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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A076DB it is the complementary color #5F8924. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A076DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A076DB shade: #A576D6, #B688E9, #C79AFC, #D8ACFF and #E9BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A076DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A076DB shade: #A076DB, #8F64C8, #7E52B5, #6D40A2 and #5C2E8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A076DB shade: #9F76DA, #BA76DA, #D676DA, #DA76C3 and #DA76A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A076DB shade: #9F76DA, #8476DA and #7676DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A076DB shade matches the following richer shades: #9F76DA, #9D67E8 and #9B59F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A076DB shade: #9F76DA, #A284CC, #A492BE, #A6A0B0 and #A9AEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A076DB shade: #7683DA, #8376DA, #9E76DA, #B976DA and #D376DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A076DB shade: #7235C8, #8955D1, #9F76DA, #B696E3 and #CDB7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A076DB shade: #A076DB, #DA769E and #76DA76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A076DB shade: #A076DB, #DA9E76 and #76DA9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A076DB shade: #A076DB, #DA769E, #B2DA76 and #76DAB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A076DB shade: #A076DB, #DA7680, #B2DA76 and #76DAD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 46 / 0 / 14

HEX #A076DB

RGB 160 118 219

HSL 264.95, 0.58%, 0.66%

LAB 57.6, 36.85, -45.85

 

Complementary color

CMYK 31 / 0 / 74 / 46

HEX #5F8924

RGB 95 137 36

HSL 84.95, 0.58%, 0.34%

LAB 52.34, -30.63, 46.79

 

CMYK 23 / 45 / 0 / 16

HEX #A576D6

RGB 165 118 214

HSL 269.38, 0.54%, 0.65%

LAB 57.86, 37.05, -42.6

 

CMYK 22 / 42 / 0 / 9

HEX #B688E9

RGB 182 136 233

HSL 268.45, 0.69%, 0.72%

LAB 64.51, 36.21, -42.62

 

CMYK 21 / 39 / 0 / 1

HEX #C79AFC

RGB 199 154 252

HSL 267.55, 0.94%, 0.8%

LAB 71.06, 35.43, -42.65

 

CMYK 15 / 33 / 0 / 0

HEX #D8ACFF

RGB 216 172 255

HSL 271.81, 1%, 0.84%

LAB 76.87, 31.25, -35.11

 

CMYK 9 / 25 / 0 / 0

HEX #E9BEFF

RGB 233 190 255

HSL 279.69, 1%, 0.87%

LAB 82.58, 26.78, -26.22

 

CMYK 27 / 46 / 0 / 14

HEX #A076DB

RGB 160 118 219

HSL 264.95, 0.58%, 0.66%

LAB 57.6, 36.85, -45.85

 

CMYK 29 / 50 / 0 / 22

HEX #8F64C8

RGB 143 100 200

HSL 265.8, 0.48%, 0.59%

LAB 50.83, 37.79, -45.91

 

CMYK 30 / 55 / 0 / 29

HEX #7E52B5

RGB 126 82 181

HSL 266.67, 0.4%, 0.52%

LAB 43.95, 38.78, -45.97

 

CMYK 33 / 60 / 0 / 36

HEX #6D40A2

RGB 109 64 162

HSL 267.55, 0.43%, 0.44%

LAB 36.98, 39.8, -45.98

 

CMYK 36 / 68 / 0 / 44

HEX #5C2E8F

RGB 92 46 143

HSL 268.45, 0.51%, 0.37%

LAB 29.94, 40.73, -45.88

 

CMYK 27 / 46 / 0 / 15

HEX #9F76DA

RGB 159 118 218

HSL 264.6, 0.57%, 0.66%

LAB 57.45, 36.34, -45.53

 

CMYK 15 / 46 / 0 / 15

HEX #BA76DA

RGB 186 118 218

HSL 280.8, 0.57%, 0.66%

LAB 60.3, 43.88, -40.85

 

CMYK 2 / 46 / 0 / 15

HEX #D676DA

RGB 214 118 218

HSL 297.6, 0.57%, 0.66%

LAB 63.6, 51.89, -35.45

 

CMYK 0 / 46 / 11 / 15

HEX #DA76C3

RGB 218 118 195

HSL 313.8, 0.57%, 0.66%

LAB 63.18, 49.11, -23.13

 

CMYK 0 / 46 / 23 / 15

HEX #DA76A8

RGB 218 118 168

HSL 330, 0.57%, 0.66%

LAB 62.24, 44.96, -9.2

 

CMYK 27 / 46 / 0 / 15

HEX #9F76DA

RGB 159 118 218

HSL 264.6, 0.57%, 0.66%

LAB 57.45, 36.34, -45.53

 

CMYK 39 / 46 / 0 / 15

HEX #8476DA

RGB 132 118 218

HSL 248.4, 0.57%, 0.66%

LAB 54.99, 29.23, -49.59

 

CMYK 46 / 46 / 0 / 15

HEX #7676DA

RGB 118 118 218

HSL 240, 0.57%, 0.66%

LAB 53.89, 25.82, -51.41

 

CMYK 27 / 46 / 0 / 15

HEX #9F76DA

RGB 159 118 218

HSL 264.6, 0.57%, 0.66%

LAB 57.45, 36.34, -45.53

 

CMYK 32 / 56 / 0 / 9

HEX #9D67E8

RGB 157 103 232

HSL 265.12, 0.74%, 0.66%

LAB 54.76, 47.57, -57.7

 

CMYK 37 / 64 / 0 / 4

HEX #9B59F6

RGB 155 89 246

HSL 265.22, 0.9%, 0.66%

LAB 52.69, 57.88, -68.86

 

