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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07036 it is the complementary color #5F8FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07036 shade: #A57031, #B68244, #C79457, #D8A66A and #E9B87D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07036 shade: #A07036, #8F5E23, #7E4C10, #6D3A00 and #5C2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07036 shade: #A07035, #A05335, #A03635 and #A03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07036 shade: #A07035, #A08D35, #97A035, #7AA035 and #5DA035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07036 shade matches the following richer shades: #A07035, #B17124, #C37312 and #D47501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07036 shade: #A07035, #8F6E46, #7D6C58, #6C6B69 and #5B697A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07036 shade: #A03535, #A05235, #A06E35, #A08B35 and #99A035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07036 shade: #624420, #815A2B, #A07035, #BF8540 and #C9995F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07036 shade: #A07036, #52A035 and #4335A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07036 shade: #A07036, #35A06E and #6E35A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07036 shade: #A07036, #52A035, #3567A0 and #8435A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07036 shade: #A07036, #35A039, #3567A0 and #A0359D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

Complementary color

CMYK 53 / 29 / 0 / 21

HEX #5F8FC9

RGB 95 143 201

HSL 212.83, 0.5%, 0.58%

LAB 58.32, 0.39, -34.93

 

CMYK 0 / 32 / 70 / 35

HEX #A57031

RGB 165 112 49

HSL 32.59, 0.54%, 0.42%

LAB 51.62, 14.9, 42.31

 

CMYK 0 / 29 / 63 / 29

HEX #B68244

RGB 182 130 68

HSL 32.63, 0.46%, 0.49%

LAB 58.35, 13.48, 40.88

 

CMYK 0 / 26 / 56 / 22

HEX #C79457

RGB 199 148 87

HSL 32.68, 0.5%, 0.56%

LAB 64.97, 12.29, 39.41

 

CMYK 0 / 23 / 51 / 15

HEX #D8A66A

RGB 216 166 106

HSL 32.73, 0.59%, 0.63%

LAB 71.5, 11.28, 37.98

 

CMYK 0 / 21 / 46 / 9

HEX #E9B87D

RGB 233 184 125

HSL 32.78, 0.71%, 0.7%

LAB 77.93, 10.4, 36.63

 

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

CMYK 0 / 34 / 76 / 44

HEX #8F5E23

RGB 143 94 35

HSL 32.78, 0.61%, 0.35%

LAB 44.18, 14.54, 40.41

 

CMYK 0 / 40 / 87 / 51

HEX #7E4C10

RGB 126 76 16

HSL 32.73, 0.77%, 0.28%

LAB 37.19, 16.45, 41.17

 

CMYK 0 / 47 / 100 / 57

HEX #6D3A00

RGB 109 58 0

HSL 31.93, 1%, 0.21%

LAB 30.1, 18.75, 40.46

 

CMYK 0 / 57 / 100 / 64

HEX #5C2800

RGB 92 40 0

HSL 26.09, 1%, 0.18%

LAB 22.97, 21.48, 33.04

 

CMYK 0 / 30 / 67 / 37

HEX #A07035

RGB 160 112 53

HSL 33.08, 0.5%, 0.42%

LAB 51.06, 12.91, 39.54

 

CMYK 0 / 48 / 67 / 37

HEX #A05335

RGB 160 83 53

HSL 16.82, 0.5%, 0.42%

LAB 44.11, 29.25, 31.58

 

CMYK 0 / 66 / 67 / 37

HEX #A03635

RGB 160 54 53

HSL 0.56, 0.5%, 0.42%

LAB 38.5, 43.79, 24.8

 

CMYK 0 / 67 / 67 / 37

HEX #A03535

RGB 160 53 53

HSL 0, 0.5%, 0.42%

LAB 38.33, 44.23, 24.6

 

CMYK 0 / 30 / 67 / 37

HEX #A07035

RGB 160 112 53

HSL 33.08, 0.5%, 0.42%

LAB 51.06, 12.91, 39.54

 

CMYK 0 / 12 / 67 / 37

HEX #A08D35

RGB 160 141 53

HSL 49.35, 0.5%, 0.42%

LAB 58.77, -3.37, 47.9

 

CMYK 6 / 0 / 67 / 37

HEX #97A035

RGB 151 160 53

HSL 65.05, 0.5%, 0.42%

LAB 63.32, -17.44, 52.41

 

CMYK 24 / 0 / 67 / 37

HEX #7AA035

RGB 122 160 53

HSL 81.31, 0.5%, 0.42%

LAB 61.25, -29.57, 49.6

 

CMYK 42 / 0 / 67 / 37

HEX #5DA035

RGB 93 160 53

HSL 97.57, 0.5%, 0.42%

LAB 59.64, -40.36, 47.4

 

CMYK 0 / 30 / 67 / 37

HEX #A07035

RGB 160 112 53

HSL 33.08, 0.5%, 0.42%

LAB 51.06, 12.91, 39.54

 

CMYK 0 / 36 / 80 / 31

HEX #B17124

RGB 177 113 36

HSL 32.77, 0.66%, 0.42%

LAB 53.26, 19.05, 50.3

 

CMYK 0 / 41 / 91 / 24

HEX #C37312

RGB 195 115 18

HSL 32.88, 0.83%, 0.42%

LAB 55.99, 25.3, 59.51

 

