82 120 162

HSL 211.5, 0.33%, 0.48%

LAB 49.3, -1.3, -26.66

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 37 / 48 / 37

HEX #A16653

RGB 161 102 83

HSL 14.62, 0.32%, 0.48%

LAB 49.14, 21.57, 20.61

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 11 / 48 / 37

HEX #A19053

RGB 161 144 83

HSL 46.92, 0.32%, 0.48%

LAB 60.02, -2.14, 34.56

 

CMYK 2 / 0 / 48 / 37

HEX #9DA153

RGB 157 161 83

HSL 63.08, 0.32%, 0.48%

LAB 64.39, -12.98, 39.82

 

CMYK 0 / 23 / 49 / 58

HEX #6B5237

RGB 107 82 55

HSL 31.15, 0.32%, 0.32%

LAB 36.81, 6.59, 19.81

 

CMYK 0 / 23 / 49 / 47

HEX #866745

RGB 134 103 69

HSL 31.38, 0.32%, 0.4%

LAB 45.9, 7.83, 23.91

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 19 / 40 / 30

HEX #B2906B

RGB 178 144 107

HSL 31.27, 0.32%, 0.56%

LAB 62.06, 7.66, 24.5

 

CMYK 0 / 15 / 30 / 25

HEX #C0A486

RGB 192 164 134

HSL 31.03, 0.32%, 0.64%

LAB 69.1, 5.75, 19.38

 

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

CMYK 35 / 0 / 48 / 37

HEX #69A153

RGB 105 161 83

HSL 103.08, 0.32%, 0.48%

LAB 60.89, -33.35, 34.73

 

CMYK 43 / 48 / 0 / 37

HEX #5C53A1

RGB 92 83 161

HSL 246.92, 0.32%, 0.48%

LAB 39.64, 23.85, -41.22

 

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

CMYK 48 / 0 / 24 / 37

HEX #53A17B

RGB 83 161 123

HSL 150.77, 0.32%, 0.48%

LAB 60.57, -33.2, 12.49

 

CMYK 24 / 48 / 0 / 37

HEX #7B53A1

RGB 123 83 161

HSL 270.77, 0.32%, 0.48%

LAB 42.72, 32.4, -36.14

 

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

CMYK 35 / 0 / 48 / 37

HEX #69A153

RGB 105 161 83

HSL 103.08, 0.32%, 0.48%

LAB 60.89, -33.35, 34.73

 

CMYK 48 / 25 / 0 / 37

HEX #5379A1

RGB 83 121 161

HSL 210.77, 0.32%, 0.48%

LAB 49.6, -1.95, -25.6

 

CMYK 14 / 48 / 0 / 37

HEX #8B53A1

RGB 139 83 161

HSL 283.08, 0.32%, 0.48%

LAB 44.59, 37.1, -33.07

 

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

CMYK 48 / 0 / 48 / 37

HEX #53A154

RGB 83 161 84

HSL 120.77, 0.32%, 0.48%

LAB 59.86, -40.32, 32.71

 

CMYK 48 / 25 / 0 / 37

HEX #5379A1

RGB 83 121 161

HSL 210.77, 0.32%, 0.48%

LAB 49.6, -1.95, -25.6

 

CMYK 0 / 48 / 1 / 37

HEX #A153A0

RGB 161 83 160

HSL 300.77, 0.32%, 0.48%

LAB 47.37, 43.49, -27.92

 

Description

Color code: HEX #A07B53 | qconv.com Color code: HEX #A07B53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 123 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 123 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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