CMYK 27 / 46 / 0 / 15

HEX #9F76DA

RGB 159 118 218

HSL 264.6, 0.57%, 0.66%

LAB 57.45, 36.34, -45.53

 

CMYK 21 / 35 / 0 / 20

HEX #A284CC

RGB 162 132 204

HSL 265, 0.41%, 0.66%

LAB 60.38, 25.9, -33.05

 

CMYK 14 / 23 / 0 / 25

HEX #A492BE

RGB 164 146 190

HSL 264.55, 0.25%, 0.66%

LAB 63.48, 15.39, -20.37

 

CMYK 6 / 9 / 0 / 31

HEX #A6A0B0

RGB 166 160 176

HSL 262.5, 0.09%, 0.66%

LAB 66.81, 5.26, -7.5

 

CMYK 3 / 0 / 7 / 32

HEX #A9AEA2

RGB 169 174 162

HSL 85, 0.07%, 0.66%

LAB 70.4, -3.99, 5.54

 

CMYK 46 / 40 / 0 / 15

HEX #7683DA

RGB 118 131 218

HSL 232.2, 0.57%, 0.66%

LAB 57.22, 18.06, -46.13

 

CMYK 40 / 46 / 0 / 15

HEX #8376DA

RGB 131 118 218

HSL 247.8, 0.57%, 0.66%

LAB 54.91, 28.98, -49.72

 

CMYK 28 / 46 / 0 / 15

HEX #9E76DA

RGB 158 118 218

HSL 264, 0.57%, 0.66%

LAB 57.35, 36.07, -45.69

 

CMYK 15 / 46 / 0 / 15

HEX #B976DA

RGB 185 118 218

HSL 280.2, 0.57%, 0.66%

LAB 60.19, 43.59, -41.04

 

CMYK 3 / 46 / 0 / 15

HEX #D376DA

RGB 211 118 218

HSL 295.8, 0.57%, 0.66%

LAB 63.23, 51.03, -36.05

 

CMYK 43 / 74 / 0 / 22

HEX #7235C8

RGB 114 53 200

HSL 264.9, 0.58%, 0.5%

LAB 38.36, 56.15, -66.17

 

CMYK 34 / 59 / 0 / 18

HEX #8955D1

RGB 137 85 209

HSL 265.16, 0.57%, 0.58%

LAB 47.52, 46.88, -56.41

 

CMYK 27 / 46 / 0 / 15

HEX #9F76DA

RGB 159 118 218

HSL 264.6, 0.57%, 0.66%

LAB 57.45, 36.34, -45.53

 

CMYK 20 / 34 / 0 / 11

HEX #B696E3

RGB 182 150 227

HSL 264.94, 0.58%, 0.74%

LAB 67.5, 27.04, -34.64

 

CMYK 13 / 22 / 0 / 8

HEX #CDB7EB

RGB 205 183 235

HSL 265.38, 0.57%, 0.82%

LAB 77.78, 17.67, -23.03

 

CMYK 27 / 46 / 0 / 14

HEX #A076DB

RGB 160 118 219

HSL 264.95, 0.58%, 0.66%

LAB 57.6, 36.85, -45.85

 

CMYK 0 / 46 / 28 / 15

HEX #DA769E

RGB 218 118 158

HSL 336, 0.57%, 0.66%

LAB 61.94, 43.57, -3.93

 

CMYK 46 / 0 / 46 / 15

HEX #76DA76

RGB 118 218 118

HSL 120, 0.57%, 0.66%

LAB 79.22, -49.28, 40.2

 

CMYK 27 / 46 / 0 / 14

HEX #A076DB

RGB 160 118 219

HSL 264.95, 0.58%, 0.66%

LAB 57.6, 36.85, -45.85

 

CMYK 0 / 28 / 46 / 15

HEX #DA9E76

RGB 218 158 118

HSL 24, 0.57%, 0.66%

LAB 69.94, 17.55, 29.67

 

CMYK 46 / 0 / 28 / 15

HEX #76DA9E

RGB 118 218 158

HSL 144, 0.57%, 0.66%

LAB 79.88, -42.63, 20.64

 

CMYK 27 / 46 / 0 / 14

HEX #A076DB

RGB 160 118 219

HSL 264.95, 0.58%, 0.66%

LAB 57.6, 36.85, -45.85

 

CMYK 0 / 46 / 28 / 15

HEX #DA769E

RGB 218 118 158

HSL 336, 0.57%, 0.66%

LAB 61.94, 43.57, -3.93

 

CMYK 18 / 0 / 46 / 15

HEX #B2DA76

RGB 178 218 118

HSL 84, 0.57%, 0.66%

LAB 82.33, -29.3, 44.77

 

CMYK 46 / 0 / 18 / 15

HEX #76DAB2

RGB 118 218 178

HSL 156, 0.57%, 0.66%

LAB 80.3, -38.58, 10.68

 

CMYK 27 / 46 / 0 / 14

HEX #A076DB

RGB 160 118 219

HSL 264.95, 0.58%, 0.66%

LAB 57.6, 36.85, -45.85

 

CMYK 0 / 46 / 41 / 15

HEX #DA7680

RGB 218 118 128

HSL 354, 0.57%, 0.66%

LAB 61.15, 39.91, 12.16

 

CMYK 18 / 0 / 46 / 15

HEX #B2DA76

RGB 178 218 118

HSL 84, 0.57%, 0.66%

LAB 82.33, -29.3, 44.77

 

CMYK 46 / 0 / 5 / 15

HEX #76DAD0

RGB 118 218 208

HSL 174, 0.57%, 0.66%

LAB 81.04, -31.71, -4.19

 

Description

Color code: HEX #A076DB | qconv.com Color code: HEX #A076DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 118 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 118 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 46 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 46% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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