CMYK 0 / 45 / 100 / 17

HEX #D47501

RGB 212 117 1

HSL 32.99, 0.99%, 0.42%

LAB 58.72, 31.2, 65.72

 

CMYK 0 / 30 / 67 / 37

HEX #A07035

RGB 160 112 53

HSL 33.08, 0.5%, 0.42%

LAB 51.06, 12.91, 39.54

 

CMYK 0 / 23 / 51 / 44

HEX #8F6E46

RGB 143 110 70

HSL 32.88, 0.34%, 0.42%

LAB 48.8, 7.86, 27.23

 

CMYK 0 / 14 / 30 / 51

HEX #7D6C58

RGB 125 108 88

HSL 32.43, 0.17%, 0.42%

LAB 46.7, 3.4, 13.67

 

CMYK 0 / 1 / 3 / 58

HEX #6C6B69

RGB 108 107 105

HSL 40, 0.01%, 0.42%

LAB 45.25, -0.01, 1.25

 

CMYK 25 / 14 / 0 / 52

HEX #5B697A

RGB 91 105 122

HSL 212.9, 0.15%, 0.42%

LAB 43.85, -1.15, -11.23

 

CMYK 0 / 67 / 67 / 37

HEX #A03535

RGB 160 53 53

HSL 0, 0.5%, 0.42%

LAB 38.33, 44.23, 24.6

 

CMYK 0 / 49 / 67 / 37

HEX #A05235

RGB 160 82 53

HSL 16.26, 0.5%, 0.42%

LAB 43.89, 29.8, 31.32

 

CMYK 0 / 31 / 67 / 37

HEX #A06E35

RGB 160 110 53

HSL 31.96, 0.5%, 0.42%

LAB 50.55, 14.05, 38.97

 

CMYK 0 / 13 / 67 / 37

HEX #A08B35

RGB 160 139 53

HSL 48.22, 0.5%, 0.42%

LAB 58.22, -2.27, 47.32

 

CMYK 4 / 0 / 67 / 37

HEX #99A035

RGB 153 160 53

HSL 63.93, 0.5%, 0.42%

LAB 63.48, -16.58, 52.62

 

CMYK 0 / 31 / 67 / 62

HEX #624420

RGB 98 68 32

HSL 32.73, 0.51%, 0.25%

LAB 31.43, 8.73, 26.51

 

CMYK 0 / 30 / 67 / 49

HEX #815A2B

RGB 129 90 43

HSL 32.79, 0.5%, 0.34%

LAB 41.46, 10.9, 32.92

 

CMYK 0 / 30 / 67 / 37

HEX #A07035

RGB 160 112 53

HSL 33.08, 0.5%, 0.42%

LAB 51.06, 12.91, 39.54

 

CMYK 0 / 30 / 66 / 25

HEX #BF8540

RGB 191 133 64

HSL 32.6, 0.5%, 0.5%

LAB 60.09, 15.46, 45.13

 

CMYK 0 / 24 / 53 / 21

HEX #C9995F

RGB 201 153 95

HSL 32.83, 0.5%, 0.58%

LAB 66.54, 11.09, 37.21

 

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

CMYK 49 / 0 / 67 / 37

HEX #52A035

RGB 82 160 53

HSL 103.74, 0.5%, 0.42%

LAB 59.15, -43.92, 46.73

 

CMYK 58 / 67 / 0 / 37

HEX #4335A0

RGB 67 53 160

HSL 247.85, 0.5%, 0.42%

LAB 30.1, 36.8, -56.13

 

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

CMYK 67 / 0 / 31 / 37

HEX #35A06E

RGB 53 160 110

HSL 151.96, 0.5%, 0.42%

LAB 59, -42.36, 17.39

 

CMYK 31 / 67 / 0 / 37

HEX #6E35A0

RGB 110 53 160

HSL 271.96, 0.5%, 0.42%

LAB 34.8, 45.39, -48.28

 

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

CMYK 49 / 0 / 67 / 37

HEX #52A035

RGB 82 160 53

HSL 103.74, 0.5%, 0.42%

LAB 59.15, -43.92, 46.73

 

CMYK 67 / 36 / 0 / 37

HEX #3567A0

RGB 53 103 160

HSL 211.96, 0.5%, 0.42%

LAB 42.76, 2.11, -35.83

 

CMYK 18 / 67 / 0 / 37

HEX #8435A0

RGB 132 53 160

HSL 284.3, 0.5%, 0.42%

LAB 37.82, 50.45, -43.26

 

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

CMYK 67 / 0 / 64 / 37

HEX #35A039

RGB 53 160 57

HSL 122.24, 0.5%, 0.42%

LAB 58.22, -51.06, 43.69

 

CMYK 67 / 36 / 0 / 37

HEX #3567A0

RGB 53 103 160

HSL 211.96, 0.5%, 0.42%

LAB 42.76, 2.11, -35.83

 

CMYK 0 / 67 / 2 / 37

HEX #A0359D

RGB 160 53 157

HSL 301.68, 0.5%, 0.42%

LAB 41.93, 56.63, -34.67

 

Description

Color code: HEX #A07036 | qconv.com Color code: HEX #A07036 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 112 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 112 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 66 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 66% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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